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199220238Rome: Istituto Poligrafico E Zecca Dello Stato. 1992. Hardcover. Near Fine in Very Good- dust jacket. Spine slant else book is fine. DJ has a couple of small tears and chipping with light soiling. Sticker damage to near top of DJ spine.; 511pp illustrated. Scritti di: a. Argueta G. Bamonte M. Biscione M. Canevacci S. M. S. Carvalho M. Curatola A. F. Galindo N. Gasbarro S. Gatta M. R. Innico V. Lattanzi G. Mazzoleni M. Menendez L. Paderni J. Rappaport D. Saviola.; 511 pages . 8824002544 . Istituto Poligrafico E Zecca Dello Stato hardcover
184942915New York: John James Audubon 1849. First edition hand-colored lithograph by John T. Bowen of Philadelphia after John James Audubon. An iconic image of Western Americana from the folio first edition of Audubon's "Quadrupeds of North America" the greatest work of natural history illustration produced in America during the nineteenth century: "As long as our civilization lasts America will be in debt to this genius." Peterson<br/> <br/> This fine plate is from the folio edition of Audubon's The Viviparous Quadrupeds of North America which was produced entirely in the United States. The work was Audubon's last and by 1846 he had to hand over the drawing of the final fifty plates to his sons John Woodhouse and Victor Audubon. The production of the Quadrupeds was begun by Audubon and his sons at about the same time as the commercially-successful octavo edition of The Birds of America. Unlike the double-elephant folio the Quadrupeds was produced entirely in the United States. Reese notes that "By 1843 the Audubon family business was a well-oiled machine involving John James his two sons and various in-laws and friends. The octavo Birds was still in production when Bowen began to produce the plates for the folio edition of the Quadrupeds the largest successful color-plate book project of 19th-century America. It took the family five years to publish 150 plates in thirty parts. The massive project was a commercial success thanks to the close management of Victor. There were about three hundred subscribers." Reese Like Birds of America the Viviparous Quadrupeds was intended to be a comprehensive visual catalog of North America animalia with Audubon's focus here shifting from birds to four-legged land mammals. Accompanying each image was correlating didactic text written primarily by Bachman that informed the reader of the animal's habits diet habitat and gestational period. Totaling 150 prints the project was rushed to completion as Audubon's health declined. Emerging in the shadow of its acclaimed predecessor Birds of America the Viviparous Quadrupeds has not received the adequate attention nor recognition it so richly deserves. This image is of a family of American buffalo the most iconic animal indigenous to North America whose presence was integral for Native American life and whose near-extinction spurred on the conservation movement in the US. The buffalo is today the state animal of Kansas Oklahoma and Wyoming.<br/> <br/> Bennett p.5. Peterson Birds of America passim. Reese Stamped with a National Character 36. Sabin 2367. Wood p.209. John James Audubon unknown
280693Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280692Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280690Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280691Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
120 pages. Features: Reverend John MacLean and the Bloods; The Potters of Zuni Pueblo of the 1920s and 1930s; New Native American Art Galleries at the Detroit Institute of Arts; Manifest Sovereignty - "Diversity and dialogue" at the Eiteljorg Museum; and more. Clean and unmarked with moderate wear. A quality copy. Magazine
La Casa di San Giorgio di Genova ha svolto per quattro secoli (1407-1805) un ruolo fiscale degno di uno stato ed una attività bancaria d'avanguardia; ciò ha richiesto numeroso personale (oltre mezzo migliaio di unità) e adeguata struttura. Lo statuto qui presentato è quello che la Casa adottò nel 1568 e rappresenta, per anno di stampa e contenuto, il più antico testo conosciuto di organizzazione amministrativa ed uno straordinario osservatorio dei rapporti sociali del tempo. For four centuries (1407-1805), the Casa di San Giorgio of Genoa managed the tax administration of the State and conducted innovative banking activities, that required a great number of employees and a suitable structure. The Statute here published is the one that the Casa adopted in 1568; for its date and content, it represents the oldest known text of administrative organization, and an extraordinary document of the social relationships of the time. Biblioteca dell'«Archivio storico italiano» 36 cm 17 x 24, vi-218 pp. con 176 figg. n.t.
ill., br. Il massaggio infantile è un'arte antica praticata in tantissime parti del mondo. Negli ultimi 40 anni, grazie a pionieri come Frédérick Leboyer ed Eva Reich, questa pratica è arrivata anche a noi e ha potuto svilupparsi, entrando nelle case e nelle abitudini quotidiane di mamme e bambini. L'obiettivo principale del massaggio del bebè è quello di rafforzare la sintonia già esistente tra genitori e bimbi, soprattutto nei casi in cui siano stati separati fisicamente subito dopo la nascita, e contribuire alla creazione di un legame. "Amore a fior di pelle" di Barbara Bonci è il libro per imparare a praticare il massaggio infantile e per scoprirne i tanti benefici a livello psichico e fisico.
