388 résultats
19856343London: Facsimile Editions 1985. Edition limited to 500 copies. Very Good/Fine facsimile of "Ms Kennicotti" held in the Bodleian Library at Oxford University a finely decorated manuscript of the Hebrew Bible that resembles in some ways the Book of Kells in the use of animal figures and and intricate marginal decorations although the style comes from the Ibero-Islamic tradition rather than the Celtic one. The manuscript was copied out twenty years prior to the expulsion of Jews from Spain in 1492 by Moshe Ibn Zabara and Yosef Ibn Chaim containing the entire Tanak together with the Radak commentary and Sefer HaMichlol. It is known as the "Kennicott Bible" after Benjamin Kennicot 1718-1783 the English clergyman and Hebraist who acquired the manuscript for Oxford University. An exceptionally beautiful facsimile five and a half years in the making it is printed on deluxe paper stock intended to reproduce the appearance of the original vellum. The gold highlights in the facsimile illustrations were applied by hand. The commentary by Bezalel Narkiss and Aliza Cohen-Mushlin provides a scholarly yet approachable historical context and artistic appreciation. A remarkable production!. 34 cm; 2 volumes 444 leaves facsimile; 97 pages commentary. Hebrew and English. Each volume in sturdy blindstamped leather bindings housed in custom velvet-lined blue cloth folding case. Slight surface mark on lower board of facsimile; surface scratch on lower board of commentary folding case a little dusty closure strap somewhat distressed else fine. Extra shipping charges will apply. [Facsimile Editions] hardcover books
1607D15150London: Robert Barker 1607. Full Calf. Very Good. 2 parts in one volume folio 13 x 8 1/2 in.; 330 x 216 mm. Double column text in roman type 63 lines to the full column engraved general title tinted by hand in rose pink and light blue wash woodcut headpiece and small ornament on New Testament title-page with continuous register but separate foliation full-page woodcut of Adam and Eve in Eden facing Genesis 31 woodcut text illustrations diagrams and maps woodcut initials and head- and tailpieces; foliation errors as typical; scattered staining throughout tape repaired tear on G2 cutting into side-notes and another on Ffff2 repaired with older cellotape. Contemporary calf over beveled wooden boards old sueded calf spine nailed to front and rear covers this done a very long time ago; catches perished but still a most impressive looking object and a quite decent copy overall of the Geneva Bible in Folio format in a contemporary binding. The Geneva version of the Old Testament translated by William Whittingham Anthony Gilby Thomas Sampson and perhaps others with Laurence Tomson's revision of the Geneva version of the New Testament and his translation of Franciscus Junius' translation of Revelation. The correct collation reads as in ESTC not Herbert quires AaaZzz should read: AaaLll6 MmmOoo8 PppZzz6. STC 2199; ESTC S122320; Herbert 289. <br/><br/> Robert Barker unknown books
1589D15147London 1589. First Edition thus. Full Calf. Near Fine. Small folio 10 3/4 x 7 1/2 in.; 274 X 191 mm. Text in parallel columns 56 lines to the full column: Rheims New Testament printed in roman type on the left the Bishops' version in italics on the right both divided in verses all arguments marginal notes and other annotations of the Rheims NT printed at the end interspersed with the confutations title within woodcut border woodcut initials head and tailpieces. Eighteenth-century Cambridge-style mottled calf; expertly rebacked to period style red morocco lettering pieces mottling oxidized. An exceptionally nice copy of the first edition of Fulke's refutation of the arguments and accusations contained in the Catholic New Testament which was edited chiefly by Gregory Martin and printed at Rheims in 1582. The Rheims New Testament and the Bishops' version are here printed in full side by side with Fulke's commentary at the end of each chapter. This tandem printing "secured for the former a publicity which it would not otherwise have obtained and was indirectly responsible for the marked influence which Rheims exerted on the Bible of 1611" Herbert <br/><br/> unknown books
1763WRCAM35899CGermantown: Christoph Saur 1763. 49922773pp. printed in double columns. Quarto. Contemporary calf over wooden boards metal clasps lacking. Dampstaining and wear to edges of first and last few leaves. Some light soiling to text. Contemporary manuscript notations on endpapers. Very good to near fine. In a cloth box gilt leather label. The second edition of the first European language Bible printed in America after the first of 1743. The text is based on Martin Luther's version by way of the thirty-fourth edition of the Halle Bible with Book Three of Edras Book Four of Edras and Book Three of Maccabees supplied from the Berlenburg Bible. The present edition rumored to have been issued in 2000 copies was printed by Christopher Saur II son of Christoph Saur the elder a native of Wittgenstein Germany. The elder Saur emigrated to Germantown Pennsylvania and practiced medicine before turning to printing. It was he who printed the 1743 first edition. <br> <br> A nice copy of an important early American Bible. SEIDENSTICKER p.61. ARNDT 269. O'CALLAGHAN p.25. EVANS 9343. HILDEBURN 1877. ESTC W18552. SABIN 5192. Christoph Saur hardcover books
1763WRCAM35899AGermantown: Christoph Saur 1763. 49922773pp. printed in double columns. Thick quarto. Contemporary calf over wooden boards clasps lacking. Boards scuffed light foxing and dampstaining. Titlepage and first few leaves loose. Family names and dates inscribed on front and rear fly leaves. A few small tears at fore-edge; larger tear in p.274. Typical browning to pages and light edge wear. Overall quite nice in original condition. The second edition of the first European language bible printed in America after the first edition of 1743. The text is based on Martin Luther's version by way of the thirty- fourth edition of the Halle bible with Book Three of Edras Book Four of Edras and Book Three of Maccabees supplied from the Berlenburg bible. The present edition rumored to have been issued in 2000 copies was printed by Christopher Saur II son of Christoph Saur the elder a native of Wittgenstein Germany. The elder Saur emigrated to Germantown Pennsylvania and practiced medicine before turning to printing. It was he who printed the 1743 first edition. <br> <br> A very nice copy of an important early American bible. SEIDENSTICKER p.61. ARNDT 269. O'CALLAGHAN p.25. EVANS 9343. HILDEBURN 1877. ESTC W18552. SABIN 5192. Christoph Saur hardcover books
