Roland S Jefferson (screenwriter)Biblio.com
4 698 résultats
1977152290N.p.: N.p. 1977. Draft script for an unproduced film. <br /> <br /> A class of predominantly Black students at Howard University College of Medicine share a variety of humorous sentimental and unusual experiences in their time at the school. Jefferson previously worked as a screenwriter for "Disco 9000" 1977 and "Death Drug" 1978. <br /> <br /> Set in Washington DC. <br /> <br /> Brown titled wrappers. Title page present with credits for screenwriter Roland S. Jefferson and story credits to Jefferson and Eric P. Jones. 149 leaves with last page of text numbered 133. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 4/16/77 and 4/20/77. Pages and wrapper Very Good plus bound with two gold brads. N.p. unknown
168793N.p.: N.p. 1987. Archive of three original early Draft scripts for the 1989 film all three dated eleven to thirteen months prior to the commencement of the production in October of 1988.<br /> <br /> An internally duplicated Third Draft script dated September 1 1989 with the annotations of the title and an unknown crew member's illegible initials on the front wrapper and manuscript pencil annotations on eight pages one on the verso. Bound in following the script is a title page for a previous Third Draft script dated July 28 1987 with a copied "Received / Sep 2 1987 / Story Library" stamp on the bottom of the page.<br /> <br /> An internally duplicated Draft script dated September 25 1987 with the annotations of the title and date on the front wrapper with manuscript pencil annotations on nine pages including many of the same notes as on the previous draft. <br /> <br /> And an internally duplicated Third Draft script housed in a two-ring binder dated November 10 1987 with manuscript ink annotations on three pages. <br /> <br /> All three scripts with screenwriting credits for "RJ" Roland Joffé.<br /> <br /> Director and screenwriter Roland Joffé's epic historical war drama about the Manhattan Project and the development of the first atomic bomb starring Paul Newman as General Leslie Groves who directed the Manhattan Project and Dwight Schultz as theoretical physicist J. Robert Oppenheimer.<br /> <br /> Shot on location in Mexico and San Francisco.<br /> <br /> Third Draft September 1 1987:<br /> Black untitled wrappers with the annotation of the title in white ink. Title page present dated September 1 1987 noted as Third Draft with credits for screenwriter "RJ" Roland Joffé. 147 leaves with last page of text numbered 142. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with a prong binding.<br /> <br /> September 25 1987 Draft script:<br /> Blue untitled wrappers with the annotations of the title and September 25 1987 in black ink. Title page present dated September 25 1987 with credits for screenwriter "RJ" Roland Joffé. 145 leaves with last page of text numbered 144. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a prong binding.<br /> <br /> Third Draft November 10 1987:<br /> Housed in a generic black untitled two-ring binder. Title page present dated November 10 1987 noted as THIRD DRAFT with credits for screenwriter "RJ" Roland Joffé. 129 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Near Fine binder Near Fine. N.p. unknown
1984158024N.p.: N.p. 1984. Vintage borderless reference photograph from the 1984 film showing director Roland Joffé and actor Haing S. Ngor on the set. Stamp of photographer David Appleby on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A dramatization of the 1975 Khmer Rouge takeover in Cambodia based primarily on the accounts of journalists Sydney Schanberg and Dith Pran. Nominated for seven Academy Awards winning two including Best Supporting Actor for Ngor-making him the second Asian actor to win an Oscar. <br /> <br /> Shot on location in Bangkok Thailand in California and New York in the US and in Ontario Canada. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both manuscript and photocopied annotations related to his lines in manuscript ink and pencil. <br /> <br /> The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. <br /> <br /> Screenplay #1:<br /> <br /> White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. <br /> <br /> Screenplay #2:<br /> <br /> White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown
1968150474N.p.: N.p. 1968. Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot on location in Rome. <br /> <br /> 8 x 10.5 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1967152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crew member and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc" "APIS-PARIS."<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 9.5 x 11.75 inches. Light edgewear else Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Pier Luigi unknown
