4 025 résultats
1958149893N.p.: N.p. 1958. Two vintage borderless reference photographs from the 1958 film. One with holograph pencil and ink annotations regarding layout on the verso.<br/><br/>Based on Bram Stoker's 1897 novel. Hammer Films' first adaptation of the Dracula story generally thought to be the finest of the studio's many horror films to feature the Count and simply one of the finest gothic horror films ever made. Christopher Lee introduced a more romantic debonair take on the character an approach that is still a mainstay of contemporary interpretations. <br/><br/>Set in Klausenburg shot on location in Berkshire England. <br/><br/>9.5 x 7 inches. Very Good plus one with light soil to the bottom left corner. <br/><br/>Johnson and DelVecchio Hammer Films: An Exhaustive Filmography. N.p. unknown books
1970147448N.p.: Hammer Film Productions 1970. Vintage studio still photograph from the 1966 film. Shown is Christopher Lee making a meal of Barbara Shelley. <br/><br/>Hammer Film's third Dracula film and the second to feature Christopher Lee in the role. "Dracula: Prince of Darkness" follows "Horror of Dracula" 1958 and "The Brides of Dracula" 1960.<br/><br/>Two couples abandoned by their frightened coach driver in the Carpathian Mountains are taken to Dracula's castle in a riderless coach where Dracula's loyal servant Klove Philip Latham kills one of the men using his blood to revive the Count.<br/><br/>The only Dracula film staring Lee in which Dracula has no dialogue only animalistic noises and hisses. <br/><br/>8 x 10 inches. Near Fine some light edge wear. Hammer Film Productions unknown books
1969140527Burbank CA: National Broadcasting Company NBC 1969. Three scripts from the seminal police procedural television program from its colorful pop culture-infused revival made between 1967-1970 starring Jack Webb and Henry Morgan along with a relentless cast of hippies druggies bad parents priests and a host of substantially less hip efficient and often troubled men and women of the Los Angeles Police Department. The collection includes:<br/><br/>"Burglary Auto: Courtroom": Revised Draft script for Season Four episode nine which originally aired on November 20 1969. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. Friday and Gannon testify in court about a search of suspect's car but their key witness is missing. <br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production number 30208 dated September 9 and September 12 1969 with credits for screenwriter Barrett and LAPD technical advisor Lt. Charles W. Walters. 41 leaves with last page of text numbered 39. Mechanical duplication on pink stock with revision pages throughout dated 9/12/69. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>"Narco: Pill Maker": Revised Draft script for Season Four episode 18 which originally aired on February 19 1970. Here under the slightly more formal working title "Narcotics: Pill Maker."<br/><br/>Pink self wrappers with title page integral to the front wrapper noted as production No. 30237 dated November 26 and December 5 1969 with credits for screenwriter Harris and LAPD technical advisor Sgt. Ronald Garrahan. 43 leaves with last page of text numbered 41. Mechanical duplication on pink stock. Pages Near Fine wrapper Very Good plus bound with one gold brad. <br/><br/>"Forgery: The Ranger": Revised Draft script for Season Four episode 21 which originally aired on March 12 1970. With a holograph ink notation on the front wrapper referring to LAPD Sergeant Dan Cooke who was the department's liaison to the show. A routine traffic stop reveals a forest ranger in possession of checks and credit cards not in his name and Friday and Gannon begin to suspect him of being a con man. <br/><br/>Blue self wrappers with title page integral to the front wrapper noted as production No. 30239 dated December 29 1969 and Janary 5 and 6 1970 with credits for screenwriter Dan Page and LAPD technical advisor Sgt. Robert L. Cameron. 42 leaves with last page of text numbered 34. Mechanical duplication on pink stock with blue revision pages bound in front dated 1/6/70. Pages Very Good plus wrapper Very Good plus bound with one silver brad. National Broadcasting Company [NBC] unknown books
1987140847Burbank CA: Applied Action 1987. Final shooting script for the 1987 film. <br/><br/>A spoofy homage to the long-running crime drama of the same name starring Jack Webb. Dan Aykroyd and Tom Hanks play LAPD sergeants Joe Friday and Pep Streebek an unlikely duo assigned to a series of increasingly unusual crimes. <br/><br/>Set in Los Angeles and shot on location there. <br/><br/>Green titled wrappers dated October 13 1986. Title page present dated October 13 1986 noted as final shooting script with credits for screenwriters D.E. Aykroyd A. Zweibel and Tom Man. 140 leaves with last page of text numbered "129-130." Mechanical duplication with revision pages throughout dated variously between 9/22/86 and 10/29/86. Pages Fine wrapper Fine bound with two gold brads. Black holograph ink notation to the front wrapper. Applied Action unknown books
