4 698 résultats
1979163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso.<br /> <br /> Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. <br /> <br /> Shot on location in Mexico the Czech Republic the Netherlands and Germany. <br /> <br /> 9.5 x 7 inches. Near Fine.<br /> <br /> BFI 2030. Ebert IV. N.p. unknown
1979151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material.<br /> <br /> Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula.<br /> <br /> Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. <br /> <br /> Shot on location in Mexico the Czech Republic the Netherlands and Germany. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> BFI 2030. Ebert IV. Twentieth Century-Fox unknown
1979139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. <br /> <br /> Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. <br /> <br /> 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1979132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. <br /> <br /> From the collection of noted film historian Amos Vogel. Full provenance available. <br /> <br /> 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown
1942145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe manuscript annotations and an studio stamp on the verso. <br /> <br /> Based on a series of short stories by Jennie Harris Olver published in the 1930s. <br /> Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1940164648Universal City: Universal Pictures 1940. Vintage publicity photograph of W.C. Fields with Una Merkel and Evelyn Del Rio from the 1940 film. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> An American comedy classic wherein W.C. Fields stars as a drunk who accidentally thwarts a bank robbery and becomes the bank security as the result. <br /> <br /> Shot on location in Lompoc California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 78. Ebert II. Universal Pictures unknown
1940150392Universal City: Universal Pictures 1940. Two vintage reference photographs from the set of the 1940 film. One with a printed mimeo snipe affixed to the verso. <br /> <br /> Egbert Souse a slovenly drunk finds himself in several different positions of employment through sheer luck and happenstance. After being hired on the spot to replace a film crew's no-show movie director Souse unintentionally thwarts a bank robbery and is immediately offered a job as a security guard. <br /> <br /> 8 x 10 inches. Very Good plus lightly creased on the edges. Universal Pictures unknown
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1973160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso.<br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown
1973154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. <br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1960147008N.p.: N.p. 1960. Treatment script for an unproduced film. With a few small manuscript pencil annotations mostly revising spelling mistakes.<br /> <br /> When an aging musician meets a handsome younger man she sees the autumn romance as a way out of her stagnant life with her sister-but not all is as it seems. Screenwriter Warren Burton was better known as an actor for film and television most notably in "All My Children" from 1978-1979.<br /> <br /> Set in New York. <br /> <br /> Salmon titled wrappers. Title page present with credits for screenwriter Warren Burton. 38 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1966162289N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 British film showing actress Susannah York. Annotations in manuscript ink on the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A roving gambler breaks into a playing card manufacturing facility to mark the cards in order to win big at casinos across Europe. <br /> <br /> Set in Geneva and Monte Carlo.<br /> <br /> 8 x 10.25 inches. Near Fine. N.p. unknown
1980150116N.p.: N.p. 1980. Collection of materials related to post-production editing for the 1981 film including notes on film reels and pages of proposed sequences for each reel. <br /> <br /> Director screenwriter and actor Warren Beatty's epic political drama which follows a left-wing American journalist who becomes involved with the Bolshevik Revolution in Russia. Nominated for twelve Academy Awards winning three for Best Director Best Supporting Actress and Best Cinematography.<br /> <br /> 16 pages housed in a clear blue plastic folder. Near Fine. N.p. unknown
1981127476N.p.: N.p. 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Director screenwriter and actor Warren Beatty's epic political drama which follows a left-wing American journalist who becomes involved with the Bolshevik Revolution in Russia. Nominated for twelve Academy Awards winning three for Best Director Best Supporting Actress and Best Cinematography.<br /> <br /> 27 x 41 inches. Very Good plus with light edgewear and creasing to the top right corner. N.p. unknown
1975162393Culver City CA: Columbia Pictures 1975. Five vintage borderless reference photographs from the 1975 film. Two with printed mimeo snipes affixed to the versos and three with Columbia stamps on the versos.<br /> <br /> A New Hollywood satire about a womanizing money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses and Beatty and Towne were nominated for their screenplay. <br /> <br /> Set and shot on location in California. <br /> <br /> 10 x 8 inches. Near Fine. Columbia Pictures unknown
1975155790Culver City CA: Columbia Pictures 1975. Two vintage borderless reference photographs from the 1975 film showing actors Warren Beatty and Julie Christie. Printed mimeo snipe affixed to the verso of one photograph.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A New Hollywood satire about a womanizing money-hungry hairdresser in Beverly Hills. Actress Lee Grant won her only Academy Award for her turn as one of Beatty's mistresses and Beatty and Towne were nominated for their screenplay. <br /> <br /> Set and shot on location in California. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
