Drew Carey, John Caponera, Eve Gordon (starring); Wendy Braff (screenwriter); Gerry Cohen (director)Biblio.com
4 698 résultats
1993162690Burbank CA: Touchstone Television 1993. Table Draft script for Season 1 Episode 10 of the 1994 television series seen here under the working title "The Bowmans." <br /> <br /> Based on a character created by stand-up comedian John Caponera the series followed John Bowman a working class middle manager and family man as he attempted to balance work and family and improve his lot in life. In this installment John's son Bob takes his first-grade class on a field trip to his father's warehouse. Originally aired on March 22 1994 on NBC.<br /> <br /> Green titled wrappers dated August 11 1993 on the front wrapper noted as TABLE DRAFT with credits for screenwriter Wendy Braff and director Gerry Cohen. Title page present dated August 11 1993 noted as TABLE DRAFT with credits for Braff and Cohen. 45 leaves with last page of text numbered 42. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Touchstone Television unknown
1993162689Burbank CA: Touchstone Television 1993. Revised Table Draft script for Season 1 Episode 11 of the 1994 television series seen here under the working title "The Bowmans." Copy belonging to producer Steve Sustarsic with his name on a printed label on the title page and his annotations in manuscript ink throughout. <br /> <br /> Based on a character created by stand-up comedian John Caponera the series followed John Bowman a working class middle manager and family man as he attempted to balance work and family and improve his lot in life. In this installment John discovers his daughter has been shoplifting at a local department store. Originally aired on March 29 1994 on NBC.<br /> <br /> Self wrappers dated August 19 1993 on the front wrapper noted as REVISED TABLE DRAFT with credits for screenwriter Suzanne Martin and director Gerry Cohen. Title page integral with the front wrapper. 47 leaves with last page of text numbered 41. Xerographic duplication on yellow stock rectos only with pink revision pages dated 8/19/93 throughout. Pages Very Good plus wrapper Very Good plus partially bound with a gold brad. Touchstone Television unknown
1993147073Los Angeles: Orbit Entertainment 1993. Draft script for the 1993 film here under the working title "Cross Bait."<br /> <br /> After being accidentally given an invaluable coin from the age of King Herod while traveling through Jerusalem an Arabic boy and an American teenager travel across Israel to protect the treasure from a British man obsessed with procuring the coin by any means. <br /> <br /> Set and shot in Jerusalem.<br /> <br /> Pink untitled wrappers. Title page present with credits for screenwriters Dror Soref and Howard Delman. 127 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good plus wrapper Good lightly dampstained and soiled bound with three gold brads. Orbit Entertainment unknown
1982138021N.p.: Self published 1982. Early Draft script for the 1993 film "The Seventh Coin" here under the working title "King Herod's Children" dated a full decade before the film's release. Credited on the title page to Kikuo Kawasaki for an original concept. <br /> <br /> An Arab boy Chowdhry meets a beautiful American tourist Powers in modern-day Jerusalem. By accident the two are entrusted to guard a valuable coin dating back to King Herod but they must defend themselves and the coin from a no-good villain O'Toole. <br /> <br /> Red titled wrappers. Title page present dated 1982 with credits for screenwriters Delman and Soref and concept person Kawasaki. 128 leaves with last page of text numbered 126. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Self published unknown
1967164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. <br /> <br /> A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. <br /> <br /> Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. <br /> <br /> Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. <br /> <br /> A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1984141892Munich: Bayerischer Rundfunk 1984. Draft script for the 1986 film. Text in German. <br /> <br /> A lawyer survives a plane crash and uses his new found lust for life to take on a new identity and start again. Based on a novel of the same title by Johannes Mario Simmel. <br /> <br /> Clear untitled wrappers. Title page present dated October 12 1984 with credits for screenwriter Johannes Mario Simmel. 146 leaves with last page of text numbered 144. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with white velo binding. Bayerischer Rundfunk unknown
1959159902Los Altos CA: Carlyle Productions / Columbia Pictures 1959. Two vintage reference photographs taken on the set of the 1959 film one showing Duke Ellington working on the film score and the other showing Ellington laughing with Billy Strayhorn. Carlyle Productions stamps on the versos.<br /> <br /> The first major Hollywood film to feature a score by an African American composer. Composed by Ellington and Strayhorn and performed by Ellington's Orchestra the score won three Grammy Awards in 1959.<br /> <br /> Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards.<br /> <br /> Set and shot on location in Michigan.<br /> <br /> One 8 x 10 inches the other 10 x 8 inches. Near Fine.<br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Carlyle Productions / Columbia Pictures unknown
