8 853 résultats
1964149498Los Angeles: American International Pictures AIP 1964. Vintage reference photograph from the 1964 film showing noted science fiction author Forrest J. Ackerman who makes a cameo appearance in the film in costume as a space technician. With the stamps of Israel Film Archive on the verso.<br /> <br /> A team of scientists create a time traveling device which teleports them to Earth in the year 2071 where mutated humans are the norm as a result of nuclear war.<br /> <br /> Shot on location in Barstow California with some scenes at the University of Southern California's Doheny Library and Mudd Hall.<br /> <br /> 10 x 8 inches. Very Good plus overall. American International Pictures [AIP] unknown
1970138039Beverly Hills CA: Levy-Gardner-Laven Productions 1970. Draft script for an unproduced film called "The Time and the Place" written by William Norton. <br/><br/>A story set in Morocco during WWII about a Russian who smuggles guns and plans to sell them to a licensed arms dealer. <br/><br/>Tan titled wrappers. Title page present undated with a credit for screenwriter Norton. Last leaf of text numbered 134. Xerographic duplication with photocopied hole punches. Pages and wrapper Near Fine bound internally with three silver brads. Levy-Gardner-Laven Productions unknown books
1970138039Beverly Hills CA: Levy-Gardner-Laven Productions 1970. Draft script for an unproduced film. With manuscript ink annotation on front wrapper indicating the title. <br /> <br /> A story set in Morocco during WWII about a Russian who smuggles guns and plans to sell them to a licensed arms dealer. <br /> <br /> Tan untitled studio wrappers. Title page present with credits for screenwriter William Norton. 130 leaves with last page of text numbered 134. Xerographic duplication rectos only with undated revision pages throughout. Pages Near Fine wrapper Near Fine internally bound with three silver brads. Levy-Gardner-Laven Productions unknown
1959150507Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. <br/><br/>Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film.<br/><br/>A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves.<br/><br/>Set in India shot on location in Berlin Germany and Udaipur India. <br/><br/>9 x 7 inches. Near Fine. <br/><br/>Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown books
1967148092Culver City CA: Columbia Pictures 1967. Vintage studio still photograph of Anne Jackson and Sudie Bond from the 1967 film. <br/><br/>Based on Murray Schisgal's 1963 play "The Tiger."<br/><br/>Lonely frustrated and alienated mailman Ben Harris Eli Wallach decides he has had enough and set to get a girl Anne Jackson the only way he can by kidnapping her. <br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1959150507Berlin: Central Cinema Company Film CCC 1959. Vintage borderless reference photograph of Fritz Lang being attacked by the shackled Paul Hubschmid rehearsing a scene on the set of the 1959 film. German mimeo snipe and "Der Tiger von Eschnapur" stamps on verso. <br /> <br /> Based on the 1918 German novel "Das Indische Grabmal" "The Indian Tomb" by Thea von Harbou. Previously filmed in 1921 as the silent film "The Indian Tomb" directed by Joe May and starring Conrad Veidt and Mia May with a screenplay written by von Harbou and Lang who was originally slated to direct and in 1938 as the German film "Der Tiger von Eschnapur" directed by Richard Eichberg starring Philip Dorn and La Jana. Lang returned to the material some forty years later and divided the story into two films to avoid the lengthy three and a half hour running time of the original silent film.<br /> <br /> A German architect travels to the remote Indian city of Eschnapur to oversee work being done at the behest of the Maharajah and falls in love with a beautiful temple dancer who the Maharajah also loves.<br /> <br /> Set in India shot on location in Berlin Germany and Udaipur India. <br /> <br /> 9 x 7 inches. Near Fine. <br /> <br /> Eureka 50047. Rosenbaum 1000. Central Cinema Company Film [CCC] unknown
1963149906Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film a Doris Day vehicle and the screenwriting debut of Carl Reiner he also starred. The photo shows an extraordinary prop a full size billboard advertising a product called "Happy Soap" which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the verso along with the stamp of Universal Film in Brussels.<br/><br/>A suburban housewife is offered a lucrative job as the spokesperson for a popular soap company a career which begins to take over her time and attention to the displeasure of her family.<br/><br/>10 x 8 inches. Very Good plus with pinholes to the corners reinforced with paper tape on the verso. Universal Pictures unknown books
1963149906Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film a Doris Day vehicle and the screenwriting debut of Carl Reiner he also starred. The photo shows an extraordinary prop a full size billboard advertising a product called "Happy Soap" which plays a part in the film's story. With the stamp of director-editor Barrie Pattison on the verso along with the stamp of Universal Film in Brussels.<br /> <br /> A suburban housewife is offered a lucrative job as the spokesperson for a popular soap company a career which begins to take over her time and attention to the displeasure of her family.<br /> <br /> 10 x 8 inches. Very Good plus with pinholes to the corners reinforced with paper tape on the verso. Universal Pictures unknown