1972139070London: Anglo-EMI 1972. Original British quad poster for the 1972 UK film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> Film adaptation of the 1970 six-part television miniseries "The Six Wives of Henry VIII." <br /> King Henry VIII Mitchell reminisces about his past marriages and their demise. Henry's wives were Catherine Parr Barbara Leigh-Hunt Catherine Howard Lynne Frederick Anne of Cleves Jenny Bos Jane Seymour Asher Anne Boleyn Rampling and Catherine of Aragon Frances Cuka. <br /> <br /> Shot on location in Spain and Turkey. <br /> <br /> 30 x 40 inches folded as issued. Light fold stress else Near Fine. Scarce. Anglo-EMI unknown
1968142320N.p.: Amicus Productions 1968. Draft script for the 1969 film. Typed Letter Signed in manuscript ink laid in three pages total dated August 21 1968. Based on the 1965 novel "The Millstone" by Margaret Drabble and adapted by her to the screen. <br /> <br /> Produced by Amicus Productions a company typically known for its blood-drenched horror films. Venturing into another genre the studio produced this drama that follows Rosamund Stacey Dennis a bookish doctoral candidate who is perpetually dodging the sexual advances of the men in her life. This comes to an end when she meets George Matthews McKellen. The film was not a box office success on its release but is today viewed as one of the best films made by the studio. <br /> <br /> Set in London shot on location there. <br /> <br /> Green untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Margaret Drabble. 135 leaves with last page of text numbered 134. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Amicus Productions unknown
1954156141N.p.: N.p. 1954. Vintage program for the 1954 German film. Text and titles in German. <br /> <br /> A German spy finds herself in debt to the man who saved her life during the Spanish Civil War years before leading her into the dangerous world of illegal weapons smuggling. <br /> <br /> 7.25 x 10.5 inches. Bifold. Near Fine. N.p. unknown
1980151112Universal City: Universal Pictures 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing 21 black and white photographs and 9 gatherings of promotional reading material.<br /> <br /> A crooked cantankerous bookie in 1930s Los Angeles is given a six-year-old little girl as collateral for a bet and soon finds himself the child's sole caretaker. A remake of the 1934 film directed by Alexander Hall starring Shirley Temple. <br /> <br /> Set and shot on location in Los Angeles Long Beach Sonora County and Santa Rosa California. <br /> <br /> Folder photographs and promotional material Very Good plus. Universal Pictures unknown
160172Los Angeles: Twentieth Century-Fox 1977. Final Draft script for the 1978 film. A unique script in terms of the narrative with each scene described in fragmented sentences. <br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> Cream titled wrappers dated May 23 1977. Title page present dated May 23 1977 noted as FINAL with a credit for Hill. 114 leaves with last page of text numbered 111. Xerographic duplication on blue stock rectos only. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
1978161019Los Angeles: Twentieth Century-Fox 1978. Complete set of eight color studio still photographs for the 1978 film. Stamp of Consolidated Theatre Services of Canada on the versos. <br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
1978149435Los Angeles: Twentieth Century-Fox 1978. Vintage matte black-and-white reference photograph of director Walter Hill and actor Isabelle Adjani on the set of the 1978 film. With manuscript ink and pencil annotations on the verso.<br /> <br /> Director Walter Hill's existential neo-noir heavily influenced by Jean-Pierre Melville's "Le Samourai" 1967 with some of the finest car-chase sequences ever committed to celluloid. The film follows a skilled getaway driver whose elusive escapes torment a self-assured police detective driving the detective to the brink of obsession.<br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Silver and Ward US Neo-Noir. Spicer US. Twilight Time 53. Twentieth Century-Fox unknown
1950149951N.p.: N.p. 1950. Draft script for an unproduced film. <br /> <br /> Based on Walter D. Edmonds' 1942 novel which follows a young man who moves to New York in the early 19th century where he seeks employment in an importing/exporting business. Screenwriter Leonard Lee was best known for his espionage crime and action films in the 1940s and 1950s including "Whispering City" 1947 "Spy Hunt" and "Wyoming Mail" 1950 "Smuggler's Island" 1951 and "The Glass Web" 1953.<br /> <br /> Green textured faux-leather wrappers with a label affixed on the front wrapper with credits for screenwriter Leonard Lee and novelist Walter D. Edmonds. Title page present with credits for screenwriter Leonard Lee and novelist Walter D. Edmonds. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. N.p. unknown
1976147023N.p.: Constantin-Film 1976. Vintage French-Canadian poster for the 1974 German film "Magdalena vom Teufel besessen" released in the US as "Beyond the Darkness" "Magdalena Possessed by the Devil" and "The Devil's Female." With the latter title tipped on to the poster demonstrating the ad hoc distribution process for grindhouse and exploitation films which often saw titles change at a moment's notice to better catch the public's attention and sometimes trick them into seeing a film they've already seen.<br /> <br /> German sexploitation knock-off of William Friedkin's 1973 horror classic "The Exorcist" about a student at a girl's boarding school who is possessed by a demon.<br /> <br /> 22 x 34 inches folded as issued. Very Good with some light edgewear several small closed tears to right edge pinholes to corners and light rubbing to center text but still bright and unfaded. Constantin-Film unknown
