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1619116001619 Un volume, reliure d'époque, janséniste en vélin ivoire parcheminé petit in-quarto (jansenist's binding full vellum in-quarto, titre manuscrit à l'encre brune sur le dossur le dos (handwritten title on the spine), plats muets (cover without text), toutes tranches lisses (all smooth edges), orné d'une Suite de quarante et une estampes hors-texte (full page engraving), y compris le titre, gravé au burin en noir en Premier Etat par Jacques CALLOT (seul la gravure-titre est du 3ème état voir explication ci-dessous ) d'après les grands artistes florentins : frontispice, du dessin de Mathieu Rosselli, 6 de Mascagni, 2 de Pomerance,, 4 de Tempeste et 1 de Fabrizio Boschi,1 de Jean Bilivert, léger manque de papier en marge et sans toucher la gravure-titre elle-même, légères taches brunes en marge sur quelques pages, petites restauration anciennes au dos de quelques gravures mais très légères, dédicace + 254 pages + les tables, 1619 Firenze P. Cecconcelli Editeur (seul la gravure titre est de 1636),
19670001018Paris FRANCE: Author Published. Good. 1967. On offer is 'Dossier Solange' by Zwy Milshtein includes two original signed pen and ink drawings. This is a very extraordinary rare set of handmade engravings being the second signed original proofs set "exemplaire no.2" dated 1967 which was never offered for commercial sale together with two original pen and ink drawings both signed and dated 1967 by the artist. The Dossier is comprised of: an outer sleeve/box with hand drawn title treatment and graphic; inner hard cover title shell handwritten and drawn which is a duplicate of the outer hard cover; two original pen and ink drawings not prints signed by Milshtein they are on one page one on either side; on hand made textured art paper 144mm x 172mm twenty-two 22 French-folded pages on handmade hand cut art paper of the four sides of a French-fold there is an engraving front and one page with text and roman numeral thus two blank. Overall size: 282mm x 170mm. Eighteen 18 pages have de-bossed and the odd embossed engravings including the inside cover and text numbered I-XVIII the number V appears twice although it has a different etching on each page. Number XII is omitted. Protective tissue throughout. The text and the eighteen engravings which accompany them together with the cover were all executed by Milshtein. The engravings were hand pressed by the artist and the original pages engraved after printing. The condition is very good with the exception of the spine on the inner hard cover being detached and taped. One or two etchings have very feint foxing spots negligible. BIO NOTES: Zwy Milshtein is well known in France as a painter and as a master at the art of engraving. Milshtein was born in 1934 in Kichinev the area now known as Moldovia. During the World War II his family emigrated to Russia and then later returned to Romania. In 1948 Milshtein arrived in Israel but later moved to Paris in 1955. Since that time he has received great acclaim for his etchings and engravings. Numerous exhibitions in Paris and abroad attest to his artistic skills. In the year 1970 Milshtein had an exhibition at ARC the Museum of Modern Art Paris France. In 1978 a retrospective exhibition of his engravings was held at the Bibliotheque Nationale in Paris. In 1997 his work was featured in the Hans Christian Andersen House project which selected top European artists to create an homage to celebrate the bi-centennial birthday of the famous Danish author. G.; French; 16mo - over 5¾" - 6¾" tall; ART ARTISTS FRANCE MOLDAVIA PRISONER AUTOGRAPH JEWISH HEBREW YIDDISH JUDAICA AUTHOR WRITER HOLOGRAPH SIGNED POETRY POET Hand Drwan Personal Memoir Handwritten hand written autograph autographs signed letters document documents manuscript manuscripts writers writer author holograph Travel personal Americanaantiquité contrat vélin document manuscrit papier Antike Brief Pergament Dokument Manuskript Papier oggetto d'antiquariato atto velina documento manoscritto carta antigüedad hecho vitela documento manuscrito Papel . Author Published hardcover
176560978Amsterdam, 1765. 4to. Contemporary vellum spine with marbled paper covered boards. Simple and worn, but tight and functional. Split in the inner stitching, but leaves still attached. With brownspotting and signs of use throughout. Small tears to some blank margins. Two leaves more worn to the lower margin, just touching one engraving and a line of text, resulting in very minor loss. Titl-page within woodcut printed border. Illustrated throughout with 14 large (7,7 x 11,5 cm) woodcut illustrations and 13 large illustrated woodcut initials (ca 3,2 x 3,2 cm). 33 ff. In spite of its signs of frequent use, the book is in very good condition for this type of work, which is usually in extremely poor condition.