1959158510N.p.: N.p. 1959. Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> The first major Hollywood film to feature a score by an African American composer. The jazz score composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra won three Grammy Awards in 1959.<br /> <br /> Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards.<br /> <br /> Set and shot on location in Michigan.<br /> <br /> 10 x 8 inches. Near Fine lightly faded with a hint of creasing at the corners. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. N.p. unknown
1974141659N.p.: N.p. 1974. Bound collection of research materials for an unproduced film. <br /> <br /> A collection of quotes stories accounts of life-changing accounts reviews and a discography of Edward Kennedy "Duke" Ellington who passed away the same year this archive was assembled.<br /> <br /> Blue untitled wrappers. Title page present dated August/September 1974 noted as Research File with credits for research Michael Barlow. 54 leaves with last leaf of text numbered 53. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1989141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in manuscript ink. <br /> <br /> EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. <br /> <br /> Shot on location in San Francisco Los Angeles and New York City. <br /> <br /> White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown
1970144148N.p.: N.p. 1970. Draft script for an unproduced film. With occasional manuscript annotations in blue ink throughout. <br /> <br /> Adapted for the screen from Alan Morris' 1970 novel "The Tale Of The Lazy Dog." A ragtag group consisting of an Irish journalist a French woman married to a man in the CIA a mercenary pilot and a shameless adventurer are amuck in the war torn region of Laos Cambodia and Vietnam attempting to extort one and a half billion dollars. <br /> <br /> Set in Laos Cambodia and Vietnam. <br /> <br /> Blue titled wrappers. Title page present noted as with credits for screenwriter Dursley Berkeley and novelist Alan Williams. 112 with last page of text numbered 114. Mechanical duplication. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1967157289N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. <br /> <br /> A young switchboard operator begins a relationship with a serious beau but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. <br /> <br /> Two photographs 7 x 5 inches one photograph 10 x 8 inches. Near Fine.<br /> <br /> Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. <br /> <br /> Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. <br /> <br /> 10 x 8.25 inches. Very Good plus in stiff wrappers. <br /> <br /> Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown
1969167757N.p.: N.p. 1969. Vintage oversize borderless satin-finish reference photograph from the 1969 film showing Dustin Hoffman and Mia Farrow reading together in robes. Cahiers du Cinéma stamp on the verso.<br /> <br /> Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City.<br /> <br /> Shot on location in New York City.<br /> <br /> 13.5 x 10.5 inches. Near Fine. N.p. unknown
1969154541N.p.: Debrod Productions Inc 1969. Third Draft script for the 1969 film dated January 13 1969 noted as copy No. 24 in manuscript ink at the top right of the title page. Three sets of revision pages blue green and pink laid in.<br /> <br /> Based on Mervyn Jones' 1966 novel following a man and a woman who meet in a singles bar sleep together and spend the subsequent day learning about one another. One of the earliest New Hollywood dramas an examination of the uncertainties of young adulthood during an age of turbulence set within the hookup culture of late 1960s New York City.<br /> <br /> Shot on location in New York City.<br /> <br /> Red titled Studio Duplicating Service wrappers. Title page present dated Jan. 13 1969 noted as Final Version / Third Draft with credits for screenwriter John Mortimer and author Mervin Jones. 118 leaves with last page of text numbered 118. Mimeograph duplication rectos only with blue green and pink revision pages laid in dated variously between 1/27/69 and 3/4/69. Pages Near Fine wrapper Very Good plus bound with three gold screw brads. Debrod Productions, Inc unknown
