8 399 résultats
1960154454Stockholm: Svensk Filmindustri SF 1960. Vintage program for the French release of the 1960 Swedish film. Text and titles in French.<br /> <br /> Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Ingmar Bergman receiving a Special Mention at Cannes. <br /> <br /> 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri [SF] unknown
1960166647Paris: L'Express 1960. Eight vintage borderless reference photographs from the 1960 Swedish film including multiple images of cast and crew on the set. Italian and French distribution stamps on the versos.<br /> <br /> A landmark twentieth century film whose irregular dramatic structure and juxtaposition of beauty and violence has inspired many other controversial and renowned films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film and nominated for the Palme d'Or with Bergman receiving a Special Mention at Cannes. <br /> <br /> Set in medieval Sweden. <br /> <br /> 9.5 x 7 inches. Near Fine to Very Good plus. L'Express unknown
1960138553Stockholm: Svensk Filmindustri 1960. Vintage international program for the English language release of the 1960 Swedish film by Ingmar Bergman printed by Svensk Filmindustri in Sweden. Adapted from the thirteenth century Swedish ballad "Tores dottrar i Wange." Photo illustrated throughout. <br /> <br /> Winner of the Academy Award for Best Foreign Language Film and nominated for the Palme d'Or with director Bergman receiving a Special Mention at Cannes. <br /> <br /> 6.5 x 9.5 inches. 18 pages. Near Fine in lightly rubbed saddle stapled wrappers. Svensk Filmindustri unknown
1960130114Stockholm: Svensk Filmindustri 1960. Original Swedish poster for the 1960 film. <br /> <br /> A landmark twentieth century film whose irregular but inspired dramatic structure and juxtaposition of beauty and savagery has inspired many other great films from "The Last House on the Left" 1972 to "Irreversible" 2002. The first of two Bergman efforts to win the Academy Award for Best Foreign Film. <br /> <br /> 27.5 x 39.5 inches. Lightly restored linen-backed and rolled. Near Fine. Svensk Filmindustri unknown
1974144139Rome: N.p. 1974. Draft script for the first episode Episode 1 of an unproduced television series. <br /> <br /> Based on "De Novelle Della Pescara" or "The Stories of Pescara" by Gabriele D'Annunzio published in 1902. The whole collection was envisioned as a miniseries and here is the first episode based on the first story "The Virgin Orsola." <br /> <br /> A schoolteacher in a convent is threatened with an illness that brings her to the edge of death when she is suddenly brought back. A virgin she has a sudden sexual awakening and longs for the touch of a certain soldier but is instead seduced by a pimp leading her to the brink of madness and eventual death. <br /> <br /> Set in Italy. <br /> <br /> Orange untitled wrappers. Title page present dated 1974 with credits for screenwriter Pasquale Prunas and novelist Gabriele D'Annunzio . 104 leaves with last page of text numbered 103. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with two gold brads. N.p. unknown
1967152118London: Hammer Film Productions 1967. Seven vintage reference photographs including six borderless from the 1967 film.<br /> <br /> The young queen of Icena agrees to share her throne with Justinian a Roman causing consternation among Britons and Romans alike. Loosely based on the life of British folk hero Boudica a famed ruler of the British Celtic Iceni tribe. <br /> <br /> Shot on location in Ireland at Powerscourt Waterfall Loch Tay Wicklow Gap Sally Gap and Kilruddery Estate. <br /> <br /> Six photographs 9.5 x 7 inches one photograph 8 x 10.5 inches. Generally Near Fine one Very Good plus overall. <br /> <br /> Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 277-280. Hammer Film Productions unknown
1957154178N.p.: N.p. 1957. Revised Draft script for the 1957 film here under the working title "Viking Women." Copy belonging to uncredited actor Dick Miller with his name in manuscript ink to the title page and manuscript pencil annotations throughout underlining lines for Ottar although the role was played by actor Jonathan Haze. <br /> <br /> A group of Viking women-warriors go on a sea voyage to recover the missing men from their village but an encounter with a massive dragon-serpent forces them to take shelter on a mysterious island. <br /> <br /> Beige titled wrappers noted as Revised on the front wrapper. Title page present dated undated noted as Revised with credits for screenwriter Lawrence Louis Goldman and story credits to Irving Block. 102 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1931165928Los Angeles: Paramount Pictures 1931. Two vintage reference photographs by still photographer Ray Jones from the 1931 film.<br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Paul Lukas stars as a foreign diplomat who is blackmailed by dirty cops into helping them frame prostitutes.<br /> <br /> 8 x 10 inches. Very Good plus with light edgewear and each with a tiny chip to the bottom left margin. Paramount Pictures unknown
1944161403N.p.: N.p. 1944. Final script for the 1944 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 14 reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Two Army sergeants spend a three-day holiday pass in Pasadena where they fall for two young women working in a parachute factory.<br /> <br /> Bound in beige cloth with tan quarter leather binding with five raised bands and gilt titles on the spine. Distribution page present with receipt intact dated 3/2/44 noted as FINAL. Title page present with credits for director Delmer Daves and screenwriter Alvah Bessie. 197 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/3/44 and 4/10/44. Pages about Near Fine binding Poor with front and rear boards detached from the hinges. N.p. unknown
1965162542N.p.: Sam-Pam Production 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. <br /> <br /> An artist searches for the woman with the most beautiful body to paint. <br /> <br /> Shot on location in New York City. <br /> <br /> 8 x 10 inches. Near Fine. Sam-Pam Production unknown
1974150458N.p.: N.p. 1974. Vintage borderless reference photograph of actress Muriel Catala pulling on her stocking while actor Michel Albertini reclines on the floor next to a record player. <br /> <br /> A woman whose son stands accused of murder blackmails the judge in an attempt to force him to acquit. <br /> <br /> 9.75 x 7.75 inches. Near Fine. <br /> <br /> Grant US. N.p. unknown
1970147412N.p.: N.p. 1970. Treatment script for an unproduced film. Script opens with a three-page "Author's Note on the script: ." in which screenwriter John Briley examines his intents in writing a story regarding the Arab world and culture. <br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Briley the Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" here tackles a complicated study of Mahmoud and his wife Zahre a Saudi couple caught between family expectations and the possibilities afforded by wealth and multicultural influence. As Briley states in the "Author's Note:" "the story of a man torn between two cultures of a people going from relative poverty to unimaginable wealth of a deeply religious people exposed to a very secular world."<br /> <br /> Mustard untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter John Briley. 72 leaves with last page of text numbered 68. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. N.p. unknown