1965146561N.p.: N.p. 1965. Synopsis for an unproduced film based on the novel of the same name by Irving Wallace. Included with the synopsis is a two-page typed document on Brenco Pictures Corporation letterhead dated November 11 1965 discussing the popularity of Wallace's prior novels and proposing a budget for the film along with a small note addressed to casting agent Paul Kohner signed by screenwriter Stanley Meyer. Also included is the envelope which likely contained the documents.<br/><br/>Based on the 1963 novel wherein a team of anthropologists travel to the South Pacific to study the polyamorous inhabitants of a small secret island. <br/><br/>Set in the South Pacific.<br/><br/>Black untitled wrappers with a die-cut title window. Title page present noted as Brief Summary. 6 leaves with last page of text numbered 5. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown books
1948151858Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage matte black-and-white double weight studio still reference photograph from the 1948 film. From the collection of actor Van Heflin who played Athos in the film. <br /> <br /> Based on Dumas' 1844 serialized novel. D'Artagnan Kelly travels to Paris to join the Musketeers and does so by dispatching the evil Richelieu's Vincent Price men not once but twice. Countess de Winter Turner has her own agenda ultimately leading to her execution as the Musketeers are exonerated of their own death sentences. <br /> <br /> Nominated for an Academy Award. <br /> <br /> 8 x 10 inches. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown
1965146561N.p.: N.p. 1965. Synopsis for an unproduced film based on the novel of the same name by Irving Wallace. Included with the synopsis is a two-page typed document on Brenco Pictures Corporation letterhead dated November 11 1965 discussing the popularity of Wallace's prior novels and proposing a budget for the film along with a small note addressed to casting agent Paul Kohner signed by screenwriter Stanley Meyer. Also included is the envelope which likely contained the documents.<br /> <br /> Based on the 1963 novel wherein a team of anthropologists travel to the South Pacific to study the polyamorous inhabitants of a small secret island. <br /> <br /> Set in the South Pacific.<br /> <br /> Black untitled wrappers with a die-cut title window. Title page present noted as Brief Summary. 6 leaves with last page of text numbered 5. Carbon typescript on onionskin stock rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown
1957164297N.p.: N.p. 1957. Two vintage reference photographs of actress Joanne Woodward on the set of the 1957 film-one showing Woodward with Lee J. Cobb the other showing Woodward with David Wayne. Annotations in manuscript ink and pencil on the verso.<br /> <br /> Based on the case of Chris Costner Sizemore a woman believed to have dissociative identity disorder then called multiple personality disorder. Woodward received the Academy Award for Best Actress for her performance. <br /> <br /> 10 x 8 inches. About Near Fine. N.p. unknown
1967118801Beverly Hills CA: United Artists / The Mirisch Corporation 1967. First Draft script for the 1968 film here under its working title "The Crown Caper." INSCRIBED on the title page by director and producer Norman Jewison: "To - / With regards / Norman Jewison." Written for the screen by Alan R. Trustman and starring Steve McQueen and Faye Dunaway. <br/><br/>At or near the top of a distinguished and polished pile of heist films from the late 1960s that combined humor style and suspense and the film that was the first to employ split-screen imagery a technique devised by the film's editor Hal Ashby who would soon become a prominent director. This particular heist film is of the variety where the heist is loaded up front with the majority of the film devoted to its aftermath. Winner of the Academy Award for Best Original Song "The Windmills of Your Mind" by composer Michel Legrand Alan Bergman and Marilyn Bergman and nominated for Best Original Score. <br/><br/>Yellow wrappers with no titles on the front wrapper. Title page present with a date of March 10 1967 stated "2nd DRAFT SCREENPLAY" and with credits for screenwriter Trustman and producer-director Jewison. 94 leaves mimeograph duplication rectos only. Pages and wrapper Near Fine bound with two gold brads. In a quarter-leather custom clamshell box.<br/><br/>Grant US. Lee The Heist Film. United Artists / The Mirisch Corporation unknown books
1963146893N.p.: N.p. 1963. Draft script for the 1964 British film noir. With a few holograph ink annotations to the front wrapper and throughout mostly noting deletions. <br/><br/>The daughter of a recently deceased psychoanalyst enlists one of her father's former patients an American newscaster in helping her discover the cause of his mysterious death.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present dated MAY 1963 with credits for screenwriter ROBERT L. JOSEPH. 152 leaves with last page of text numbered 149. Mimeographed on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus lightly toned to the front wrapper bound internally with two silver brads.<br/><br/>Grant UK. Spicer UK. N.p. unknown books
1950147524Los Angeles: Selznick International 1950. Post-production Dialogue Cutting Continuity script for the 1949 film. <br/><br/>Carol Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Joseph Cotten as Holly Martins Anna Schmidt as Valli and Orson Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Carol Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana." Released on September 3 1949. <br/><br/>Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director.<br/><br/>Set in and shot on location in Vienna Austria and England UK. <br/><br/>Orange titled card wrappers noted as DIALOGUE CUTTING CONTINUITY on the front wrapper dated March 11 1950. 141 leaves with last page of text numbered REEL 6 PAGE 23. Mimeographed rectos only. Pages Near Fine wrapper Near Fine bound at top with two gold brads.<br/><br/>Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. Wobbe D11. Selznick International unknown books
