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184642820875<p>FIRST EDITION. <strong>The first Jewish cookery book in English this book is a landmark in Jewish social history.</strong></p><p>Judith Cohen the anonymous author married Moses Montefiore in 1812. Her sister was married to Nathan Mayer Rothschild Moses Montefiore's business partner. Montefiore retired from business in 1824 at the age of 40 and he and Judith devoted the rest of their lives to humanitarian efforts on behalf of distressed Jews around the world. Together they became perhaps the most prominent members of the Jewish community in both England and throughout the world.</p><p>Judith Montefiore played a key role in the emergence of the modern women's movement through the example she set in the Jewish community in England. She actively promoted social integration of the leading members of the Jewish community into the larger secular society by presiding over sophisticated parties. Inspired by her Christian counterparts Lady Montefiore began to attend synagogue services even though women's attendance at prayers was strongly discouraged. While the male members of her family encouraged her to remain at home in the traditional role of Jewish women she insisted: "Surely at a place of devotion the mind ought to testify due respect and gratitude towards the Almighty." In light of her social prominence her visibility at synagogue services encouraged other Jewish women to attend. Lady Montefiore was also active in philanthropic causes and in fostering her husband's support of the nascent Jewish community in Palestine.</p><p><strong><em>The Jewish Manual</em></strong><strong> was not only the first English Jewish cookbook it was also the first published book of social guidelines for the Anglo-Jewish woman.</strong> It instructed Jewish housewives on how to preside over a household conforming to the standards of the English middle and upper classes at a time when the Jewish population was attaining new status and wealth. Lady Montefiore stressed modesty and tasteful restraint. As she wrote in the introduction: "The <em>Cuisine</em> of a woman of refinement like her dress or furniture is distinguished not for its costliness or profusion but for a pervading air of graceful originality."</p><p>"Among the numerous works on Culinary Science already in circulation there have been none which afford the slightest insight to the Cookery of the Hebrew kitchen. Replete as many of these are with information on various important points they are completely valueless to the Jewish housekeeper not only on account of prohibited articles and combinations being assumed to be necessary ingredients of nearly every dish but from the entire absence of all the receipts peculiar to the Jewish people" Preface.</p><p><strong>This is a landmark book in Jewish social history.</strong></p><p>Finely bound in half blue morocco spine gilt. Original cloth bound in at the end. Light foxing. Near fine.</p> Boone hardcover
113981London T. & W. Boone 1846. . First edition; 8vo 18 x 13 cm original blind-stamped brown cloth with gilt title old ownership inscriptions to inner front cover neat repairs to joints and extremities closed tear to title professionally repaired a few small marginal tears and mild staining to pages pp.181-188 bottom margin trimmed slightly shorter than the rest; 224 10 pp. last 10 pages mis-paginated.<br /> When first published in 1846 the identity of 'the Lady' to whom the work is accredited was unknown. Only later after much scholarly research was the identity of the author discovered. Judith Cohen was known for her social influence and generosity throughout the Jewish community. She married Moses Montefiore in 1812 and together they became two of the most well-known members of the British-Jewish elite.<br /><br />The pious Montefiores observed the Mosaic dietary laws and kept a strictly kosher kitchen. This required that their meat be ritually slaughtered and that they observe the biblical injunctions in Exodus XXIII: 19 and Deuteronomy XIV: 21 'You shall not seethe a kid in its mother's milk' which was interpreted as to never mix dairy with meat in cooking. Eating dairy and meat in the same meal was also prohibited as was serving pork shellfish hares rabbits and swans as well as the consumption of the blood of any animal. Due to their strict observance Judith set about creating substitutions for these ingredients as favoured by their gentile guests. Supplies of kosher smoked beef and 'chorisa' sic: Spanish style beef chorizo as a spicy substitute for ham and bacon; of olive oil to replace dripping or lard for cooking meatless meals; of almond-cream as a substitute for dairy cream in puddings and sweet dessert dishes are all substitutions that Lady Montefiore proposes.<br /><br />Whilst the Montefiores participated in upper-class Christian society in London they also spent much of their time and earnings on Jewish causes. They helped to fund the first settlement for farming in the Holy Land and travelled to Israel several times where they were always well received. Lady Montefiore herself was acknowledged even by the most observant of rabbis and was honoured by taking part in their Shabbat services. She was also a member of the board of the Jews' Orphan Society and the Ladies' Loan and Visiting Society becoming 'Lady Montefiore' when her husband was knighted by Queen Victoria in 1837. When she died in 1862 Sir Moses opened the Judith Lady Montefiore College at Ramsgate England. She is remembered as a generous philanthropist and inspiring leader among the Jewish community and especially within the State of Israel.<br /><br />The Manual of Jewish Cookery was one of the first British cookbooks devoted to the Hebrew kitchen; the recipes are simple clear and economical for the time. After the section on cooking the author has added several chapters on the feminine toilette.<br /> London, T. & W. Boone, 1846. hardcover
