731 résultats
1869G8TDHJ3G5KTIHonolulu: printed by Henry M. Whitney 1869. Stab-sewn in contemporary marbled wrappers nonpareil pattern. Rebacked with brown cloth. 12mo. Rare edition of the Acts of the Apostles in Kosraean Kusaiean spoken on the islands of Kosrae the Caroline Islands and Nauru. The translation is by Benjamin G. Snow a pioneer of Micronesian Mission. He settled in Kosraea in 1852 and published several translations of parts of the New Testament from 1862 until his death in 1880 all printed at Honolulu.The printer of the present booklet Henry M. Whitney was born at Waimea in 1824. He was educated in the United States where he became acquainted with the printing trade working as foreman in the printing office of Harpers & Bros New York. Upon his return to Hawaii Whitney became the editor of the newspaper Polynesian. He later founded an independent newspaper at Honolulu and imported the first power press to Hawaii.In very good condition.l WorldCat 950951212 2 copies; cf. Darlowe & Moule 6036-6045 other Kosraean translations by Snow; for Whitney: The Independent vol. XVIII no. 2894 August 18 1904. printed by Henry M. Whitney, hardcover
1871321050Londra: Printed by William Clowes and Sons 1871. Proof copy gatherings C D and E marked for corrections. Revised and corrected by Borrow from his 1837 translation. 116 1 pp. Collation A-E12. 1 vols. 12mo. Full cream vellum boards ruled in blue marbled pastedowns untrimmed sheets. Remains of ownership signature on upper board Geo Hy Borrow. Bookplate removed else fine. Half morocco slipcase and cloth wrapper. Proof copy gatherings C D and E marked for corrections. Revised and corrected by Borrow from his 1837 translation. 116 1 pp. Collation A-E12. 1 vols. 12mo. George Borrow 1803-1881 spent most of his thirties as a representative of the British and Foreign Bible Society first in Russia and then in the Iberian Peninsula from 1835 to 1840. "In Spain civil war made his expeditions risky while the hostile attitude of the authorities coupled with his own provocative approach led twice to his imprisonment. . In Madrid the Bible Society financed the printing of St Luke's gospel translated into Spanish Romani by Borrow and Gypsy friends" ODNB. His account of his adventures The Bible in Spain 1843 was his first literary success. Other works included Lavengro The Romany Rye and Wild Wales.<br /> <br /> These are a set of Borrow's marked proofs for this second edition of the Gospel of St. Luke first printed in Madrid 1837. Gathering C is marked Revise May 27/72 with five corrections on pp. 59 and 69; gathering B is marked 2nd Revise Aug. 9/71 and corrects the running head Majaro to Majaró on the left hand pages with some 22 corrections to the text; gathering E is marked 10th Revise Feb. 9/72 with one marginal note on p. 116. <br /> Of this 1871 proof OCLC records only the copy at the Huntington with corrections in George Borrow's hand bound in polished brown calf marbled end-papers gilt top; purchased from Maggs Cat. 1924 item 443. Collie and Fraser note a handful of other proofs citing copies at Fales NYU Berg NYPL Brotherton Leeds Liverpool and in the Norfolk Record Office Norwich.<br /> A rare proof from Borrow's late career returning to a work from his early adventures. Darlow and Moule 4543 edition dated 1872 published by the British and Foreign Bible Society. Collie and Fraser pp. 116-7; OCLC 81611475 Huntington [Printed by William Clowes and Sons] unknown
18801052551880. BIBLE. Bibl yr Addoliad Teuluaidd. London and New York: London Printing and Publishing Company circa 1880. Thick folio 11-1/2 by 16 inches period-style full dark purple pebbled morocco tooled in gilt and blind raised bands brass name plate on front cover brass clasps and catches all edges gilt. $3500.Victorian edition of the ""Family Worship Bible"" in Welsh with engraved vignette title page frontispiece and 45 folio engraved illustrations beautifully bound with brass furniture.As with many vernacular translations the rendering of the Bible into Welsh was important to the survival of the language. Recognizing Welsh as a liturgical language helped ensure its continued use as a means of everyday communication down to the present day despite the pressure of English. Not in Darlow & Moule. Fine condition splendidly bound. hardcover