Milano, 1924, estratto con copertina posticcia muta, pp. 1015/1023 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, 1924, estratto cop. muta, pp. 1015/1023 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1980014470Lecce: Milella 1980. Un volume 24 cm di 695 pagine. Brossura editoriale nella collana Poeti e prosatori salentini tra Otto e Novecento. Ottime condizioni. Milella unknown
1972214847New York: Edizione a cura del Museo 1972. Brossura custodia wrappers slip-case. Molto buono Very Good. Catalogo di mostra The Solomon R. Guggenheim Museum New York 1972. Introduzione di Thomas M. Messer direttore del Museo. Elenco delle 158 opere esposte. Il catalogo è";" composto da 4 fascicoli indipendentemente spillati tre dei quali contenuti in una tasca in terza di copertina. <strong>"Amsterdam"</strong>: testo di Cor Blok riproduzioni di opere e notizie bio-bibliografiche su Ad Dekkers Jeroen Henneman Reinier Lucassen Jan Roeland Jan Schoonhoven Carel Visser - <strong>"Paris"</strong>: testo di Blaise Gautier riproduzioni di opere e notizie bio-bibliografiche su Christian Boltanski Joel Kermarrec Jean Le Gac Jean-Pierre Raynaud Jean-Michel Sanejouand Gerard Titus-Carmel Ben Vautier Claude Viallat - <strong>"Dusseldorf"</strong>: testo di Jurgen Harten riproduzioni di opere e notizie bio-bibliografiche su Bernd and Hilla Becher Joseph Beuys Marcel Broodthaers Gotthard Graubner Konrad Klapheck Sigmar Polke Dieter Rot Klaus Rinke Andre Thomkins Gunther Uecker. 8vo cm 215x19. pp. 20202028. Molto buono Very Good. . Edizione a cura del Museo, unknown
18033374London: Captain Henry Wilson. Very Good. 1803. Fifth Edition. Later binding of half gilt ruled faux blue morocco over marbled boards. Gilt particulars and decoration to spine. Top and bottom of front hinge cracked top of rear hinge beginning. Blue endpapers. Enlarged edition with supplement by Reverend John Pearce Hockin. "William Taylor 1813" delicately inked to top right of title page. Foldout "Chart of the Pelew Islands and Adjacent Seas" to front of book suffers foxing and some creasing as well as a small closed tear to the bottom margin of a fold line not affecting text. Contains eighteen steel plates with two additional plates included in supplement along with vocabulary of Pelew language. A nice clean copy without further markings. ; 4to 11" - 13" tall; xvii i 244; ii 72 pages; All shipments through USPS insured Priority Mail. . Captain Henry Wilson hardcover
1162765968.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1163345628.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1498057195.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781498057196Paperback / softback. New. paperback
B9781498057196Paperback / softback. New. paperback
A9781163345627New. unknown
B9781162765969New. unknown
B9781163345627New. unknown
190037872U.S.A.:: . 1900. Hardcover. NEW. New still in original shrink wrap. Large red hardcover in dust jacket. Unknown date of publication. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. .., hardcover
2010707<p>Trade paperback with minimal shelf wear. Corners are very lightly bumped corners are lightly scuffed and edgeworn. Pages and binding are clean straight and tight.</p> Datura Press paperback
1817RL 1165<p><strong>RL 1165 </strong>Eames William Reverend. <strong>An apology for the United Church of England and Ireland; or a Vindication of the doctrines of the Established Church from the Calvinistic sense ascribed to them in a work entitled "An inquiry into the doctrines of the reformation: and of the United Church of England and Ireland respecting the ruin and recovery of mankind". By the Rev. B.W. Mathias. </strong>Dublin: Printed for W. Watson Capel-Street 1817 xx 298 pages. Contemporary half leather binding very rubbed and worn. The back cover panel covering was a printed page from the Bible before being used in the binding. Foxing throughout but book is in tight condition. <strong> $95.00 Box 131</strong></p> W. Watson, Capel-Street, hardcover