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Bel messale del 1772 interamente scritto a caratteri rosso e neri con splendidi capilettera decorati, almeno 1 per pagina (ad esclusione dei canti gregoriani).<BR>All'interno del testo tre bellissime incisioni a piena pagina che raffigurano scene religiose incise da Jacopo Leonardis (Palmanova 1723-Venezia 1794) su disegno di Francesco Albani (1578-1660) pittore barocco attivo a Bologna, di Rubens, Antonio Gionima (1697-1732) (l'annunciazione, la crocifissione, resurrezione). Bella vignetta al frontespizio. All'inizio del messale un introduzione dedicata alla memoria dei tre Papi che si erano occupati di redigerlo (Pio V; Clemente VIII; Urbano VIII) e una sorta di prefazione all'opera con delle tabelle indicanti il calendario liturgico che rimanda alle parti del messale da recitare.<BR>Presente anche In epiphania domini, Proprium Missarum de Santis, in festo Annuntiationis B. Mariae Virginis, in festo omnium Sanctorum, Commune Sanctorum.<BR>Pagine e pagine di canti gregoriani all'interno. Alla fine licenza alle stampe datata dicembre 1785 da parte dell'Inquisitore Filippo Rosa Lanzi. Segnalibri di stoffa che aiutavano il sacerdote nella lettura. Era un testo che veniva abitualmente utilizzato quindi presenta dei segni d'uso come segni di restauro, cera e rare macchie di sporco. In buone condizioni. Copertina in piena pelle coeva a cinque nervi con ricche decorazioni in oro al dorso e piatti in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. Pagine in buone condizioni generali con mende, rare fioriture, rari segni di sporco e di cera. Pagina LVII, LXI mancante. In 4. Dim. 34x25,5x6 cm. Pp. (18)+416+CXVI. Peso Kg. 2,500. Very beautiful missal of 1772 enterely written in black and red charachters with faboulous decorated initial letters, at least 1 for page (excluding Gregorian music). Inside the text there are three beautiful full page engravings representing some religious scenes engraved by Jacopo Leonardis (Palmanova 1723-Venezia 1794) after Francesco Albani (1578-1660) baroque painter active in Bologna, Rubens, Antonio Gionima (1697-1732) (annunciation, crucifission, resurrection). Very beautiful vignette in the title page.<BR>At the beginning three introductions dedicated to the memories of the three Popes that wrote it (Pio V; Clemente VIII; Urbano VIII) and a sort of introduction to the work with some charts indicating the liturgic calendar which indicates the part of the missal to be read.<BR>There are also In epiphania domini, Proprium Missarum de Santis, in festo Annuntiationis B. Mariae Virginis, in festo omnium Sanctorum, Commune Sanctorum.<BR>There are pages and pages of Gregorian music. At the end concession to publishing dated 1785 byt he inquisitor Filippo Rosa Lanzi. Imponent full skin coeval decorated cover. Very beautiful decorated initial letters. Fabric bookmarks to get easier the reading to the priest. It was a text that was normally used, so we find some signs of usage as restoration signs, rare wax signs and rare dirt's signs. In good conditions. Full leather coeval cover with five nerfs gilted decorations in good conditions with wearings in the extremities. Binding in good general conditions.Inside pages are in good conditions with usage signs, occasional foxing, wax and dirt's signs. Pages LVII, LXI lack. In 4. Dim. 34x25,5x6 cm. Pp. (18)+416+CXVI. Weight Kg. 2,500
Rebound in modern black cloth, 12mo. , 220 leaves. In Hebrew. References: StCB 7492. Vinograd Amsterdam 1283. Sephardic prayer book. OCLC lists 2 copies worldwide, both in the Netherlands (Koninklijke Bibliotheek, Tresoar) . Light staining to bottom edge of text block. Very good condition. (DREYFUS-4-4)
1st edition. Later boards with original front paper wrapper bound in, 8vo, 139 pages. Singerman 4769. The first Jewish book pubished in St. Joseph, Missouri, which was the base of the pony express. Nice 19th Century Western Americana Jewish imprint. SUBJECT (S) : Rosh Hashanah. New Year. OCLC lists 7 copies worldwide. Boards show heavy wear; paper shows some damp-waviness, otherwise Good Condition. (Spec-9-3A)
27489Turin, Ignacio Soffietti, 1787. 1 vol. in-4°, maroquin vert, dos lisse orné de fleurons dorés séparés par des doubles filets dorés, encadrement d'un filet gras et d'une large roulette ondulée dorée sur les plats, écoinçons dorés, gros médaillon central doré aux petits fers portant au milieu un trophée d'armes doré, coupes guillochées, gardes de papier dominoté rose et noir à décor de feuilles d'arbre. Reliure de l'époque, petit accroc avec manque au dos, coins émoussés. (1) f., 31 pp., (1) p. et (2) ff. manuscrits ajoutés.