186341855London: S.P.C.K. 1863. A Fine Copy. 8vo. ii381p. in the original blind panel decorated dark calf gilt spine title marbled endpapers and edges ~ No copies on WorldCat. Darlow and Moule 1399. The First New Testament printed in a language of the New Hebrides. Translated by J. Geddie and J Inglis. The translation was taken to England by Mr. and Mrs. Inglis who began the work of revision during the voyage and finished it in England with the help of Williamu a native of Aneiiyum. "Rev. John Geddie originally fom Nova Scotia and Rev. John Inglis from Scotland were Presbyterian missionaries sent to the New Hebrides specifically to Aneiteum now called Vanuatu to convert the natives to Christianity. The Bible was the first book published in the Aneiteum language. ~ New Hebrides is the colonial name for the island group in the South Pacific Ocean that is now Vanuatu. Native people had inhabited the islands for three thousand years. S.P.C.K. unknown
1877ST20670Stuttgart: Edward Hallberger ca. 1877. Fourth Edition. 430 x 315 mm. 16 3/4 x 12 1/4". Two volumes. Translated into German by Dr. Joseph Franz Allioli. <br/> PUBLISHER'S SPLENDID RED CLOTH VERY ELABORATELY STAMPED IN GILT AND BLIND covers with bevelled edges thick and thin gilt-rule border enclosing ornate blind-stamped frame large central oval containing a lobed gilt frame with gilt lettering inside spine divided into blind-stamped panels by decorative and plain gilt rules two large panels with gilt lettering and volume number original cloth hinges white moiré paper endpapers all edges gilt. IN THE ORIGINAL PRINTED GRAY DUST JACKETS jacket of second volume with small very expert repairs at bottom and the original black cardboard clamshell boxes solidly reinforced with black tape. WITH 230 DRAMATIC PLATES BY GUSTAVE DORÉ. Volume I with four leaves for recording family members marriages births and deaths each with a decorative frame all unused. Malan "Doré" p. 85. Isolated spots of minor foxing due to paper content one cover of the very rarely seen dust jackets with red offsetting from the frame on the cover but AN UNSURPASSABLE COPY--clean fresh and bright internally the bindings and jackets IN SPARKLING CONDITION.<br/> <br/> This is a time-capsule copy of perhaps the most popular illustrated Bible ever issued and one of the very few Bibles which has always been known by the name of its illustrator. According to his biographer the artist was excited by the "almost endless series of intensely dramatic events" he would get to portray; the results originally created for the 1866 Grand Bible of Tours are so evocative that the critic Bouchot called them "the terror of frail readers." Doré 1832-83 makes remarkable use of light shadow and composition to convey the full range of splendor horror pathos and ecstasy contained in the Scriptures. Because he was so prolific it is estimated that he made more than 100000 designs in his lifetime Doré inevitably had his detractors but Ray says simply that he was "one of the greatest of all illustrators." Taine says that "every imagination appeared languid in comparison with his. For energy force superabundance originality sparkle and gloomy grandeur I know of only one equal to his--that of Tintoretto." The Doré Bible was translated into at least 24 languages; ours is the German version by Catholic theologian Joseph Franz Allioli 1793-1873. According to Malan "The Roman Catholic Church has never diminished its praise of these illustrations." And these illustrations endured in many Catholic and Protestant Bibles especially during the last third of the 19th century but actually until the present. The Bible was such a cultural phenomenon that Mark Twain even mentioned it in “Tom Sawyer†as a motivating prize for students to learn Scripture. The Bible’s success prompted Doré to reinterpret his illustrations in huge paintings that were displayed at Doré Gallery in London. Malan says that the exhibition “was considered the greatest collection of religious paintings in the world." The boxes that were issued with our set have clearly weathered some blows over the years but they did their job perfectly as the volumes they protected hardly seem to have been opened in their lifetime and their dust jackets even considering the minor repair are also in a breathtaking state of preservation. Edward Hallberger unknown
1819373865Lancaster Penn: Johann Bär 1819. Text in two columns. Engraved frontispieces to the OT and NT. 10 100 12 4 738 26 4 227 1 92pp. Folio. Contemporary calf covers bordered with gilt roll tools and cornerpieces covers with pictorial blocking press and stencil-masked sprinkled motif in relief Moses on the upper cover and Jesus on the lower cover spines with double-raised bands elaborately tooled in gilt with additional stencil-masked motifs in relief red morocco letter piece marbled endpaper gilt edges repair to upper joint and hinge original full calf slipcase. Text in two columns. Engraved frontispieces to the OT and NT. 10 100 12 4 738 26 4 227 1 92pp. Folio. The first German folio Bible printed in America in a very unusual and elaborate American binding and with a very early slipcase. Wright p. 139 Johann Bär unknown
