8 853 résultats
1964143046Moscow: Mosfilm 1964. Two vintage photographs from the four-fim series released between 1966 and 1967 showing director Sergey Bondarchuk on a large outdoor battle set. With Italian mimeo snipes and stamps of a magazine archive dated August 19 1964 on the verso. <br/><br/>An epic production based on Leo Tolstoy's 1869 novel at the time the most expensive film ever made in the Soviet Union. Filmed over six years with the photographs offered here from the midpoint of the production and released in four parts in 1966 and 1967 running a totla of just over seven hours. Winner of an Academy Award for Best Foreign Language Film. <br/><br/>Photographs 9 x 5.25 and 9.25 x 6.5 inches. Near Fine. Mosfilm unknown books
1956141250N.p.: Ponti-De Laurentils Cinematografica 1956. Two vintage reference studio still photographs from the 1956 film. Based on Leo Tolstoy's novel of the same name. <br/><br/>An Italian-American war film directed by King Vidor and starring Audrey Hepburn Henry Fonda and Mel Ferrer. The film contains a condensed plot compared to its lengthy source material. <br/><br/>Set in Russia shot on location in Rome Mantua and Piedmont Italy. <br/><br/>8 x 10 inches. Near Fine. Ponti-De Laurentils Cinematografica unknown books
1966138830Moscow: Mosfilm 1966. Collection of three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. <br/><br/>A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. <br/><br/>An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. <br/><br/>Winner of the Academy Award for Best Foreign Language film. <br/><br/>8 x 10 inches. Near Fine. Mosfilm unknown books
1966138830Moscow: Mosfilm 1966. Three vintage borderless black-and-white reference photographs from the 1966 French release of the 1964 film. With the archival stamp of the noted cinema historian Maurice Bessy on the verso of each photo. <br /> <br /> A stunning set of battle scene photos including one three-part panoramic shot demonstrating the massive scale of the film shot on location in Dorogobuzh a region in the Smolensk province of Russia. <br /> <br /> An epic film over seven hours long and slavishly faithful to Tolstoy's novel that was for many years the most expensive European movie every made. The lengthy graphic battle scenes which killed a number of horses led to the film being boycotted in many American cities. <br /> <br /> Winner of the Academy Award for Best Foreign Language film. <br /> <br /> 8 x 10 inches. Near Fine. Mosfilm unknown
1975137576Paris: Cite Films 1975. Vintage oversize double weight reference photograph for the 1975 film as known as "Scar Tissue." With the label of the Paul Kohner agency on the verso. <br/><br/>Maria Schneider stars as a young woman who must protect the son of her ex-lover when they are kidnapped while she is babysitting him. The final directorial effort of Rene Clement's long illustrious career. <br/><br/>9.25 x 11.75 inches. Near Fine. Cite Films unknown books
1975137576Paris: Cite Films 1975. Vintage oversize double weight reference photograph for the 1975 film as known as "Scar Tissue." With the label of the Paul Kohner agency on the verso. <br /> <br /> Maria Schneider stars as a young woman who must protect the son of her ex-lover when they are kidnapped while she is babysitting him. The final directorial effort of René Clément's long illustrious career. <br /> <br /> 9.25 x 11.75 inches. Near Fine. Cite Films unknown
159007N.p.: Dell Publishing 1970. Two vintage reference photographs from the 1970 film. Both with Dell Publishing photograph library stamps on the verso. <br /> <br /> An unhappy apathetic housewife who has just left her husband decides to go on the run with a bank robber. Shot largely on location on a shoestring budget with much of its dialogue improvised the film was Barbara Loden's directorial debut.<br /> <br /> Set in eastern Pennsylvania and shot on location in Scranton and Carbondale Pennsylvania and Waterdale Connecticut. <br /> <br /> 10 x 8 inches. Near Fine with annotations in manuscript ink on the recto versos relating to cropping and publication. <br /> <br /> National Film Registry. Criterion Collection 965. Godard Histoires du cinema. Rosenbaum 1000. Dell Publishing unknown
2007146585Hollywood: Apatow Productions 2007. Producer's archive for the 2007 comedy including extensive production schedules props lists and set and wardrobe files. Also included is a final cast crew and contacts list dated May 18 2007 bound separately with black coil binding.<br/><br/>A childhood tragedy leads musician Dewey Cox up the ladder to stardom cycling through nearly every musical genre imaginable on the way up. A parody of 20th century music biopics stretching from Johnny Cash to Roy Orbison to Bob Dylan to Brian Wilson. <br/><br/>Set in Alabama and California. <br/><br/>Black titled wrappers with credits for production coordinator Barrett Leigh. Title page present dated May 10th 2007 with credits for screenwriters Judd Apatow and Jake Kasdan. 143 leaves with last page of text numbered 115. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2-6-2007 and 5-10-2007. Pages Near Fine housed in a Very Good plus three ring binder. Apatow Productions unknown books
2007146585Hollywood: Apatow Productions 2007. Producer's archive for the 2007 comedy film including a Revised Shooting script with extensive production schedules props lists and set and wardrobe files bound in. Also included is a final cast crew and contacts list dated May 18 2007 bound separately with black coil binding.<br /> <br /> A childhood tragedy leads musician Dewey Cox up the ladder to stardom cycling through nearly every musical genre imaginable on the way up. A parody of 20th century music biopics stretching from Johnny Cash to Roy Orbison to Bob Dylan to Brian Wilson. <br /> <br /> Set in Alabama and California. <br /> <br /> Black titled wrappers with credits for production coordinator Barrett Leigh. Title page present dated May 10th 2007 with credits for screenwriters Judd Apatow and Jake Kasdan. 143 leaves with last page of text numbered 115. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2-6-2007 and 5-10-2007. Pages Near Fine housed in a Very Good plus three ring binder. Apatow Productions unknown
