Liturgie

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Roman Catholic Liturgy CommitteeBiblio.com

In Sure and Certain Hope: Rites and Prayers from the Order of Christian Funerals: For the Use of Lay Leaders

Maloy, Rebecca [Liturgy] [Roman Catholicism]Biblio.com

Inside the Offertory: Aspects of Chronology and Transmission

2010512031Oxford University Press 2010. Hardcover with Dust Jacket. VERY GOOD/Very Good. 464pp. Perfectbound in burgundy hard covers. Ex-library with external labels removed; exceedingly clean and sharp with sound binding and no evidence of use; DJ spine sunned. 'The offertory has played a crucial role in recent vigorous debates about the origins of Gregorian chant. Its elaborate solo verses are among the most splendid of chant melodies yet the verses ceased to be performed in the twelfth and thirteenth centuries making them among the least known and studied members of the repertory. Rebecca Maloy now offers the first comprehensive investigation of the offertory drawing upon its music texts and liturgical history to shed new light on its origins and chronology. Maloy addresses issues that are at the very heart of chant scholarship such as the relationship between the Gregorian and Old Roman melodies the nature of oral transmission the presence of non-Roman pieces in the Gregorian repertory and the influence of theoretical thought on the transmission of the melodies. Although the Old Roman chant versions were not recorded in writing until the eleventh century it has long been assumed that they closely reflect the eighth-century state of the melodies. Maloy illustrates however that rather than preserving a pristine earlier version of the melodies the prolonged period of oral transmission from the eighth to the eleventh centuries instead enforced a formulaic trend. Demonstrating that certain musical and textual traits of the offertory are distributed in distinct patterns by liturgical season she outlines new chronological layers within the repertory and along the way explores the presence and implications of foreign imports into the Roman and Gregorian repertories. Carefully weighing questions surrounding the origins of elaborate verse melodies Maloy deftly establishes that these melodies reached their final form at a relatively late date. Available for the first time as a complete critical edition ninety-four Gregorian and Old Roman offertories are presented on a companion website in transcriptions which readers can view side-by-side. The book also provides music examples and essays that elucidate these transcriptions with significant insights into their similarities and differences. Inside the Offertory will be an important and longstanding resource for all students and scholars of early liturgical music as well as performers of early music and medievalists interested in music.'. Oxford University Press hardcover

Arches Bookhouse · États-Unis71,50 $US≈ 60,50 €

[RUSSIA]. [SLAVONIC LITURGY].Biblio.com

Kanonik. Book of Canons.

94903Russia 1866. . 4to 23 x 185 cm. Illuminated manuscript on paper ff. 4 index 4 blank 344 17 lines per page alphabetic signatures and pagination of Cyrillic alphabetic numerals 35 full-page illuminations in watercolour 36 headpieces in black and gold with first lines in gilt; occasional light spotting and soiling mostly marginal. Contemporary gilt-stamped red morocco gilt spine with raised bands edges gilt and gauffered gilt endpapers; slightly rubbed lacking both clasps. An exceptionally fine example of an Old Believer liturgical book beautifully illustrated with 35 full-page illuminations. Created by a skilful master they depict in great detail the most significant events of the New Testament including the Annunciation the Nativity the Baptism of Christ the Ascension the Twelve Apostles and more. This volume was made for and used by Old Believers who separated from the official Russian Orthodox Church as a protest against church reforms introduced by Patriarch Nikon of Moscow between 1652 and 1666. These Old Believers refused to accept alterations and amendments to the Holy texts aimed at bringing their religious practice closer to the 'original' Greek Orthodoxy. They refused to allow sacred texts to be printed instead reproducing them as manuscripts. The large size of this book its high-quality paper neat script very detailed illuminations and attractive gilt binding prove beyond doubt that no expense was spared on its production. As the colophon indicates it was made for Evdokiia Ivanovna Babaeva the wife of a merchant in Kolomna which was then an important trade point near Moscow. There are records of several men with this surname in Kolomna during the mid-XIX century all of them owners of factories in the city and probably members of the same wealthy merchant family. Kolomna was also important as a centre of the Old Believer community. The city's Bishop Paul fiercely opposed Patriarch Nikon's reforms and was consequently stripped of the rank of Bishop exiled and eventually killed in 1656 rendering him a martyr in the view of many Old Believers.A century later 156 Old Believers were officially registered in Kolomna then a city of 5400 inhabitants. Many more practised their beliefs in secret to avoid persecution. This volume later belonged to Cornelius J. Hauck 1893-1967 whose outstanding and somewhat eclectic collection was formed with the help of the well-respected antiquarian bookseller Emil Offenbacher between 1945 and 1965. The collection was given to the Cincinnati Historical Society Library in 1966 where it remained largely unknown to the world until part of it was auctioned by Christie's in New York in 2006. Russian manuscripts of this quality and preserved in such pristine condition are extremely rare. S.S. Mikhailov Istoriya staroobriadchestva g. Kolomna i ego okrestnostey Kolomna Staroobriadcheskaya obshchina khrama Nikoly na Posade v g. Kolomna 2013. Russia, [1866]. hardcover