1960161500N.p.: N.p. 1960. Vintage reference photograph taken on the set of the 1960 film showing director Roger Vadim with his wife Annette adjusting a prosthetic wound. <br /> <br /> An erotic horror film based on Sheridan Le Fanu's 1872 novella "Carmilla" with the location shifted from 19th century Styria to twentieth century Italy. <br /> <br /> Shot at Hadrian's Villa in Tivoli. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1974167738London: New Realm Film Distributors 1974. Vintage borderless satin-finish color reference photograph from the 1974 French sexploitation film showing a topless Sirpa Lane. Provenance stamps and annotations in manuscript ink and pencil on the verso. <br /> <br /> An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br /> <br /> 6.25 x 9.5 inches. Near Fine. New Realm Film Distributors unknown
1973142105Paris: Filmsonor 1973. Vintage reference photograph from the 1973 film showing Brigitte Bardot and Jane Birkin in bed together. <br /> <br /> Vadim's attempt to explore female freedom and sexuality for women by changing the classical figure of Don Juan into the modern figure of Brigitte Bardot. The fifth film Vadim made starring Bardot and one of two released in 1973 after which she retired from acting. <br /> <br /> Shot in Paris. <br /> <br /> 7 x 5 inches. Near Fine. Filmsonor unknown
1974162388London: New Realm Film Distributors 1974. Vintage reference photograph from the UK release of the 1974 French film showing actors Sirpa Lane lying naked in a giant plastic hand and Mathieu Carrière observing. Printed mimeo snipe in English affixed to the verso.<br /> <br /> An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br /> <br /> 8 x 10 inches. Near Fine. New Realm Film Distributors unknown
1974149708Paris: Sygma 1974. Vintage oversize borderless reference photograph of Sirpa Lane and Mathieu Carriere from the 1974 French film. With a mimeo snipe on the verso in French and English along with the stamps of Sigma Films a date stamp reading "25 NOV. 1974" and manuscript ink and pencil annotations.<br /> <br /> An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br /> <br /> 11.75 x 8 inches. Very Good plus with a touch of ink bleed from an annotation to the verso near the right edge. Sygma unknown
1962152129N.p.: N.p. 1962. Five vintage borderless reference photographs showing actors Brigitte Bardot Macha Méril and Robert Hossein director Roger Vadim and crew members playing music and dancing between takes on the set of the 1962 film. <br /> <br /> Based on the 1958 novel "Le repos du guerrier" by Christiane Rochefort. A young independent woman is slowly embroiled in an abusive isolating relationship with a man she helps recover from a suicide attempt. <br /> <br /> Set and shot on location in Paris. <br /> <br /> Approximately 7 x 5 inches. Near Fine. N.p. unknown
1957143311Paris: Cinedis 1957. Seven original black-and-white still photographs from the 1957 French-Italian film. Five photos feature actors Carlo Delle Piane and Hossein in a rousing bathtub scene one a juxtaposed bar scene and one photo features Arnoul and foreboding mystery man in black with his hand on the door. All with French film titles in manuscript ink and series number on the versos and photographer credit printed on the rectos. Housed in a vintage glassine sleeve.<br /> <br /> Vadim's second film as director entered into the 7th Berlin International Film Festival. Sophie Arnoul is an amoral French girl betrothed to rich and seedy Eric Hasse an ex-nazi turned forger. Sophie also attracts the attention of Eric's secretary Sforzi Hossein while falling in love with yet another man Michel Marquand. <br /> <br /> Photographer Voinquel's films include "Anne-Marie" 1936 "Le Jour se Leve" 1939 "The Hunchback of Notre Dame" 1956 "Belle de Jour" 1967 and "Army of Shadows" 1969. <br /> <br /> Four photos 3.5 x 4.75 inches three slightly larger. Vertical crease to one photo else Near Fine overall. Cinedis unknown
1961151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. <br /> <br /> Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former.<br /> <br /> Shot on location in Alps Haute-Savoie France. <br /> <br /> 7.75 x 10.25 inches. Very Good plus. International Classics unknown
1966142164France: Les Films Marceau-Cocinor / Mega Film 1966. Four vintage press photographs from the 1966 film. Each with the stamp of Robert Levy on the verso and two with the stamp of press agency Parimage. One image shows director Roger Vadim carrying a smiling Jane Fonda whom he married just prior to the start of filming. <br /> <br /> A modern adaptation of the 1872 novel "La Curee" by Emil Zola about a wealthy young woman who marries and older man only to be tricked out of her fortune when she falls for his son. The second of four films Vadim and Fonda would make together. <br /> <br /> 9.25 x 7.25 inches three photographs with wide bottom margins. Near Fine. Les Films Marceau-Cocinor / Mega Film unknown
1958143080France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With manuscript annotations on the verso identifying the film. <br /> <br /> Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. <br /> <br /> Set and shot in Torremolinos Spain. <br /> <br /> 9.5 x 7 inches. Near Fine. Iena Productions unknown