D16616Geneva: Robert Estienne. Hardcover. Very Good. M.D.LVII 1556 -1557 Calend. Marti.. 3 volumes folio 385 x 242 mm. Pagination: I 480 leaves: 10 1188 1281 1; II 468 leaves: 1 287316 2 436; III 433 of 434 leaves lacking final blank: 1336 55 1 41pp. Collation: I: <br /><br />10 a-v8 x-z6 aa6 bb4 aaa-zzz8 aaaa-iiii8 kkkk6 llll8 mmmm-nnnn6; II: oooo-qqqq8 rrrr6 A10 B-Z8 AA-ZZ8 AAA-GGG8 HHH-III6; III: Aa-Zz8 AAa-TTt8 aa-gg8 Aa-Dd8 Ee9 of10. Volumes 1 and 3 with woodcut printers device of Robert Estienne on title page: an olive tree entwined with serpent and man with branches falling to ground around him and excerpt of Romans 11:20 NOLI ALTUM SAPERE SED TIME Be not high-minded but fear first word of title Biblia within woodcut cartouche frame with pastoral scene and grapevines. 20 woodcut text illustrations some full page based on the detailed descriptions of the Tabernacle Solomons Temple implements and architecture including a menorah fol. 75r vestments of the high priest f. 80r also Hirams laver f. 109v and Ezekiels Vision p. 275 several woodcut criblé initials throughout. Text in Latin and Hebrew. 17th-century Dutch vellum embossed with central lozenge design green silk ties; light marginal soiling or staining not severe some light intermittent browning underlining in first few leaves of first volume lacking final blank in third volume light edgewear on the extremities otherwise good and rather exemplary copies of this important publication. This copy formerly in the Shirburn Castle library of The Earl of Macclesfield their North Library bookplate marked '1.H.57'. In 2006 sold at Sothebys London 11 April 2006 lot 2312. <br/><br/>Fifth folio edition of the Latin Bible as Biblia Utriusque Testamenti published by Robert Estienne 15031559 in 1556 but with the original edition of the new Latin translation and commentary on the New Testament by Theodore Beza 15191605; notably this edition appeared contemporaneously with the printing of John Calvins Psalms Commentary. Theodore Beza a French Reformed Protestant theologian and Calvinist produced one Latin and four Greek-Latin editions of the New Testament in his lifetime working carefully through extant Greek manuscript sources. Estiennes great glossed Latin Bible of 1556/57 thus contained the translation of the Old Testament by Dominican philologist Sante Pagnini or Pagninus 14701536 first printed in 1528. Based on the Hebrew Pagninis text is in the center of each page and Bezas translation from the Greek is in smaller type to the side with commentary and alternate readings underneath. The Estienne-Beza Latin Bible with its copious notes and ties to Calvinist theology was of considerable importance in the early modern era. The 20 woodcut biblical illustrations were first used in an Estienne edition of the Bible printed in Paris in 1540. This copy beautifully bound in a Dutch vellum enjoyed placement in one of the finest libraries in Britain from around the mid-18th century. See also Renouard 'Estienne' p. 87; cf. Schreiber 'Estienne' 113. Robert Estienne hardcover books
15192682Lyon: Jacques I Mareschal for Simon Vincent 1519. 8vo 180 x 126 mm. 30 500 54 pp. with pagination errors. Title and first table printed in red and black text in two columns with printed marginalia indices and summary in 3 columns. Colophon on fol. RR4v. Publisher's woodcut device Baudrier no. 2 on title and final verso full-page woodcut showing the six days of Creation within ornamental border historiated woodcut initials throughout; red paragraph marks to opening page and red highlighting to the facing woodcut. Mainly faint marginal dampstain in upper margins light discoloration to outer margins. Contemporary Flemish blind-tooled calf over wooden boards sides with leafy roll-tool border enclosing central panel with intersecting triple fillets forming a saltire design the compartments filled with a repeated foliate tool arranged symmetrically one of two fore-edge clasps two catches; many deckle edges preserved worn a few small chips to leather pastedown endpapers renewed. Provenance: early ownership inscriptions on title: Mrr Cornelius Adamus ter Borch; and Siba Lÿken; contemporary marginal notes and some text markings crosses in margins and underlinings in first few books Genesis-Deuteronomy; abundant 17th and/or 18th-century philological annotations in Genesis and Exodus and in the indices including full page of notes on blank page 2E5v.A complete portable Bible printed in very small types containing an ample scholarly apparatus and finding aids for the use of theology students and scholars; this copy with contemporary annotations and in a contemporary blind-tooled calf binding probably Flemish. This compact glossed Bible densely and economically printed with no break between the Old and New Testaments is enlivened by hundreds of historiated woodcut initials from woodcut alphabets designed by Guillaume Leroy who also designed the six-part full-page woodcut of the Creation. Mareschal's useful "pocket" Bibles were bestsellers this being the fourth of six octavo editions from his press. They were among the first Bible editions to include a rhyming mnemonic Biblical summary by the minorite friar Franciscus Gothi in which each four-line verse summarizes a Biblical chapter. Occupying here the final two quires and called for in the colophon it is not recorded by Baudrier or Gültlingen. Possibly buyers had the choice of including it or not in their copies. Otherwise the text of Mareschal's octavo Bibles follows that of the Bible printed in Basel in 1509 by Johann Petri and Froben using the text edited by the Dominican Alberto Castellano and supplying for the first time marginal notes citing canon law. The apparatus includes four tables and a glossary of Hebrew names. As in the Petri editions a six-line commendatory poem by Matthias Sambucellus is printed on the title here with the first word of the last line incorrectly given as "Omne" instead of "Omine."The publisher Simon Vincent belonged to Lyon's powerful booksellers' guild the Compagnie des Libraires whose members helped Mareschal during his early years impressed by his skill conscientiousness and sobriety "a rare trait among printers of this period" notes Baudrier qualities which contrasted markedly with those of the printer Michel Topie whose press Mareschal had acquired in 1512 Baudrier 11:383.USTC 145003; Adams B-997; Pettegree & Walsby French Vernacular Books III: 57271. Darlow & Moule II: 6093 note; Baudrier Bibliographie lyonnaise 11: 401 and pp. 380 397 & 448; Gültlingen Bibliographie des livres imprimés à Lyon 2:209 no. 56. Jacques I Mareschal [for Simon Vincent] unknown books
