4 698 résultats
1991141425N.p.: Genjiro Amato 1991. Draft script for the 1991 film. Text in Japanese. <br /> <br /> A semi-fictional account of Japanese artists Yumeji Takehisa who falls in love with a widow and then becomes a rival with the ghost of her dead husband and her husband's murderer. <br /> <br /> Purple titled perfect-bound wrappers. Title page present. 116 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine. Genjiro Amato unknown
1965149484N.p.: N.p. 1965. Two vintage borderless reference photographs from the 1965 film. Each borderless except for a bottom margin see image.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Pierre Etaix finds happiness his lost love and the son he never knew he had by joining the circus. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 4.75 x 3.75 inches. Light curling else Near Fine. <br /> <br /> Criterion Collection 655. N.p. unknown
1965149858N.p.: N.p. 1965. Vintage borderless reference photograph of Pierre Etaix and Claudine Auger from the 1965 film.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. <br /> <br /> Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 9 x 6.75 inches. Near Fine. <br /> <br /> Criterion Collection 655. N.p. unknown
1965151530Lausanne: Majestic Films 1965. Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso.<br /> <br /> After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Morbihan Bas-Rhin and Yvelines France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 655. Majestic Films unknown
1966132242Germany: Obpacher Aktiengesellschaft / Atlas Films 1966. Original 1966 German A1 poster for the 1965 French film. <br /> <br /> From the collection of noted film historian Amos Vogel. Full provenance available. <br /> <br /> 23 x 33.25 inches rolled. Near Fine. Obpacher Aktiengesellschaft / Atlas Films unknown
163898Los Angeles: Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films 1997. Draft script for the 1998 film seen here under the working title "The Fine Art of Living." Working copy belonging to director Neil LaBute with his extensive annotations throughout noting deletions and revisions to dialogue. <br /> <br /> Bound in a three-ring binder with numerous production documents including contact sheets scene breakdowns memos legal documents shooting and post-production schedules location and vendor lists and edits of promotional material. <br /> <br /> LaBute's second feature following "In the Company of Men" 1997 about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. <br /> <br /> Title page present dated 9/19/97 with credit for LaBute. 111 leaves with last page of text numbered 110. Xerographic duplication rectos only. Pages Near Fine binder about Near Fine. Gramercy Pictures / Propaganda Films / Fleece Films / Volcanic Films unknown
1997157411Hollywood: Volcanic Films 1997. Revised Draft script for the 1998 film. <br /> <br /> A pitch-black comedy about two middle-class couples who lie and cheat in their struggles to find satisfaction in their empty relationships. Neil LaBute's second feature following "In the Company of Men" 1997.<br /> <br /> Gray titled wrappers with credit for director-screenwriter Neil LaBute. Title page present dated 10/20/97 noted as Revised with credits for screenwriter Neil LaBute. 125 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Fine wrapper about Fine bound with two gold brads. Volcanic Films unknown
1954152838Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Script supervisor's copy with their manuscript pencil and ink annotations on the front wrapper and virtually every page. <br /> <br /> A farm girl hides her brother from the police when he is framed for murder. <br /> <br /> Yellow titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 13 1954 with credits for screenwriter Leonard St. Clair and story credits to Stephen Crane. Title page integral with the front wrapper. 59 leaves with last page of text numbered 53. Mimeograph duplication rectos only with blue revision pages throughout dated 4/26/54. Wrapper and pages Near Fine bound with two gold brads. ZIV Television Programs unknown
1954152836Los Angeles: ZIV Television Programs 1954. Final Master script for the 1954 television episode. Copy belonging to script supervisor Helen McCaffrey with her manuscript pencil annotations on virtually every page and many versos and her name in manuscript ink annotation on the top right corner of the front wrapper.<br /> <br /> A dramatization of the December 1862 Battle of Fredericksburg based on a short story by Stephen Crane. <br /> <br /> Brown titled wrappers noted as FINAL MASTER SCRIPT on the front wrapper dated April 12 1954 with credits for screenwriter Ellis Marcus and story credits to Stephen Crane. Title page integral with the front wrapper. 48 leaves with last page of text numbered 47. Mimeograph duplication rectos only with blue revision pages throughout dated 4-14-54. Pages Near Fine wrapper Near Fine bound with two gold brads. ZIV Television Programs unknown
1963135122Burbank CA: Warner Brothers 1963. Final script for the 1964 film. <br /> <br /> Based on Herman Wouk's 1962 novel. Youngblood Hawke Franciscus is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green Pleshette who falls for him while putting together a book deal. Throughout his first three books his hops from woman to woman and book deal to book deal including a Broadway adaptation and an affair with a woman whose jealous husband intends to destroy Hawke. He returns to Kentucky to work on writing contracts pneumonia and realizes that Jeanne was the only woman he truly loved. <br /> <br /> Set in Kentucky and New York shot on location in New York. <br /> <br /> Self wrappers noted as FINAl on the front wrapper dated February 15 1963 with credits for screenwriter Daves and novelist Wouk. Title page integral with front wrapper DATE. 160 leaves with last page of text numbered 157. Mimeograph on eye-rest green stock. Near Fine overall bound with two gold brads. Warner Brothers unknown
1939150177N.p.: N.p. 1939. Vintage borderless portrait photograph from the 1939 film showing actor Henry Fonda in costume as a young Abraham Lincoln. <br /> <br /> A dramatization of the early years of future president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. <br /> <br /> 7 x 9 inches. Very Good plus with light wear to the top corners and adhesive residue on the bottom edge of the verso. <br /> <br /> National Film Registry. Criterion Collection 320. N.p. unknown