1954148043Glendale CA: Allied Artists 1954. Vintage photograph from the 1954 film. Promotional headshot of John Hodiak.<br/><br/>Set months before the beginning of the Korean War an American Air Force instructor Major Matt Brady Hodiak is assigned to a Kungju base where he is set with the formidable task of completely transforming the South Korean pilots into unstoppable fighting machines in 25 days. <br/><br/>Originally intended for release as a 3D film and filmed in dual 53mm Polaroid 3-D by the time the film premiered in 1954 public interest in 3D had declined and the film was shown as a flat print.<br/><br/>Set in South Korea and shot on location in California. <br/><br/>8 x 10 inches. Near Fine with some light edgewear. <br/><br/>Complete collation details available on request. Allied Artists unknown books
1979WRCLIT84721Universal City: Universal City Studios / Martin Poll Productions 1979. 1121 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in printed studio wrapper. very good or better. Slight tanning to edges of the textblock canary yellow wrapper a bit tanned with a bit of soiling and a few splash marks otherwise very good. Denoted a "Revised Final Draft" of this original screenplay eventually produced and released as NIGHTHAWKS. Bruce Malmouth directed the 1981 release starring Rutger Hauer Sylvester Stallone Billy Dee Williams Lindsay Wagner et al. In earlier drafts the main terrorist character was named "Santos" which subsequently was changed to "Wolfgang" and finally to 'Wulfgar' as played by Hauer and the working title altered from "A.T.A.C. Anti- Terrorist-Action-Command" to ATTACK then to DRAGONS and finally to NIGHTHAWKS for release. Dramatist / screenwriter Shaber was active as both writer and producer with Broadway and off-Broadway productions of note to his credit and in the decade after this film taught advanced screenwriting at Columbia. Among his screenplay credits is the 1979 urban New York classic THE WARRIORS. Universal City Studios / Martin Poll Productions unknown books
1981139433Hollywood: Paramount Pictures 1981. Vintage studio still photograph from the American release of the 1981 film. Snipe affixed to the image. <br/><br/>Peter MacNicol best known for his role in the Academy Award winning drama "Sophie's Choice" plays a young magician apprentice faced with stopping a ferocious dragon. The film was notable for its advanced visual effects even receiving two Academy Award nominations. Cinematographer Derek Vanlit shot the seminal science fiction classic "Alien" two years earlier. <br/><br/>Set in a 16th century kingdom shot in various locations across the UK. <br/><br/>10 x 8 inches. Very Good plus. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1984WRCLIT68075Burbank: Warner Bros. Television 1984. 31161 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in Warner Bros. upper wrapper - the lower wrapper appears to have been supplied. A second draft of Hunter's adaptation of David Nevin's fictionalized biographical treatment of John and Jessie Fremont. The mini-series aired in Spring of 1986 and starred Richard Chamberlain as Fremont Rip Torn as Kit Carson and F. Murray Abraham as Pres. Lincoln. Dick Lowry directed. Accompanied by another copy of the same draft without wrappers and bearing the imprint of Sunn Classic Pictures Salt Lake City but still with a Warner Bros. Script Department colophon at the end. Warner Bros. Television unknown books
1980149364Los Angeles: Filmways 1980. Vintage reference photograph from the 1980 film showing director Brian De Palma and actress Angie Dickinson standing at the base of the stairs of the Philadelphia Museum of Art.<br/><br/>A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br/><br/>Set in New York shot on location in New York and Pennsylvania. <br/><br/>8 x 10 inches. Near Fine.<br/><br/>Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. Filmways unknown books
1946003013Los Angeles: Universal Studios 1946. Doyle A. Conan. DRESSED TO KILL here bearing the initial later discarded title "Prelude To Murder". Los Angeles: Universal Studios 1946. This unique film studio screenplay archive consists of THREE original screenplays. 1. A "First Revised Draft" dated January 3rd 1946 the screenwriter's original carbon copy typescript unannotated consisting of 94pp of onion-skin paper. Brad-bound in original drab brown Universal Studios covers which are a little brittle and chipped else Very Good bearing the stamped production number 7337. 