(Paris, Henricus Stephanus, 1513). Folio. Bound in a nice 18th century brown half calf with six raised bands to richly gilt spine. Corners slightly bumped and capitals worn, especially the lower one, where the capital band is showing and has loosened a bit. Inner hinge slightly weak. Front free end-paper with 18th century ink-annotation (title, year, etc.). A very light damp stain top the last portion of leaves, a bit heavier to the last two leaves. Otherwise internally very nice and clean. All in all a very nice copy, with only very light scattered brownspotting. Beautifully printed in two columns and in red and black throughout. Pp. 233-294.
Monumental work on Church History ("Ecclesiastical Annals") covering the period from year 1 till 1571 which the Oratorian Baronius wrote in 1588-1607 to oppose the Lutheran and thus anti-catholic history called the "Magdeburg Centuries", complete in 37 volumes, re-edition edited by Augustin Theiner, together ca. 22.000 pages, 32cm., uniform solid hardcover bindings in black cloth in good condition (spines sunfaded), stamp on title page, text is clean and bright except for some occasional foxing, text in Latin, text is printed in two columns, good set, total weight: 70kg., R107128
0573-Bo.J. Chiaroscuroschnitt von 4 Stöcken (dunkelbraun, hellbraun, oliv und weiß), 1723, nach Parmigianino (eigentl. Girolamo Francesco Maria Mazzola, 1503-1540), auf Bütten. 18,2:27,6 cm. - Bis auf eine leichte Bräunung des Papiers tadelloses Exemplar dieses seltenen Blattes. Provenienz: Sammlung J.M. Rysbrack (1693-1770), London, Lugt 1913. Literatur: Bartsch 39. Aus: ?Raccolta di varie stampe a Chiaroscuro dai disegni orig. di Francesco Mazzola , detto il Parmigianino e d?altri insigni autori?. 2Bde. Venedig, 1749, Bd. I, Tafel 40. Sie wurden in einer limitierten Auflage von 30 Exx. gedruckt. Anschließend wurden die Holzblöcke zerbrochen und verbrannt (vgl. A.M. Hind, A Catalogue of Rembrandt?s Etchings. 2 Bde. London, 1900, S. 33).
244644S.l. [Paris], s.d. (1760-1767), in-folio, [2] ff. n. ch., 290 pp., un f. n. ch., le tout couvert de graphies à plusieurs mains, régulières et très lisibles, peau de truie retournée teinte en vert, à lacets, dos lisse muet, tranches mouchetées de rouge (reliure de l'époque). Coins abîmés.