188650292Tokyo: Tokiwaya 1886. Very good. Scarce and exceptional first edition thus a light-hearted illustrated adaptation of the Creation and story of Adam and Eve from the Book of Genesis into Japanese. The story of Bible editions in Japan reflects the country's fraught history with Christianity; after the religion was banned in the early 17th century the portions printed by Catholic missionaries were lost. The ban on Christianity lifted only in the Meiji era first partially in 1873 then enshrined in the Constitution 1889 by means of an article on the freedom of religion. <br /> <br /> The post-Meiji Restoration translation effort of the Hebrew Bible began in 1882 and was finally completed in 1887. Books were completed and issued in parts with Genesis first issued in 1883. This heavily illustrated and lighthearted version of the two most famous stories from Genesis adapts the text to a well-established literary genre of Meiji Japan: KusazÅshi a forerunner of manga popular illustrated works in which the text weaves around the illustrations that dominate most spreads. Because they were meant for a popular audience the text is often primarily in hiragana or kanji with furigana; here the text is shown in three writing styles: kanji hiragana and romaji with furigana glosses. <br /> <br /> This presentation suggests how Christian mythology must have appeared to Japanese readers much as say Greek mythology seems to modern American readers of Homer. God is depicted as a mustachioed wise man while the serpent approaches Eve on legs. Most charmingly one spread depicts God spying on Adam and Eve with a pair of binoculars. <br /> <br /> While listed as the "first part" it is all published with no second volume ever appearing. We find only two copies at the National Diet Library and at Waseda University. 7.75'' x 5.25''. Original printed wrappers. Woodblock printed and illustrated including 16 double-page spreads. Title page matching illustrated cover printed on red metallic-speckled paper. 39 1 pages. Some staining and wear to wrappers with 2.5'' paper repair to rear wrapper verso. Black ink calligraphy to versos of both wrappers. Housed in custom blue cloth chemise. [Tokiwaya] unknown
18381176E083Leipzig: Karl Tauchnitz 1838. 1st Edition . Hardback. Printed pages: 8vo. 4 620. Very Good Minus. 5.5 x 8.25 inches 13.5 x 21 cm. Later binding with paper covered boards. Fading and light marking to covers. Uncut pages with wide margins. Some creasing to first and last few pages light foxing to text small stamp to title page dated 13 May 1846. A rare early Russian language edition of the New Testament. The 1838 Leipzig edition published by Karl Tauchnitz - this unauthorised edition was the first Russian language edition of the New Testament to be published outside Russia. The Russian Bible Society had previously issued Russian language editions between 1822 and 1826 but no other edition was published in Russia until the Synod authorised edition of 1860. This 1838 edition had a print run of 2000 copies 500 of which were smuggled into Russia. A good solid example of a very rare item. Overall condition is Very Good Minus. Size: 5.5 x 8.25 inches 13.5 x 21 cm. Karl Tauchnitz hardcover
1855313594New York: American Bible Society 1855. Royal 8vo. Bound in full contemporary morocco a.e.g. With "S. Augusta Brown" 1825-1909 stamped in gilt on the upper cover. With two examples of embroidered Berlin wool work laid in one with initals "SAB Oct. 29 1859" and the other an alter scene. Royal 8vo. The bible of Sophia Augusta Brown 1825-1909 wife of John Carter Brown herself an active bibliophile who helped her husband build his library and oversaw its stewardship after his death. Sophia Augusta was 34 and John Carter Brown 61 when they married after a brief courtship on June 23 1859. That event is recorded in the family record between the Old and New Testaments as are the births and marriages of the couple's three children--John Nicholas Brown Harold Brown and Sophia Augusta--the marriages of the two sons and the death of John Carter Brown "dearly loved Husband & Father" on June 10 1874. The younger Sophia Augusta Brown married banker and businessman William Watts Sherman 1842-1912 whose Newport RI house is an architectural landmark.