Etude sur un Oratorio de G F HaendelBiblio.com
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1334570884.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
In-8 (cm. 22), brossura illustrata, con alette, pp. 101, (19), con numerose illustrazioni in bianco e nero nel testo e fuori testo. Tracce minime di polvere alla brossura. Un segnetto di polvere al frontespizio; peraltro, volume in buono stato (good copy).
In-4°; 1 cb, pp. 21, (1). Con l'elenco degli Accademici filarmonici, cantanti e musicisti. Giuseppe Carpani (1751-1825) scrittore e uomo di lettere, conobbe i principali musicisti del suo tempo e lavorò per loro come biografo e traduttore.
In-8 (cm. 28), brossura illustrata, pp. 88, con illustrazioni a colori nel testo. Quaderno stampato in 700 copie. Lieve ammaccatura al taglio superiore del piatto anteriore; peraltro, volume in buono stato di conservazione (good copy).
1995HIS5838MUn volume di 149 pagine, tela editoriale con sovracoperta illustrata. Dimensioni: 25x33 cm. Ottime condizioni. Dedica alla pagina bianca. 17 fotografie a colori a piena pagina nel testo. Elegante volume con copertina in tela e sovraccoperta con le immagini degli oratori delle Contrade di Siena documentate con precisione dalle immagini di Paolo Rappuoli corredate da alcune note in cui, per ciascuna Contrada, sono riassunte sulle vicende costitutive relative all Oratorio, sulle diverse Chiese eventualmente utilizzate prima dell attuale e sulle opere d arte custodite nell Oratorio oggi officiato.
1968164186Deutsche Grammophon, 1968. Ings. ca. 120 min Spieldauer. Inkl. Libretto mit 15 S. 2 x Vinyl, im Schuber.
In-8 (cm. 22.80), brossura illustrata, pp. 87, (5), con illustrazioni in bianco e nero e a colori nel testo. In buono stato (good copy).
192725523London U.K.: March 17 1924-Oct. 27 1927. 1927. Very good. - Small octavo approximately 7 inches high by 4-3/8 inches wide. The 4 letters dated "March 17 1924" "July 27 1924" "Jan. 17 1926" and "Oct. 27 1927" are penned in black ink on his personalized letterhead with his Kensington address printed in the top right corner. Three of the letters fill 1-1/2 to 1-2/3 sides of the letterhead. The 7/27/24 letter fills 2 sheets of letterhead 4 sides. All four are signed "Yours ever H. P. Greene". The letters are lightly bumped & soiled with small stains to the 1st side of the 1st letter & a few light ink stains to the 3rd letter. The letters have been folded once for mailing with a tiny tear to the right side of the fold & to the top edge of the 1st letter. Very good. <p>Irish baritone Harry Plunket Greene made a notable contribution to British musical life not only through his concerts and recitals but also by writing and lecturing on his art and in the field of competitions and examinations. He studied for two years at the Stuttgart Conservatory under Hromada made his debut in "The Messiah" in 1888 and his operatic debut at Covent Garden in 1890. Thereafter he chose to make his career in recital. During the 1890s he became one of the foremost British interpreters of the German lieder giving the first complete public performance of Schumann's "Dichterliebe" to be heard in London in 1895. He was much admired for his style musicianship and intelligence. He created the title part in Hubert Parry's "Job" and was the original exponent or dedicatee of many of Parry's lyrical works. Charles Villiers Stanford wrote "Songs of the Sea" for him. He was a friend of Elgar and was the original baritone in the first performance of Elgar's "Dream of Gerontius" under Hans Richter in 1900.<p>This is a wonderful selection of the singer's correspondence with many musical references. The letters written in a somewhat difficult handwriting are friendly informal and at times teasingly affectionate. They are addressed to "Dear Griffin" and from the content it is clear that Griffin was a singer and Plunket Greene was his teacher or mentor: "I have just heard from Bowman Paget Bowman of British National Opera Company that a letter will arrive for you next Wednesday asking you to go down and play 'Pagliacci'.Let's run through it again before you go" 3/17/24; "As soon as you have mastered time and can have a picture in your mind of the shape of phrases you will be able to go where you like and carry all before you." 7/27/24; "Don't forget that it is the word and not the note which pulls you out of your difficulties & that in the word it is the consonant & not the vowel which links up with the engine." 7/27/24.<p>There are a number of references to other musicians. Plunket Greene writes of the British National Opera Company: "The B.N.O. wound up opening here. He Bowman evicted Percy Pitt and got back Fred Austin & the change is little short of miraculous. The whole company shot up in style like a flower." 