Emily Lloyd, Tom Bell, Geoffrey Hutchinson (starring); David Leland (director, screenwriter)Biblio.com
8 399 résultats
1987162290London: Atlantic Releasing 1987. Six vintage studio still photographs from the 1987 British film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A feisty young girl grows up in a small English coastal town in the years after WWII eventually becoming pregnant by an acquaintance of her widowed father.<br /> <br /> Shot on location in West Sussex. <br /> <br /> 10 x 8 inches. Near Fine one with an annotation in manuscript ink amending a caption on the recto. Atlantic Releasing unknown
1970141382N.p.: N.p. 1970. Draft script for an unproduced film. Text and titles in German.<br /> <br /> White untitled wrappers. Title page present with credit for screenwriter Janusz Henryk Kryst. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a Very Good black Velo binding. N.p. unknown
1970144149N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Marisa immigrates to Los Angeles from Guatemala to go to a university for the deaf. <br /> She struggles to find work without a green card and as she is forced into increasingly precarious situations she must defend herself from violent and predatory men. <br /> <br /> Set in Guatemala and Los Angeles California. <br /> <br /> Green titled wrappers with credits for screenwriter Larry Davis. 110 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1963156277Stockholm: Svensk Filmindustri 1963. Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. <br /> <br /> The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. <br /> <br /> 9.25 x 11.75 inches. Generally Very Good plus some with pinholes and small closed tears. <br /> <br /> Criterion Collection 210. Ebert III. Svensk Filmindustri unknown
1962171100Stockholm: Svensk Filmindustri SF 1962. Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell with her name in manuscript ink on a label affixed to the front wrapper her annotations in manuscript ink and pencil on two script pages and on a sheet of lined paper bound in at the rear of the script.<br /> <br /> The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy a series of films that launched an important phase in the director's career. A quiet relentless meditation on the nature of faith imperfection and beauty. <br /> <br /> Red untitled wrappers. Title page present undated with credit for Bergman. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Very Good plus wrapper Good perfect-bound with the spine of the wrapper and the first two leaves detached from the text block.<br /> <br /> Criterion Collection 210. Ebert III. Svensk Filmindustri [SF] unknown
1963130176Stockholm: Svensk Filmindustri 1963. Original Swedish illustrated poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. <br /> <br /> "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. <br /> <br /> 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1963130145Stockholm: Svensk Filmindustri 1963. Original Swedish photographic style poster for the 1963 film. The second entry in Bergman's legendary and highly personal "Faith" trilogy a series of films that launched a new and important phase in the director's career. <br /> <br /> "Winter Light" takes place in entirely within a three-hour period on a Sunday afternoon in November mixing the affections and repulsions of a pastor a parishioner who is a schoolteacher and a fisherman. A quiet relentless meditation on the nature of faith imperfection and beauty. <br /> <br /> 27.5 x 39.25 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1979151527Los Angeles: AVCO Embassy Pictures 1979. Vintage press kit for the 1979 film. Black-and-white illustrated pocketed folder containing 21 black and white photographs and 16 gatherings of promotional reading material.<br /> <br /> Based on Richard Condon's 1974 novel. A pitch-black satire following the half-brother of fictional US President Kegan closely modeled on John F. Kennedy as he begins to uncover the circumstances which led to Kegan's assassination 19 years prior. <br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> Spicer US Neo-Noir. AVCO Embassy Pictures unknown
1968160762Universal City: Universal Studios 1968. Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner with his name in manuscript ink on the front wrapper. <br /> <br /> A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal sacrificing his relationships with his wife and stepson in the progress.<br /> <br /> Shot on location in Elkhart Lake Wisconsin and Indianapolis Indiana. <br /> <br /> Yellow titled Universal Studios wrappers noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper noted as production No. 02017 dated April 16 1968. Title page present noted as Second Revised Final Screenplay with credit for screenwriter Howard Rodman. 152 leaves with last page of text numbered 130. Xerographic duplication rectos only with pink and blue revision pages throughout dated variously between 4/26/68 and 5/14/68. Pages Very Good plus wrapper Very Good plus moderately soiled with a dampstain on the fore-edges bound with three gold brads. Universal Studios unknown
1953148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. <br /> <br /> An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head.<br /> <br /> Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. <br /> <br /> 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1987162362N.p.: N.p. 1987. Two vintage borderless oversize color reference photographs from the 1987 film both showing director Wim Wenders on the set.<br /> <br /> Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu François Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. <br /> <br /> Set and shot on location in West Berlin.<br /> <br /> 11.75 x 8.25 inches. About Fine.<br /> <br /> Criterion Collection 490. Ebert I. N.p. unknown
