30 857 résultats
65819New Zealand: Privately Published Printed by Printhouse Nelson 1994. Letters FIRST and only EDITION. Author's PRESENTATION COPY together with two handwritten letters. Octavo a softcover original pp.112. Signed inscription to half-title "To James Pickard / Best Wishes / J Lenart." With two loose related manuscript letters one signed one initialled together with an 'OHMS' envelope included as a gift. Fine / as new. Printed correspondence between 'James Bond' creator Ian Fleming and Intelligence officer Antony Terry "one of his most trusted reporters who provided valuable source materials for the 007 novels" Gilbert p.652. Compiled by Terry's stepdaughter Judith Lenart. The recipient James M. Pickard is a leading authority on the literary James Bond. New Zealand: Privately Published (Printed by Printhouse Nelson) 1994 unknown
5648Judith GAUTIER, fille ane de Thophile Gautier, Madame Catulle MENDS par son mariage, fut une des femmes les plus fascinantes de son poque. Elle entre en littrature par la publication dun article concernant la traduction dEurka dEdgar Alan Poe par Baudelaire, ce qui lui vaudra lenthousiasme du pote. Elle parle en outre le chinois grce aux leons de Tin-Tun-Ling, rfugi politique chinois accueilli par Thophile Gautier, et publie un recueil de posies, Le Livre de Jade, une traduction danciens pomes chinois, vingt-deux ans. Grande admiratrice de Richard Wagner, elle est aussi lamie intime de Victor Hugo auquel elle a inspir plusieurs pomes. Ses souvenirs paraissent dans La Revue de Paris sous le titre Le Collier des jours, entre 1904 et 1909. Lettres relatives (pour la plupart) la parution dans la Revue de Paris des souvenirs de Judith Gautier sous le titre : Le Collier des jours .HBERT. 1817-1908. Peintre. 3 L.A.S. et 1 C.A.S. Hebert Chre Judith . Paris, 1904. 4 pp. in-8 et 7 pp. in-12. sans date : ...Jai lu hier soir votre sixime article sur le second rang du Collier et je ne veux pas attendre ce soir pour vous dire tout le plaisir quil ma fait. Il est impossible de mieux raconter, et de raconter des choses plus intressantes, surtout pour ceux qui comme moi, ont conserv un culte pour la mmoire du grand Tho. Si vous saviez combien nous vous remercions de nous faire revivre dans ce milieu sans pareil et a jamais disparu sans espoir de revoir jamais rien qui lui ressemble ! Tchez, chre Judith, de faire durer longtemps cette vocation des jours lointains... - 29 novembre [1903] - Le peintre tmoigne de la bonne rception de : & lensemble des chapitres que javais lus avec tant dintrt dans la Revue de Paris, pour vous dire tout le plaisir que je dois ces souvenirs, si bien raconts par vous, il faudrait la plume loquente de votre pre, elle seule pourrait exprimer les frissons de joies et des regrets que jai prouvs en vous lisant ! (...) je vais vous envoyer une belle photographie du Banc de pierre faite autrefois par Bingham qui vous rappellera le tableau si admirablement potis par le grand pote dans des vers immortels...- 1er janvier [1904] - Le peintre envoie tardivement sa correspondante : & la photographie du Banc de pierre, que je vous avais promise (...). Jose esprer, chre Judith, que vous aurez eu un peu de joie la vue de ce tableau que vous aviez trs bien dcrit et qui vous rappellera des jours heureux et lointains& - 3 janvier [1904] - Hbert linvite venir ...vers la tombe de la nuit (...) prendre une tasse de th amicale avec nous. Je serai trs heureux de vous revoir et de vous faire encore mes compliments pour le 2 rang du Collier& BENJAMIN-CONSTANT. 1845-1902. Peintre. 2 L.A.S. Benjamin-Constant et Benj-Constant . S.l.n.d. et Neuilly, s.d. Au total 7 p. in-12. Papier de deuil : Le peintre travaille en ce moment dans son atelier Neuilly o, ...trs bientt, je vous demanderai de poser pour votre portrait (...). Je suis rest un fanatique du dieu Tho... de ce brave et grand artiste qui sonna si haut, et si gnreusement la fanfare de 1830 ! Et aprs avoir admir le pre il ma t facile dadmirer la fille, la digne fille du pre...PAILLERON. 