7/27/24. Conductor Percy Pitt left the BNOC in 1924 and became Principal Conductor at Covent Garden. There is a somewhat illegible reference here to Vaughan Williams' "Hugh the Drover" which was in the BNOC's repertoire and was first performed at His Majesty's Theatre on 7/14/24. In the same letter Plunket Greene writes of the death of cellist Victor Herbert whom he would presumably have known from his time studying in Stuttgart: "Poor old Victor Herbert; I remember him so well. It is queer to look back on the time when he was principal cello in the Stuttgart orchestra in the '80s.". On October 27 1927 he writes of the all-girl harmony singing trio formed in 1924 by Pearl Hamilton Santos Violet Hamilton and Jessie Fordyce: "The Hamilton Sisters & Fordyce are just A1 as they are. I wouldn't interfere with them for anything. It's just perfect in its way. I do trust they leave things alone not try to change."<p>Interestingly in the 7/27/24 letter Plunket Greene makes a passing reference to proofreading his classic book on fly-fishing "Where the Bright Waters Meet" which was published that year: "My fishing book will be out first week in September ". Taken together these letters offer a delightful insight into the mind and personality of an important musical figure. London, U.K.: March 17, 1924-Oct. 27, 1927. unknown
Mm 130x230 Brossura editoriale di 44 pagine, numerose illustrazioni in nero nel testo. Copia molto buona. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
75994Paris, éd. Charles Marquerie, S.d. (début du 19e), 34 me livraison, édition gravée et imprimée par Marquerie Frères, in-4, cartonnage demi-maroquin vert foncé, plats papier marbré "cailloux" multicolor, belle gravure dorée du "Cercle artistique et littéraire - Bibliothèque musicale" sur le premier plat, auteur, titre et filets et pointillés dorés sur dos à 5 nerfs, reliure de l'époque, 88 pp., cachats anciens de la Bibliothèque musicale de Paris sur la page de titre, Très belle partition de l'oratorio "la création du monde" de Haydn arrangée pour piano solo par E. Savart. Belle reliure et RARE Très bon état
43055Brilliant Classics, (o.J.). 6431 2 CD CD
Studienpartitur. 199 S. OBrosch. 8° (27 x 18 cm).
Studienpartitur. 230 S. OBrosch. 8° (27 x 18 cm). Eine Lage gering lose.
Mm 245x305 Volume in copertina rigida, sovraccoperta policroma, 280 pagine, illustrazioni in nero e a colori nel testo. Come nuovo, mai letto. Spedizioni entro 24 ore dalla conferma dell'ordine.
<p>21,5 cm, brossura muta recente; p. 82. Timbretto privato al frontespizio. Assai raro</p>
pagine a colori, 21x28 cm, ottimo stato
Dedicato a Sua Eccellenza il Signor Conte Stefano Sanvitale Gran Ciambellano, e Consigliere intimo attuale di Stato di Sua Maestà La Principessa Imperiale Arciduchessa d'Austria, Duchessa di parma, Piacenza e Guastalla, Cavaliere Gran Croce del Sacro Angelico I. Ordine Costantiniano di San Giorgio, e Protettore clementissimo della medesima Confraternita.<BR>Contiene: La vita, e morte del glorioso San Rocco la cui festa si celebra il 16 agosto.<BR>Cm. 16 x 10,5; pp. 48; legatura coeva in cartoncino marmorizzato .<BR>CONDIZIONI BUONE: piccole mende al dorso; 2 forellini di tarlo al piatto posteriore; lievi abrasioni alla copertina.<BR>Ristampa approvata il 7 agosto 1820.
Very Good English Original leather bound. 6 compartments on spine, all is lettered gilt richly. Original marbled interior. 12mo. (18 x 12 cm). In French. [vi], 413, [3] p. Vol. 4 only. Rare. Sermons de M. Gaspard Terrasson. Ci-devant Prêtre de l'Oratoire. Pieces detaches & avent. Tome Quatrieme.
In-4 p., cartonato editoriale, pp. (8),245, con breve saggio sull'Oratorio, in Appendice. Prima edizione moderna compiuta sul manoscritto autografo inedito, a cura di G. Benvenuti. Riduzione per canto e pianoforte di F. Calusio. Ben conservato.
Mm 170x240 Brossura editoriale, XVI-115 pagine con 12 tavole in nero fuori testo. Opera in buone-ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 170x240 Brossura editoriale, vi-119 pagine. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 170x240 Brossura editoriale di pp. XV-205, tavole in bianco e nero fuori testo. piatti ingialliti. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-4 (cm. 30.70), cartonato editoriale, pp. 142, (2), con numerose illustrazioni in bianco e nero nel testo.Appendice documentaria di Felicita Confalonieri Ronchi. In buono stato (good copy).
193510340Lausanne, Edition Imprimerie Centrale, [1935]. Brochure in-8 de [40] pages, couverture imprimée à rabats.
1957993521957 N° 37, Avril 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 47 p.