179168436Very Rare Early American Edition of a ChildrenÃs Pocket Bible BIBLE IN ENGLISH. The Holy Bible Abridged: Or the History of the Old and New Testament. Illustrated with Notes and Adorned with Cuts. For the Use of Children. Two lines from Luke. Boston: Samuel Hall 1791. Early American edition and first Samuel Hall edition second Boston edition. There were only a total of five Children's bibles published in America before 1791. The First American edition was printed in Boston in 1782 by Robert Hodge for N. Coverly followed by a Worcester Massachusetts 1786 edition by Isaiah Thomas 1786 and 1788 Philadelphia editions and a 1790 New York edition. Our present copy was published the year after the New York edition. Thirtytwomo 4 1/8 x 2 3/4 inches; 104 x 67 mm. 4 vii-ix 8 18-173 1 pp. With frontispiece of Adam and Eve and fifty-nine crude but charming woodcuts illustrations depicting stories from the text meant to appeal to young children. The stories that have been abridged for use in this Bible generally consist of the more well- known stories which would be of interest to children such as Creation Adam & Eve and Jonah and the Whale from the Old Testament as well as the birth baptism and crucifixion of Jesus from the New Testament. Listed in Evans but not in Sabin. We could find no copies of this edition at auction and only one copy found at the Massachusetts Historical Society. All early American editions are rare and only two complete copies of the New York 1790 edition since 1976. There was the 1786 Worcester edition at auction in 2008 but it was incomplete. Contemporary marbled paper over boards repacked with matching paper. Inner hinges strengthened. Bound without endpapers. Some soiling and toning throughout. One leaf page 145 with some fraying to the edges not affecting text. Overall very good particularly for a childrenÃs book. The rarity of this book can somewhat be contributed to its very small size and that it was intended for the use of children. Something as delicate and tiny as this Bible in the hands of a child had little hope for a bright future. ìBy 1789 Bible story collections specifically for children had existed in the mother country for nearly a century an active market in the American colonies had not opened up. Neither American Protestants nor American Catholics of whom were growing in numbers seemed ready to give Bible stories to their children. In the 1780Ãs the American situation changed radically. Boston printers pirated NewberyÃs Holy Bible Abridged; in 1786 the astute Worcester printer Isaiah Thomas followed suit; and by 1815 The Holy Bible Abridged had been printed in urban and provincial print centers all over the America northeast.î The Bible for Children: From the Age of Gutenberg to the Present. By Ruth B. Bottigheimer Shipton & Mooney 46126 Bristol B7648 Welch D.A. Amer. childrenÃs books 6127 ESTC W1077 Brinley 5815. HBS 68436. $6500 Samuel Hall hardcover books
172741004London: R. Wilkin 1728 i.e. 1727. 64mo 4 cm 1.57". 6 154 2 155278 6 pp.; 16 plts. <br><br>Delightful example of an illustrated thumb Bible this being => the earliest known prose appearance of such according to Adomeit. Wilkin printed this tiny volume in 1727 and Adomeit notes that "copies are most commonly found with date altered in ink to 1728" as is indeed the case here "but there seems to be no difference between the copies outside of this change." In addition to the two engraved title-pages the text is illustrated with => 16 minscule engraved plates.<br>Â Â Â Â Binding: Full black calf gilt extra board edges and turn-ins with gilt roll. All edges gilt; marbled endpapers. <br>Â Â Â Â <br>Â Â Â Â Adomeit Thumb Bibles B16 see also p. xvi; ESTC N64949; Opie L 25. Binding as above slightly expectably sprung spine gilt showing one crack. Dates inked in an early hand as above; frontispiece for New Testament affixed to final page of Old Testament. Pages and plates very clean. => A remarkable copy of a desirable item. R. Wilkin unknown books
1855313594New York: American Bible Society 1855. Royal 8vo. Bound in full contemporary morocco a.e.g. With "S. Augusta Brown" 1825-1909 stamped in gilt on the upper cover. With two examples of embroidered Berlin wool work laid in one with initals "SAB Oct. 29 1859" and the other an alter scene. Royal 8vo. Sophia Augusta Brown's Bible Wife of John Carter Brown. The bible of Sophia Augusta Brown 1825-1909 wife of John Carter Brown herself an active bibliophile who helped her husband build his library and oversaw its stewardship after his death. Sophia Augusta was 34 and John Carter Brown 61 when they married after a brief courtship on June 23 1859. That event is recorded in the family record between the Old and New Testaments as are the births and marriages of the couple's three children--John Nicholas Brown Harold Brown and Sophia Augusta--the marriages of the two sons and the death of John Carter Brown "dearly loved Husband & Father" on June 10 1874. The younger Sophia Augusta Brown married banker and businessman William Watts Sherman 1842-1912 whose Newport RI house is an architectural landmark.<br/><br/>The daughter of Patrick Browne an Anglo-Irish jurist and member of Her Majesty's Council of the Bahamas and Harriet Thayer of Providence a direct descendant of Roger Williams Sophia Augusta Brown was "an indomitable force in an era when women were discovering a role for themselves in the charitable sector . For Sophia Augusta perpetuating her husband's mission through the sound management and enhancement of his collection was her way of contributing to the advancement of knowledge and understanding among peoples . From her sons' earliest age Sophia Augusta ensured they would develop an appreciation for the care condition and housing of books . John Nicholas and Harold often accompanied their mother to booksellers and private collectors. At an early age they were shown priceless works: a Columbus letter the papers of Leonardo daVinci a note by Galileo . On his trips to Europe as an adult John Nicholas was expected to report back . with his assessment of the books he encountered . When he turned 22 in 1883 Sophia Augusta entrusted him with the care of the library" Sylvia Brown Grappling with Legacy: Rhode Island's Brown Family and the American Philanthropic Impulse 2017. While her husband was still alive Sophia Augusta oversaw the construction in 1862 of the fireproof library wing in the Nightingale-Brown House which remained the site of the library until it was relocated to its current home at Brown University at the impetus of John Nicholas Brown's will. American Bible Society unknown books
