8 853 résultats
2006156849Columbia NC: HPE Rights 2006. Shooting script for the 2007 neo-noir film.<br /> <br /> Based on the 1975 novel by Brian Garfield the sequel to his 1972 novel "Death Wish." Kevin Bacon seeks revenge after seeing his son killed in a gang initiation. <br /> <br /> Set in Columbia South Carolina shot on location in Columbia South Carolina and Los Angeles. <br /> <br /> Front wrapper dated 8/11/06 noted as Shooting Script with credits for screenwriter Ian Mackenzie Jeffers. 126 leaves with last page of text numbered 106. Xerographic duplication rectos only with pink and yellow revision pages throughout dated variously between 9/13/06 and 9/14/06. Pages Near Fine bound with two gold brads.<br /> <br /> Grant US Neo-Noir. HPE Rights unknown
1980152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br /> <br /> A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br /> <br /> Set and shot on location in London. <br /> <br /> Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown
1980152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br/><br/>A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br/><br/>Set and shot on location in London. <br/><br/>Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br/><br/>Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
1974160034Hollywood: Paramount Television / Leda Productions 1974. Second Draft script for Season 1 Episode 1 of the 1975 television series. Copy belonging to an uncredited sound engineer with his name and title on the front wrapper in manuscript ink. <br /> <br /> The first adaptation to celluloid of hardboiled Southern California private eye Lew Archer a character originally created by novelist Ross Macdonald. In this episode Archer investigates a con man exploiting naive teenagers out of their parents' money. The episode originally aired on January 30 1975 on NBC. <br /> <br /> Orange titled wrappers noted as SECOND DRAFT on the front wrapper dated December 9 1974. Title page present noted as SECOND DRAFT dated December 9 1974 with credits for screenwriter David P. Harmon and novelist Ross Macdonald. 66 leaves with last page of text numbered 61. Xerographic duplication rectos only with blue revision pages throughout dated 12/12/74. Pages Near Fine wrapper Near Fine bound with two gold brads. Paramount Television / Leda Productions unknown
2000163294N.p.: N.p. 2000. Writer's First Draft script for an unproduced episode of the 2000 television series. <br /> <br /> In this one season procedural a cop moves from Los Angeles to an eccentric town in Arizona after the mysterious death of his wife. In this episode a man's wife goes missing and he suspects she has been having an affair. <br /> <br /> Set in Manhattan Arizona. <br /> <br /> White titled self-wrappers noted as Writer's First Draft on the front wrapper dated June 26 2000 with credits for screenwriter Lorraine Vos. Title page integral with front wrapper. 29 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with damp staining to the front wrapper bound with two gold brads. N.p. unknown
140830N.p.: N.p. Draft script for an unproduced film. With a single notation in manuscript ink. <br /> <br /> Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caesar's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. <br /> <br /> Set in California and Nevada. <br /> <br /> White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown
140830N.p.: N.p. Draft script for an unproduced film. With a single notation in holograph ink. <br/><br/>Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caeser's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. <br/><br/>Set in California and Nevada. <br/><br/>White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
1977137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. <br /> <br /> Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. <br /> <br /> A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. <br /> <br /> Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br /> <br /> Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown
1977137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. <br/><br/>Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. <br/><br/>A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. <br/><br/>Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
1952160138Neuilly-sur-Seine France: Cite Films 1952. Three vintage reference photographs from the 1952 film. <br /> <br /> A man's uncle dies leaving him to inherit his uncle's inn but only if he can pass a final primary school exam. Brigitte Bardot's first film role. <br /> <br /> Shot on location in Conches-en-Ouche Eure France. <br /> <br /> 10 x 8 inches. Near Fine. Cite Films unknown
1973167109N.p.: N.p. 1973. Vintage oversize borderless color reference photograph from the 1973 French film showing Brigitte Bardot and Jane Birkin in bed together. <br /> <br /> Director Roger Vadim's attempt to explore women's sexual liberation by changing the classical figure of Don Juan into a woman here played by Bardot in her fifth film with Vadim. <br /> <br /> Shot in Paris. <br /> <br /> 11.75 x 9.5 inches. Very Good with some light wear at the corners but still quite bright and clean. N.p. unknown
1967169587Brussels: Metropolitan Films 1967. Vintage oversize reference photograph from the set of the 1967 film showing actress Brigitte Bardot laying out in the hay. Metropolitan Films stamp on the verso.<br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 12 x 9.75 inches. Very Good plus with some foxing at the edges of the verso not visible on the recto see images. Metropolitan Films unknown
1967152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With layout annotations in pencil on the verso along with a provenance stamp. <br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 with wide side margins. Near Fine. N.p. unknown