Shapero Rare Books · Royaume-Uni35 000,00 £GB≈ 39 963,00 €

[ARMENIAN LITURGY]Biblio.com

Khorhrdatetr Srboy Pataragin: Est araroghowt`ean Hayastaneayts` Ekeghets`woy: Tpagrets`eal est orinakin tpagrets`eloy i Hrom Khorhrdatetr Srboy Pataragin: Est araroghut'ean Hayastaneayts' ekeghets'woy: Tpagrets'eal est orinakin tpagrets'eloy I Hrom; ""Exegesis for the Holy Liturgy. According to the Rite of the Armenian Church. Printed according to the model printed in Rome"".

174121236291741. Venice: Antonio Bortoli. 15 September 1741. Folio. Contemporary red morocco over wooden boards elaborately tooled in gilt with floral borders and central lozenge around image of Crucifixion on upper board and the Virgin and Child on lower board; floral corner-pieces spine gilt-tooled in compartments with floral tools block-printed decorated pastedowns over marbled pastedowns 6 purple silk fore-edge tabs 2 detached purple silk page-marker; pp. 28 text in Armenian printed throughout in red and black with instructions for the deacon and celebrating clergy in red main text in double columns title page printed within engraved architectural border enclosed within larger border of the figures of the Evangelists the Apostles and the 24 Prophets with their names in Armenian two engraved full-page illustrations in pagination one signed ""Zucchi"" after Peter Paul Rubens the other after Maarten de Vos woodcut initials head- and tailpieces; a few minor scuffs to boards one tiny wormhole to upper board and two to lower extremities and spine lightly rubbed; pin worm-holes to gutter two tiny holes to outer margin of C4-ad finem all far from printed surface light dust-soiling and marginal dampstaining first quire coming loose a few small wax drops but overall a very good fresh copy.Extremely rare Armenian missal according to the rite of the Armenian Catholic Church published in Venice.The long tradition of Armenian printing in Venice dates back to 1512 when the first book ever printed in the Armenian language Urbatagirk ""Friday Book"" was published by the Venice-based Armenian printer Hakob Meghapart. In 1695 Antonio Bortoli obtained from the Venetian authorities an exclusive privilege for all Armenian printing. He retained it until the arrival in Venice of Father Mekhitar of Sebaste 1676-1749 an Armenian scholar and theologian who in 1701 founded the Mekhitarist Order. The Mekhitarists an Armenian Catholic monastic congregation devoted to the revival of Armenian culture and learning have since 1717 been based on the island of San Lazzaro near Venice. One of the great centres of Armenian scholarship and printing in Europe the island soon became home to a flourishing Mekhitarist press. ""In 1788 an agreement between the Mekhitarist fathers and Bortoli's successor Francesco Bortoli reduced the latter to little more than a figurehead"" Zorzi trans.The same engraved title page was used by Bortoli for his 1733 edition of the Bible in Classical Armenian a revised edition of the 1666 Bible published by Oskan Erewants'i. The binding of our copy of the missal matches the one held at Eton College Library.We have not been able to locate any copies in the US. Library Hub records only one copy at Eton College Parikian Collection of early Armenian printing. We can add a copy in Italy Venice San Lazzaro.Voskanyan 465. See Marino Zorzi ""La produzione e la circolazione del libro"" in Storia di Venezia 1997. hardcover

Henry Sotheran Ltd. · Royaume-Uni4 000,00 £GB≈ 4 567,20 €

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