<br /> <br /> The daughter of Patrick Browne an Anglo-Irish jurist and member of Her Majesty's Council of the Bahamas and Harriet Thayer of Providence a direct descendant of Roger Williams Sophia Augusta Brown was "an indomitable force in an era when women were discovering a role for themselves in the charitable sector . For Sophia Augusta perpetuating her husband's mission through the sound management and enhancement of his collection was her way of contributing to the advancement of knowledge and understanding among peoples . From her sons' earliest age Sophia Augusta ensured they would develop an appreciation for the care condition and housing of books . John Nicholas and Harold often accompanied their mother to booksellers and private collectors. At an early age they were shown priceless works: a Columbus letter the papers of Leonardo daVinci a note by Galileo . On his trips to Europe as an adult John Nicholas was expected to report back . with his assessment of the books he encountered . When he turned 22 in 1883 Sophia Augusta entrusted him with the care of the library" Sylvia Brown Grappling with Legacy: Rhode Island's Brown Family and the American Philanthropic Impulse 2017. While her husband was still alive Sophia Augusta oversaw the construction in 1862 of the fireproof library wing in the Nightingale-Brown House which remained the site of the library until it was relocated to its current home at Brown University at the impetus of John Nicholas Brown's will. American Bible Society unknown
187642309Hartford Connecticut: American Publishing Company 1876. 4to. 9 1/2 x 6 1/4 inches. 2 892 pp. Old Testament; 276 pp. New Testament. Original publisher’s brown pebble-grain cloth blind stamped boards spine and upper cover lettered in gilt<br/> <br/> First edition of the first complete English Bible translated by a woman a touchstone of American printing feminism and religious scholarship in the original publisher's binding.<br/> <br/> Born in Glastonbury Connecticut in 1792 Julia Evelina Smith taught herself Latin Greek Hebrew and French while earning a living as a schoolteacher and later as an outspoken abolitionist and suffragist. In 1843 she began to test the English Bible against the originals and soon resolved as she writes in her preface "to put the same English word for the same Hebrew or Greek word everywhere.It may seem presumptuous for an ordinary woman with no particular advantages of education to translate and publish alone the most wonderful book that has ever appeared in the world.It took me about seven years to accomplish the five translations." Working verse by verse Smith produced five complete drafts twice from Greek twice from Hebrew once from Latin finishing in 1855. When commercial publishers declined to issue so unconventional a text she underwrote the project herself consigning it to Hartford's American Publishing Company in the nation's centennial year. The resulting volume is the first complete English Bible translated by a woman and remains the only one executed single-handedly without editorial committee or co-translator. Smith's method is uncompromisingly literal: Hebrew tense shifts and Greek word order are preserved even when the English prose becomes rugged. The translation therefore offers modern readers an unfiltered view of the underlying languages and stands in pointed contrast to the smoother interpretive revisions then underway in Britain and America. Earlier centuries had seen only partial female forays into Scripture such as Anne Locke's 1560 sonnet-cycle on Psalm 51 and the Countess of Pembroke's masterly completion of the Sidney Psalter after her brother's death but none covered the full canon. Smith's 1876 Bible stands today as both a landmark of American print culture and a quiet declaration of intellectual equality.<br/> <br/> Simms The Bible in America pp. 149-50; Stanton The Woman's Bible p. 151; Notable American Women 1607-1950: A Biographical Dictionary. Cambridge Mass.: Belknap Press of Harvard University Press 1971. American Publishing Company unknown
