8 399 résultats
1957150862N.p.: N.p. 1957. Vintage borderless reference photograph of director Luchino Visconti cinematogrpher Giuseppe Rotunno and Maria Schell on the set of the 1957 film.<br /> <br /> Loosely based on the 1848 short story by Fyodor Dostoevsky. Remade in 2008 as "Two Lovers" directed by James Gray and starring Joaquin Phoenix and Gwyneth Paltrow.<br /> <br /> A young man Marcello Mastroianni new to the city meets a girl Schell crying on bridge for a lover who may not return striking up a tentative romance. <br /> <br /> 6.75 x 9.25 inches. Near Fine with light wear and creasing at extremities. <br /> <br /> Criterion Collection 296. N.p. unknown
1995163974N.p.: N.p. 1995. Draft script for the 1995 film. From the archive of crew member Chris Scher with her numeric annotation in manuscript ink on page 2 and her annotations in manuscript pencil regarding props on the rear wrapper. <br /> <br /> In an alternate America where the social and economic positions of white and Black Americans are reversed a white factory worker kidnaps the factory owner as revenge for an unjust firing.<br /> <br /> Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018.<br /> <br /> Red untitled wrappers. Lacking title page presumably as issued. 114 leaves with last page of text numbered 113. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1970158055N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A woman is exiled from her family due to a tragic misunderstanding with her sister returning years later after her sister's death. She becomes the foster guardian of her orphaned niece a young girl with a cruel streak. <br /> <br /> Transparent front wrapper white rear wrapper. Title page present undated with credit for screenwriter Robert Anthony Foster. 69 leaves with last page of text numbered 66. Xerographic duplication rectos only. Pages about Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown
1959132723London: Rank Film Distributors 1959. Collection of 6 vintage full-color British front-of-house cards from the 1959 UK film. <br /> <br /> Based on Lawrence Bachmann's 1957 novel "The Lorelei" about a girl on the run from the law and a former crime associate and her eventual refuge on a boat coasting down the river Rhine. <br /> <br /> A story set in Eastern Europe shot in Germany. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. Rank Film Distributors unknown
1972158059New York: N.p. 1972. Vintage pressbook for the 1972 adult film.<br /> <br /> 8.75 x 11.25 inches four leaves printed on rectos only. Very Good plus with a diagonal crease to the first two leaves. N.p. unknown
1926171419Burbank CA: Warner Brothers 1926. Vintage studio still photograph from the 1926 silent film a portrait of canine actor Rin Tin Tin. "Made in USA" stamp on the verso. <br /> <br /> The thirteenth screen appearance by Rin Tin Tin who appeared in 27 Hollywood films between 1922 and 1932. Currently considered lost. <br /> <br /> 8 x 10 inches. Very Good toned with a tide mark to the bottom right corner. Warner Brothers unknown
1980158084Universal City: Universal Pictures 1980. Vintage screening invitation for the 1980 film illustrated by Ralph Steadman on the recto with film credits on the verso.<br /> <br /> More than a little loosely based on Hunter S. Thompson's obituary for his closest associate Oscar Zeta Acosta a.k.a. Dr. Gonzo "The Banshee Screams for Buffalo Meat" which appeared in October 1977 issue of "Rolling Stone." <br /> <br /> A film that despite being an unholy mess represents in retrospect an intersection of ideas and talent as well as the first of many messy attempts to commit to celluloid the basically un-filmable life and work of Hunter S. Thompson. <br /> <br /> Bill Murray at this time little more than a droll comedic sensation arguably made the first step toward becoming the four-dimensional icon he is today though not necessarily by intention. Both Murray and Thompson had serious concerns about the quality of Kaye's script and at the beginning of filming both Thompson and Ralph Steadman came onto the set as "executive consultants." Though the author says he did little other than "wander around and fire machine guns" his influence on Murray was profound. The actor became obsessed with his idol and by all accounts became one with him. During production Murray and Thompson engaged in a series of dangerous one-upmanship contests including a Houdini-inspired stunt where Thompson tied Murray to a chair and threw him into a swimming pool. Murray nearly drowned before Thompson pulled him out. The pair's obsession with the film's poor script and continuity led to a hasty final addition of a voice-over narration and two explanatory scenes at the film's end. Three days prior to release a press screening was canceled because the film was still being edited. <br /> <br /> When Murray returned to the Saturday Night Live set in the fall of 1980 he was still immersed in character complete with long black cigarette holder dark glasses and nasty habits. One of the show's writers said that Murray .".was not Bill Murray he was Hunter Thompson. You couldn't talk to him without talking to Hunter Thompson." Doug Hill and Jeff Weingrad "Saturday Night Live: A Backstage History" William Morrow 1989<br /> <br /> 3.75 x 9 inches with a satin finish recto and matte verso. Fine. Universal Pictures unknown