147015Munich: Sunset Films Unknown. Treatment script for an unproduced film. Bound in with the script are two copied letters one addressed to film producer Stefan Abendroth from a talent agent discussing actor Stacy Keach's interest in the title role and one from screenwriter Zbigniew Kaminski expressing willingness to write a full screenplay on the materials addressed in the treatment.<br /> <br /> The true story of Lech Walesa a shipyard electrician who became the father of the Polish Solidarity party and eventually served as the first democratically-elected president of Poland. Screenwriter Zbigniew Kaminski was best known as a Polish director of political films and biopics including "The Shadow Line" 1976 "Pani Bovary to ja" 1977 and "In a Moment of Passion" 1993.<br /> <br /> Set in Poland.<br /> <br /> Yellow transparent plastic front wrapper blue rear wrapper. Title page present with credits for screenwriter Zbigniew Kaminski. 62 leaves with last page of text numbered 57. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Sunset Films unknown
1959129183Los Angeles: Twentieth Century-Fox 1959. Draft script for the 1960 film. <br/><br/>Due to a clerical error Gus Brubaker is drafted for a second time following his first stint in the Korean War. This time he is sent to a tiny Japanese island full of bored natives and airmen to which Brubacker responds by resolving to build a hotel based around the hot springs on the island. <br/><br/>Light blue titled wrappers rubber-stamped copy No. 4002 and production No. 843 dated November 11 1959. Title page present dated November 11 1959 with credit for screenwriter Breen. 156 leaves mimeograph duplication. Pages Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown books
1975132366Los Angeles: Twentieth Century-Fox 1975. Vintage black-and-white still photograph from the 1975 film starring Burt Reynolds. <br/><br/>A happy-go-lucky crook who makes his living robbing gas stations crosses paths with the Dixie Dancekings when he forces them to help him rob a bank. The band is hesitant at first then they help voluntarily in order to finance their big break. The crook W. W. begins to warm to them and uses his natural charm to help them achieve stardom. <br/><br/>8 x 10 inches. Light faint creasing an ink notation on the verso with a faint smudge else Near Fine. Twentieth Century-Fox unknown books
1971152121London: Connoisseur Films 1971. Vintage reference photograph of director Dusan Makavejev and actress Milena Dravic on the set of the 1971 film. With a printed label specific to the film's UK release affixed to the verso.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Noted Yugoslav filmmaker Makavejev's fourth film a surreal political satire banned in his home country upon release and for the next 16 years exploring the relationship between communism and sexuality with a focus on the work of Austrian-American psychoanalyst Wilhelm Reich. <br/><br/>8.5 x 6.5 inches. Near Fine. <br/><br/>Criterion Collection 389. Ebert III. Rosenbaum 1000. Vogel Film as a Subversive Art. Connoisseur Films unknown books
1976145403Universal City: Universal Pictures 1976. Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. <br/><br/>A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti Fields' partner during the last fourteen years of his life. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
1963132513London: British Film Institute BFI 1963. Vintage black-and-white still photograph from the 1963 UK release of the 1963 Czechoslovakian film. Distributors rubber-stamp on the verso. <br/><br/>Based on Stanislaw Lem's novel "Oblok Magellana" 1955 "The Magellanic Cloud" about a spaceship carrying colonists to a new planet and the journey that includes encounters with abandoned alien craft. <br/><br/>7 x 9.25 inches with no borders as issued. Very Good plus with an ink notation on the verso light rubbing and faint pin-sized indentations nearly imperceptible. British Film Institute [BFI] unknown books
1963137843Los Angeles: Twentieth Century-Fox 1963. Revised Final Draft script for an unproduced film called "Voyage Out Voyage Home" written by Sidney Buchman based on stories by Irwin Shaw. Buchman's film credits include "Lost Horizon" 1937 "Mr. Smith Goes to Washington" 1939 and "Cleopatra" 1963. <br/><br/>A story about Christine who returns to her father in New York after a bad romance only to flee to Switzerland where she has more romance. Similar to Robert Parrish's film "In the French Style" 1963 with Shaw credited as screenwriter. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper dated September 9 1963. Title page present dated September 9 1963 noted as Final with credits for screenwriter Buchman and writer Shaw. 165 leaves with last page of text numbered 162. Mechanical duplication with blue revision pages dated 9/30/63. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1976155093N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Faye Dunaway. <br /> <br /> A dramatization of the tragic 1939 voyage of the ocean liner St. Louis a ship carrying hundreds of German Jewish refugees from Nazi Germany that seemingly no European nation is willing to save from certain doom. <br /> <br /> Shot on location in Barcelona London and St. Pancras. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
2000100153368Editeur Coop Breizh 2000 in8. 2000. Broché.