1834-1899. Dramaturge. L.A.S. Edouard Pailleron . S.l.n.d. [jeudi 28 avril]. 1 p. in-12 : ...Merci Madame, de lhonneur que vous mavez fait en menvoyant cette ?uvre trange et charmante, merci du plaisir que jai eu en la lisant...PRVOST-PARADOL Lucien-Anatole. 1829-1870. Journaliste. L.A.S. P. Paradol . S.l.n.d. 1 p. in-8 : ...Vous ntes nullement oublie mais la difficult de trouver un moment ma jusquici priv vous [sic pour du] plaisir daller vous voir...POPELIN. 1825-1892. Peintre et pote. L.A.S. Claudius Popelin . S.l., 22 mai 1869. 1 p. in-8 sur papier de deuil : & Jai reu, ma Chre Judith, votre Dragon-Imprial (...). Jirai, avant peu, vous porter une petite Yo-Men-Li de ma faon qui ne vaudra pas la vtre beaucoup prs, sans cela, aurais-je le droit de me dire votre admirateur& Il conclut & Je baise vos belles mains et je voudrais vivre vos pieds& Judith Gautier publie son roman Le Dragon Imprial en 1869, sous le nom de Judith Mends. Yo-Men-Li, personnage fminin de ce roman, accompagne le hros Ta-Kiang.
1998168409Philadelphia: Institute of Contemporary Art of the University of Pennsylvania 1998. First Edition. Softcover. First Edition. Publisher's "With Compliments" card laid in. <br /> <br /> Very Good plus in perfect-bound wrappers. Institute of Contemporary Art of the University of Pennsylvania unknown
1983137054Adelaide: The Authors 1983. First Edition. Hardcover. Very Good/Dust Jacket Included. Adelaide The Authors 1983. Oblong quarto 103 pages with 40 illustrations 8 in colour. Pictorial papered boards; bottom edges slightly rubbed; an excellent copy with the lightly scuffed and creased dustwrapper very slightly sunned on the spine. Number 466 of 1000 numbered copies signed in ink by the authors. The Authors hardcover
1983139510Adelaide: The Authors 1983. First Edition. Hardcover. Very Good/Fine. Adelaide The Authors 1983. Oblong quarto 103 pages with 40 illustrations 8 in colour. Pictorial papered boards; edges a little foxed; an excellent copy with the fine dustwrapper. Number 404 of 1000 copies signed by the authors. Provenance: Dr Robert Edwards 1930-2023 'curator researcher administrator planner museum director and positive force for change' Creative Australia online. Loosely inserted is an autograph letter to him from a friend dated June 2010 with content relevant to the book. The Authors hardcover
1983124910Adelaide: The Authors 1983. First Edition. Hardcover. Fine/Fine. Adelaide The Authors 1983. Oblong quarto 103 pages with 40 illustrations 8 in colour. Pictorial papered boards; a fine copy with the fine dustwrapper. Number 399 of 1000 numbered copies signed by the authors. The Authors hardcover
201302682Paris, L'harmattan, 2002 ; in-8, 167 pp., br.
1992154057New York: Rizzoli International Publications 1992. First Edition. First Edition. Near Fine in illustrated card wrappers with French flaps. Rizzoli International Publications unknown
202000770Paris, Pocket, 2002 ; in-12, 505 pp., br. N°5724.
1997400057Philadelphia: Institute of Contemporary Art University of Pennsylvania 1997. First edition. Fine. 4to. 64 pages. Profusely illustrated. Original wrappers. A fine copy of this exhibition catalog held at the Institute of Contemporary Art University of Pennsylvania January 17-March 8 1998. Institute of Contemporary Art, University of Pennsylvania unknown
201216247Paris, Stock, 1984 ; in-8, 399 pp., br. Broché bon état ptes usures.
202304256Paris, France loisirs, 1996 ; in-8, 609 pp., cartonnage de l'éditeur. Avec jaquette.
201100975Paris, Robert Laffont - best-sellers, 2000 ; in-8, 385 pp., broché, couverture illustr. Très bon état - traduit de l'américain par Marie -Hélène Sabard.
