4 698 résultats
1963157998Los Angeles: Paramount Pictures 1963. Vintage studio still photograph from the 1963 film showing director Robert Mulligan examining negatives during filming on location in New York.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A young Italian-American salesgirl realizes she is pregnant after a one-night-stand with a jazz musician and seeks him out in order to raise money for an abortion. <br /> <br /> Shot on location in New York. <br /> <br /> 10 x 8 inches. Very Good plus overall. Paramount Pictures unknown
1971145946Burbank CA: Warner Brothers 1971. Vintage borderless publicity photograph from the 1971 film. <br /> <br /> Nostalgic screenplay about a teenager during the war years who becomes infatuated with an older war widow. Winner of the Academy Award for Best Original Score and nominated for three others.<br /> <br /> Set in Nantucket Island shot on location in California and Ontario. <br /> <br /> 8 x 10 inches. Very Good plus light corner and edgewear. Warner Brothers unknown
1947131991Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1947. Vintage black-and-white still photograph from the 1947 film. Based on the Raymond Chandler's 1943 novel his fourth book and the fourth Philip Marlowe adventure. <br /> <br /> An unusual and ambitious film noir and Montgomery's final film for MGM. In a concept that originated with Montgomery who directed the entire film is shot from Marlowe's perspective with the protagonist only ever visible in reflections and during a few scenes when he addresses the audience directly. <br /> <br /> 8 x 10 inches. Very Good plus. Faint distribution company blindstamp to lower corner with a tiny bruise some light scratching and a couple of pin holes to the upper corners. Metro-Goldwyn-Mayer [MGM] unknown
1947161213Culver City CA: RKO Radio Pictures 1947. Vintage herald for the 1947 film noir. <br /> <br /> Based on Daniel Mainwaring's 1946 debut novel "Build My Gallows High." A former private detective lives a quiet life in a small town until his past catches up with him forcing him to return to the world of crime. An unimpeachable high spot of the genre. <br /> <br /> Set in Bridgeport California shot in the High Sierra Mountains of Nevada and Reno as well as locations throughout California. <br /> <br /> 12 x 9 inches. Bifold. Fine. <br /> <br /> Grant US. Selby Masterwork. Silver Classic Noir. Spicer US. RKO Radio Pictures unknown
1984166247Burbank CA: Columbia Pictures Television 1984. Draft script for the 1985 television movie seen here under the working title "Reunion at Thurleigh." Copy belonging to secretary Carol Wynn-Jones with her name in manuscript ink on the title page and her annotations throughout noting revisions and deletions. <br /> <br /> Laid in with the script is a letter from the Campaign for Nuclear Disarmament dated September 16 1984 declining to allow the film's producers to use their organization name and images in the film. <br /> <br /> A successful but lonely Chicago businessman attends a World War II veterans reunion in England and begins a romance with an old flame during the trip. Originally aired on HBO on May 12 1985. <br /> <br /> Shot on location in Surrey Cambridgeshire and London. <br /> <br /> Blue wrappers with a die-cut title window in the British style. Title page present with credit for screenwriter Albert Ruben with date 20-9-84 and copy number 52 noted in manuscript ink. 125 leaves with last page of text numbered 113. Xerographic duplication rectos only with rainbow revisions throughout dated variously between September 20 and October 3 1984. Pages Near Fine wrapper Near Fine housed in a black binder. Columbia Pictures Television unknown
1946156250New York: RKO Radio Pictures 1946. Vintage reference photograph from the 1946 film noir seen here under the working title "What Nancy Wanted" showing actor Robert Mitchum in an artist's studio. Printed mimeo snipe affixed to the verso. RKO Radio Pictures stamp on the verso crediting photographer Alex Kahle. <br /> <br /> Moments before his wedding a man learns that his fiancée is a kleptomaniac who has cheated lied and even killed in her previous relationships. <br /> <br /> Set in Manhattan. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Grant US. Selby US Canon. Spicer US. RKO Radio Pictures unknown
1960156027Burbank CA: Warner Brothers 1960. Vintage reference photograph of actor Robert Mitchum on the set of the 1960 film using a Eumig C16 16mm cine-camera. <br /> <br /> Based on John Cleary's 1952 novel about the experiences of a small impoverished family of nomads in the Australian outback. Nominated for five Academy Awards.<br /> <br /> Set and shot on location in Australia. <br /> <br /> 10 x 8 inches. Very Good plus with old glue residue on the verso and light wear to the finish at the corners. Warner Brothers unknown
1973156341N.p.: Cinema 5 1973. Three vintage studio still photographs from the 1973 film. Also included with the photographs is a newspaper clipping advertisement for the film.<br /> <br /> Based on the 1968 novel "Chewsday" by Dan Greenburg about a pair of middle-aged would-be swinger couples who rent a summer cottage together in Martha's Vineyard. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Complete collation details available on request. Cinema 5 unknown
