8 399 résultats
1954142898Hollywood: Paramount Pictures 1954. Final White script for the 1956 film. Director Michael Curtiz's Specially bound copy in tan leather with gilt titles and Curtiz's name at the bottom right corner of the front board. <br /> <br /> An adaptation of the 1925 operetta of the same name by Rudolf Friml which is based on Justin Huntly McCarthy's 1901 romantic novel and play "If I Were King." <br /> <br /> Set in France in the year 1461. <br /> <br /> Brown leather covered boards titles in gilt. Title page present dated December 9 1954 with credits for producer Pat Duggan director Michael Curtiz screenwriter Ken Englund. 114 leaves with last page of text numbered 96A. Mimeograph duplication with blue and goldenrod revision pages throughout dated variously between 12-15-54 and 2-9-55. Pages Near Fine binding Very Good plus with some wear at the edges. Paramount Pictures unknown
1963132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. <br /> <br /> A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. <br /> <br /> 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
1964162538N.p.: Cambist Films 1964. Vintage studio still photograph from the US release of the 1961 Spanish sexploitation film. Photograph with provenance stamps and a label obscuring a previous provenance stamp on the verso. <br /> <br /> A young woman Susana is stabbed to death in a bar frequented by criminals and delinquents. Susana's boyfriend the son of the police commissioner immediately becomes the prime suspect. <br /> <br /> Shot on location in Barcelona. <br /> <br /> 8 x 10 inches. Very Good plus with several pinholes and light edgewear. Cambist Films unknown
1957152537N.p.: N.p. 1957. First Draft typescript for the Season 1 Episode 3 of the 1953-1963 television series which originally aired on July 31 1957 on CBS seen here under the working title "The Transmogrification of Chester Brown." Manuscript pencil and ink annotations throughout most noting pagination and editorial revisions. <br /> <br /> Included with the script are several letters and memos between screenwriter Arthur Hailey agent Maeve Southgate and programming executive Marshall Jamison as well as several typed memos from within Jamison's office discussing revisions to the script dated variously between March 29 and July 30 1957.<br /> <br /> A meek office clerk at an advertising firm takes a "Personality Projection" course which ignites his self-confidence leading him to pursue greater opportunities at the firm. <br /> <br /> Blue titled self wrappers noted as LIMITED DISTRIBUTION / FIRST DRAFT in manuscript pencil annotation on the front wrapper along with an annotation noting the date 4/24/57 with credits for screenwriter Arthur Hailey. Title page present with credits for screenwriter Arthur Hailey. 82 leaves with last page of text numbered III-21. Typescript rectos only. Pages Near Fine wrapper Very Good plus partially bound with a single staple to the top left corner. N.p. unknown
1969162103Paris: Les Films Fernand Rivers 1969. Vintage program for the 1969 French film. Text and titles in French.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Suspecting her husband of infidelity a woman decides to take a trip with her married boss to his holiday home on the Côte d'Azur.<br /> <br /> 8 x 9 inches folded twice and measuring 23.5 x 9 inches unfolded. Very Good plus. Les Films Fernand Rivers unknown
1968162535N.p.: Peppercorn-Wormser 1968. Vintage still photographs from the US release of the 1968 Spanish/French/Italian film. Provenance stamp on the verso. <br /> <br /> Based on the 1962 French novel "Les pianos mecaniques" by Henri-François Rey. Hardy Krüger stars as Vincent a young Parisian recovering from a nervous breakdown in a Spanish seaside village who has an affair with nightclub owner Jenny. Jenny falls for Vincent's friend Pascal an alcoholic author struggling to resume writing. Nominated for the Palme d'Or.<br /> <br /> Shot on location in Catalonia Spain. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing at the extremitites. Peppercorn-Wormser unknown
1972144513Los Angeles: American International Pictures AIP 1972. Draft script for the 1972 film. With actor Betty Anne Rees' first name and phone number in manuscript ink on the front wrapper.<br /> <br /> Karen Claudia Jennings quits her job at a cannery and joins a roller derby team. She quickly clashes with Mickey Betty Anne Rees the star skater and stirs jealousy amongst the whole team as she dominates the rink. Following in the wake of the successful roller derby film "Kansas City Bomber" released earlier the same year starring Raquel Welch. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Blue titled wrappers. Title page present with credits for screenwriters Howard R. Cohen and Vernon Zimmerman. 100 leaves with last page of text numbered 92. Mechanical duplication rectos only with pink revision pages throughout dated 9/17. Pages Very Good plus wrapper Near Fine bound with two gold brads. American International Pictures [AIP] unknown