161117388London: Robert Barker 1611. First edition. Hardcover. Very good. Folio. The First and Second Books of Kings complete in 36 leaves. The first page is the final page of the previous book 2 Samuel; on the reverse begins 'The First Booke of the Kings commonly called The third Booke of the Kings'. 36pp. followed by 'The Second Booke of the Kings commonly called The fourth Booke of the Kings' 35pp. The final page ends II Kings and begins I Chronicles. Printed in black letter woodcut initials. Recent binding of quarter calf gilt titles Cockerell marbled paper boards. Some remargining no loss and old stains else a very good copy in a fine binding The binder's notes itemize the steps in rebinding including leaf disinfectant for the stains. Darlow & Moule 240. Robert Barker hardcover books
150741458Cambridge: Pr. by John Archdeacon 177576. 4to in 8s 28.8 cm 11.33". Frontis. 639 ff. <br><br>with accompanying volume The book of common prayer and administration of the sacraments and other rites and ceremonies of the Church according to the use of the Church of England: Together with the psalter or psalms of David. Cambridge: Pr. by John Archdeacon 1781. 8vo 20.7 cm 8.15". 376 ff. bound with Vickers William. A companion to the altar: Shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the holy communion. London: Pr. for Thomas Beecroft 1783. Frontis. 2 v55 1 adv. pp. lacking half-title or initial blank and with Bible. Psalms. English. Sternhold and Hopkins. The whole book of psalms collected into English metre. Cambridge: Pr. by John Archdeacon 1785. 8vo. 64 ff.<br>Â Â Â Â This striking 18th-century set owned by a wealthy Englishwoman who spent much of her life in Switzerland for more on which see below pairs a handsome Cambridge Bible and BCP in => masterfully designed and executed deluxe matched bindings. The Bible opens with a frontispiece engraved by Charles Grignion after Francis Hayman; the Apocrypha are present in this copy and the New Testament has a separate title-page dated 1776. The BCP is bound with Companion to the Altar "Note This Book is bound up with the Common-Prayers of several sorts printed by the University of Cambridge" as per the title-page; Sternhold & Hopkins bring up the rear.<br>Â Â Â Â Bindings: Contemporary mottled green morocco covers framed in Greek key roll and dentelles composed of urn and flower motifs surrounding central JHS medallions with red morocco inlays and gilt-tooled flames; spines with gilt-tooled compartment decorations Bible spine with gilt-stamped red leather title-label. While the covers of the two volumes are strongly similar overall and "read" as => identical on first glance the details of the design vary slightly between the Bible and the BCP as the size disparity and possibly the time gap between the publication dates necessitated the use of different tools. The spine designs differ more notably but still most companionably with the Bible's spine decorations being built up with foliate and floral motifs and the BCP's with suns and stars. => To engage in minute comparison of these bindings' detail is an entrancing exercise.<br>Â Â Â Â Provenance: Front free endpaper of Bible used for family record: Francis James Barwell de Sandol Roy born in 1793 and died in 1813 "Quel angoisse!"; Henri Guillaume de Sandol Roy born in 1797; and a list of grandchildren: François Sophie Anna and Alfred. The title-page inscription confirms that this set was owned by Sophie Bridget Barwell de Sandol Roy 17691850 daughter of William Barwell a director of the East India Company; her brother Richard became a famously wealthy and scandalous nabob. Dubbed "la belle Anglaise" following her arrival in Neuchâtel Sophie made a great splash in Swiss society and received a proposal from Colonel François Isaac de Sandol Roy sometimes given as Sandol-Roy a proposal which she at first rejected until he subsequently saved her from the guillotine in revolutionary Paris! For more on their story please see Musée Neuchatelois 1923 ed. pp. 24 which includes a reproduction of a portrait of Sophie de Sandol-Roy done by Sir Joshua Reynolds. <br>Â Â Â Â <br>Â Â Â Â Bible: Darlow & Moule 1247; ESTC T88808. BCP: Griffiths Bibliography of the Book of Common Prayer 1781:1; ESTC T212010. Companion: ESTC T76554. Psalms: ESTC T221010. Bindings as above moderate rubbing to extremities and sides with limited scuffing only; all edges gilt marbled endpapers and original matching dark blue bookmarks present still attached. Bible with small area of waterstaining to lower inner margins of first few leaves including frontispiece; varying faint to moderate foxing; one leaf with small repair to upper outer margin. BCP with a few instances of light foxing pages mostly clean; laid in is a stitched pamphlet which seems to be a record of additional family information involving Albert Victor and Mary although written in a challenging hand. => A gorgeous lavish production altogether with a remarkable arresting provenance. Pr. by John Archdeacon hardcover books
1843WRCAM33931AOahu & Honolulu: Na Na Misionari I Pai 1843. 1451pp. Large thick octavo. Contemporary ruled Hawaiian sheep. Binding rubbed minor wear at extremities of joints. Small insect track in extreme lower edge of first eight leaves. Ink stamp of the American Board of Commissioners for Foreign Missions Library on front pastedown verso of titlepage and final text page. Scattered foxing and age toning. Very good in original condition. In a half morocco box. The first joint publication of the Old and New Testaments as an entity in the Hawaiian language printed for the American Bible Society at the Mission Presses in Oahu Old Testament and Honolulu New Testament. A number of printings of various books or groups of books of the Bible were printed as early as 1827 and the first Hawaiian printing of the New Testament appeared in 1835 with the Old Testament following in 1838. These printings are frequently found bound together although issued separately. This is the first publication of the complete approved text as an entity paginated continuously and issued as one book. The New Testament has its own titlepage p.1129 and imprint. The verso of the first titlepage bears the words "Ka lua o ke pai ana" the second printing referring to the only other printing of the entire Old Testament in 1838 at the same press. A second printing of the entire Bible was made later in 1843; but curiously enough Judd et al record no other complete printing of the Bible in the Hawaiian language through 1899. <br> <br> A handsome copy of an important Hawaiian Bible in a Hawaiian binding. JUDD 265. FORBES 1416. HUNNEWELL pp.24-25. Na Na Misionari I Pai unknown books