1862ST20857London: Edmund Evans for Sampson Low Son and Co 1862. ONE OF PERHAPS 10 COPIES PRINTED ON VELLUM. 260 x 195 mm. 10 1/4 x 7 3/4". vii 1 235 1 pp. <br/> Publisher's stiff vellum smooth spine with gilt lettering edges untrimmed. In a modern felt-lined blue buckram drop-back box. Decorative initials in red or blue title page and text leaves with full criblé border of vined foliation occasionally inhabited eight or 10 leaves with more extensive illustrations at head or foot all engraved by W. J. Linton after illustrations by John Franklin. Front pastedown with ex-libris of Marion Hope Rattey. A Large Paper Copy. McLean "Victorian Book Design" p. 184. Short thin cracks to head and tail of front joint spine vaguely soiled upper cover with two very small brown spots and one trivial red mark occasional mild rumpling or naturally occurring variations in the grain or thickness of the vellum as usual a couple of minor smudges but still a very agreeable copy the binding solid and without the splaying common in vellum books the interior clean fresh and bright and the margins extraordinarily wide.<br/> <br/> This is an infrequently encountered copy of a beautiful Victorian book on vellum issued by one of the era's top printers. The volume was printed by Edmund Evans 1826-1905 who is now best remembered for his illustrations and advances in color wood engravings. Relatively little is known about this book's production: Ruari McLean tells us that it was "entirely printed" by Evans but it is unknown whether he was responsible for the design as well McLean remarks that "if Evans was responsible for its design it shows his superiority in book-making". We also are unsure how many copies were printed on vellum although the general consensus is 10. Regardless as McLean tells us "it is one of the prettiest books of the 'sixties" with sharp deep impressions of the type on the rich creamy vellum jewel-like colored initials and elegant wood-engraved illustrations. These illustrations are the work of John Franklin ca.1800-68 a painter and draftsman who was highly respected in his own time. The precisely realized borders feature idealized human forms posed within a robust botanical largely acanthus context the figures posing with balletic grace their expressive faces often turned gently away from the reader. The size of the leaf here is significant: the untrimmed edges retain their tiny printing pinholes which would normally have been trimmed away with regrettable loss. And not surprisingly our vellum printing is almost never seen: we could trace just two copies at auction since 1924. Former owner Marion Hope Rattey 1922-97 was likely the daughter of bibliographer Clifford C. Rattey 1886-1970 whose impressive library featured incunabula and block prints. [Edmund Evans for] Sampson Low, Son, and Co unknown
1876R69<p><strong>Description: </strong>Quarto 9.75" x 6.5". Text in two column Roman font. 3-892 Old Testament 1-276 pp. New Testament. The books of the Old Testament are arranged in Jewish order with Chronicles at the end. One of 950 copies.</p><p><strong>Binding: </strong>Rebacked in matching black calf with original spine laid down. Embossed cloth spine with "Holy Bible" and "Translated by Julia E. Smith" lettered in gilt to spine. All edges speckled red. Rubbed to edges with loss of small portions of relaid spine.</p><p><strong>Condition:</strong> Crisp clean and bright.</p><p><strong>Provenance: </strong>Note inked on front flyleaf reads "This Bible translated by my late wife Julia E. Smith is presented to Mrs. Susan E. Tullar by Amos A. Parker Aged Ninety Eight – Fitzwilliam N.H. June 20th 1889."</p><p><strong>Note: </strong>A remarkably well-preserved copy of the first and only Bible translated entirely by a woman. Julia E. Smith 1792–1886 of Glastonbury Connecticut used her knowledge of Latin Greek and Hebrew to render the entire Bible into English. A member of the Sandemanian sect which sought to restore the Apostolic church she dedicated eight years to her translation but did not publish it for another twenty-one years.</p><p>Sampson recounts Julia's deep passion for the project: "I cannot express how greatly I enjoy the work of translating and now the real meaning of different texts would thrill through my mind till I could hardly contain myself." According to one account she became so engrossed in her work that she often failed to hear the dinner bell and had to be summoned by her sisters.</p><p>Elizabeth Cady Stanton in her radical and controversial work <em>The Woman's Bible</em> remarked that Smith's translation would become a rarity in the next century "much sought after by bibliomaniacs to say nothing of scholars who will want it for its real value."</p><p><strong>References:</strong> Herbert 2202; Hills 1918; Rumball-Petre 201; Stanton Elizabeth Cady. <em>The Woman's Bible</em>. Sampson Emily. <em>With Her Own Eyes: The Story of Julia Smith.</em></p> American Publishing Company hardcover