In-folio piccolo, (3),128 pp, (5), legatura in mezza pergamena, buono stato, illustrazioni con esempi musicali. In-folio piccolo, (3), 128 pp, (5), half-vellum binding, good condition, plates with musical examples.
1589029928Cholinus, Maternus, Coloniae Agrippinae ( Köln ) 1589. Halbleder Gut
1860X119797Ejmiatsin, Mayr Ator S. Ejmiatsni Tparan 1860 150pp., 22cm., text in Armenian, bound in a solid modern hardcover, original frontcover preserved, light browning of the paper, good condition, scarce, [Commentary on the prayers of the liturgy by Khosrov (Xosrov), bishop of the Andzewats'ik], cfr. OCLC 1509414512 & 1073588649, X119797
170380117Paris, Josse, 1703. Titelblatt, 1 Bl., LXVIII (recte LXVI), 367 S., 5 Bll. Mit 1 ganzseitigen Kupferstich, einigen Holzschnittvignetten. 8vo. Ldr. d. Zt. auf 5 falschen Bünden mit Resten eines alten Rückenschildes.
1653R108276Antverpiae [Antwerpen], typis viduae Ioan. Cnobbari [Wed. Jan Cnobbaert] 1653 [2bl.], [1], [1bl.], [1], [1bl.], 26, 145 [= 147], [27], [2bl.] pp. + engraved frontispiece (on f.*2 recto), 1st edition, 15cm., text in Latin, contemporary full vellum binding, lower end of front joint repaired, 3 libr. stamps and old handwritten inscription on title page, some occasional foxing and few stains (text always well readable), few contemporary underlinings of some words in text, cfr. STCV 6900080 & Bib. Catholica Neerlandica impressa 10993, R108276
[2bl.], [1], [1bl.], [1], [1bl.], 26, 145 [= 147], [27], [2bl.] pp. + engraved frontispiece (on f.*2 recto), 1st edition, 15cm., text in Latin, contemporary full vellum binding, lower end of front joint repaired, 3 libr. stamps and old handwritten inscription on title page, some occasional foxing and few stains (text always well readable), few contemporary underlinings of some words in text, cfr. STCV 6900080 & Bib. Catholica Neerlandica impressa 10993, R108276
1848R113981Mechliniae [Mechelen], P.J. Hanicq 1848 196pp. + 16 full-page engravings out of text, containing music scores for Gregorian chant, with a second illustrated title page with a portrait of pope Pius IX, 42x31cm., text in Latin, full-leather red hardcover with gilt decorations (with few small stains, some use at ends and at corners), with 2 intact book clasps, all edges gilt, text in red and black, printed in two columns, binding and side edges of pp.169-184 are slightly repaired, text is clean and bright despite few occasional foxing, good condition, weight: 3.1kg., R113981
1771R119400Antverpiae [Antwerpen], Ex architypographia Plantiniana 1771 [28] + 352 + [58] pp., with engraved vignette on title page, text in black and red, 22x15cm., contemporary brown full-leather binding (gilt title and decorations on spine, intact but with some wear at ends and corners), decorated endpapers, text is clean and bright and in good condition, R119400
1725R96440Romae [Rome], Ex typographia Hieronymi Mainardi 1725 374pp., 3rd edition (Tertia editio cumulatior & castigatior), 16cm., nice 19th cy. hardcover binding with marbled boards and leather spine (red label with gilt title), small spot on spine, few foxing, text in Latin, very good condition, R96440
374pp., 3rd edition (Tertia editio cumulatior & castigatior), 16cm., nice 19th cy. hardcover binding with marbled boards and leather spine (red label with gilt title), small spot on spine, few foxing, text in Latin, very good condition, R96440
1698R113639Leodii [Liège], apud Joannem Franciscum Broncart 1698 [24] + 508 + [12] pp. + frontispiece (full-page coat of arms of Maximilian Emanuel II, Elector of Bavaria (Habsburg, 1662-1726), by Jean A. le Poutre), with head and tail pieces & ornamental initials, 21cm., text in Latin, bound in contemporary full-leather binding (used and with some defects, corners seriously bumped, edges of spine with some loss of leather), small stamp at blanco endpaper, few markings in margin of text, few occasional foxing, R113639