193028076Lausanne: Gonin & Cie 1930. First edition. Schmied François-Louis. 9-3/4 in. x 7-1/2 in.; 248 mm x 192 mm. 60 pp. Designed and illustrated by Schmied engraved and printed by Philippe Gonin. Seven full-page woodcut illustrations; twelve smaller illustrations initials and bandeaux. Original wrappers in chemise and slipcase slight tanning to the front wrapper otherwise fine. Copy 4 of 175 copies signed by Gonin printed on Arches paper. This is from the tirage de tête of 25 copies which have an additional double suite of the llustrations black and colored. Nasti B18; Ritchie 34. <br/><br/> Gonin & Cie unknown books
1846238568New York: Harper & Brothers 1846. First book edition of Harper Bible first issued in 54 parts. Engraved presentation leaf printed in green and black in other copies sepia contents leaf printed in sepia marriages births and deaths pages printed in red blue and sepia respectively engraved main title printed in sepia in other copies blue engraved title to New Testament printed in blue in other copies sepia 2 frontispieces text in triple column the middle column a narrow one with notations and glosses; numerous wood-engraved illus. throughout; bound without the 2 half-titles printed in red; 844 128 256 4 8 14 34 pp. Large thick 4to. In full American black pebble-grain morocco covers with triple gilt rule enclosing decorative floral outer panel with rosettes urns and other decorative elements with an ornate gilt lozenge central gilt decorated spine in 6 compartments gilt-lettered direct in 1 the binder's name J. H. Sackmann and Brother in gilt at the bottom gilt turn-ins and elaborately decorated endpapers with a floral and ornithological motif; small crack at the top of the upper joint else fine and bright in a handsome deluxe American binding of the period. First book edition of Harper Bible first issued in 54 parts. Engraved presentation leaf printed in green and black in other copies sepia contents leaf printed in sepia marriages births and deaths pages printed in red blue and sepia respectively engraved main title printed in sepia in other copies blue engraved title to New Testament printed in blue in other copies sepia 2 frontispieces text in triple column the middle column a narrow one with notations and glosses; numerous wood-engraved illus. throughout; bound without the 2 half-titles printed in red; 844 128 256 4 8 14 34 pp. Large thick 4to. Harper Bible in Deluxe American binding. A copy in deluxe binding of the first complete book edition of the Harper Bible. ".this Harper publication was a remarkable production for its time and place and retains its importance in the annals of American book-making. W.J. Linton noted wood-engraver and author knew 'no other book like this so good so perfect in all its undertakes.' The illustrations are like paintings of history as are so many of the old European Biblical painting and illustrations" Hills quoting Weitenhampf. Hills 1161; Hamilton 198; cf. Exman The House of Harper pp. 34-35 Harper & Brothers unknown books
183333830New Haven: Durrie & Peck; Sold by Hezekiah Howe & Co. and by N. & J. White 1833. 8vo 23 cm; 9". xvi 907 pp. <br><br>First edition of the Bible in English Authorized Version tailored for American readers by Noah Webster 17581843. "His purpose was to remove obsolete words and those offensive to delicacy" Rumball-Petre Webster himself further stipulating "To avoid giving offense to any denomination of christian sic I have not knowingly made any alteration to the passages of the present version on which the different denominations rely for the support of their peculiar tenets" Preface p. iv. Webster further explains that the purpose of his revisions is to make the language clearer and purer so as to not "divert the mind from the matter to the language of the scriptures and thus in a degree frustrate the purpose of giving instruction" Preface p. xvi.<br>Â Â Â Â Webster considered his work on the revision of the Bible more important than that on the dictionary and was sorely disappointed at the Bible's poor reception among all levels of readers.<br>Â Â Â Â Provenance: 19th-century ownership signatures of Luther P. Hubbard undated and R.T. Hall 1894; after ca. 1954 in The Howell Bible Collection Pacific School of Religion properly released. <br>Â Â Â Â <br>Â Â Â Â Darlow & Moule 1793; Hills 826; Rumball-Petre 197. Publisher's sheep spine dry and tending to flake; front board once detached and resecured with a cloth tape repair at the hinge inside. Foxing as usual. Priced to encourage better repair to its binding this is a complete sound copy. Durrie & Peck; Sold by Hezekiah Howe & Co., and by N. & J. White hardcover books
155067900First Edition in Spanish of Ecclesiasticus BIBLE IN SPANISH. ENZINAS Francisco de translator. Ecclesiastics. Libro de Jesus Hiio de Syrach qu'es llamado el Ecclesiastico. traduzido de Griego en lengua Castellana En Leon i.e. Strassburg: en Casa de Sebastian Grypho i.e. Augustin Fries 1550. First edition in Spanish of Ecclesiasticus. Small octavo 6 x 3 5/8 inches; 151 x 91 mm. 3 109 leaves. With numerous woodcut initials. With an imitation Gryphius woodcut device printed in reverse on title. We could only locate 3 copies at libraries Cambridge Madrid and Copenhagen. No other copy besides this present copy has been at auction in the past 50 years. Early 19th-century mottled sheep. Boards tooled in gilt. Spine stamped in gilt. With red morocco spine label lettered in gilt. Board edges tooled in gilt. Marbled endpapers. Some minor dampstaining mainly to lower blank margin of preliminaries. Signature G is toned. Leaves O3 and O4 with marginal paper repair not affecting text. Final leaf is toned and has a near invisible paper repair not affecting