4 698 résultats
1979151527Los Angeles: AVCO Embassy Pictures 1979. Vintage press kit for the 1979 film. Black-and-white illustrated pocketed folder containing 21 black and white photographs and 16 gatherings of promotional reading material.<br /> <br /> Based on Richard Condon's 1974 novel. A pitch-black satire following the half-brother of fictional US President Kegan closely modeled on John F. Kennedy as he begins to uncover the circumstances which led to Kegan's assassination 19 years prior. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> Spicer US Neo-Noir. AVCO Embassy Pictures unknown
1968160762Universal City: Universal Studios 1968. Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner with his name in manuscript ink on the front wrapper. <br /> <br /> A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal sacrificing his relationships with his wife and stepson in the progress.<br /> <br /> Shot on location in Elkhart Lake Wisconsin and Indianapolis Indiana. <br /> <br /> Yellow titled Universal Studios wrappers noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper noted as production No. 02017 dated April 16 1968. Title page present noted as Second Revised Final Screenplay with credit for screenwriter Howard Rodman. 152 leaves with last page of text numbered 130. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 4/26/68 and 5/14/68. Pages Very Good plus wrapper Very Good plus moderately soiled with a dampstain on the fore-edges bound with three gold brads. Universal Studios unknown
1953148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. <br /> <br /> An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head.<br /> <br /> Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. <br /> <br /> 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1987162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set.<br /> <br /> Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. <br /> <br /> Set and shot on location in West Berlin.<br /> <br /> 11.75 x 8.25 inches. About Fine.<br /> <br /> Criterion Collection 490. Ebert I. N.p. unknown
1987156337N.p.: N.p. 1987. Vintage borderless reference photograph from the 1987 film showing director Wim Wenders actor Peter Falk cinematographer Henri Alekan and an extra on the set. Printed mimeo snipe affixed to the verso. <br /> <br /> Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu Francois Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. <br /> <br /> Set and shot on location in West Berlin.<br /> <br /> 7 x 4.75 inches. Near Fine.<br /> <br /> Criterion Collection 490. Ebert I. N.p. unknown
146415N.p.: N.p. Unknown. Draft script for an unproduced film. With a manuscript ink annotation to the title page presumably to a prospective actor from screenwriter Darin Mercado and lines for the character "Billy" marked with manuscript pencil. Possibly incomplete.<br /> <br /> After being dumped by a long-term girlfriend once again a serial monogamist heads to a bar determined to have a one-night-stand.<br /> <br /> White self wrappers. Title page present with credits for screenwriter Darin Mercado. 24 leaves with last page of text numbered 24. Xerox rectos only. Pages Very Good plus partially bound with three staples at the top left corner. N.p. unknown
1980151183Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film containing five black and white photographs and two gatherings of promotional reading material.<br /> <br /> A high school English teacher and his friend a fashion photographer fall in love with the same girl a sexually liberated young woman who has recently relocated to New York from Kentucky. <br /> <br /> Photographs and promotional material Near Fine. Twentieth Century-Fox unknown
1957150435N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Jayne Mansfield leaning over to get a bottle of ginger ale from the refrigerator. With a manuscript pencil annotation identifying Mansfield and the film title on the verso. <br /> <br /> Based on the 1955 Broadway play which also starred Jayne Mansfield. A satirical take on mid-century Hollywood following an ad man who hires a famous actress to promote a new line of lipstick but must pretend to be the actress' lover in exchange in order to make her real boyfriend jealous. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Rosenbaum 1000. N.p. unknown