1899R113939Paris (e.a.), Oeuvre de S. François d'Assise (puis: autres) 1899-1959 Collection presque complète de 1899 à 1958/59 (sauf manquant le volume 47 de 1935) et joint: 2 volumes de tables, ensemble de 57 volumes physiques, ensemble ca. 36.500 pages, reliures cartonnées solides et intactes (Tome 1 à 30: plats marbrés, dos en cuir avec titre doré // à partir de tome 31: dos en toile avec titre doré), feuilles de garde marbrées, cachet sur la feuille de garde blanche, texte frais (sauf peu de rousseurs occasionnelles), bon état, poids: ca. 70kg., [La publication de cette revue a été interrompue de 1915 à 1920 et de 1940 à 1949 // Joint à cette série: I) Table décennale 1898-1909 (Couvin/ Paris, 1909, 133pp.) & II) Table générale de 1909-1928 (Paris, 1932, 172pp.)], R113939
LCS-18422L’illustration se compose de 5 gravures enluminées dont une à pleine page et de nombreuses lettrines, ornements et fleurons enluminés et rehaussés à l’or. Paris, Firmin Didot frères, 1830. In-4 de (2) ff., 7 pp. d’Avertissement, (1) f. de titre enluminé, ccclxix pp., (7) ff. de table, 36 pp., (1)f.hors texte avec une gravure enluminée à pleine page et 3 gravures peintes et enluminées dans le texte. Plein maroquin rouge, triple filet doré autour des plats, dos à nerfs richement orné, double filet doré sur les coupes, large roulette intérieure dorée, tranches dorées. Étui. Reliure signée Cuzin. 237 x 145 mm.
LCS-18222Rare bible éthiopienne manuscrite sur peau de vélin. Éthiopie, XIXe siècle e.In-8 de (131) ff. sur peau de vélin, 2 figures polychromes à pleine page protégées par du tissu, déchirure aux 6e et 46e feuillets. Texte écrit à l’encre noire et rouge, avec quelques bandeaux peints en tête de plusieurs chapitres, piqûres de réglure dans les marges extérieures. Relié en veau estampé à froid de l’époque sur ais de bois, dos lisse avec qq. usures. Reliure de l’époque. 179 x 110 mm.
LCS-18350Ouvrage imprimé sur papier fin de Hollande et relié en maroquin rouge de l’époque, condition rare. A Paris, rue S. Jacques, Chez Huart & Moreau fils, Libraires de la Reine, & Libraires-Imprimeurs de Monseigneur le Dauphin, à la Justice & au grand Saint Basile, 1748. 3 ff., 365 pp. et 3 pp. 1 volume in-12 maroquin rouge, triple filet doré en encadrement sur les plats. Dos à nerfs orné. Filet sur les coupes. Tranches dorées. Reliure en maroquin de l’époque. 168 x 97 mm.
LCS-18587Des bibliothèques du chef Vendéen Jacques-Aubin Gaudin de La Bérillais et Giraud Badin, avec ex-libris. A Paris, rue S. Jacques, Chez Huart & Moreau fils, Libraires de la Reine, & Libraires-Imprimeurs de Monseigneur le Dauphin, à la Justice & au grand Saint Basile, 1748. 1 volume de 3 ff., 365 pp. et 3 pp. In-12 maroquin rouge, triple filet doré en encadrement sur les plats, dos à nerfs orné, filet sur les coupes, tranches dorées. Reliure en maroquin de l’époque. 168 x 97 mm.
19x14. CVIII+326p. Falto de portada. Texto con apostillas marginales. Adornos xilográficos a lo largo del texto. Enc. Pasta española.
LCS-17550Cette dissertation, sur l’art de faire le vin, est tout entière basée sur les expériences de son auteur ; c’est un vrai manuel pour les propriétaires de vignobles dans le Midi. A Lausanne, et se trouve à Lyon chez L. Rosset et à Paris chez Le Jay, 1772. In-8 de viii pp., 350 pp., (1) f. de table, (1) f. d’errata, 3 planches dépliantes. Pte. mouillure sans gravité en marge sup. Conservé à toutes marges, broché et non rogné. Brochure de l’époque. 217 x 135 mm.
LCS-186391Délicieux et remarquable exemplaire, avec les gravures en excellent tirage conservé dans son très beau maroquin de l’époque. Ratisbonne, Mathias Kerner, 1677. Petit in-12 de 8, 336 pp. et 3 gravures hors texte dont 2 à pleine page et une dépliante, qq. piqures sur une dizaine de ff. Plein maroquin noir, triple filet doré encadrant les plats, dos à nerfs richement orné, coupes décorées, roulette intérieure, tranches dorées sur marbrures. Reliure de l’époque. 126 x 70 mm.