1827180737Paris: Darü't T baatü'l Mülkiyyeü'l Mamure 1827. The Old and New Testament in Ottoman Turkish First Ottoman Turkish edition of the Old and New Testaments together funded by the British and Foreign Bible Society and based on the translation made by Ali Ufki Bey d. 1675 an influential agent for European diplomats in 17th-century Turkey. We have only traced four institutional copies. Unusually the Ottoman text is fully vocalized. Ali Ufki Bey christened Wojchiech Bobowski was known in Europe as Albertus Bobovius. After his enslavement by the Tartars in the Ukraine he was forcibly converted to Islam and brought to Istanbul where he worked in the Ottoman palace for over two decades. The editor the famous Turcologist Jean-Daniel Kieffer d. 1833 had published a standalone Turkish edition of the New Testament in 1819 always with the British and Foreign Bible Society. Kieffer's starting point was Ali Ufki Bey's Ottoman Turkish text revised according to critical comments on the first edition of his New Testament. Kieffer also compared the Ottoman text "with the original texts as well as with the standard English French and German versions. W. Seaman's Nogai New Testament of 1666 T. Erpenius' Arabic version H. Martyn's Persian version H. Brunton's Nogai New Testament of 1813 and with the London Polyglot. On crucial questions he had the advice of Baron Silvestre de Sacy" Darlow & Moule. The present edition was printed in 5000 copies on the presses of the Louvre hence the "Royal Printing House" imprint. The same binding - arguably a publisher's binding - is found on another copy of this edition. 2 vols in one large quarto 257 x 222 mm pp. ii 984; ii 3 i 318. Titles within double typographical ruling. Contemporary Ottoman Turkish brown sheep blind stamped to a panel design arabesque cornerpieces on inner corners large arabesque centrepieces flat spine triple blind ruled gilt lettered title. 20th-century inked and pencilled Ottoman Turkish annotations on pastedowns and first title. Spine and extremities refurbished boards a bit rubbed contents slightly toned but overall clean a little light marginal water staining along outer edge of initial gatherings: a very good copy. Darlow & Moule 9456. hardcover
1843L3LFICT78EKXOahu and Honolulu: American Bible Society 1843. Later half calf. Large 8vo 24 x 14 cm. Including: Ke kauoha hou a ko kakou haku e ola'i a Iesu Kristo oia ka olelo hemolele no ke ola a na lunaolelo i kakau ai. Second edition of the entire Bible in the Hawaiian language but the first edition in octavo to be published in a single volume. The translation a joint effort of American missionaries and Hawaiian advisers was a monumental work of language and scholarship. "Neither of the two very different groups of people who produced the Baibala - the missionary scholars working with ancient texts and the Hawaiian chiefs and advisors guardians of a millennium of traditional Kanaka learning - could have produced even a pedestrian Bible translation on their own. Together through over a decade of incessant and mostly fruitful labor and cooperation they created a work for the ages among the best Bible translations of their century and an enduring literary monument today" Lyon.The first gospels in the Hawaiian language were printed in 1827-1828 ultimately leading to a complete translation of the New Testament in 1835 which was revised in 1837. The first translation of the Old Testament was published in 1838 and together with the 1837 New Testament incorporated in a complete edition of the Bible in three volumes. In 1843 these texts were reprinted with several mistakes corrected in a more compact version and then bound together to form this edition of the Bible. Apparently sales of the 10000 copies printed were slow with records showing that "between 400 and 600 Bibles were bound and presumably distributed each year" Forbes. This slow distribution could explain why no new edition of the complete Bible in Hawaiian appeared until 1868.With an 1853 owner's inscription on the title page. Slightly foxed and with several sections slightly browned; a very good copy.l Forbes 1416; Judd 165; Lyon "No ka Baibala Hemolele: The making of the Hawaiian Bible" in: Palapala I 2017 pp. 113-151. American Bible Society, unknown