text. Overall a very good copy. "A native of Burgos educated at Louvain and Wittenberg Francisco de Enzinas 1518-52 was a humanist scholar and Protestant convert who produced the first Spanish version of the New Testament printed in 1543 in Antwerp. He formed a partnership with the Strassburg printer Augustin Fries to publish Spanish translations of Greek classics and the remainder of the Bible of which he was only able to complete Psalms Ecclesiasticus Job and Proverbs before his death. Baudrier VIII 241 not having seen or located a copy citing Brunet supplement II 712" "Even before the complete edition of Castellio's Latin Bible appeared Enzinas who had already produced a Spanish Bible New Testament in Antewerp in 1543 had translated the Psalter the Wisdom of Solomon Jesus Sirach present copy and the book of Job into Spanish. All of these appeared with the false address 'En Leon en casa de Sebastian Grypho' though they were in fact his translations from manuscript versions of Castellio's edition. Enzinas continued to work on his translations until his death on 30 December 1552. He had planned to have his Spanish Bible printed in Geneva but this fortunately for Calvin never came to pass." Gilly Spanien und der Basler Buchdruck pp. 342-9 510-11. Found in Sebastian Castellio 1515-1563: Humanist and Defender of Religious .By Hans R. Guggisberg Bruce Gordon. "FRIES Augustine: printer in Zurich and Strasburg began to print at the former place about 1540. In 1547 he printed two books in English by John Hooper Heitz p. 39. Soon after this he moved to Strasburg and there printed among other things several works in Spanish by Franzisco de Enzinas in 1550 and 1551 Wiffen I pp 179 etc." A Century of the English Book Trade: Short Notices of All Printers. By Edward Gordon Duff. HBS 67900. $8500 en Casa de Sebastian Grypho [i.e. Augustin Fries] hardcover books
1486WB16618Nuremberg: Anton Koberger 1486. Hardcover. Very Good. 1486- 1487. Part 3 of 4. Chancery folio 305 x 205mm. Pagination: 348 leaves near contemporary foliation in red ink throughout though mispaginated at 188 with some worming towards end obscuring numbers. Collation: AA-GG10 HH12 II-MM10 NN12 OO8; PP-TT10 VV-XX6 YY10 ZZ10 AAA-FFF10 GGG8 HHH8 III-MMM10 NNN8. Contents of Part 3: Isaiah AA10-HH12 Jeremiah II10-NN12 Book of Lamentations Jeremiah OO8 Baruch PP-PP7r Ezekiel PP7v-YY4 Daniel YY5-BBB8 Hosea CCC-DDD3 Joel DDD4-DDD8 Amos DDD9-EEE6 Obadiah EEE7-EEE8r Jonah EEE8v-FFF1 Micah FFF1v-FFF6r Nahum FFF6v-FFF8r Habakkuk FFF8v-GGG3r Zephaniah GGG3v-GGG7r Haggai GGG7v-HHH2r Zechariah HHH2v-III6r Malachi III6v-III10r and the Book of Maccabees III10v-NNN8r Blank NNN8v. Double columns of 56 lines of text surrounded by 72-73-line commentary plus headlines. 16 woodcuts of which 3 full-page illustrating Ezekiels Vision full-page on PP10r of Christ enthroned above Evangelist Symbols and Heavenly Wheel diagrams of Solomons Temple and different views of gates and enclosures of the Temple as mostly column miniatures but some full-page on QQ6 TT6r TT6v TT7r TT9v-TT10r UU1v XX2r XX5r YY1 and a full-page genealogical diagram for the Kings of Syria in the Book of Daniel BBB2v and half-page diagram for kings of KKK1v. Rubricated throughout with blue and red Lombard initials mostly over printed guide letters extra flourished in red ink over the headlines foliation paragraph and signature marks. Gothic Types: 9:165G headlines and headings 7:83G text. Near contemporary blind-stamped pigskin tooled with devices of stags and roses and other floreate ornaments with original brass clasps and leather straps contemporary manuscript leaves reused as binding waste visible in gutters; Front pastedown with added near contemporary manuscript index of 20 lines in Latin cursiva for contents books of prophets; small marginal tear on AA1-2 and with minor loss on HH7 occasional foxing not severe some intermittent marginal worming or browned leaves; pigskin rubbed and lacking bosses one leather strap torn but holding remnants of paper label on spine; otherwise a wonderful and solid incunable volume from an important set of glossed biblical commentaries. In the early 18th century this volume was in the collection of Gallus Winckelmann 16951757 a Benedictine monk and scholar active at Banz Abbey in Bavaria; his note on AA1: Coemit ad usum F. Gallus Winckellmann Professus Banthensis. The early-19th century signature of Daniel Kendig on front endpaper above perhaps an earlier inscription noting Lyras commentaries. Then in England the front pastedown with the mid-19th century bookplate of Joseph M. Lybrand rector of Saint Pauls Church Camden and America with the early-20th century labels of the Philadelphia Divinity School their bookplate and perforated stamp formerly collection number 4436. <br/><br/>This volume is part three of four in the second Koberger edition of the Bible printed in Nuremberg in 148687; parts one through three were undated with the fourth part dated 3 December 1487. This second edition was preceded by bible set printed by Anton Koberger in 1485. It was a monumental production incorporating the biblical commentary of medieval Franciscan scholar Nicholas de Lyra 12701349 with the additions of Paul of Burgos ca. 13511435 and responses to the latter by Matthias Doering d. 1469 as well as the commentary of William the Breton ca. 11651225 on the Prologues of Jerome. Part 3 of the set contained the books of the Major and Minor Prophets along with the books of the Lamentations and Maccabees. Nicholas de Lyras biblical gloss or Postilla encouraged much scholarly discourse throughout the Middle Ages and was frequently reprinted into the 16th century. This edition includes the famous woodcut of Ezekiels Vision and the various views and implements of Solomons Temple which were first printed by Koberger in 1481 with the complete commentary. This copy in an early German binding has a monastic provenance at Banz Abbey. ISTC ib00614000. Anton Koberger hardcover books