1984163349Burbank CA: Warner Brothers 1984. Revised Estimating Draft script for the 1986 film seen here under both the release title and the working title "Jocks." Another early working title was "First and Goal."<br /> <br /> A divorced high school track coach lands a position as a college football coach in spite of her lack of experience and is tasked with working the team's players into shape.<br /> <br /> Goldenrod titled wrappers. Title page present dated December 21 1984 noted as REV. ESTIMATED DRAFT with credits for screenwriters Ezra Sacks and Michael Leeson. 141 leaves with last page of text numbered 118. Xerographic duplication rectos only with yellow pink and blue revision pages throughout dated variously between 2/11/85 and 3/7/85. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1971152553Los Angeles: Mondo Films 1971. Draft script for the 1971 film here under the working title "Kicks." Copy belonging to an unknown cast member with two manuscript ink annotations to pages 48 and 49. <br /> <br /> Two cruel biker thugs arrive at a large mansion where they proceed to attack the two women living there steal and sell the house's valuables and murder a concerned neighbor. <br /> <br /> Red titled wrappers. Title page present undated with credits for director-screenwriter Richard Kanter and screenwriters Ted Paramore and Sal Comstock. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Mondo Films unknown
1994163093Los Angeles: Twentieth Century-Fox Television 1994. Table Draft script First Revised Table Draft script and Final Draft script for an un-aired television episode set to be aired as Season 1 Episode 6 of the 1994 television series. The series was canceled after airing only 4 episodes. <br /> <br /> This very short lived series featured the lives of a group of friends in their twenties. In this installment two of the friends who are dating move in together. <br /> <br /> Set in Chicago. <br /> <br /> Table Draft: <br /> <br /> Gray titled wrappers noted as Table Draft on the front wrapper production No. 2W05 dated September 19 1994. Title page present dated September 19 1994 noted as TABLE DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 52 leaves with last page of text numbered 47. Xerographic duplication rectos only with sparse annotations throughout. Pages Fine wrapper Near Fine bound with two silver brads. <br /> <br /> First Revised Table Draft: <br /> <br /> Pink titled self-wrappers lacking rear wrapper noted as 1st Revised on the front wrapper production No. 2W05 dated September 20 1994 with credits for screenwriter Mark Nutter and director Stan Lathan. Title page integral with front wrapper. 53 leaves with last page of text numbered 49. Xerographic duplication rectos only with pink revision pages throughout dated 9/20/94. Pages Near Fine wrapper Near Fine printed on pink stock bound with two silver brads. With manuscript ink annotations throughout<br /> <br /> Final Draft: <br /> <br /> White titled wrappers noted as Final Draft on the front wrapper production No. 2W05 dated September 22 1994. Title page present dated September 22 1994 noted as FINAL DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only with white revision pages throughout dated 9/22/94. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1969162594N.p.: N.p. 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. <br /> <br /> A group of gypsies vow vengeance on a runaway that murdered a member of their clan. <br /> <br /> 8 x 10 inches. Very Good plus with a wax pencil annotation on the bottom right margin light creasing to the left side and faint discoloration at the center. N.p. unknown
1985140024London: Thorn EMI 1985. Collection of 10 vintage full-color British lobby cards from the 1985 British-Australian film. <br /> <br /> Based on Daniel Carney's 1982 novel "The Square Circle" and sequel to "The Wild Geese" 1978. A group of mercenaries are hired by a broadcasting company to "rescue" a Nazi war criminal. <br /> <br /> 11 x 14 inches. Light corner bumps else Near Fine. Scarce. Thorn EMI unknown
1970141552N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A small time thief is found assassinated in a busy restaurant perplexing the local police who can uncover neither motive nor method. <br /> <br /> Set in New York City. <br /> <br /> Orange wrappers with die-cut window in the British style. Title page present with credit for screenwriter Gerald Wilson. 122 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. N.p. unknown