First edition. Original blue publishers cloth, large square. 8vo, 16 leaves with 15 tipped in plates. Each leaf contains a tipped in color print by Raban in the classic style with English text in a gilt Bezalel style frame on the facing page. Title translates as, "Chagaynu. Our Holidays: A Picture Book Drawn by Z. Raban of the Bezalel Srt school, Jerusalem." [Israel Museum Catalogue, Bezalel number 1348; Yeshiva University Museum Catalogue, Raban Remembered, number 78.] Touch of foxing, Light wear to cloth boards. Overall Very Good- Condition. (art-21-8A)
1st edition. Original paper wrappers, 12mo, 33 pages. Includes music; 18 cm. The First Reconstructionist Haggadah (partial) . Includes "Passover" by Mordecai Kaplan; "Mother Zion, " by Israel Zangwill; and other essays and songs. Kaplan (1881-1983) , born in Lithuania, was a founder of the Reconstructionist movement in the United States. His family moved to the U. S. When he was nine, and he was later ordained at the Jewish Theological Seminary and was a rabbi in New York. In 1909 Kaplan began working at the Seminary, under Solomon Schechter, first as a dean and soon after began a half-century long teaching career. His Reconstructionist views "[meant] that Judaism should be considered from a pragmatic, historical point of view, rather than a metaphysical, revelational one[, that t]he focus of the content of Jewish life is the Jewish people, its needs, and its responses to challenge, rather than revealed texts or metaphysical constructions....Tradition can guide but must not dictate. "(EJ, Cohen) . SUBJECT(S) Passover. Reconstructionist Judaism. OCLC: 13114801. OCLC lists 5 copies worldwide (JTSA, UMD, Stanford, RRC, NLI) . A copy sold at aution in 2017 for $450. Damp stains, mark on front endpaper, light wear, Good Condition (KH-9-42)
8vo; 1st Edition. Modern Cloth, all edges gilt. 12mo. 71 pages ; 18 cm. Contains what are almost certainly the first published works of Felix Adler (at 20 years old), founder of the Ethical Culture Movement. James Koppel Gutheim (1817-1886) was the rabbi of Congregation Shangarai Chasset of New Orleans. He was an influential figure in New Orleans, and served as president of the New Orleans Board of Education. In 1863 he refused to take the oath of allegiance to the Union after New Orleans was recaptured. He fled New Orleans, and served as rabbi to Jewish congregations in Montgomery, Alabama, and Columbus, Georgia. Gutheim returned to New Orleans after the Civil War, to serve as Shangarai Chasset's rabbi, but left to serve in New Yorks Temple Emanuel in 1868. In 1872 he once again returned to New Orleans to become minister of the New Orleans Temple Sinai, where he preached until his death. (Wikipedia, 2016) This hymnal was compiled while Gutheim served at Temple Emanu-el in New York, where Felix Adlers father, Samuel Adler, had been the Head Rabbi since 1857. At the time, Emanu-El was the leading Reform congregation in the US. (Wikipedia, 2016) Most of the 37 hymnals are by Gutheim, but 6 (including 4 original compositions) are by Felix Adler, Samuel Adlers son. Felix Adler (1851-1933) would later found the Ethical Culture movement. While training to become a Rabbi in Heidelberg from 1871-1873 he was strongly influenced by neo-Katianism notions that one cannot prove or disprove the existence of a deity or immortality, and that morality can be established independently of theology. Giving up his Rabbinic studies, Adler founded the Ethical Culture Society in 1877 and the Workingmans School (a free elementary school, which would become the Ethical Culture School) in 1878. The four original hymns, written before Adler rejected the notion of a Jewish God, are religious. They also show Adlers esteem for Education. In School Hymn, he writes, But what flower is so fragrant, so sweet and so fair/As the flower of truth blooming here. OCLC lists 9 copies worldwide. SUBJECT(S): Jewish hymns. Very good+ condition. (AMR-47-15-D)