178440373Berlin et Bâle, George-Jacques et J. Henri Decker, 1784. In-12 de (4)-206 pp., maroquin rouge, dos orné à nerfs, filet et roulette dorés d'encadrement sur les plats, dentelle intérieure, tranches dorées (reliure de l'époque).
167586475Par Anthoine Cellier | A Charenton 1675 | 18.50 x 26.50 cm | 3 volumes reliés
LCS-186410L’une des plus rares de Voltaire. Amsterdam, chez Changuion, [Genève, Cramer], 1765. In-8 de (1) f., viii-336pp., (1) f. d'errata. Veau moucheté glacé, dos à nerfs, pièce de titre de maroquin vieux rouge, filet or sur les coupes, tranches rouges. Reliure de l'époque. 190 x 115 mm.
161052354[Cambridge], Printed for Leonard Greene (+ 2nd part: Cantrell Legge, Printer to the Vniuersitae of Cambridge), 1610. Small folio. Nice contemporary English full calf binding with 6 raised bands to spine, compartments gilt. Blindstamped line-borders and gilt ornamented centre-pieces to boards. All edges of boards gilt. Title-label removed from spine, gilding to edges of boards occasionally worn off. Wear to extremities. Inner hinges open into the cords, binding still tight, but boards don't close properly. 18th century inventory number to verso of fist leaf. Owner's inscription, dated ""Ups. 1749"" (i.e. Uppsala) to title-page. Old owner's name cut off from top of title-page, far from affecting lettering. Occasional minor browning or soiling, but all in all very nice and clean. Several woodcut ornamental vignettes and initials. 1 (blank, except for signature-mark ""A""), 3 ff + pp. 1-196, 2 ff. (separate dated title-page for ""The second booke of this commentarie vpon the diuine prophesie of Daniel"" + dedication) + pp. 197-520, 8 ff (Table of the questions & Controversies + errata) + final blank. Fully complete. Several mispaginations.
[Cambridge], Printed for Leonard Greene (+ 2nd part: Cantrell Legge, Printer to the Vniuersitae of Cambridge), 1610. Small folio. Nice contemporary English full calf binding with 6 raised bands to spine, compartments gilt. Blindstamped line-borders and gilt ornamented centre-pieces to boards. All edges of boards gilt. Title-label removed from spine, gilding to edges of boards occasionally worn off. Wear to extremities. Inner hinges open into the cords, binding still tight, but boards don't close properly. 18th century inventory number to verso of fist leaf. Owner's inscription, dated ""Ups. 1749"" (i.e. Uppsala) to title-page. Old owner's name cut off from top of title-page, far from affecting lettering. Occasional minor browning or soiling, but all in all very nice and clean. Several woodcut ornamental vignettes and initials. 1 (blank, except for signature-mark ""A""), 3 ff + pp. 1-196, 2 ff. (separate dated title-page for ""The second booke of this commentarie vpon the diuine prophesie of Daniel"" + dedication) + pp. 197-520, 8 ff (Table of the questions & Controversies + errata) + final blank. Fully complete. Several mispaginations.