201314233Paris, L'iconoclaste , 2006 ; in-8, 161 pp., br. Avec bandeau.
201318502Paris, France loisirs, 1996 ; in-8, 610 pp., cartonnage de l'éditeur. Avec jaquette.
1868800821868. MCGUIRE Judith White. Diary of a Southern Refugee during the war. By a Lady of Virginia. New York: E.J. Hale & Son 1868. 360pp. Orig. blindstamped cloth rebacked spine label laid down else very good. HOWES M-107. In Tall Cotton 120. Coulter 310. An important female view on the hardships that stuck the south during the Civil War. McGuire captures the shortages of basic necessities in the south like food clothing and housing. She writes on the adversities with particular focus of how the war impacted women which left many penniless widows orphans and refugees. "Detailed on conditions in Richmond where the writer served for a time as a clerk in the commissary department" Nevins II p. 196. unknown
113981London T. & W. Boone 1846. . First edition; 8vo 18 x 13 cm original blind-stamped brown cloth with gilt title old ownership inscriptions to inner front cover neat repairs to joints and extremities closed tear to title professionally repaired a few small marginal tears and mild staining to pages pp.181-188 bottom margin trimmed slightly shorter than the rest; 224 10 pp. last 10 pages mis-paginated.<br /> When first published in 1846 the identity of 'the Lady' to whom the work is accredited was unknown. Only later after much scholarly research was the identity of the author discovered. Judith Cohen was known for her social influence and generosity throughout the Jewish community. She married Moses Montefiore in 1812 and together they became two of the most well-known members of the British-Jewish elite.<br /><br />The pious Montefiores observed the Mosaic dietary laws and kept a strictly kosher kitchen. This required that their meat be ritually slaughtered and that they observe the biblical injunctions in Exodus XXIII: 19 and Deuteronomy XIV: 21 'You shall not seethe a kid in its mother's milk' which was interpreted as to never mix dairy with meat in cooking. Eating dairy and meat in the same meal was also prohibited as was serving pork shellfish hares rabbits and swans as well as the consumption of the blood of any animal. Due to their strict observance Judith set about creating substitutions for these ingredients as favoured by their gentile guests. Supplies of kosher smoked beef and 'chorisa' sic: Spanish style beef chorizo as a spicy substitute for ham and bacon; of olive oil to replace dripping or lard for cooking meatless meals; of almond-cream as a substitute for dairy cream in puddings and sweet dessert dishes are all substitutions that Lady Montefiore proposes.<br /><br />Whilst the Montefiores participated in upper-class Christian society in London they also spent much of their time and earnings on Jewish causes. They helped to fund the first settlement for farming in the Holy Land and travelled to Israel several times where they were always well received. Lady Montefiore herself was acknowledged even by the most observant of rabbis and was honoured by taking part in their Shabbat services. She was also a member of the board of the Jews' Orphan Society and the Ladies' Loan and Visiting Society becoming 'Lady Montefiore' when her husband was knighted by Queen Victoria in 1837. When she died in 1862 Sir Moses opened the Judith Lady Montefiore College at Ramsgate England. She is remembered as a generous philanthropist and inspiring leader among the Jewish community and especially within the State of Israel.<br /><br />The Manual of Jewish Cookery was one of the first British cookbooks devoted to the Hebrew kitchen; the recipes are simple clear and economical for the time. After the section on cooking the author has added several chapters on the feminine toilette.<br /> London, T. & W. Boone, 1846. hardcover
184642820875<p>FIRST EDITION. <strong>The first Jewish cookery book in English this book is a landmark in Jewish social history.</strong></p><p>Judith Cohen the anonymous author married Moses Montefiore in 1812. Her sister was married to Nathan Mayer Rothschild Moses Montefiore's business partner. Montefiore retired from business in 1824 at the age of 40 and he and Judith devoted the rest of their lives to humanitarian efforts on behalf of distressed Jews around the world. Together they became perhaps the most prominent members of the Jewish community in both England and throughout the world.