1957132691London: Miracle Films 1957. Collection of 7 vintage black-and-white double weight still photographs from the 1957 UK release of the 1957 French film. Distributor rubber-stamps on the versos. <br /> <br /> Based on James Hadley Chase's novel "Miss Callaghan Comes to Grief" 1941 banned in the UK upon publication due to its graphic sexual passages involving prostitutes and lost women. <br /> <br /> 8 x 10 inches. Near Fine. Miracle Films unknown
1974168007Los Angeles: Twentieth Century-Fox 1974. Vintage reference photograph from the 1974 film showing Gene Wilder and Peter Boyle as Dr. Frankenstein and his monster respectively during the famous "Puttin' on the Ritz" dance sequence. <br /> <br /> Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. <br /> <br /> 10 x 8 inches. Fine. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
1974169578N.p.: N.p. 1974. Seven vintage borderless reference photographs from the 1974 film. <br /> <br /> Widely considered Mel Brooks' finest comedy and surely the peak of his powers as a director. One of the few modern film comedies in the National Film Registry joined by two of Brooks' other masterpieces "The Producers" 1968 and "Blazing Saddles" 1974. Nominated for two Academy Awards. <br /> <br /> 9.25 x 7 inches. Near Fine to Fine. <br /> <br /> National Film Registry. N.p. unknown
1965145917Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Vintage photograph from the set of the 1965 film. Mimeo snipe and Tony Crawley stamp on verso. A young Julie Christie sunning herself on the set of "Young Cassidy."<br /> <br /> Biographical drama based upon the life of playwright Sean O'Casey John Cassidy Taylor in the film. Following the 1911 protest against British rule in Ireland a young laborer-turned-playwrite combats the regime with his artistic practice. <br /> <br /> John Ford was originally slated to direct but fell ill early in the shooting.<br /> <br /> Set in and shot on location in Ireland and England. <br /> <br /> 10 x 8 inches. Very Good Plus some light corner creasing and edgewear. Metro-Goldwyn-Mayer [MGM] unknown
1965170551Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Vintage reference photograph from the 1965 film showing Julie Christie smiling. Mimeo snipe and provenance label on the verso.<br /> <br /> A biographical drama based upon the life of playwright Sean O'Casey about a young laborer who becomes a playwright combatting the regime with his artistic practice. John Ford was originally slated to direct but fell ill early in the shooting.<br /> <br /> Shot on location in Ireland and England. <br /> <br /> 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1931154507N.p.: N.p. 1931. Vintage reference photograph from the 1931 pre-Code film showing actors Will Rogers and Fifi D'Orsay. <br /> <br /> A French singer helps an older serious-minded businessman loosen up but his sons decide to intervene afraid that she is taking advantage of his largesse. <br /> <br /> Set in Chicago. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1931135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. <br /> <br /> A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. <br /> <br /> Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1950149951N.p.: N.p. 1950. Draft script for an unproduced film. <br /> <br /> Based on Walter D. Edmonds' 1942 novel which follows a young man who moves to New York in the early 19th century where he seeks employment in an importing/exporting business. Screenwriter Leonard Lee was best known for his espionage crime and action films in the 1940s and 1950s including "Whispering City" 1947 "Spy Hunt" and "Wyoming Mail" 1950 "Smuggler's Island" 1951 and "The Glass Web" 1953.<br /> <br /> Green textured faux-leather wrappers with a label affixed on the front wrapper with credits for screenwriter Leonard Lee and novelist Walter D. Edmonds. Title page present with credits for screenwriter Leonard Lee and novelist Walter D. Edmonds. 141 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. N.p. unknown
1936143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. <br /> <br /> An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br /> <br /> Set in New York and London shot on location in London. <br /> <br /> Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown
1940150156N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actors Bela Lugosi Boris Karloff and Peter Lorre.<br /> <br /> A popular band takes on a job performing at a wealthy heiress' birthday bash in her large haunted mansion. <br /> <br /> 10 x 8 inches. Very Good plus with light adhesive residue and wear to the corners. N.p. unknown
1937159941Beverly Hills CA: United Artists 1937. Vintage reference photograph of director Fritz Lang and a camera crew capturing a scene with actress Sylvia Sidney on the set of the 1937 film. National Film Archive stamp on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> One of Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1937158246Beverly Hills CA: United Artists 1937. Vintage studio still photograph from the 1937 film "National Film Archive London" stamp on versos. <br /> <br /> One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1937148240Beverly Hills CA: United Artists 1937. Two vintage studio still photographs from the 1937 film "National Film Archive London" stamp on versos. <br /> <br /> One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
155122New York: Deathtrap Films 1986. Vintage portrait photograph of actress Lung Leg from the 1985 short film. INSCRIBED on the verso in director Richard Kern's hand "Lung Leg / in / "You Killed Me First" / A R. Kern Movie / copyright 1986 / Photo copyright R Kern" with two "R. Kern Photographs" stamps and a "Deathtrap Films" stamp on the verso.<br /> <br /> A landmark work in the Cinema of Transgression. Conceived by Kern and artist David Wojnarowicz as both a film and a multi-media art installation the film was shot unscripted over two days and was largely based on Wojnarowicz's childhood specifically the scenes concerning the terrifying and abusive father played by Wojnarowicz. Performance artist Karen Finley starred as the subservient mother and the young East Village model Leg who would go on to star in several more of Kern's films and music videos starred as the lead daughter Elisabeth/Cassandra. The film premiered at Wojnarowicz's "You Killed Me First Installation #8" at the Ground Zero Gallery in December 1985. <br /> <br /> A seemingly normal family sits down for Thanksgiving dinner and after a series of disturbing flashbacks revealing previous family traumas the daughter shoots her family at the dinner table angrily proclaiming "You killed me first!" A scathing and darkly humorous indictment of petit-bourgeois conservatism and religiosity.<br /> <br /> 8 x 10 inches. Near Fine. Deathtrap Films unknown