1824373835New York: Edicion Estereotipica por A. Chandler 1824. First American Edition of the Bible in Spanish. 928; 251pp. 4to. Contemporary panelled calf usual wear front hinge neatly repaired. Foxing. Provenance: Essex Institute label on front pastedown. In half red morocco slipcase and chemise. First American Edition of the Bible in Spanish. 928; 251pp. 4to. First American edition of the Bible in Spanish printed by the American Bible Society for the use of missionaries in South America. It is among the earliest Catholic bibles printed in the United States noted on the verso of the titlepage as "Edicion 1". The text was taken from the Madrid edition of 1797 translated from the Latin by Felipe Scio de San Miguel Bishop of Segovia.<br /> <br /> Scarce on the market with no examples in the auction records for the last half century. Shaw & Shoemaker 15340; O'Callaghan 1824; Parsons 813 Edicion Estereotipica por A. Chandler unknown
183952150Philadelphia: Bagster & Marshall 1839. First American edition. Hardcover. Good . Octavo. 6 10 778pp. Pointed Hebrew text in two columns the New Testament with only vocal marks. Continuous pagination in Arabic numerals; but separate Hebrew pagination for the Old and New Testaments. Contemporary three-quarter calf over pebbled cloth boards; spine with raised bands ruled and lettered in gilt. Decorative endleaves. Covers rubbed with wear at spine caps and corners. Library pressure stamp at title bookplate and pocket at paste-downs. A good ex-library copy with very clean fresh text throughout.<br /> <br /> First American edition of this Hebrew Bible earlier published by Samuel Bagster at London in 1835; it contains the first printing of the New Testament in Hebrew translation to appear in the United States. That translation was prepared by the philologist William Greenfield 1799-1831 the editorial superintendent of the British and Foreign Bible Society and first published by Samuel Bagster at London in 1831 D&M no. 5186. In preparing his revised Hebrew version Greenfield was allowed to utilise the London Jews' Society Hebrew New Testament published at London between 1813 and 1817 D&M no. 5170. Among the earliest publications of the society founded in 1809 this version was itself based upon Elias Hutter's Hebrew translation of the New Testament published at Nuremberg in 1599 D&M no. 5111. Prepared by a group of scholars under the supervision of Thomas Fry and William Bengo Collyer this London Jews’ Society edition employed only biblical words and translated Old Testament quotations from the Greek not citing them directly from the Hebrew Scriptures.<br /> <br /> The editor of the New Testament version in the present work appears to have had a notable gift for languages. William Greenfield began his Hebrew studies as a young man while apprenticed to a bookbinder taking lessons from one of his co-workers a Jew with some learning who had been described as "a reader of the law in the synagogue" ODNB. Greenfield subsequently left the business in 1824 in order to devote himself to languages and biblical criticism. His defence of the Serampore Mahratta version of the New Testament in response to an 1829 article in the Asiatic Journal brought him to the attention of the British and Foreign Bible Society who then hired him to superintend their editiorial department. "During his nineteen months in the society's service Greenfield wrote on twelve European five Asiatic one African and three American languages and acquired considerable knowledge of Peruvian African-English Chippeway and Berber" ODNB. His revision of the Hebrew New Testament earlier published by the London Jews' Society was among the last works he undertook for the British and Foreign Bible Society along with the revision of the Modern Greek Psalter as it went through the press.<br /> <br /> Provenance: Bookplate and other markings including withdrawal stamp of the Library of the Garrett Theological Seminary Evanston Illinois. Full title in Hebrew: ספר הקדש ×•×”×•× ×ª×•×¨×” × ×‘×™××™× ×•×›×ª×•×‘×™× ×’× ×›×ª×‘×™ ברית החדשה × ×¢×ª×§ מלשון ×™×•× ×™×ª ×ל לשון עברית <br /> Philadelphiae: Sumptibus Bagster et Marshall in via vulgo dicta Chestnut Street ad Repositorium Bibliorum Sacrorum etc. quae in linguis antiquis et hodiernis edita sunt. Anno erae Judaicae I rev. C; rev. C DXCIX.<br /> <br /> References: Goldman Hebrew Printing in America no. 6: "This was the first New Testament published in Hebrew in America." ODNB: "Greenfield William" Gordon Goodwin revised by H. C. G. Matthew. J. R. Marcus "Jewish Americana a Supplement to A. S. W. Rosenbach An American Jewish Bibliography" in: Monographs of the American Jewish Archives 1954 no. 1 no. 164. Cf. Darlow & Moule nos. 5111; 5170; 5186. Bagster & Marshall hardcover