1965132638Hollywood: National Screen Service / Paramount Pictures 1965. Collection of 6 vintage British front-of-house cards from the 1965 UK release of the 1964 US film. <br /> <br /> Another steamy drama based on a Harold Robbins novel 1962 about the murder of one man's ex-wife's new lover at the hand of his teenage daughter with obvious parallels between this film and the actual murder of Johnny Stompanato Lana Turner's ex-lover and victim of stabbing by her daughter Cheryl Crane. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. National Screen Service / Paramount Pictures unknown
1971163605Los Angeles: Joseph Shaftel Films 1971. Revised Final script for the 1972 film. Copy belonging to actor Norman Alden with his name and character's name in manuscript ink on the front wrapper and his annotations indicating dialogue throughout the script. Xerographically duplicated call sheet additional script pages and undated pink revision pages laid in at the rear of the script.<br /> <br /> Based on the 1970 novel "The Operator" co-written by screenwriters Rod Amateau and Budd Robinson. A greedy corrupt hospital administrator is eventually jailed for his fraudulent activities but plans his revenge on the hospital. <br /> <br /> Blue titled wrappers. Title page present dated June 1971 noted as Revised Final with credits for screenwriter and novelist Rod Amateau and novelist Budd Robinson. 128 leaves with last page of text numbered 123. Xerographic duplication rectos only with undated yellow and blue revision pages throughout. Pages Near Fine wrapper Very Good plus with light soil and toning on the rear wrapper bound with two gold brads. Joseph Shaftel Films unknown
1980166661Universal City: Universal City Studios 1980. Draft script for the second episode of the 1980 television series printed on pink leaves which aired on ABC on March 21 1980.<br /> <br /> "When the Whistle Blows" premiered on ABC on March 14 1980 and aired for ten one-hour episodes ending on July 20 1980. Five construction workers four guys and a gal work for the Tri-State Construction Company in Los Angeles and are looking for fun on and off the job often frequenting the neighborhood saloon Darlene's.<br /> <br /> Hunk Tim Rossovich has a thing for Jolene Gail Edwards a singer at Darlene's until Buzz Douglas Barr tells him she was "a lady of easy virtue" in Reno.<br /> <br /> Front wrapper integral with title page with the latest revision dated 1/23/80 with credits for screenwriter Rick Husky. 66 leaves with last page of text numbered 56. Mimeograph duplication rectos only with blue yellow and green revision pages throughout dated variously between 1/18/80 and 1/23/80. Pages Very Good with the first of four title pages with foxing and silverfish damage and the extremities and light foxing to the first several pages bound with two gold brads. Universal City Studios unknown
1960296421Robert Goldfarb 1960. Trade Paperback. 140 mimeographed sheets printed recto only. Ric Hardman 1924-2009 was a writer of screenplays Rare Breed Gunman's Walk TV scripts and novels Fifteen Flags and others. First edition first printing. Very good copy in yellow folder bound with metal clasps. At bottom of title page: Robert Goldfarb / 3839 Carnavon Way / Los Angeles 90027 / 663 9543 / mag 876 2100.'.<br> Robert Goldfarb paperback
1965148129Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1965 film musical. Copy from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper. Laid in is a 17-page shooting schedule under the title "Girl Crazy" dated 7-13-65. <br /> <br /> Based on the 1930 musical "Girl Crazy" by Guy Bolton and John McGowan with music and lyrics by George and Ira Gershwin respectively.<br /> <br /> Previously filmed twice before first in 1932 directed by William A. Seiter and starring Bert Wheeler and Dorothy Lee then in 1943 directed by Norman Taurog and Busby Berkeley and starring Mickey Rooney and Judy Garland.<br /> <br /> Playboy and heir Danny Churchill Harve Presnell helps Ginger Gray Connie Francis save her father's ranch by turning it into a motel for divorcees.<br /> <br /> The last feature film acting role of Connie Francis.<br /> <br /> Set in Nevada shot on location in Nevada and California. <br /> <br /> Yellow titled wrappers rubber-stamped copy No. 73 dated July 7 1965 with credits for screenwriter Robert E. Kent. Title page integral with the first page of text. 96 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Shooting schedule 8.5 x 11 inches Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1991167974N.p.: N.p. 1991. Draft script for the 1993 American-German-Dutch film. Single numeric annotation in manuscript pencil on the title page. Text in English.<br /> <br /> A struggling jazz musician provides music lessons to make ends meet although his students are ambivalent at best while maintaining a romance with a bartender at a local Irish bar. One of two feature films directed by Sara Driver known for producing the first two films of her longtime partner director Jim Jarmusch. <br /> <br /> Shot on location in Hamburg.<br /> <br /> Mylar front wrapper black rear wrapper. Title page present dated 1991 with credits for screenwriter Ray Dobbins and story writer Sara Driver. 91 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. N.p. unknown