1515000220Lyon: Iohnnes Clein 1515. Hardcover. See Description. c.1515. 4to. pp. 280. p.280 blank. Colophon dated "nono kalendas Octobris" 23 Sept. Title page printed in red and black inside woodcut architectural border. Woodcut printer's device Sylvestre 132. Printed in Roman font with the surrounding commentaries printed in Gothic. Text contains decorative initials. Bound in contemporary blind stamped paneled calf boards; re-backed preserving original spine. Later antique endpapers with inscription on front-free endpaper dated "1925"; front and rear blank fly-leaves worn. Pages are generally clean with occasional marginalia in an old hand i.e. several small inscriptions written on the title page; minor spotting; lower corner of leaf c7 clipped in margin; The hinges and inner margins to the first gathering are neatly strengthened / repaired. The outer edges to this same gathering show some wear - i.e. a few marginal tears sealed and light soiling. The bottom margins on conjugate leaves a2 and a7 are trimmed about ½" 12 mm. Anicius Manlius Boethius 480-524 was a late Roman philosopher and statesman. He became embroiled in a plot against Theodoric the Ostrogothic ruler of Rome and was eventually executed. Boethius wrote his most famous work the "Consolation of Philosophy" while awaiting his fate in prison. The five sections discuss the capriciousness of fortune the influence of good and evil and the nature of God's control over the universe i.e. free will providence and fate. The work employs the Platonic notion of an ascent of the soul to the Godhead through a process of contemplation and reflection. The imagery is predominately pagan; however the author himself was strongly influenced by Christian thought. Boethius's work was immensely influential throughout the middle ages. Commentaries are provided by Josse Badius 1462-1535 and Thomas Wallensis the latter wrongly ascribed to Thomas Aquinas. The "Ascensio explanato" has separate signatures and divisional title page. Adams B-2290; BM STC French p. 73; Renouard Josse Badius II 213; Baudrier XII p. 268. <br/> <br/> Iohnnes Clein hardcover
1991DEMO002909IStatesboro GA: The Boxwood Press 1991. First Limited edition. Hardcover. Fine. woodblock prints by Solomon. Folio two-tone cloth unpaginated fine in publisher's slipcase <br/><br/>The text incorporates poems by David Ignatow Marge Piercy Harvey Shapiro Grace Paley David Meltzer Chana Bloch etc. This is a visionary livres d'artiste by Bernard Solomon. Among his remarkable woodblocks is a multi-block large fold-out print depicting his fantasy perfect Passover one in which he could invite anyone living or dead to partake. Curiously he is not in the scene but is shows Golda Meir and Anwar Sadat Gandhi and Elijah Lincoln and Martin Luther King Rabbi Hillel and Queen Victoria Maimonides and Betty Williams. There are 110 woodcuts in the text 10 smaller mounted folding plates and 9 larger mounted folding plates. This is copy no. 10 of the edition which is limited to only 50 copies signed by the artist Solomon. An absorbing presentation much of it bi-lingual of this timeless prayer. The Boxwood Press hardcover
160860838London, Iohn Windet, 1608. 12mo. In contemporary full calf. Small paper-label pasted on to top of spine. Wear to extremities, corners bumped. Edges of boards with loss of leather. Previous owner's names to front and back end paper (""Robert Wilson"" & ""Edvard Wilson, anno domini 1666""). Internally with a few light dampstains. (20), 328, 328-499, (4) pp.
164261313Hamburg, Froben, 1613 (+) Wittemberg, Hans Lufft, 1573 (+) Rostock, Meder, 1640 (+) Lubeck, Meyer, 1642 (+) Rostock, 1642. 4to. In contemporary full calf with four raised bands and richly gilt spine. Leather on spine cracked, with minor loss of the gilt ornamentation. Small paper-label pasted on to top of spine. Front free end-paper with a list of content in contemporary hand. First leaves of ""Dialogus Von der herrlichen"" soiled and first five leaves with repair in lower outer corner, not affecting text. ""Dialogus Von der herrlichen..."" is affected by dampstains throughout, otherwise a nice copy. (4), 455, (25) pp" (4), 310, (4) ff. 192 pp. (16), 112 pp. 11 pp. (4), (24) pp,
Colophon: Dillingen, Sebaldum Mayer, (1566 or 1567). Small 8vo. (15,6 x 10,5 cm.). Fine contemporary full blindstamped calf over wood. 3 raised bands. With large blindstamped Jesuit emblem on both covers. Remains of ties. Title-page in red and black inside large woodcut border. FF (8),120. With 27 impressive half-page woodcuts (depicting scenes from the life of Jesus). Scattered light browning and minor brownspots, mainly to margins.