1979149429Burbank CA: Tisch-Davidson Productions 1979. First Draft script for the 1979 film. Copy belonging to uncredited cast or crew member Robert Harrison with his ownership name in holograph pencil at the top right corner of the front wrapper.<br/><br/>A young Italian American man with dreams of becoming a famous singer takes the rap for his father's arson charge and goes to prison where he is forced to navigate an enclosed world of segregation and rampant sexual violence. <br/><br/>Set and shot on location in New Jersey.<br/><br/>Goldenrod MGM titled wrappers dated October 27 1977 with credits for screenwriter John Herzfeld producer Joe Wizean and director Robert Markowitz rubber stamped copy No. 60. Title page present noted as First Draft with credits for screenwriter John Herzfeld. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages and wrapper Near Fine bound with two gold brads. Tisch-Davidson Productions unknown books
1978WRCLIT69211Culver City: Metro-Goldwyn-Mayer 1978. 134 leaves altered by revisions and inserts. Quarto. Mechanically reproduced typescript printed on rectos only of white salmon yellow blue green and goldenrod stock. Bradbound in studio wrappers. Ink name see below wrappers dust spotted and a bit used light foxing at edges but a good copy internally very good. A heavily revised draft of this original screenplay Herzfeld's first studio screenwriting credit. Robert Markowitz directed the March 1979 release starring Michael Ontkean Amy Irving Alex Rocco et al. Herzfeld's later career has spanned both television and screen writing among the latter 2 DAYS IN THE VALLEY and 15 MINUTES. With the ownership signature of Les Lazarowitz credited sound man for the production. Metro-Goldwyn-Mayer unknown books
1979153158Los Angeles: Twentieth Century-Fox 1979. First Draft script for an unproduced film.<br /> <br /> A working-class Italian-American cobbler with dreams of becoming a classical singer falls in love with an upper-crust cellist. <br /> <br /> Set in Boston.<br /> <br /> Mustard titled Twentieth Century-Fox wrappers. Title page present dated February 9 1979 noted as First Draft with credits for screenwriter Victor Pisano. 120 leaves with last page of text numbered 116. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1958145124Universal City: Universal International Pictures 1958. Two original vintage linen backed keybook photographs one of director Harry Keller producer Gordon Kay and cinematographer William Daniels the other of Harry Keller and actress Julie London on the set of the 1958 film. Mimeo snipe on the verso of each. <br/><br/>One photo shown. Please inquire to see the other.<br/><br/>Jim Burton Richard Egan has become a heavy alcoholic since his young daughter died. His wife Ellen Julie London has to take care of him and his doctor has warned him that his drinking and depression could lead to severe mental illness. He meets William Tobin Arthur O'Connell also an alcoholic and the two of them find that they help themselves by helping each other eventually they form a group like Alcoholics Anonymous . <br/><br/>10 x 8 inches. Near Fine. Universal International Pictures unknown books
1968139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. <br/><br/>Complete collation details available on request. Eve Productions unknown books
1968139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. <br /> <br /> "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br /> <br /> Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br /> <br /> 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
1969139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. <br/><br/>"Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. <br/><br/>Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. <br/><br/>8 x 10 inches. Very Good plus with edge creasing and a single short tear. <br/><br/>Complete collation details available on request. Eve Productions Cinecenta unknown books