1933136691Los Angeles: First National Pictures 1933. Vintage reference photograph from the 1933 pre-Code film. <br /> <br /> Shown is Ann Hovey as she is attacked after stowing away on a train by Ward Bond playing against type as a villainous railroad worker. The rape is not only attempted but takes place a radical element even in a pre-Code film. <br /> <br /> A film that has held up well in that it breaks the stereotype of hobos as nothing more than restless drifters and delves into what fueled the movement during the Great Depression. Many teenagers male and female were forced to leave their homes and ride the rails because their families were unable to provide support. <br /> <br /> 8 x 10 inches. About Near Fine with some penciled annotations on the verso regarding another actress in the film Dorothy Coonan who would go on to marry the film's director William A. Wellman. <br /> <br /> National Film Registry. First National Pictures unknown
1947156128Vienna: Donau-Film 1947. Vintage program for the 1947 German film. Text and titles in German. <br /> <br /> Twin sisters Lilli and Viktoria are separated at a young age but share a love of music as adults-one loves classical music the other loves popular tunes. <br /> <br /> 8 x 11.5 inches. Bifold. Very Good plus with light edgewear. Donau-Film unknown
1980151061Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing 11 black-and-white photographs and 21 gatherings of promotional reading material.<br /> <br /> A compulsive liar's colorful tall tales land him in hot water with his family but also help him get a job as a social worker where he becomes determined to help a young boy who was wrongfully taken from his mother. <br /> <br /> Set in Manchester New Hampshire shot on location in Spokane Washington. <br /> <br /> Folder photographs and promotional material Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1983153831N.p.: N.p. 1983. Draft script for an unproduced film. Laid in with the script is a typescript letter from screenwriter Les White to talent agent Walter Kohner introducing the script. <br /> <br /> A comedy following the stunted entry into maturity of several young adults who have decided for various reasons to move back in with their parents indefinitely. <br /> <br /> Blue titled wrappers. Title page present undated with credits for screenwriter Les White. 137 leaves with last page of text numbered 132. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
141462Tokyo: Imamura Productions 1980. Draft script for the 1981 film. Text in Japanese. <br /> <br /> A period drama featuring a man returning from exile in America during the Edo era and begins searching for his wife. He gets caught up in revolutionary fervor and his emotions get the best of him. <br /> <br /> Orange titled perfect-bound wrappers rubber stamped production number 133 dated 1980. Title page present. 201 leaves with last page of text numbered 192. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Imamura Productions unknown
1965171121Burbank CA: Warner Brothers / Chenault 1965. Final script for the 1966 film. Lacking the final page of narrative text as either used or issued.<br /> <br /> Based on the 1963 Tony Award-winning play by Edward Albee which follows one bitter night of domestic unrest between an emotionally scarred college professor and his hard-drinking wife. Nichols' directorial debut and the first film to be given the MPAA tag "No one under 18 will be admitted unless accompanied by an adult" challenging the Production Code Office and essentially leading to its demise. Nominated for 13 Academy Awards and winning five including Best Actress and Best Supporting Actress for Elizabeth Taylor and Sandy Dennis respectively. <br /> <br /> Set on the campus of a small New England college and shot on location in Northampton Southampton and Cambridge Massachusetts.<br /> <br /> OCLC locates no holdings. AMPAS shows 2 holdings.<br /> <br /> Goldenrod titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 69 dated July 30 1965. Distribution page present same dates with receipt intact. Title page present dated July 30 1965 with credits for screenwriter Ernest Lehman. 155 leaves with last page of text numbered 152. Mimeograph duplication rectos only all pages eye-rest green excepting distribution page which is white and dated 7/30/65. Corner chip to the "Cast of Characters" page else pages Near Fine wrapper Very Good with yapping at the top and bottom as usually found bound internally with two gold brads.<br /> <br /> National Film Registry. Warner Brothers / Chenault unknown
