Werner Herzog (director, screenwriter); Klaus Kinski, Claudia Cardinale, Jose Lewgoy (starring)Biblio.com
8 853 résultats
1982152423N.p.: N.p. 1982. Vintage borderless reference photograph of director Werner Herzog with actors Klaus Kinski Grande Otelo and Miguel Angel Fuentes on the set of the 1982 film. With manuscript ink and pencil annotations on the verso. <br /> <br /> Early twentieth century rubber baron Brian Sweeney Fitzgerald funds his dream to build an opera house in the Peruvian Amazon by hauling a huge river boat laden with rubber across a mountain. Werner Herzog's astonishing outrageous and downright insane masterpiece the subject of Les Blank's remarkable documentary "Burden of Dreams" 1982. <br /> <br /> Set and shot on location in Peru and Brazil. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> BFI 2032. Ebert III. N.p. unknown
1982146134Vienna: Werner Herzog Filmproduktion 1982. Vintage borderless studio photograph of Werner Herzog Klaus Kinski and Claudia Cardinale on the set of the 1982 film. Francois Frederic stamp on the verso. <br /> <br /> Herzog's brilliant bold and audacious "Fitzcarraldo" the story of the early 20th century rubber baron Brian Sweeney Fitzgerald the ever manic Kinski intent on building an opera house in the Peruvian Amazon and on transporting a 320 ton steamer over a mountain to access a rich rubber territory. Herzog's production being every bit as unrestrained and preposterous as the story he was filming. An astonishing and insane masterpiece whose outrageous production was documented by director Les Blank in his remarkable documentary "Burden of Dreams" 1982.<br /> <br /> Winner of Best Director and nominated for the Palme d'Or at the 1982 Cannes Film Festival.<br /> <br /> Set in Peru shot on location in Peru and Brazil. <br /> <br /> 9.5 x 7 inches. Near Fine.<br /> <br /> Ebert III. BFI 2032. Werner Herzog Filmproduktion unknown
1979163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso.<br /> <br /> Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. <br /> <br /> Shot on location in Mexico the Czech Republic the Netherlands and Germany. <br /> <br /> 9.5 x 7 inches. Near Fine.<br /> <br /> BFI 2030. Ebert IV. N.p. unknown
1979151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material.<br /> <br /> Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula.<br /> <br /> Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. <br /> <br /> Shot on location in Mexico the Czech Republic the Netherlands and Germany. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> BFI 2030. Ebert IV. Twentieth Century-Fox unknown
1979139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. <br /> <br /> Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. <br /> <br /> 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1979132250New York: New Yorker Films 1979. Original US promotional window poster for the 1979 German film issued in small numbers by New Yorker Films who distributed Herzog's film in the US. <br /> <br /> From the collection of noted film historian Amos Vogel. Full provenance available. <br /> <br /> 11 x 17 inches folded as issued. Near Fine. New Yorker Films unknown
126974Los Angeles: AVCO Embassy Pictures. Draft script for the 1978 film. Early agency script produced prior to the film's gaining distribution. <br/><br/>Blue agency wrappers. Title page present undated with credit for screenwriter Mayes. 152 leaves mimeograph duplication. Pages Fine wrapper Near Fine internally bound with two gold brads. AVCO Embassy Pictures unknown books
1942145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe holograph annotations and an studio stamp on the verso. <br/><br/>Based on a series of short stories by Jennie Harris Olver published in the 1930s. <br/>Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1942145119Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1942. Vintage double weight photograph of director Wells Root and actor Dan Dailey on the set of the 1942 film. Mimeo snipe manuscript annotations and an studio stamp on the verso. <br /> <br /> Based on a series of short stories by Jennie Harris Olver published in the 1930s. <br /> Mokey Robert Blake an eight year old boy who recently lost his mother struggles to adapt to his new household. His father is largely absent and his stepmother doesn't care to understand him and is quick to become angry when he acts out. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1947144819Culver City CA: Columbia Pictures 1947. Vintage photograph of director Charles Vidor and stars Rosalind Russell and Melvyn Douglas speaking to Orson Welles on the set of the 1947 film. Welles was directing the classic Columbia Pictures film "The Lady from Shanghai" at the same time. Mimeo snipe and agency stamps on the verso.<br/><br/>Janet Ames Rosalind Russell seeks out five soldiers who her husband sacrificed his life for during World War II. After suffering a serious injury she meets Smithfield "Smitty" Cobb Melvyn Douglas who helps her find the men her husband saved though he does not tell her he is one of them. He tries to help her reconcile her pain and guilt while he treats his own pain from the war with heavy drinking. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