1974161305N.p.: N.p. 1974. Vintage borderless double weight reference photograph from the 1974 film showing Dustin Hoffman in a mug shot as Lenny Bruce. Printed mimeo snipe affixed to the verso. <br /> <br /> Bob Fosse's third directorial effort and first non-musical. A tour de force shot in black-and-white in a documentary style interspersed with interviews jumping back and forth from Bruce's early rise to fame to his twilight days and eventual death. Nominated for six Academy Awards including Best Picture Best Director and Best Screenplay. Nominated for the Palme d'Or.<br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1971151299N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing actor Dustin Hoffman in character standing next to a blow-up print of a TIME Magazine issue with his face on the cover. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A wealthy pop songwriter writes most of his songs about love but has no luck with romance in his personal life. <br /> <br /> Set and shot on location in New York. <br /> <br /> 10 x 8 inches. Very Good plus overall. N.p. unknown
1924171349Beverly Hills CA: D.W. Griffith Productions / United Artists 1924. Two vintage studio still photographs from the 1924 silent film one showing Carol Dempster and Neil Hamilton the other showing Hamilton alone. Both with "Made in USA" stamps on the versos. <br /> <br /> Based on a short story by Geoffrey Moss originally published in his 1923 book "Defeat." After World War I Polish immigrants relocate to Germany only to find themselves struggling to survive as the country faces political and financial turmoil. <br /> <br /> Shot on location in Germany and Austria. <br /> <br /> 8 x 10 inches. Very Good or better. D.W. Griffith Productions / United Artists unknown
1921154519Beverly Hills CA: United Artists 1921. Vintage reference photograph from the 1921 silent film showing a rowdy street scene. Manuscript pencil layout annotations on the verso along with a number stamp reading B 629. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> Based on the 1874 play "Les Deux Orphelines" by Adolphe d'Ennery and Eugene Cormon about two sisters who are caught up in the events of the French Revolution. The last film directed by D.W. Griffith to feature sisters Lillian and Dorothy Gish.<br /> <br /> Set in France. <br /> <br /> 10 x 8 inches. Very Good plus overall. United Artists unknown
1923171351Beverly Hills CA: D.W. Griffith Productions / United Artists 1923. Vintage studio still photograph from the 1923 film showing Mae Marsh and Ivor Novello. "Made in USA" stamp on the verso.<br /> <br /> A wealthy aristocrat graduates from a seminary and decides to set out to see the world before taking charge of his parish. Traveling to New Orleans he finds himself falling in love with an impoverished orphaned woman. <br /> <br /> Shot on location in Florida and Louisiana including in New Iberia and St. Martinville. <br /> <br /> 10 x 8 inches. Very Good plus lightly toned with pinholes at the corners. D.W. Griffith Productions / United Artists unknown
1969162573N.p.: Boxoffice International 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. <br /> <br /> A sailor on leave commences a bed-hopping binge to end them all. <br /> <br /> 8 x 10 inches. Near Fine. Boxoffice International unknown
1946126189Universal City CA: Universal Pictures 1946. Post-production Continuity and dialogue script for the 1946 film. <br /> <br /> Phyllis Allenby Lockhart has an ancient curse on her family cast by a pack of wolves. After a series of local murders she is convinced she and her werewolf curse are to blame for she finds her belongings muddied torn and streaked with blood almost every morning. A greedy aunt eventually confesses to framing Phyllis in attempt to retain the Allenby's family fortune and suddenly dies by falling down a flight of stairs and onto a knife. With all the right elements of atmosphere eerie stringed instrumentation as the score and impeccable effects the film was not well received. Stands unique in the werewolf pantheon with a woman as the accursed and no werewolf actually seen. <br /> <br /> White titled wrappers dated MARCH 25 1946 production No. 1484 with credits for director Yarbrough actors Don Porter and Lloyd Corrigan and actresses June Lockhart Sara Haden and Jan Wiley. 83 leaves mimeograph duplication. <br /> <br /> Pages Very Good plus or better with a few tiny chips short creases and small closed tears at the extremities and some offsetting to the wrappers bound with two gold brads. Wrappers now encapsulated in mylar. <br /> <br /> Weaver Universal Horrors. Universal Pictures unknown
1974140871N.p.: N.p. 1974. Treatment script for an unproduced film. <br /> <br /> Follows the travels of a Vietnam veteran and expatriate living abroad in France.<br /> <br /> Set in Paris. <br /> <br /> Red titled wrappers with credits for screenwriter E. Lourie. Title page present dated 1974 with credits for screenwriter Lourie. 21 leaves unnumbered. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1950136078Culver City CA: Columbia Pictures 1950. Vintage black-and-white keybook photograph from the 1950 film noir. Shown are Ellen Keyes pursued onto a window ledge by a policeman. Advertising Council approval stamp and Columbia Studios stamp on the verso. <br /> <br /> 8 x 11 inches. Near Fine with two keybook hole punches to the left margin as called for. <br /> <br /> Grant p. 349. Spicer p. 412. Columbia Pictures unknown