1960161076Culver City CA: Columbia Pictures 1960. Vintage reference photograph from the 1960 film showing director George Sidney inspecting a chorus line of women's legs. Columbia Pictures stamp specific to the Dutch release on the verso.<br /> <br /> Based on Norman Krasna's 1958 Broadway play "Who Was That Lady I Saw You With" A mild-mannered chemistry professor falsely claims to be an undercover FBI agent in order to get back into his wife's good graces capturing the attention of the FBI the CIA and the KGB in the process. <br /> <br /> Set and shot on location in Manhattan. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
1971151299N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing actor Dustin Hoffman in character standing next to a blow-up print of a TIME Magazine issue with his face on the cover. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A wealthy pop songwriter writes most of his songs about love but has no luck with romance in his personal life. <br /> <br /> Set and shot on location in New York. <br /> <br /> 10 x 8 inches. Very Good plus overall. N.p. unknown
1958152074Burbank CA: Buena Vista / Walt Disney Productions 1958. Vintage pressbook for the 1958 film. <br /> <br /> A nature documentary about animal life in the North American Arctic. Most notable for its infamous scene featuring a pack of lemmings jumping off a cliff into the Arctic Ocean supposedly to migrate-a scene that was in reality staged by the filmmakers who threw about a dozen lemmings into the Bow River near downtown Calgary for the sequence.<br /> <br /> Winner of the Academy Award for Best Documentary. <br /> <br /> Shot on location in Canada. <br /> <br /> 19 pages saddle stitched 12 x 15 inches. Near Fine. Buena Vista / Walt Disney Productions unknown
1995148684N.p.: Percy Main Productions 1995. Revised Final Draft script for the 1996 film. Three copied annotations on two pages consisting of one dialogue change and two revision date changes.<br /> <br /> Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2 1961.<br /> <br /> All American boy Chuck Gieg Scott Wolf narrates this coming-of-age story set in 1960 about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross commanded by Dr. Christopher B. Shelton Jeff Bridges only to face the ultimate challenge of surviving a deadly white squall storm.<br /> <br /> Shot on location in South Carolina Georgia Bermuda Grenada London Malta South Africa St Lucia and St Vincent and the Grenadines. <br /> <br /> White generic Lasher McManus & Robinson production company wrappers. Title page present dated March 18 1995 noted as Revised Final Draft with credits for screenwriter Todd Robinson. 123 leaves with last page of text numbered 107. Xerographic duplication rectos only with white revision pages labeled "Blue" throughout dated variously between 3/27/95 and 5/15/95. Pages Near Fine wrapper Near Fine bound with two gold brads. Percy Main Productions unknown
2001164026N.p.: N.p. 2001. Rainbow Revision Shooting Draft script for the 2002 film with six gatherings of revision pages. From the archive of crew member Chris Scher.<br /> <br /> The six gatherings of revision pages include: <br /> <br /> Six buff revision ages dated 5/03/01.<br /> <br /> Twelve buff revision pages dated May 3 2001 with a label on the title page for uncredited crew member "Steve Martinez / Construction Department."<br /> <br /> Eleven cherry revision pages dated May 6 2001.<br /> <br /> Four tan revision pages dated May 16 2001 with a label on the title page for "Construction Department" with the name struck.<br /> <br /> Two pages of 2nd white revision pages dated May 21 2001 with a label on the title page for "Jason Vanover / Construction Department" Vanover had the uncredited position of Key Greensman on the film.<br /> <br /> And seven 2nd yellow revision pages dated June 11 2001 with a label on the title page for "Jason Vanover / Construction Department."<br /> <br /> Based on the 1999 bestselling novel by Janet Fitch. Fifteen-year old Astrid finds herself shuffled from foster home to foster home after her free-spirited mother with borderline personality disorder is imprisoned after poisoning her lover.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Shot on location in Santa Clarita and Los Angeles California. <br /> <br /> Front wrapper integral with title page dated March 21 2001 noted as Shooting Draft with credits for screenwriter Mary Agnes Donoghue. 133 leaves with last page of text numbered 125. Xerograhic duplication rectos only with blue pink yellow green and goldenrod revision pages throughout dated variously between 3/21/01 and 4/21/01. Pages Near Fine bound with two gold brads.<br /> <br /> Revision Pages with each grouping affixed by a single staple to the top left. Near Fine. N.p. unknown