1960139609Beverly Hills CA: United Artists 1960. Original conceptual artwork the 1960 film. Featuring a drawing of Burt Lancaster with Audrey Hepburn clasped against him. Based on the 1957 novel by Alan Le May. <br /> <br /> In many ways a reflection on John Ford's 1956 film "The Searchers" which was also based on an Alan Le May novel "The Unforgiven" tells the story of a woman taken from her Native American tribe and raised by a white family. She struggles with her allegiance towards her adoptive family and her feelings towards another white man and a bloody battle ensues between the two communities. An uncommon film for its time it highlights the racism Native Americans had to endure from settlers of the Old West. <br /> <br /> A difficult shoot which included a severe back injury sustained by Audrey Hepburn when she fell off a horse director John Huston was unhappy with his producer's insistence on releasing a more commercially friendly film. While<br /> Hepburn and Huston would both eventually distance themselves from the film "The Unforgiven" remains a bold powerfully raw take on the Western with arguably some of the best performances of many of the actors involved. <br /> <br /> 20 x 25.5 inches. Graphite and charcoal on illustration board. Very Good with some tape at the top and bottom edges the bottom two corners bumped and light toning to the extremities. <br /> <br /> Hardy The Western p. 277. Hitt p. 329. Pitts 4662. United Artists unknown
1971162529N.p.: Yellowbird Films 1971. Three vintage studio still photographs from the 1971 film two with stamps and labels on the verso.<br /> <br /> A "white-coater" documentary set in a college sex education class. Scripted by Ed Wood Jr. <br /> <br /> 8 x 10 inches. Very Good plus one photograph with wax pencil and pencil annotations at the bottom margin of the recto. Yellowbird Films unknown
1968156781Los Angeles: Twentieth Century-Fox 1968. Second Revised Final script for the 1969 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the front wrapper and title page. <br /> <br /> After the Civil War a Union officer and a Confederate officer are forced to band together in order to defend their respective traveling parties against bandits and revolutionaries. <br /> <br /> Shot on location in Sonora and Zacatecas Mexico and in Baton Rouge Louisiana. <br /> <br /> Cream titled Twentieth Century-Fox wrappers noted as SECOND REVISED FINAL on the front wrapper rubber-stamped copy No. 175 dated December 3 1968. Title page present dated December 3 1968 noted as SECOND REVISED FINAL with a credit for screenwriter James Lee Barrett and story credits for Stanley Hough. 168 leaves with last page of text numbered 165. Mimeograph duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus slightly yapped at the fore-edges bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box.<br /> <br /> Pitts 4638. Twentieth Century-Fox unknown
1988166665N.p.: N.p. 1988. Six vintage borderless reference photographs from the 1988 film including three showing cast and crew members between takes on the set. <br /> <br /> Based on Milan Kundera's 1984 novel set during the Prague Spring about a womanizing brain surgeon who struggles between his childlike wife and his free-spirited lover. <br /> <br /> Set in 1960s Prague and Switzerland shot on location in Paris and Lyon France. <br /> <br /> 9.5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection 55. N.p. unknown
1964159823Paris: Parc Film 1964. Vintage borderless reference photograph of actors Catherine Deneuve and Nino Castelnuovo with director Jacques Demy on the set of the 1964 film. Stamp of Parc Film on the verso.<br /> <br /> One of Demy's most beloved films about a young woman in Cherbourg who falls in love with a man who is promptly drafted into the Algerian War. A classic of French cinema with every word of dialogue sung in recitative. The first French film musical shot in color and the movie that made Catherine Deneuve a star. Winner of the Palme d'Or and two other prizes at the 1964 Cannes Film Festival and nominated for five Academy Awards<br /> <br /> Set and shot on location in Cherbourg Normandy France.<br /> <br /> 7.25 x 5 inches. Very Good plus with a small bruise and light wear to the finish on the top edge. <br /> <br /> Criterion Collection 716. Godard Histoires du cinema. Parc Film unknown