1987156337N.p.: N.p. 1987. Vintage borderless reference photograph from the 1987 film showing director Wim Wenders actor Peter Falk cinematographer Henri Alekan and an extra on the set. Printed mimeo snipe affixed to the verso. <br /> <br /> Wenders' masterpiece a love letter to West Berlin told through the experiences of an angel who yearns to be human. The director dedicated the film to his cinematic predecessors Yasujiro Ozu Francois Truffaut and Andrei Tarkovsky whose influences shine throughout his oeuvre. <br /> <br /> Set and shot on location in West Berlin.<br /> <br /> 7 x 4.75 inches. Near Fine.<br /> <br /> Criterion Collection 490. Ebert I. N.p. unknown
1980151183Los Angeles: Twentieth Century-Fox 1980. Vintage press kit for the 1980 film containing five black and white photographs and two gatherings of promotional reading material.<br /> <br /> A high school English teacher and his friend a fashion photographer fall in love with the same girl a sexually liberated young woman who has recently relocated to New York from Kentucky. <br /> <br /> Photographs and promotional material Near Fine. Twentieth Century-Fox unknown
1957150435N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Jayne Mansfield leaning over to get a bottle of ginger ale from the refrigerator. With a manuscript pencil annotation identifying Mansfield and the film title on the verso. <br /> <br /> Based on the 1955 Broadway play which also starred Jayne Mansfield. A satirical take on mid-century Hollywood following an ad man who hires a famous actress to promote a new line of lipstick but must pretend to be the actress' lover in exchange in order to make her real boyfriend jealous. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Rosenbaum 1000. N.p. unknown
1984163349Burbank CA: Warner Brothers 1984. Revised Estimating Draft script for the 1986 film seen here under both the release title and the working title "Jocks." Another early working title was "First and Goal."<br /> <br /> A divorced high school track coach lands a position as a college football coach in spite of her lack of experience and is tasked with working the team's players into shape.<br /> <br /> Goldenrod titled wrappers. Title page present dated December 21 1984 noted as REV. ESTIMATED DRAFT with credits for screenwriters Ezra Sacks and Michael Leeson. 141 leaves with last page of text numbered 118. Xerographic duplication rectos only with yellow pink and blue revision pages throughout dated variously between 2/11/85 and 3/7/85. Pages Near Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1971152553Los Angeles: Mondo Films 1971. Draft script for the 1971 film here under the working title "Kicks." Copy belonging to an unknown cast member with two manuscript ink annotations to pages 48 and 49. <br /> <br /> Two cruel biker thugs arrive at a large mansion where they proceed to attack the two women living there steal and sell the house's valuables and murder a concerned neighbor. <br /> <br /> Red titled wrappers. Title page present undated with credits for director-screenwriter Richard Kanter and screenwriters Ted Paramore and Sal Comstock. 111 leaves with last page of text numbered 110. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Mondo Films unknown
1994163093Los Angeles: Twentieth Century-Fox Television 1994. Table Draft script First Revised Table Draft script and Final Draft script for an un-aired television episode set to be aired as Season 1 Episode 6 of the 1994 television series. The series was canceled after airing only 4 episodes. <br /> <br /> This very short lived series featured the lives of a group of friends in their twenties. In this installment two of the friends who are dating move in together. <br /> <br /> Set in Chicago. <br /> <br /> Table Draft: <br /> <br /> Gray titled wrappers noted as Table Draft on the front wrapper production No. 2W05 dated September 19 1994. Title page present dated September 19 1994 noted as TABLE DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 52 leaves with last page of text numbered 47. Xerographic duplication rectos only with sparse annotations throughout. Pages Fine wrapper Near Fine bound with two silver brads. <br /> <br /> First Revised Table Draft: <br /> <br /> Pink titled self-wrappers lacking rear wrapper noted as 1st Revised on the front wrapper production No. 2W05 dated September 20 1994 with credits for screenwriter Mark Nutter and director Stan Lathan. Title page integral with front wrapper. 53 leaves with last page of text numbered 49. Xerographic duplication rectos only with pink revision pages throughout dated 9/20/94. Pages Near Fine wrapper Near Fine printed on pink stock bound with two silver brads. With manuscript ink annotations throughout<br /> <br /> Final Draft: <br /> <br /> White titled wrappers noted as Final Draft on the front wrapper production No. 2W05 dated September 22 1994. Title page present dated September 22 1994 noted as FINAL DRAFT with credits for screenwriter Mark Nutter and director Stan Lathan. 47 leaves with last page of text numbered 42. Xerographic duplication rectos only with white revision pages throughout dated 9/22/94. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1969162594N.p.: N.p. 1969. Vintage studio still photograph from the 1969 film. With a provenance stamp on the verso. <br /> <br /> A group of gypsies vow vengeance on a runaway that murdered a member of their clan. <br /> <br /> 8 x 10 inches. Very Good plus with a wax pencil annotation on the bottom right margin light creasing to the left side and faint discoloration at the center. N.p. unknown
