[KLEE] - GROHMANN (Will)MareMagnum
Wingler H MMareMagnum
Il Bauhaus
firma d'appartenenza-costola leggermente stanca
Libreria Giorni · Firenze, IT79,80 €
62 résultats
In-4, 167p. Bel ouvrage illustré de nombreux documents en noir et de nombreuses reproductions en couleurs contrecollées. A l'état de neuf.
(ca. 18 x 13 cm). 1 Original-Photographie. Photographie mit rückseitig aufgeklebtem Titel und Stempel des Archivs in transparenter Schutzhülle. Sehr guter Zustand. Das Bild zeigt eine Montage aus menschlichem Ohr und Lautsprecher/Trichter, verbunden durch einen breiten Pfeil, auf schwarzem Grund. Möglicherweise war die Montage dem damals gerade erst entstandenen Medium Radio und seinen Möglichkeiten gewidmet. Original-Photographie des Bilds aus dem Bauhaus-Archiv Berlin!
(ca. 18 x 13 cm). 1 Original-Photographie. Photographie mit rückseitig aufgeklebtem Titel und Stempel des Archivs in transparenter Schutzhülle. Sehr guter Zustand. Das Bild zeigt eine Montage aus menschlichem Ohr, Radioapparat und den über den ganzen Raum angeordneten Ziffern 1 x 1 = 1. Vermutlich war die Montage dem damals gerade erst entstandenen Medium Radio und seinen Möglichkeiten gewidmet. Original-Photographie des Bilds aus dem Bauhaus-Archiv Berlin!
Oblong format. (21,8 x 23 cm). 29 p. (Czech Language). Original boards (softcover) with illustrated title to front cover. Boards with a bit browning, otherwise well preserved. Generally in good condition. The publication contains a lot of full page fotografic images and floor plans from the work of Vaclav Zraly. With a dedication and signature of the editor Vladimir Slapeta at the title leaf (1983).
firma d'appartenenza-costola leggermente stanca
In 8, cm. 17 x 24,5, pp. 28 con numerose illustrazioni in bianco e nero e a colori anche a piena pagina nel testo. Brossura editoriale illustrata in bianco e nero con titoli in rosso. In perfette condizioni. Tra i principali pittori dada (noto anche come musicista e compositore di avanguardia) fu uno dei firmatari del Manifesto di Berlino ed insegno' alla Bauhaus su invito di Walter Gropius. Perseguitato dai nazisti che gli sequestrarono e distrussero circa duecento quadri (solo due sfuggirono alla distruzione) dovette fuggire all'estero. Allontanatosi dalla Germania si stabili' a Barcellona da cui dovra' nuovamente fuggire abbandonando tutti i quadri realizzati in Spagna. Si rifugio' in Francia dove venne internato nei campi di Argeles e di Gurs, e, nel dopoguerra, si stabili' in Brasile. Fece ritorno in Europa solo nel 1966. Il catalogo viene realizzato in occasione della mostra 5-30 maggio 1970 in cui Golyscheff espose le sue opere alla galleria Schwarz di Milano nel periodo che intercorre tra il rientro in Europa e la morte che avviene nel settembre dello stesso anno.
<p>22x22 cm, rilegatura in mezza tela, titolo al dorso, manca la sovracop; p. xliii, 534, moltissimi disegni, schizzi e illustrazioni in b/n </p>
A thorough and scholarly catalogue raisonne of this important series of print portfolios, which included the work of many of the best-known German artists of the 20th century, including those most closely associated with the Bauhaus. Many high-quality full-page black-and-white plates and tipped-in color illustrations. Large 4to, publisher's cloth. Fine in a NF dj.
ill., ril. Fondato da Walter Gropius come innovativa scuola d'avanguardia nell'aprile del 1911, il Bauhaus di Weimar divenne presto un centro d'eccellenza per il design e l'architettura moderna. Il volume ripercorre i primi anni di attività della leggendaria istituzione, il periodo compreso tra il 1919 e il 1925, attraverso la ricca e inedita raccolta di documenti conservati in larga parte al Bauhaus Museum di Weimar. Il volume mette in evidenza non solo il lavoro dei docenti del Bauhaus come Gropius, Itten, Schlemmer, Feininger, Moholy-Nagy, Klee e Kandinsky ma anche lo straordinario talento degli studenti. Tra i lavori presentati: oggetti in metallo di Marianne Brandt e Wilhelm Wagenfeld, arredi di Marcel Breuer e Erich Dieckmann, ceramiche di Theodor Bogler e Otto Lindig, tessuti di Gunta Stolzl e Benita Otte-Koch, lavori tipografici di Herbert Bayer e Joost Schmidt, visioni architettoniche di Walter Determann e Peter Keler, esperimenti teatrali di Ludwig Hirschfeld-Mark e Kurt Schmidt. Sono documentate inoltre numerose architetture realizzate a Weimar in quegli anni e ora restaurate, tra cui la Kunstschule di Henry van de Velde, con elementi decorativi di Oskar Schlemmer, Herbert Bayer e Joost Schmidt, la casa modello 'Am Horn' costruita da Geord Muche e il Monumento ai caduti di marzo di Walter Gropius.
In-4, 450p. Importante monographie consacrée à l'oeuvre et à la vie de Paul Klee. Abondante iconographie en noir et en couleurs.
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In 4, cm 28 x 31, pp. XVI + 104 + (2) con 6 grandi tavole piu' volte ripiegate. Cartonatura editoriale con qualche segno d'uso in particolare alle cerniere. Edizione originale con prefazione di Giuseppe Pagano Pogatschnig che risulta sicuramente indicativa delle intenzioni di Marescotti e Diotallevi, peraltro organici a Casabella e profondamente inseriti nel dibattito di quegli anni sulla casa popolare. Premessa una parte a carattere storico gli autori prendono in esame i problemi igienico - sociali, gli elementi dell'abitazione e poi le tipologie fondamentali rappresentate attraverso centinaia di esempi realizzati in molte parti d'Europa, opera di architetti quali Gropius, Brenner, Le Courbisier, Brikman, Taut, Markelius, Haefeli ecc. Tra gli esempi italiani troviamo il Quartiere Ciano, il quartiere di Rebbio, i lavori di Figini e Pollini a Ivrea, i lavori di Guidi e Valle a Carbonia ecc.