2. Complete 78pp brad-bound shooting script consisting of a mix of original ribbon-copy typescript and studio-mimeographed white pages dated January 16th 1946 with production number 7337 stamped on the cover. This remarkable writer's draft contains extensive author-revised annotations emendations revisions and additions throughout. This is accomplished via a cut-and-paste the insertion of additional leaves and new dialogue and description scrawled on the versos an exceptional artifact which boldly captures the revision process of this last entry in the Sherlock Holmes' Universal Studios film series. The front cover has been neatly reinforced with tape and bears the original penciled filing notation indicating that this particular script is the copy from which the final draft was produced. 3. Dated April 25th 1946 the complete original studio-mimeographed self-wrapper final post-production dialogue continuity script bound with two brads at the top. In Very Good condition. The title DRESSED TO KILL refers to the film's wily femme fatale Hilda Courtney played by Patricia Morison an homage to Irene Adler from "A Scandal In Bohemia" complete with a familiar misdirection trick which Hilda uses to fool Watson into revealing a hidden location. The plot is an amalgam of several Holmes stories but also draws from other plots in the Universal Sherlock film canon: a convicted thief in Dartmoor Prison hides stolen Bank of England printing plates inside three music boxes -- leading to the murder or attempted murder of their owners using the central device of a secret code which of course only Holmes can brilliantly break. Starring Basil Rathbone and Nigel Bruce in their final film together DRESSED TO KILL opened on June 7th 1946 to excellent reviews but also to rumors that it was to be the last of the Universal Sherlock films; by October of that year Producer Roy William Neill truly the visionary of the film series died and that signaled the end of one of the most successful franchises in Universal Studios history. Unique. Please see the other Universal Sherlock scripts we have in stock. Signed. Original Wraps. Very Good. Script. Universal Studios Paperback books
1971139058Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br/><br/>Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br/><br/>Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br/><br/>Shot on location at the University of Oregon and throughout the state. <br/><br/>12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br/><br/>Criterion Collection 547. Columbia Pictures unknown books
1977137778Canada: Paradise Films Limited 1977. Shooting script for the 1978 Canadian film "Drop Dead Dearest" here under an alternate title "I Miss You Hugs and Kisses." Brief annotations in holograph ink on two pages. <br/><br/>Shot in flashback scenarios a beautiful model Sommer is murdered and left for dead in her garage and the key suspect is the person who discovered her dead: her husband Charles Pilon. <br/><br/>Shot on location in Ontario. One of the non-prosecuted films included in the "Video Nasties" list a collection of video cassette releases distributed in the United Kingdom in the 1980s that were criticized for their violent content by social commentators religious organizations and the press. The list is composed of over 70 films 39 prosecuted 33 non-prosecuted but Video Nasties would inevitably become an antiquated genre. <br/><br/>Red titled wrappers. Title page present dated April 25 1977 noted as SHOOTING SCRIPT with credits for screenwriter Woods and Markowitz. 121 leaves with last page of text numbered 119. Mechanical duplication. Pages and wrapper Near Fine bound with a black Vello binding. Paradise Films Limited unknown books
1989145724Santa Monica: Avenue Pictures 1989. Vintage studio still photograph of director Gus Van Sant and actor Matt Dillon on the set of the 1989 film. <br/><br/>Noted director Gus Van Sant's first feature film and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade. The unsentimental exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Spicer US Neo-Noir. Avenue Pictures unknown books
1988152773Los Angeles: Avenue Pictures 1988. Final Shooting script for the 1989 film. <br/><br/>Gus Van Sant's directorial debut and a breakthrough film for actors Matt Dillon and Kelly Lynch. A nihilistic answer to the onslaught of coming-of-age movies in the 1980s appropriately released at the end of that decade following the exploits of a group of young people driven by nothing other than boredom and an obsessive need for more drugs leading inevitably to confusion and rampant lawlessness. <br/><br/>Set in the Pacific Northwest. <br/><br/>White generic Avenue Pictures wrappers. Title page present dated 9/08/88 noted as Final Shooting Script with credits for director Gus Van Sant and screenwriter Dan Yost and story credits James Fogle. 103 leaves with last page of text numbered 97. Xerographic duplication rectos only with blue revision pages throughout dated 9-27-88. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Spicer US. Avenue Pictures unknown books
141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. <br/><br/>A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. <br/><br/>Set in South Africa. <br/><br/>White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect bound. Emil Nofal Films unknown books