1948133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. <br/><br/>From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. <br/><br/>Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. <br/><br/>8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. <br/><br/>Complete collation details available on request. Carol Reed Productions unknown books
1948133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND."<br/><br/>Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Carol Reed Productions unknown books
1948WRCLIT67356Np: London Film Productions for Selznick Releasing Organization 1948. 118 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript blue wrappers with small script number stamp. Slight sunning at edges of wrappers else about fine. A "second draft" of this original screenplay by Greene with uncredited contributions by Orson Welles who it is said wrote his own dialogue and Carol Reed the director. The English production premiered in the UK on 31 August 1949 and opened in the U.S. in February 1950 with distribution through Selznick Releasing Organization. This script is one of a small number of preproduction scripts prepared for use by the latter group. The cast included Joseph Cotton Orson Welles Trevor Howard and Allida Valli and the film was appreciated in its own time via a number of nominations and awards and appreciated even more considerably by posterity. Greene published an adaptation of the original treatment in 1950 and in 1968 a form of the final script with production revisions was published. One of a relatively small number of duplicate copies from the Selznick Archive. WOBBE D11. London Film Productions for Selznick Releasing Organization] unknown books
1949151694N.p.: N.p. 1949. Vintage reference photograph of director Carol Reed with his camera crew on the set of the 1949 film noir. With a London Film Studios stamp to the verso. <br /> <br /> An unemployed pulp fiction novelist travels to postwar Vienna to investigate the death of an old school friend. Screenwriter Graham Greene's first and only original screenplay and second collaboration with Carol Reed following "The Fallen Idol" 1948 and preceding "Our Man in Havana" 1959.<br /> <br /> Set and shot on location in Vienna Austria and England.<br /> <br /> 10 x 7.75 inches. Near Fine. <br /> <br /> Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1949150986N.p.: N.p. 1949. Two vintage reference photographs one of Orson Welles and Carol Reed and one of Reed Joseph Cotten and Welles on the set of the 1949 film. <br /> <br /> Reed's classic 1949 British film noir based on an original screenplay by Graham Greene starring Cotten as Holly Martins Anna Schmidt as Valli and Welles as Harry Lime with Cotten and Welles at the peak of their respective powers. The second of three films in which Green collaborated directly with Reed and remains Greene's only original screenplay. Produced and directed by Reed who narrated the UK version and who worked with Greene on two other films "The Fallen Idol" and "Our Man in Havana."<br /> <br /> Winner of the Academy Award for Best Cinematography nominated for Best Editing and Best Director.<br /> <br /> Set in and shot on location in Vienna Austria and England UK. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 64. Ebert I. Grant UK. Penzler 101. Rosenbaum 1000. Schrader Canon Fodder 18. Selby UK. Spicer UK. N.p. unknown
1948133983London: Carol Reed Productions 1948. Vintage candid black-and-white still photograph from the UK release of the 1949 film. Shown are Carol Reed and his crew setting up a shot while Graham Greene looks on a rare shot of the two collaborators at work together. Stamped on the verso is "A CAROL REED PRODUCTION / "THE THIRD MAN" / PRODUCED AT / THE LONDON FILM STUDIOS / SHEPPERTON-ENGLAND."<br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only original screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Carol Reed Productions unknown
1948133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. <br /> <br /> From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. <br /> <br /> Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. <br /> <br /> 8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. Carol Reed Productions unknown
1959167630N.p.: F.F.F. Films 1959. Four vintage studio still photographs from the US release of the 1957 West German film. <br /> <br /> An eighteen-year-old in postwar Berlin develops feelings for his male friend and is eventually drawn into the underground world of gay bars. His mother attempts to bring him back onto a heterosexual path by encouraging a romance with the family's housemaid. Director Veit Harlan is best remembered today for his work with the Nazis most notably the antisemitic propaganda film "Jud Süß" 1940. <br /> <br /> Set and shot on location in Berlin. <br /> <br /> 10 x 8 inches. Very Good to Very Good plus. F.F.F. Films unknown
1970139655Paris: Fida Cinematografica / Lira Films 1970. Vintage borderless reference photograph of Romy Schneider and Michel Piccoli on the set of the 1970 French-Italian film. With the stamp of photographer Michel Ginfray on the verso. <br/><br/>Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br/><br/>12 x 7.75 inches. Near Fine. Fida Cinematografica / Lira Films unknown books
1970144567Paris: Fida Cinematografica 1970. Vintage borderless photograph of director Claude Sautet on the set of the 1970 French-Italian film. With holograph annotations on the verso. <br/><br/>Based on the 1967 novel "Intersections" by Paul Guimard who also worked on the screenplay. Nominated for the Palme d'Or at Cannes and remade in 1994 as "Intersection" directed by Mark Rydell and starring Richard Gere Sharon Stone and Lolita Davidovich. <br/><br/>Shot on location in Paris La Rochelle and Thoiry France. <br/><br/>6.5 x 9.5 inches. Near Fine. Fida Cinematografica unknown books