1583255181London: Christopher Barker printer to the Queenes most excellent Maiestie 1583. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. Full 19th-century crushed levant raised bands gilt inner dentelles a.e.g. by Jenkins & Cecil. Both titles within elaborate woodcut borders with woodcut map on verso of ¶8 and Royal Arms at conclusion of St. John. The first work wants the two preliminary blanks and the final blank. Joints rubbed clearly washed at the time of binding though with occasional light foxing and minor spotting remaining a handful of small marginal repairs lower margins of U2-3 in second work a bit frayed with a few small chips not affecting text; generally a very good copy if somewhat processed. 6 322 19 leaves; 12136 16 pp. Woodcut initials. Texts in black letter that in the second work in double columns. 1 vols. 4to. The Geneva - Thomson text of the New Testament revised by Thomson from the translation by Whittingham Gilby Sampson and others. First printed in 1576 Thomson's revision eventually became the final and most popular version of the Geneva text. The edition of the Psalms by Sternhold and Hopkins was first published in its complete form in 1562 and was frequently reprinted often to be bound to accompany other editions of the Bible. ESTC S123036 & S102250; STC 2885 & 2466; Herbert 180; Darlow & Moule 137; Luborsky & Ingram 2885 Christopher Barker, printer to the Queenes most excellent Maiestie unknown books
152966850Beautiful French Woodcut Bible BIBLE IN LATIN. Textus Biblie. Lyons: Per Johanem Crespin 1529. Second Crespin edition reprinted from the 1527 edition. Folio 13 15/16 x 10 inches; 354 x 252 mm. 304 leaves 18 CCLXVIII 18 leaves. Complete with final blank leaf. Gothic type. Text in double columns within rule borders. Title printed in red and black with small woodcut of St. Jerome repeated three times in the text with JeromeÃs prefaces within a four-part woodcut border showing God the Father and two angels in a tympanum the six days of Creation and the Last Supper. Large six-part Creation woodcut at the beginning of Genesis half-page woodcut of King Solomon at the beginning of Proverbs full-page Nativity woodcut at the beginning of the New Testament and 121 small text woodcuts including twenty-three repetitions: ninety-one Old Testament woodcuts within strip borders including eight repetitions and thirty New Testament woodcuts without borders including fifteen repetitions. Decorative woodcut initials. The Eusebian canons leaves D1-D3 are printed in red and black in a red architectural framework. Contemporary pigskin over wooden boards roll-tooled in blind to a panel design. Lacking clasps. Original index tabs. Binding worn with some loss of pigskin on upper corner of front cover. Title soiled lower margin of first few leaves wormed and frayed with some loss to woodcut title border a few short marginal tears some mostly marginal dampstaining minor worming to lower inner margins a few inkstains slight discoloration throughout. Despite these minor flaws this is a beautiful example of a French woodcut Bible completely unsophisticated. Contemporary ink inscription on back pastedown dated 1534 contemporary ink inscription on the recto of D4 beneath the Nativity cut eighteenth- or nineteenth-century inscription on title: B.V. Maria in F¸rstenfeld. Some early underlining and coloring of woodcuts in red. A few early ink marginalia. Housed in a custom quarter brown morocco clamshell case. The illustrations follow the schema of the Sacon Bibles printed in Lyons in 1518 and 1521. CrespinÃs blocks with the exception of the Creation are close copies of those used in Jacques and Jean MareschalÃs Lyons Bibles of 1523-1541 as is the layout of the text within ruled columns. The borders for the Old Testament blocks include a strip with the initials ìPBA.î Fairfax Murray French 36. Harvard French 66. Not in Brunet Rothschild Darlow and Moule. HBS 66850. $9500 Per Johanem Crespin hardcover books
1583314886London: Christopher Barker 1583. New Testament title within elaborate border with woodcut map on verso large woodcut of Jerusalem and temple on f 402 woodcut of Ezekial's vision on ff 362 a few other woodcuts and decorative initials throughout. 12 437 2 438-532 1 137 6 leaves. Black letter text printed in two columns with shoulder notes separate title pages for Psalms Apocrypha and N.T. calendar printed in red and black prelims from a slightly shorter copy. Large folio 41 x 26.5 cm. Contemporary calf rebacked and remargined large centerpiece to upper cover. Lacking 10 leaves of preliminaries including general title and full page engraving of Adam and Eve in the garden all in inexpert facsimile and lacking final three leaves of tables and final leaf "A perfite supputation" including colophon marginal loss to several prelims burnholes to margin of ff 328-339 in O.T. with resulting loss of text inexpertly restored in manuscript small burnhole ff 97-99 N.T. but overall internally clean and bright restoration to binding edges worn. New Testament title within elaborate border with woodcut map on verso large woodcut of Jerusalem and temple on f 402 woodcut of Ezekial's vision on ff 362 a few other woodcuts and decorative initials throughout. 12 437 2 438-532 1 137 6 leaves. Black letter text printed in two columns with shoulder notes separate title pages for Psalms Apocrypha and N.T. calendar printed in red and black prelims from a slightly shorter copy. Large folio 41 x 26.5 cm. Folio Barker Bible Black Letter Geneva Edition. A magnificent folio Geneva bible printed in black letter by Christopher Barker. As often this copy lacks several preliminary and terminal leaves but the scriptures are complete. Woodcut illustrations include Solomon's temple a map situating the garden of Eden another detailing the Israelites' forty years wandering in the desert a large illustration of the Vision of Ezekiel a nearly full-page woodcut of the temple and city of Jerusalem restored and a map of the holy land on the verso of the New Testament title-page. Darlow and Moule 135; Herbert 178. Provenance: Ernest Bryan Gipps bookplate Christopher Barker unknown books
1743WRCAM47841Germantown: Christoph Saur 1743. 49952777pp. Thick quarto. Contemporary calf over wooden boards metal clasps. Clasps renewed corners worn head of spine expertly repaired. Contemporary and later manuscript notations on front pastedown and rear flyleaf. Titlepage with neat marginal repairs some light stains. Very good. The first European-language Bible printed in America and the second Bible printed in America after John Eliot's Indian bibles of the 1660s. The text is based on Martin Luther's version by way of the thirty-fourth edition of the Halle Bible with Book Three of Edras Book Four of Edras and Book Three of Maccabees supplied from the Berlenburg Bible. Believed to have been printed in an edition of 1200 copies of which slightly over one-tenth are known to have survived. Christoph Saur was a native of Wittgenstein Germany who settled in Germantown Pennsylvania and practiced medicine before turning to printing. There are three variant titlepages noted for this work of which this is the second. A landmark in American religious and printing history. DARLOW & MOULE 4240. EVANS 5128. HILDEBURN 804. ARNDT 47. SEIDENSTICKER p.20. ESTC W18551. Christoph Saur hardcover books