1948151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film. Text and titles in Japanese.<br/><br/>The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding American criticism leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br/><br/>Set in the slums of postwar Japan.<br/><br/>White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br/><br/>BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown books
1956132194London: Independent Film Distributors / British Lion 1956. Vintage black-and-white still photograph from the 1956 UK film. <br/><br/>A well-received farce about a couple of dim-witted bookmakers who decide to fix a horse race. <br/><br/>8 x 9.75 inches. Very Good plus withand light stains and creases. Independent Film Distributors / British Lion unknown books
1946129151Los Angeles: Selznick Studio 1946. Treatment script for the 1946 film. This draft deals with only the first portion of the film story written by Niven Busch a format typical for scripts issued by Selznick International in the 1930s-1940s. <br/><br/>Nominated for two Academy Awards. <br/><br/>Light blue titled wrappers with credit for for writer Busch. 23 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with three small silver brads. Selznick Studio unknown books
1947151729Los Angeles: Selznick International 1947. Post-production Censorship Cuts script for the 1946 film dated July 31 1947 with text printed vertically.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as Censorship Cuts on the front wrapper. Title page integral with first page dated July 31 1947 noted as Censorship Cuts. Four leaves with last page of text numbered 4. Mimeograph duplication rectos only. Pages Near Fine wrapper near Fine bound internally with three gold brads.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1946151732Los Angeles: Vanguard Films 1946. Post-production Dialogue Continuity script for the 1946 film with annotation in holograph blue and graphite pencil on front wrapper of check mark and "chgs April 28/47."<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Yellow titled wrappers noted as DIALOGUE CONTINUITY on the front wrapper rubber-stamped copy No. 94 dated November 18 1946. Distribution page present with receipt intact. Title page integral with firsts page noted as DIALOGUE CONTINUITY. 64 leaves with last page of text numbered REEL EIGHT-A PAGE TWO. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
1947143180Los Angeles: Selznick International 1947. Post-production Footage Schedule script for the 1946 film complete as issued by Selznick Studios.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Footage schedule script prints 308-437 dated May 10 1947. Blue titled wrappers three staples 3 leaves. Near Fine. Selznick International unknown books
1947143493Los Angeles: Selznick International 1947. Post-production Music timing schedule for the 1946 film. A script that breaks down every music sequence in the film in accordance with its exact placement in the running time. <br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Self wrappers stapled at the top left corner. Mimeograph duplication. 11 pages. Selznick International unknown books
1947151730Los Angeles: Selznick International 1947. Post-production Trailer #2 Dialogue Cutting Continuity script for the 1946 film.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as TRAILER #3 DIALOGUE CUTTING CONTINUITY on the front wrapper dated May 29 1947. Two leaves with last page of text numbered REEL 1 PAGE 2. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with three staples.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1947151728Los Angeles: Selznick International 1947. Post-production Trailer #3 Dialogue Cutting Continuity script for the 1946 film.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>Gray titled wrappers noted as TRAILER #3 DIALOGUE CUTTING CONTINUITY on the front wrapper dated May 29 1947. Three leaves with last page of text numbered REEL 1 PAGE 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine saddle-stapled with three staples.<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Selznick International unknown books
1946151733Los Angeles: Vanguard Films 1946. Promotional folder for the 1946 film on heavy buff cardstock with large "Duel in the Sun" black and red logo on face of folder and "Duel in the Sun Pictures and Stories" printed on upper tab.<br/><br/>Based on Niven Busch's 1944 novel of the same name. Lavish "epic" Western from Selznick who saw the film as a definite successor to his monumental "Gone With the Wind" 1939 and held in high regard by some of today's finest filmmakers. Nominated for two Academy Awards. <br/><br/>Set in Texas shot on location in Arizona and California. <br/><br/>11.75 x 9.5 inches. Near Fine<br/><br/>Clover Men Women and Chainsaws. Godard Histoires du Cinema. Rosenbaum 1000. Scorcese A Personal Journey Through American Movies. Silver and Ward US. Vanguard Films unknown books