1941129168N.p.: N.p. 1941. Story Outline for an unproduced film called "CinCUS" written for screen by Lieutenants Victor F. Blakeslee and Hartley E. How and Welbourn Kelley who was a witness in the Pearl Harbor Attack investigations 1945-1946. <br/><br/>A story about the CinCUS a naval term for Commander-in-Chief United States Fleet. Admiral Todd Emery leads his Navy crew to battle "somewhere in the Atlantic" his story told in flashback of his days as a boy in Illinois in 1899 his journey to the Naval Academy in Maryland and his time spent as a soldier in WWI. <br/><br/>Blue titled wrappers noted as Story Outline on the front wrapper dated October 6 1941 with credits for screenwriters Blakeslee Howe and Kelley. 20 leaves with last page of text numbered 20. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two small gold brads. N.p. unknown books
WRCLIT84859Culver City: Selznick Company nd. 17 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in mimeographed wrapper. Fine. A proposal and treatment for an unproduced bio-pic about Eva Peron by the long-time Selznick story editor and historical novelist. One of a small stack of duplicates from the Selznick archives. Selznick Company unknown books
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in holograph ink above it. <br/><br/>Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br/><br/>Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown books
1940164648Universal City: Universal Pictures 1940. Vintage publicity photograph of W.C. Fields with Una Merkel and Evelyn Del Rio from the 1940 film. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> An American comedy classic wherein W.C. Fields stars as a drunk who accidentally thwarts a bank robbery and becomes the bank security as the result. <br /> <br /> Shot on location in Lompoc California. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 78. Ebert II. Universal Pictures unknown
1940150392Universal City: Universal Pictures 1940. Two vintage reference photographs from the set of the 1940 film. One with a printed mimeo snipe affixed to the verso. <br /> <br /> Egbert Souse a slovenly drunk finds himself in several different positions of employment through sheer luck and happenstance. After being hired on the spot to replace a film crew's no-show movie director Souse unintentionally thwarts a bank robbery and is immediately offered a job as a security guard. <br /> <br /> 8 x 10 inches. Very Good plus lightly creased on the edges. Universal Pictures unknown
1933131380Hollywood: Paramount Pictures 1933. Second Script for the 1933 film. Rubber-stamped on the front wrapper "FILE COPY / RETURN TO SCRIPT DEPT. / PARAMOUNT STUDIO - HOLLYWOOD" and "1837 / MASTER FILE." The film's original title "Don't Call Me Madam" is present on the front wrapper crossed through with the new title "Tillie and Gus" written in manuscript ink above it. <br /> <br /> Based on a short story entitled "Don't Call Me Madame" by Rupert Hughes about Tillie and Gus Winterbottom Alisone Skipworth and W. C. Fields and their tribulations involving a deceased family member's inheritance. Even with the ensuing events including a riverboat race and a baby-toting bathtub that floats downstream reminiscent of Moses in a basket the film is remembered as one of Fields' "sleepers" one less punchy than others. "Tillie and Gus" was one of three pairings of Skipworth and Fields the others being "Six of a Kind" 1934 and "If I Had a Million" 1932. <br /> <br /> Tall side stapled salmon self wrappers noted as SECOND SCRIPT on the front wrapper rubber-stamped copy production No. 1837 dated March 10 1933 with credits for screenwriters Jones McNutt and Harris. Title page integral with the first page of the script. 137 leaves mimeograph on salmon colored stock. Pages about Near Fine rear wrapper detached but present else wrappers Very Good plus. Paramount Pictures unknown
1973160428Los Angeles: American International Pictures AIP 1973. Vintage oversize borderless color reference photograph from the 1973 film showing actor Warren Oates and director John Milius between takes. Stamp of Rossel Films on the verso.<br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a film that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 12 x 9.5 inches. Pinholes at the top corners else about Near Fine. American International Pictures [AIP] unknown
1973154001Los Angeles: American International Pictures AIP 1973. Vintage reference photograph from the 1973 film showing actors Warren Oates and Michelle Phillips. <br /> <br /> A dramatization of the crimes of folk hero midwestern bank robber and notorious mobster John Dillinger best known for killing five FBI agents during a shootout in Kansas City. Hot on the heels of Arthur Penn's "Bonnie and Clyde" 1967 a movie that reignited the US public's interest in 1930s gangster films.<br /> <br /> Set and shot on location throughout Arizona and Oklahoma.<br /> <br /> 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown
1951133769New York: National Broadcasting Company NBC 1951. Revised script for the 1951 radio program "Nightbeat" a National Broadcasting Company NBC radio drama series that aired from February 6 1950 to September 25 1952 sponsored by Pabst Blue Ribbon Beer and Wheaties cereal starring Frank Lovejoy. This script for this episode is untitled. <br/><br/>"Nightbeat" came during the competition for audiences between radio and television and at the tail-end of "radio noir" a style of program that aired during the heyday of film noir. Edmond O'Brien "D.O.A." 1950 and several key noirs was slated to be the lead role and his narration coupled with William Rousseau's direction and Larry Marcus' script proved too edgy for NBC executives and potential sponsors. The producers ordered a second audition this time bringing in Frank Lovejoy 1912-1962 who had starred in "The Blue Beetle" radio show in 1940. Lovejoy's reworking of the hard-boiled script added a human element that of a passionate crusading reporter for the Chicago Star who covered the night beat known as "Randy Stone." Stone looked for interesting and strange stories encountering criminals and troubled souls some he was able to help. Lovejoy's grasp and delivery of hard-boiled phrases like "painted little dames with their brassy laughter" gave the show the edge it needed to compete with a burgeoning television audience and an elegant sendoff for radio noir. <br/><br/>The announcer for the program was Don Rickles and supporting performers included Joan Banks William Conrad Paul Frees Peter Leeds Lurene Tuttle and Ben Wright among others. Lovejoy would reprise his role as the tough guy with a heart of gold in "Search in the Night" 1953 an episode of the 1953-1956 television series "Four Star Playhouse."<br/><br/>Noted as PROGRAM NUMBER 57 on the first page dated September 7 1951 5:30-6:00 PM EST with credits for program manager Home Canfield actor Frank Lovejoy producer-director Warren Lewis writer Herb Purdum and others. 32 leaves mimeograph duplication. Pages Very Good plus with dampstains and tiny creases corner-stapled. <br/><br/>Dunning 1998 p. 507-508. National Broadcasting Company [NBC] unknown books
1960147008N.p.: N.p. 1960. Treatment script for an unproduced film. With a few small manuscript pencil annotations mostly revising spelling mistakes.<br /> <br /> When an aging musician meets a handsome younger man she sees the autumn romance as a way out of her stagnant life with her sister-but not all is as it seems. Screenwriter Warren Burton was better known as an actor for film and television most notably in "All My Children" from 1978-1979.<br /> <br /> Set in New York. <br /> <br /> Salmon titled wrappers. Title page present with credits for screenwriter Warren Burton. 38 leaves with last page of text numbered 36. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1980150116N.p.: N.p. 1980. Collection of materials related to post-production editing for the 1981 film including notes on film reels and pages of proposed sequences for each reel. <br/><br/>Director screenwriter and actor Warren Beatty's epic political drama which follows a left-wing American journalist who becomes involved with the Bolshevik Revolution in Russia. Nominated for twelve Academy Awards winning three for Best Director Best Supporting Actress and Best Cinematography.<br/><br/>16 pages housed in a clear blue plastic folder. Near Fine. N.p. unknown books
1978147639Los Angeles: Paramount Pictures 1978. Vintage studio still photograph of Buck Henry from the 1978 film. Mimeograph snipe on the verso on Claire Harrison Associates Inc. letterhead and second mimeo snipe folded over bottom on Paramount Pictures letterhead. <br/><br/>Warren Beatty stars as an NFL quarterback on his way to the Superbowl when he is almost killed in an accident. On his way to Heaven he is informed that he wasn't ready to die but that his body has been cremated. He must find a new body and luckily one turns up: that of a recently murdered millionaire. <br/><br/>Nominated for several Academy Awards including Best Picture Best Director Best Writing Best Cinematography and Best Music. <br/><br/>A story set and shot in and around Los Angeles California. <br/><br/>8 x 10 inches. Near Fine. Paramount Pictures unknown books
1966162289N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 British film showing actress Susannah York. Annotations in manuscript ink on the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A roving gambler breaks into a playing card manufacturing facility to mark the cards in order to win big at casinos across Europe. <br /> <br /> Set in Geneva and Monte Carlo.<br /> <br /> 8 x 10.25 inches. Near Fine. N.p. unknown
1980150116N.p.: N.p. 1980. Collection of materials related to post-production editing for the 1981 film including notes on film reels and pages of proposed sequences for each reel. <br /> <br /> Director screenwriter and actor Warren Beatty's epic political drama which follows a left-wing American journalist who becomes involved with the Bolshevik Revolution in Russia. Nominated for twelve Academy Awards winning three for Best Director Best Supporting Actress and Best Cinematography.<br /> <br /> 16 pages housed in a clear blue plastic folder. Near Fine. N.p. unknown
1981127476N.p.: N.p. 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Director screenwriter and actor Warren Beatty's epic political drama which follows a left-wing American journalist who becomes involved with the Bolshevik Revolution in Russia. Nominated for twelve Academy Awards winning three for Best Director Best Supporting Actress and Best Cinematography.<br /> <br /> 27 x 41 inches. Very Good plus with light edgewear and creasing to the top right corner. N.p. unknown
