8 853 résultats
1950154518Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film noir showing actors William Holden and Barry Fitzgerald. <br /> <br /> A woman suspects several fellow train passengers of being the culprits in a highly publicized kidnapping case. <br /> <br /> 8 x 10 inches. Very Good plus with light wear to the corners. <br /> <br /> Grant US. Olive Films 256. Selby US. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1980171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. <br /> <br /> Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988.<br /> <br /> All photos 8 x 10 inches. About Near Fine. N.p. unknown
1941164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso.<br /> <br /> A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 8 x 10 inches. Near Fine. Universal Studios unknown
1948137021Los Angeles: Twentieth Century-Fox 1948. Revised Final Draft script for the 1948 film. Copy belonging to an uncredited member of the film cast or crew with that person's name in holograph pencil on the front wrapper. Notations in holograph pencil on the title page noting members of the cast and on a few pages. Housed in a custom cloth clamshell box. From the Richard Manney collection of film noir. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 24 dated February 10 1948. Title page present dated February 10 1948 noted as Revised Final with a credit for screenwriter Sturges. 153 leaves with last page of text numbered 154. Mimeograph duplication dated variously betwee 2/10/48 and 2/13/48 with blue revision pages throughout dated variously between 2/16/48 and 3/4/48. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. <br/><br/>Criterion Collection 292. Selby US. Twentieth Century-Fox unknown books
1948135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. <br/><br/>8 x 10 inches 20.5 x 25.5 inches. Near Fine. <br/><br/>Criterion Collection 292. Nero AG unknown books
1948135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. <br /> <br /> 8 x 10 inches 20.5 x 25.5 inches. Near Fine. <br /> <br /> Criterion Collection 292. Nero AG unknown
1965154508N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing the scantily clad posterior of Amidou. <br /> <br /> From the archive of film historian and author Joel Finler. <br /> <br /> Five teenagers decide to leave school and study at a "school for criminals." Director Claude Lelouch's first commercial success. <br /> <br /> 10 x 8 inches. Very Good plus. N.p. unknown
1961138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. <br/><br/>9 x 6 inches. Near Fine. <br/><br/>Criterion Collection 238. N.p. unknown books
1961138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. <br /> <br /> 9 x 6 inches. Near Fine. <br /> <br /> Criterion Collection 238. N.p. unknown
1990162072N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. <br /> <br /> 5 x 8 inches. Single leaf recto and verso. Fine. <br /> <br /> Radiance Films 151. Images et Loisirs unknown
1982151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. <br /> <br /> Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic.<br /> <br /> Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith.<br /> <br /> Set in and shot on location in Nantes France. <br /> <br /> 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 719. Rosenbaum 1000. N.p. unknown
1958141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br/><br/>The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. <br/><br/>White titled perfect bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1958141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br /> <br /> The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. <br /> <br /> White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small holograph ink annotations to the title page. <br/><br/>After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar.<br/><br/>Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining to the front wrapper bound with a silver clasp. N.p. unknown books
1958160810Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Vintage banner poster for the 1958 film.<br /> <br /> Based on the 1957 nonfiction book "The Naked Warriors" by Commander Francis Douglas Fane about the evolution of the US Navy's Underwater Demolition Unit beginning with its inception near the end of World War II through it's utilization in the Korean War.<br /> <br /> 82 x 24 inches. Very Good with light soiling overall foxing to the left margin a 1.5 inch closed tear to the bottom center margin several pinholes throughout and a 1.5 inch closed tear to the center with corresponding rubbing and creasing between the a and r of "Warrior". Otherwise bright and unfaded. Metro-Goldwyn-Mayer [MGM] unknown
146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. <br /> <br /> After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar.<br /> <br /> Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
1995166110N.p.: N.p. 1995. Vintage borderless reference photograph from the 1995 Serbian film showing director Emir Kusturica adjusting an inverted statue of Jesus. <br /> <br /> A history of Yugoslavia spanning World War II the Cold War and the Yugoslav Wars told through the friendship between two black marketeers selling weapons to the Communist resistance in wartime Belgrade. Winner of the Palme d'Or.<br /> <br /> Shot on location in Belgrade Serbia in Plovdiv and Sofia Bulgaria in Prague and in Berlin. <br /> <br /> 7 x 5 inches. Fine. N.p. unknown
1950164812Universal City: Universal Pictures 1950. Vintage publicity photograph from the 1950 film noir showing actress Alexis Smith.<br /> <br /> A young woman joins the police department in order to find and stop the killer responsible for her father's death. Actor Royal Dano's film debut. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Set in New York City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Universal Pictures unknown
1984295866Universal City Studios 1984. Trade Paperback. Press Packet contains: 10 B/W photographs 8 x 10 inches; 3-pages on Executive Producers Michael and Kathy Fitzgerald; 23-pages Production Notes; 2-pages Moritz Borman; 2-pages Wieland Sculz-Keil; 3-pages Anthony Andrews; 3-pages Jacqueline Bisset; 5-pages Albert Finney; 6-pages John Huston; and 4-pages Cast and Credits. Housed in printed white folder. First edition first printing. Very good copy. Photographs are near fine. Rust near staples on printed pages. Folder with wear stains scuffs.<br> Universal City Studios paperback