1967151850Los Angeles: Paramount Pictures 1967. Five vintage reference photographs from the 1967 film all featuring actress Brigitte Bardot. Four with printed mimeo snipes affixed to the verso. <br /> <br /> From the collection of noted British film producer John Palmer.<br /> <br /> A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br /> <br /> Shot on location in London and Paris. <br /> <br /> 8 x 10 inches. Very Good moderately toned and lightly creased. Paramount Pictures unknown
1934167636Berlin: Universum Film UFA 1934. Vintage photograph showing a set design illustration from the 1934 German film. <br /> <br /> A scientist's attempts to transform lead into gold attract the attention of a shady British industrialist. An attempt to capitalize on the success of previous science fiction films "Metropolis" 1927 and "The Tunnel" 1933 and the only science fiction film made while UFA was under the control of the Third Reich. <br /> <br /> Shot on location in Kiel Germany. <br /> <br /> 8 x 10 inches. Very Good plus slightly wavy at the top edge and moderately worn on the bottom and right edges. Universum Film [UFA] unknown
1978160654N.p.: N.p. 1978. Two vintage oversize borderless double weight color reference photographs from the 1978 adult film. Labels affixed to versos noting the film's French title. <br /> <br /> A man's increasingly obsessive thoughts about his next-door neighbor lead his wife to force him into sex therapy. <br /> <br /> 11.75 x 9.5 inches. About Near Fine.<br /> <br /> Bier 793. N.p. unknown
1978170356N.p.: N.p. 1978. Vintage borderless double weight color reference photograph from the 1978 adult film. Labels affixed to versos noting the film's French title. <br /> <br /> A man's increasingly obsessive thoughts about his next-door neighbor lead his wife to force him into sex therapy. <br /> <br /> 9.5 x 7 inches. About Fine. <br /> <br /> Bier 793. N.p. unknown
1980160698N.p.: N.p. 1980. Three vintage oversize color reference photographs from the 1980 French adult film all three showing actress Brigitte Lahaie. <br /> <br /> After the closure of her establishment by the police a madam decides to open a new brothel in the disguise of a private all-girls school. <br /> <br /> 12 x 9.5 inches. Very Good plus.<br /> <br /> Bier 1327. N.p. unknown
1967152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With cropping annotations in pencil on the verso along with a provenance stamp. <br/><br/>A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br/><br/>Shot on location in London and Paris. <br/><br/>8 x 10 with wide side margins. Near Fine. N.p. unknown books
1987WRCLIT68132Burbank: Warner Bros. 1987. 11301 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in studio logo wrappers. Faint handsoiling to white wrappers else near fine. An unspecified draft of this original screenplay by the Academy Award winning screenwriter for GANDHI CRY FREEDOM SANDINO and many others. The script in hand treats among other topics the plight of refugees from Latin American police states and appears to be unproduced though sharing concerns with SANDINO. Warner Bros. unknown books
1989167211Hollywood: Austin Enterprises 1989. Draft script for the 1989 film seen here under the working title "Beverly Hills Vampire." Copy belonging to makeup artist Richard Miranda with his name in manuscript ink on the front wrapper and his annotations throughout. Laid in with the script is a five-day shooting schedule along with a call sheet dated May 24 1988. <br /> <br /> A straight-to-video comedy about three nerds who hook up with vampiric call girls during a trip to Hollywood.<br /> <br /> Set and shot on location in Beverly Hills.<br /> <br /> Blue titled wrappers. Missing title page. 91 leaves with last page of text numbered 91. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound with three gold brads. Austin Enterprises unknown
1996163604Los Angeles: Neo Motion Pictures 1996. Draft script for the 1997 film seen here under the working titles "Road to Ruin" and "Driven." Working copy belonging to actor Sean Moran with his annotations in manuscript pencil on the title page front wrapper and nine pages of the script and two call sheets laid in. A then-new blend of martial arts and traditional fist-and-guns action that has become a cult classic.<br /> <br /> A Hong Kong man with an experimental implant which gives him super-strength and speed must flee from Chinese mercenaries who have been employed to steal the device.<br /> <br /> Shot on location in Santa Clarita Los Angeles and Lancaster California. <br /> <br /> Gray generic Neo Motion Pictures wrappers. Title page present dated 1.2.96 noted as Draft with credits for screenwriter Scott Phillips and storywriter Anthony Trifiletti. 104 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound with two gold brads. Neo Motion Pictures unknown
1977WRCLIT69500Bel Air West Los Angeles: Simon Productions / 20th C. Fox 1977. 1130 leaves plus lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in hot-stamped stiff card wrapper. Title handlettered on spine but very good or better. Copy #85 of an unidentified but revised early draft of Marcus's adaptation of Brodeur's novel. Richard Rush directed the June 1980 release starring Peter O'Toole in an Oscar and Golden Globe nominated role Steve Railsback Barbara Hershey et al and Rush was co-credited for the final screenplay. Marcus and Rush shared Oscar and Golden Globe nominations for the adaptation. [Simon Productions / 20th C. Fox] unknown books
1979167218N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1976152241N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 1 "Edie Gets Married" of the classic television series which aired on September 13 1975 printed on yellow pages.<br/><br/>Lou is taken aback when his ex-wife Edie Priscilla Morrill announces she is getting married. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Yellow self wrappers integral with title page with "Revised" dated July 23 1975 with credits for screenwriter Bob Ellison. 48 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. MTM Enterprises unknown books