1980161429N.p.: N.p. 1980. Draft script for an unproduced film. Noted as copy No. 3 in manuscript ink on the title page and with annotations in manuscript pencil on three leaves. <br /> <br /> Based on Robert Ludlum's 1977 novel about the secret files of J. Edgar Hoover and their disappearance after Hoover's death. <br /> <br /> Mustard titled wrappers. Title page present undated with credits for Ludlum and screenwriter Millard Kaufman. 130 leaves with last page of text numbered 128. Xerographic duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound with two silver screw brads. N.p. unknown
1957160501N.p.: N.p. 1957. Six vintage reference photographs taken on the set of the 1957 French film showing director Jacques Becker talking with cast and crew members. Annotations in manuscript pencil on the versos. <br /> <br /> Based on the popular Arsène Lupin mystery series created by Maurice Leblanc. Roguish gentleman thief Lupin outwits several prestigious jewelers the prefect of police and even Kaiser Wilhelm II.<br /> <br /> Set and shot on location in Paris. <br /> <br /> Three photographs 7.25 x 5 inches three photographs 7.25 x 9.5 inches. Generally Near Fine. N.p. unknown
140802Hollywood: Marford Productions. Original Treatment script for an unproduced film. <br /> <br /> Marta Raynes meets her fiance's college roommate in San Juan James Holliday a brilliant chemist. Raynes runs a patent firm and soon Holliday brings her a new kind of tobacco leaf. What she is interested in is the camouflage he has accidentally developed but when an intern spills coffee all over his paperwork and changes his name to a different client James Halliday the money and patent are awarded to the wrong widow who will not give up the money until it is revealed she is a felon a scam artists and a bigamist. <br /> <br /> Set in San Juan Washington and Miami. <br /> <br /> Blue titled wrappers. Title page present with credits for Robert K. Lansford. 65 leaves with last leaf of text numbered 64. Mechanical duplication. Pages Very Good plus wrapper Very Good plus with some dampstaining bound with one gold brad. Marford Productions unknown
1971141228N.p.: N.p. 1971. Treatment script for an unproduced television series. <br /> <br /> Selected vignettes on the history of luxury cars and automobile racing. One vignette of note involves the creator of the Bugatti.<br /> <br /> Clear untitled front wrapper and red rear wrapper. Title page present dated 1971 with credit for screenwriter Robert J. Koster. 22 leaves with last leaf of text numbered 20. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1958168234Beverly Hills CA: United Artists 1958. Three vintage studio still photographs from the 1958 film noir.<br /> <br /> Based on Robert M. Coates' 1948 novel "Wisteria Cottage" about a struggling artist and war veteran who befriends a mother and her two daughters convinces them to let him rent their guest cottage at the beach and proceeds to slaughter them all. Actress Jean Allison's debut. <br /> <br /> Shot on location in Myrtle Beach.<br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Selby US. Grant US. United Artists unknown
1990160456Los Angeles: European American Entertainment 1990. Second Draft script for the 1991 film here under the working title "Chained Heat II" with a manuscript marker annotation of copy number "40" on the front wrapper. Not to be confused with the 1993 film "Chained Heat II" directed by Lloyd Simandl and starring Brigitte Nielsen and Paul Koslo. <br /> <br /> Copy likely belonging to actor Ray Sharkey with manuscript annotations in blue highlighter and ink on five pages highlighting all the dialogue of Sharkey's character "Hayes." Also released under the title "Hotel Oklahoma."<br /> <br /> David Keith stars as Tommy an ex-con who disguises himself as a warden to free his innocent girlfriend Kristen Cloke from a women's penitentiary after she took the fall for a crime he committed. <br /> <br /> Shot on location in McAlester Oklahoma. <br /> <br /> Front wrapper integral with title page dated 6/20/90 noted as SECOND DRAFT with credits for screenwriter Bobby Houston. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. European American Entertainment unknown
1966132612Burbank CA: Warner Brothers 1966. Collection of 15 vintage black-and-white still photographs from the 1966 US film. <br /> <br /> Based on the 1965 novel by Norman Mailer about a talk show host who is suspected of killing his wife and is pursued by both the police and a a gang of criminals. <br /> <br /> 8 x 10 inches. A few stills with small stains on the rectos else Near Fine. Warner Brothers unknown