1984151603Los Angeles: Twentieth Century-Fox 1984. Vintage press kit for the 1984 film. Black and white pocketed folder containing 14 black and white photographs housed in a brown paper envelope and 9 gatherings of promotional reading material.<br /> <br /> Based on the 1947 semi-autobiographical novel by Malcolm Lowry. A former British consul in a small Mexican town reunites with his wife after her yearlong absence due to his alcoholism. Nominated for two Academy Awards including Best Actor for Albert Finney as well as the Palme d'Or at Cannes. <br /> <br /> Set in 1938 Quauhnahuac Mexico and shot on location throughout Morelos Mexico.<br /> <br /> Folder photographs and promotional material Near Fine.<br /> <br /> Criterion Collection 410. Twentieth Century-Fox unknown
1950160936Los Angeles: Twentieth Century-Fox 1950. Vintage mini-banner poster for the 1950 film.<br /> <br /> Based on the 1923 short story "My Old Man" by Ernest Hemingway. John Garfield stars as a crooked washed-up expatriate jockey on the run from a racketeer for not throwing a race while trying to redeem himself for the sake of his son. Remade in 1979 as the CBS television film "My Old Man" directed by John Erman and starring Kristy McNichol and Warren Oates.<br /> <br /> Shot on location in Sherwood Forest California.<br /> <br /> 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Twentieth Century-Fox unknown
1972141313N.p.: Timon Productions 1972. Vintage studio still photograph from the 1972 film. Paper snipe affixed to the verso. <br/><br/>The film stars Elizabeth Taylor Peter O'Toole and Richard Burton in their only role together. Taylor was only available for three days of filming and received $10000 for her part. <br/><br/>Shot on location in Wales UK. <br/><br/>8 x 10 inches. Very Good plus with extensive holograph ink and graphite annotations to the verso. Timon Productions unknown books
2000152218N.p.: Apatow Productions 2000. Final Shooting Draft script for the pilot episode "Prototype" of the short lived cult classic television series which aired on Fox on September 25 2001 signed round robin style in holograph ink by all seven lead cast members clockwise from top Jay Baruchel Tim Sharp Seth Rogen Monica Keena Carla Gallo Charlie Hunnam and Loudon Wainwright III.<br/><br/>Judd Apatow's follow-up to his enormously popular television series "Freaks and Geeks" which also only lasted for a single season on NBC between 1999-2000. Unlike his earlier show which was set in the 1980s "Undeclared" was set in then-present of 1999. Apatow fought to include many of the actors from his earlier series but was only able to get the network to pick up Rogen as a regular cast member. He did however utilize many of the "Freaks and Geeks" actors as recurring characters or guest stars.<br/><br/>It's Steven's first day of college and his roommates organize a party to welcome him when Steven's dad shows up announcing he is getting divorced.<br/><br/>Green titled wrappers noted as FINAL SHOOTING DRAFT on the front wrapper dated 12/15/00 with credits for screenwriter Judd Apatow and director Jake Kasdan. Title page integral with first page dated 12/15/00 noted as FINAL SHOOTING DRAFT. 32 leaves with last page of text numbered 32. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Apatow Productions unknown books
1970152527N.p.: N.p. 1970. Dialogue transcript for the unfinished film copy belonging to Frank Zappa circa 1968 with a single annotation in Zappa's hand in holograph ink of "Wednesday" on top of first page. A transcript of multiple takes of ten scenes shot by Zappa for his long aspired but never finished experimental film. Featuring scenes primarily between Don Preston and Phyllis Smith Altenhaus the transcript also contains dialogue from Zappa himself as well as Carl Zappa Billy Mundi Aynsley Dunbar and Jimmy Carl Black. The annotation of "Wednesday" likely refers to the day the sequences were shot or the day Zappa intended on editing the footage.<br/><br/>Full provenance available including letter stating transcript came from the estate of Zappa's longtime business manager Herb Cohen.<br/><br/>As early as 1967 Zappa had begun work on his infamous unfinished experimental film "Uncle Meat." Originally featuring his then band the Mothers of Invention as both musicians and fictional characters over the next decade the film would morph and change into various proposed incarnations by Zappa's apparently unbridled imagination but the project was always constrained by a lack of financing. Finally in 1987 a direct-to-video "making of" documentary of the uncompleted "Uncle Meat" production was released.<br/><br/>In 1969 the Mothers of Invention released the double album "Uncle Meat." Largely an instrumental soundtrack to the unfinished film the album was an unfocused but brilliant showcase for Zappa's compositional dexterity and a harbinger of his emergence as one of the most creatively fertile minds in rock music.<br/><br/>Transparent front wrapper with orange back wrapper and spine. 59 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages with light stain on first leaf else Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown books
152527N.p.: N.p. 1970. Dialogue transcript for the infamous unfinished film musical undated circa 1968. Copy belonging to Frank Zappa with a single annotation in Zappa's hand on the top of the first page. <br /> <br /> Full provenance available.<br /> <br /> A transcript detailing multiple takes of ten scenes shot by Zappa for his long-planned but never finished experimental film. Transcript primarily addresses scenes featuring Don Preston and Phyllis Smith Altenhaus but also contains dialogue intended to be spoken by Carl Zappa Billy Mundi Aynsley Dunbar Jimmy Carl Black and Zappa himself. <br /> <br /> Originally innovated in 1967 by Zappa featuring his then-band the Mothers of Invention the film would morph in various ways over the course of the next decade but would ultimately never come to fruition due to a lack of financing. In 1969 the Mothers of Invention released the acclaimed double album "Uncle Meat" an instrumental soundtrack to the unfinished film. Finally in 1987 a direct-to-video "making of" documentary of the uncompleted film was released.<br /> <br /> Transparent front wrapper with orange back wrapper and spine. 59 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages with light stain on first leaf else Near Fine wrapper Very Good plus bound internally with three silver brads. N.p. unknown