1977163694Burbank CA: Warner Brothers 1977. First Draft script for an unproduced film. <br /> <br /> Loosely based on Bram Stoker's classic 1897 novel. In 1970s London a young antiques dealer comes into possession of a number of items uncovered at a construction site-including the coffin of a long dormant highly amorous vampire. Roger Vadim is better known for his earlier foray into the world of vampires in the 1960 film "Blood and Roses" an adaptation of Sheridan Le Fanu's 1872 novella "Carmilla." <br /> <br /> Red untitled wrappers with a die-cut title window in the British style. Title page present dated 22nd July 1977 noted as FIRST DRAFT with credit for screenwriter Ray Connolly. 76 leaves with last page of text numbered 75. Xerographic duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with two silver brads. Warner Brothers unknown
1987147084N.p.: N.p. 1987. Draft script for an unproduced film. <br /> <br /> Amid citywide protests over increasingly brutal gang violence a middle-aged police officer decides to take matters into his own hands by donning a World War II officer's uniform and taking to the streets as a Thompson-toting crime-fighting vigilante.<br /> <br /> Set in Huntington Park Los Angeles.<br /> <br /> Gray titled wrappers with credits for screenwriter Roger Karshner. Title page present dated 1987 with credits for screenwriter Roger Karshner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Very Good wrapper Very Good lightly dampstained along the top page edges bound with three gold brads. N.p. unknown
1995135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2."<br /> <br /> A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. <br /> <br /> "A Twist of Lemming: Part One:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br /> <br /> "A Twist of Lemming: Part Two:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br /> <br /> "A Glitch in Time: Part One:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. <br /> <br /> "A Glitch in Time: Part Two:"<br /> <br /> Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown
1997135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. <br /> <br /> Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. <br /> <br /> Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown
1981153804Long Beach CA: Premiere World Pictures 1981. Draft script for an unproduced film. Annotation in manuscript ink on the front wrapper noting copy No. 12 and single annotation in manuscript pencil on the title page. <br /> <br /> A photographer becomes involved in the murder of a prominent fashion model. <br /> <br /> Set in California. <br /> <br /> Green untitled wrappers. Title page present dated 1981 with credits for screenwriter Roger Ernest. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Premiere World Pictures unknown
146801N.p.: N.p. Unknown. Draft script for an unproduced film. Included with the script are four laid-in xerographically duplicated pages detailing the script's summary and prospective audience.<br /> <br /> A young successful photographer for a women's erotic magazine finds herself caught in a love triangle between a gallery owner and a troubled boxer.<br /> <br /> Set in Hollywood and Malibu.<br /> <br /> Green untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 100 leaves with last page of text numbered 99. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1981141750Long Beach CA: Premiere Pictures 1981. Production budget for an unproduced film. <br /> <br /> A Hitchcockian thriller about a murderer who seduces and kills a photographer's model. The photographer gets curious and begins her own investigation despite the obvious dangers involved. <br /> <br /> Set in Los Angeles. <br /> <br /> Brown untitled wrappers. Title page present. 17 leaves with last page of text numbered 7. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine spiral bound.<br /> <br /> Pagination available upon request. Premiere Pictures unknown
1980149781N.p.: N.p. 1980. Draft script for an unproduced film. <br /> <br /> Passengers on a ship heading to the Caribbean in the 1940s contend with a group of black marketeers who wish to commandeer the vessel for their own nefarious means.<br /> <br /> Beige pictorial front wrapper lacking rear wrapper. Title page present dated 1980 with credits for screenwriter Roger Ernest. 124 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good unbound. N.p. unknown
1970141850N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> During a visit to the 1890 Annual Bicycle Race in Boston a young man gets inspired to take up bicycle riding. He improves and eventually is ready to compete on a professional level. <br /> <br /> Set in Boston. <br /> <br /> Blue titled wrappers. Title page present with credit for screenwriter Roger Ernest. 127 leaves with last page of text numbered 124. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