1713AQ15276Londini i.e. London: Apud R. & J. Bonwicke et al. 1713. 38 184pp 148. With an engraved frontispiece. Handsomely bound in contemporary richly gilt-tooled black morocco A.E.G. Lightly rubbed. Marbled endpapers Recent bookplate of Robert J. Hayhurst to FEP loss to upper corner of front blank fly-leaf early inked inscription of 'John Murray / April 1726' to recto. An early eighteenth-century Latin edition of the 1662 Book of Common Prayer. The translation was completed by Jersey-born Anglican clergyman Jean Durel 1625-1683 who had been appointed Chaplain of the Stuart Court's French congregation at the Savoy and also held the monopoly for printing the French translation of the new authorised Liturgy. Considered eminently superior to the latter this translation mined the Sarum Missal and Breviary as a source for amongst others the canticles and psalms included here. The delay of seven years between the passing of the Act of the Uniformity which made use of the Book of Common Prayer compulsory in Anglican church services and the first publication of this translation in 1669 suggests that the demand for Latin editions had waned since Tudor days. ESTC T140407. 12mo. Apud R. & J. Bonwicke et al. unknown
1823209544Venetiis (Venedig), ex Typographia Balleoniana 1823. XXIV/384, 354, IV/408, 395, 259 S., Gr.-8°, Halbleder-Einbände der Zeit (bound in contemporary half calf),
66017, Brepols, 2019 Hardback, 2 vols, iv + 2016 pages, Size:152 x 229 mm, Illustrations:1 b/w, 1 col., Languages: French, Latin. ISBN 9782503551678.
1 vol. in-4 reliure demi-chagrin vert, Initiales H. N. au mors en tête, Biais Ainé & Noirot-Biais, 74 rue Bonaparte, s.d. [circa 1890-1905], 153-39-208 pp.. Rappel du titre complet : Manufacture d'Orfèvrerie, de Bronze et de Chasublerie. Biais Ainé & Noirot-Biais. Catalogue de Chasublerie, Broderies, Fournitures, Lingerie d'Eglise, Fleurs et Service mortuaire [ Suivi de : ] Catalogue de Lingerie, Ouvrages de Dame et Fleurs d'Eglise [ Suivi de : ] Catalogue d'Orfèvrerie et Bronze Rare exemplaire, réunissant 3 catalogues, de la célèbre maison parisienne Biais, installée au 74 rue Bonaparte ; fondée en 1782, qui devint Biais Aîné et Cie en 1889 et Biais Ainé & Noirot-Biais en 1897. Bon état (rel. un peu frottée). Français
Nouvelle Edition, 1 vol. in-12 rel. postérieure début XIXe plein veau raciné, dos lisse orné, filet et roulette d'encadrement sur plats, toutes tranches dorées, chasses et coupes ornées, Chez Charles Angot, Paris, 1698, 12 ff. (dont titre gravé, titre, Epistre, Préface, Tables), 622-109 pp. (Commun des Saints), avec nomb. planches par Morin et avec plusieurs planches montées postérieurement Rare exemplaire d'édition du XVIIe siècle de la traduction française du missel romain, en bel état intérieur. Bon état (rel. lég. frottée avec petits mq. en coiffes, bel état intérieur). Français
2 works in 1 vol., 12mo., with wood-engraved frontispiece, wood-engraved and printed titles (the second work with separate printed title), and 47 fine wood-engraved plates, neat eighteenth century signature on blank preliminary, a few leaves closely cropped at margins (but without loss of text); attractively bound in early nineteenth full calf, sides elaborately tooled with multiple frame and decorative borders in black enclosing a decorative lozenge blocked in blind, back with five raised bands, second compartment lettered in gilt, all other compartments blocked in black, marbled endpapers, doublures tooled in blind, red edges, very neatly rebacked with old backstrip laid down, a very good, crisp, clean copy.