</p><p>Judith Montefiore played a key role in the emergence of the modern women's movement through the example she set in the Jewish community in England. She actively promoted social integration of the leading members of the Jewish community into the larger secular society by presiding over sophisticated parties. Inspired by her Christian counterparts Lady Montefiore began to attend synagogue services even though women's attendance at prayers was strongly discouraged. While the male members of her family encouraged her to remain at home in the traditional role of Jewish women she insisted: "Surely at a place of devotion the mind ought to testify due respect and gratitude towards the Almighty." In light of her social prominence her visibility at synagogue services encouraged other Jewish women to attend. Lady Montefiore was also active in philanthropic causes and in fostering her husband's support of the nascent Jewish community in Palestine.</p><p><strong><em>The Jewish Manual</em></strong><strong> was not only the first English Jewish cookbook it was also the first published book of social guidelines for the Anglo-Jewish woman.</strong> It instructed Jewish housewives on how to preside over a household conforming to the standards of the English middle and upper classes at a time when the Jewish population was attaining new status and wealth. Lady Montefiore stressed modesty and tasteful restraint. As she wrote in the introduction: "The <em>Cuisine</em> of a woman of refinement like her dress or furniture is distinguished not for its costliness or profusion but for a pervading air of graceful originality."</p><p>"Among the numerous works on Culinary Science already in circulation there have been none which afford the slightest insight to the Cookery of the Hebrew kitchen. Replete as many of these are with information on various important points they are completely valueless to the Jewish housekeeper not only on account of prohibited articles and combinations being assumed to be necessary ingredients of nearly every dish but from the entire absence of all the receipts peculiar to the Jewish people" Preface.</p><p><strong>This is a landmark book in Jewish social history.</strong></p><p>Finely bound in half blue morocco spine gilt. Original cloth bound in at the end. Light foxing. Near fine.</p> Boone hardcover
20051857Stanford: Stanford University Press 2005. Hardcover — Tapa dura. Stanford Stanford University Press 2005. En 4º 235 x 155mm. xix- 323 pp. 8 h. ilustraciones en blanco y negro. Encuadernación en tela editorial con camisa. Primera edición. "This book is a historical and archeological examination of the Isthmus Zapotec state which was established at Tehuantepec in late prehispanic times through a campaign of conquest and colonization and the responses that its descendant populations made to the complex political economic and cultural changes introduced by Spanish colonialism". nota del editor Stanford University Press hardcover
2008165129London: Tate Gallery 2008. Hardcover. First UK Edition.<br /> <br /> Near Fine in a Near Fine dust jacket. <br /> <br /> Oversize volume shipping billed at cost. Tate Gallery unknown
GF22353Photographie format 40 x 30 cm - beau tirage plastique noir et blanc - années 1980 pour l'émission "Apostrophes"-
20129786East Burke VT: Plowboy Press 2012. Wrappers. Fine binding. Square octavo. 74 pp. Limited edition one of 100 numbered copies. Letterpress printed in light blue and black on cream colored Hahnemuhle Gutenberg with seven section titles on variously colored Hahnemuhle Bugra with matching ink. Sewn in the Japanese retchoso style bound in Barcham Green Hayle handmade paper with an acrylic wash and housed in a folder covered in stained Tyvek with title letterpress printed in black on spine and cover in Japanese and English respectively. A fine copy. <br /> <br /> Born and educated in Tokyo Oishi settled and raised her family in Vermont. She writes in the Author's Note that her haiku and tanka began "as daily message to my parents trying to give them a picture of my life in Vermont. Gradually I began using that daily practice as a way to make sense of living in two worlds." These poems printed in Japanese with Chalmer's graceful English translation are beautiful evocative and as Chalmer writes in the Translator's Notes "open a path to memory and fresh discovery of the here and now." Andrew Miller-Brown presents them in this elegant volume a poem per page with English translation set in Legacy Sans on the inner half of the page and the Japanese set in Kozuka Mincho Pro in the outer half. Everything about this work is thoughtful and understated from the sewing method that leaves the spine exposed but sewing invisible to the simple acrylic wash depicting a snow field on the cover; all the elements come together creating a powerful book. Plowboy Press unknown
201309246Paris, Pocket, 2000 ; in-12, 433 pp., br. Ouvrage en bon état.
201307301Paris, Pocket, 2000 ; in-12, 209 pp., br. Très bon état.
201901945Paris, Editions Odile jacob, 1991 ; in-8, 290 pp., br.