1968149487London: Associated British Corporation 1968. Vintage reference photograph from Season 7 Episode 15 of the 1968 British television series which originally aired on December 16 showing actress Linda Thorson as Agent Tara King held hostage at Wainwright Timber Industries making no attempt to escape a leg shackle. With a printed mimeo snipe affixed to the verso along with manuscript pencil and ink annotations regarding layout and two stamps specific to the French airing of the episode.<br /> <br /> "The Avengers" aired from 1961 to 1969 and followed secret agent Dr. David Keel Ian Hendry and his bevy of assistants as they battle the British criminal element.<br /> <br /> Shot on location in Buckinghamshire and Hertfordshire England.<br /> <br /> 8 x 10 inches. Near Fine. Associated British Corporation unknown
1987149579N.p.: Xanadu 1987. Six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. <br /> <br /> Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature-length fiction film and experimental novelist Rudolph Wurlitzer who wrote the screenplay. A musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay and David Johansen.<br /> <br /> Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br /> <br /> Shot on location in New York and Nova Scotia Canada.<br /> <br /> 7 x 5 inches. Fine.<br /> <br /> <br /> Rosenbaum 1000. Xanadu unknown
1987145997Paris: Films A2 1987. Three vintage oversize studio photographs from French release of the 1987 French/Swiss/Canadian co-production. <br /> <br /> Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature length fiction film and acclaimed wirter Rudolph Wurlitzer who wrote the screenplay "Candy Mountain" is a musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay David Johansen and others.<br /> <br /> Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br /> <br /> 12 x 9.5 inches. Near Fine some light creasing and pinholes in corners in two of the three photographs.<br /> <br /> Rosenbaum 1000. Films A2 unknown
1969160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. <br /> <br /> Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 8 x 10 inches. Near Fine. Contemporary Films unknown
1969161197New York: New Yorker Films 1969. Vintage studio still photograph taken on the set of the 1969 film showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. <br /> <br /> Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 10 x 8 inches. Near Fine. New Yorker Films unknown
1969155087New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Robert Frank Peter Orlovsky and Allen Ginsberg. Printed mimeo snipe affixed to the verso along with the stamp of Israel Film Archive. <br /> <br /> Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. <br /> <br /> The film was restored and released by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 10 x 8 inches. Near Fine. Contemporary Films unknown
1969141375New York: Two Faces / New Yorker Films 1969. Vintage poster for the 1969 film an experimental mix of documentary and fiction. Poster designed by Robert Frank. <br /> <br /> Director Robert Frank's first feature film in which he follows poet Peter Orlvosky and his mentally ill brother Julius as they move through the late 1960s Beat scene while Peter tries to care for his mostly catatonic brother. When Julius wanders off he is replaced in the film by actor Joseph Chaikin. The film examines the boundaries of reality and sanity and features the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. <br /> <br /> The film was restored and released by Steidl in 2007 along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater."<br /> <br /> 26.75 x 20.75 inches. Near Fine. In a custom frame. Two Faces / New Yorker Films unknown
1980149461N.p.: Aberdeen 1980. Three vintage black-and-white reference photographs from the 1980 film.<br /> <br /> Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion.<br /> <br /> 10 x 8 inches. Near Fine with faint wear at the corners. Aberdeen unknown
1949160942Beverly Hills CA: United Artists 1949. Vintage mini-banner poster for the 1949 film. <br /> <br /> Based on the 1944 short story by Damon Runyon. Gangster Martin Martin is hoping to give up his career in crime for a career in politics when the district attorney attempts to arrest him for a murder five years earlier. On the lamb Martin holes up in an abandoned house and is befriended by a little girl Elsie and her dog Skipper who Martin names Johnny One-Eye.<br /> <br /> 4.75 x 28 inches. Very Good plus with light rubbing and creasing at the extremities.<br /> <br /> Spicer US. United Artists unknown
1929170375N.p.: N.p. 1929. Vintage reference photograph from the 1929 film showing director Robert Florey with Estelle Taylor Lilian Walker and others on the set. Printed mimeo snipes affixed to the verso. <br /> <br /> French-American actor and director Robert Florey was a director of B-films working with Metro-Goldwyn-Mayer Warner Brothers Paramount and Columbia over a Hollywood career spanning three decades. He is best remembered today for directing the first Marx Brothers film "The Cocoanuts" 1929 and the 1932 horror film "Murders in the Rue Morgue." His 1937 film "Daughter of Shanghai" was selected for inclusion in the National Film Registry. <br /> <br /> 10 x 8 inches. Very Good plus or better. N.p. unknown