17636390Cambridge: John Baskerville 1763. Very Good/Printing a grand bible had been Baskerville's cherished ambition but the royal privilege belonged exclusively to Oxford and Cambridge Universities. Consequently Baskerville applied and was elected printer to the University of Cambridge. An innovator a micromanager a workaholic and an exacting perfectionist he threw everything into the bible project. He invented a stiffer blacker ink for it designed the types and the page layout and demanded smoother paper than was generally available. Ultimately he emptied his own bank accounts and borrowed money when the support of subscribers failed. Indeed he was not able to sell the entire edition of 1250 copies and ended up remaindering more than a third of the press run for pence on the guinea to his enormous personal disappointment and financial pain. The book remains a landmark in the history of English printing "one of the most beautiful books printed in the world" according to the bibliographer Frognall Dibdin a sentiment frequently echoed in Great Britain. This copy with the third longest list of subscribers ending with York. . Imperial folio 50 cm; 573 leaves. Text in double columns. In straight-grain blue morocco with gold-tooled border. Rebacked with original gold-tooled spine laid down. All edges gilt. Later reinforcements to joints and hinges. Light foxing on first and last leaves. Old bookplate on pastedown. Extra shipping charges will apply. References: Gaskell "John Baskerville a Bibliography" 26; Rothschild 2640; Darlow & Moule 857. John Baskerville unknown books
150136730Doway: Laurence Kellam 160910. 4to I: 22.3 cm 8.75"; II: 21 cm 8.3". 2 vols. I: 2 1115 1 pp. 5 leaves supplied. II: 1124 2 errata pp. 5 leaves in facsimile. <br><br>First edition of the first Catholic Old Testament in English editio princeps of the Douai or Douay or Doway Old Testament half of what is commonly known as the DouaiRheims Bible. The New Testament first appeared at Rheims in 1582; at that time the Old Testament was said to be ready for printing but its actual publication was delayed until 1609 due to lack of funds. Both portions were translated from the Latin Vulgate mainly by Gregory Martin with the intensely controversial Old Testament notes done by Thomas Worthington under the supervision of Cardinal William Allen at Douai the center of English Catholicism in exile during Elizabeth's reimposition of Protestantism.<br>Â Â Â Â This translation is important for all not just Catholics as an enduringly influential milestone in Bible history. => One of the foundational works in any collection of Bibles and Testaments.<br>Â Â Â Â Evidence of Readership / Provenance: Vol. I front free endpaper with early inked inscription: "Cloister of Nazareth"; pastedown with inscription in a different hand reading "The holy Bible some pages cut out for modesty's sake thro' ignorance yt. each word hear in sic is sacred & too sacred for such as finds thmselves unfit to read it." Vol. II front pastedown inscribed "Men have many faults / Women have but two / Nothing wright thay say / Nothing good they doo" sic signed by the Rev. Folkins of Derbyshire dated MDCCCX; back pastedown with inked inscription of John Caldwell and pencilled inscription of Thomas R. Kilching. <br>Â Â Â Â <br>Â Â Â Â Darlow & Moule 231; ESTC S101944; Rumball-Petre Rare Bibles 119; STC rev. ed. 2207. Vol. I: Contemporary vellum with yapp edges spine with early hand-inked title; vellum moderately dust-soiled and worn spine with remnants of shelving label. Vol. II: Contemporary mottled calf framed in gilt double fillets spine with gilt rules; rubbed with small cracks in leather overall especially at joints and spine very unobtrusively rebacked. Inscriptions and annotations as above vol. II also with pencilled annotations on front pastedown and bookseller's small ticket on rear pastedown. Sometime after the "immodest" pages in Genesis were removed they were supplied from another copy tipped in so one can readily see what they were!; five lacking leaves in vol. II in appended historical table and index were supplied in facsimile. Occasional minor foxing and smudging; vol. II with waterstaining to some outer and lower edges edges of first and last few leaves slightly tattered. => A landmark Old Testament here in an intriguing copy. Laurence Kellam hardcover books
193021655Paris: F.L. Schmied 1930. Schmied François-Louis. Small folio 14-1/16 in x 11-1/8. 76 pp. Illustrated with twelve double-page and four single-page colored wood engravings. One of 155 copies printed on Madagascar paper plus 10 for collaborators and 7 on japon. Nasti B15. Full red morocco bound with the pages tipped to hinges cover with a central design after motifs in the book tooled in gilt on inlays of black and maroon morocco dentelles tooled in gilt and with gilt corner onlays gold and black silk moiré endsheets edges rough-gilt bound by Schmied signed on the front turn-in "F.L.S." Chemise and new matching slipcase. Light marginal foxing but in excellent condition.Schmied bound only books of his own creation choosing above all the books of his great years.The subjects of his designs come from the books themselves" Ray The Art Deco Book in France pp. 101-102. "In the introductory note.Théo Schmied points out the natural happiness of the interconnection between his father's cultural tendencies and art of the book and the world of the Near East as it is filtered by the 'inspired' Mardrus translations.throwing light on the the two fundamental aesthetic coordinates we need in order to understand how the details are made subordinate by the elegant decorative unity expressed by the plates that is the purity of the Egyptian graphic art and the will of the Italian primitives. The layout shows either a text harmoniously arranged in respect of double and single plates of various size or a text framed by rules forming a variety of geometrical patterns and decorated by bout de lignes in sienna. The illustrations mainly show subdued and delicate pastel colours" - Nasti. <br/><br/> F.L. Schmied unknown books