44025Jerusalem: Bright Idea Books 2007. Limited edition. 38/200. Portfolio. 49 fine arts digital prints of small paintings and collages by Judith Margolis resting in olive cloth clamshell box with orange cloth edges. Black lettering on spine of clamshell. Box housed in matching slipcase.<br /> <br /> The art work by Judith Margolis in breathtaking rich vibrant colors. In the artists words "they are part of an on-going series created for focusing visual meditation during times when one wishes to consciously direct the energy of one's spiritual work. One such period is the counting of the Omer the seven weeks between the holiday of Passover which celebrates our release from Egyptian slavery and Shavuot which marks the receiving of the Torah. The Omer is traditionally a time of self improvement and purification." Images are approximately 4" x 5" numbered by the Hebrew date of counting with text in English by Sarah Yehudit Schneider. The meditation text explores the seven lower emanations from hesed to malkhut in the Serifot. <br /> <br /> Signed in pencil by the artist on numbered limitation page. Each leaf measures 7 3/4" x 14 3/4". Includes 12 page booklet "Additional Notes for Countdown to Perfection: Meditations on the Sefirot." Contents of booklet: Dedication / About this Book / About counting the Omer / How the Omer is counted / More on the Serifot / Tree of Life / About meditating on visual images / Glossary / Acknowledgments. Additional 3 text leafs: title-page limitation page and page with System of Correspondences. "This book offers a unique experience by joining together - The tradition of Sefirot ha-Omer / counting the Omer The opportunity to meditate on Kavannot / text that describe intentions for self-improvement and spiritual change The contemplation of art images meant to comfort inspire and assist your creative imagination during an inner journey of disciplined attention. For our purposes it is important to be aware that the relevance of these Omer meditations is not limited to the Omer period between Pesach and Shavuot. This book is offered as a way to use the sequential accounting of and examination of kabbalistic insights and qualities as a spiritual discipline to improve oneself at any time. Because they are also suitable to use for the traditional ritual counting the Omer each page displays the proper Hebrew date of the calendar which corresponds to its associated day of the Omer. Sarah Schneider." <br /> <br /> The giclèe prints and accompanying materials were produced at the Jerusalem Fine Arts Prints Workshop Israel under the supervision of Yair Medina and the artist. Binding by Ido Agassi Israel. Calligraphy by Sharon Binder Jerusalem Israel. The images are printed on Epson Fine Art Textured 225 gram paper. The edition is strictly limited to two hundred sets signed by the artist: numbered 1/200 to 200/200." Judith Cohen Margolis is an Israel-based American painter art editor graphic artist and book designer. In her 30 plus years career her work has been widely published and exhibited worldwide. This unique Omer Counter is a mystical journey of change with kabbalistic insights and meditation that offer spiritual discipline as well as personal inspiration. A stunning portfolio by this exceptional artist. Fine condition.eEE. Bright Idea Books unknown
108610London Collins 1968. . First edition first impression; 4to 260 x 190 mm: colour illustrations throughout one very faint mark to lower outer corner of title-page and a hint of age-toning generally but otherwise near-fine; publisher's matt pictorial boards again minor age-toning and a couple of faint marks to upper board contemporary ownership name to front free endpaper otherwise near-fine also corresponding illustrated dust-jacket unclipped priced 15s on front flap slight yellowing with age creasing to upper edges and a couple of small minor marks to upper panel otherwise very good plus.<br /> Rare especially in such very good condition and with the dust-jacket which is entirely unsophisticated in having no restoration tears or significant wear. Now a children's classic The Tiger who came to Tea was Judith Kerr's first book. Her preparatory sketches for the work are now held by the British Library.<br /><br />'The work published in 1968 has been read by several generations and tells the story of a tiger who invites himself to tea and eats and drinks all the food and water in Sophie's house. He then leaves never to return. "It was just a bedtime story I made up for my daughter when she was two getting on for three" says Kerr who also wrote and illustrated the Mog series of picture books.' Lucy Wallis BBC interview with the author.<br /> London, Collins, 1968. hardcover
1968142030London: Collins 1968. First edition of this classic one of the best selling children's book of all-time. Quarto original illustrated boards illustrated throughout. Fine in a near fine dust jacket. An exceptional example uncommon in this condition. The Tiger Who Came to Tea is a short children's story first published by William Collins Sons in 1968 written and illustrated by Judith Kerr. The book concerns a girl called Sophie her mother and an anthropomorphized tiger who invites himself to their afternoon tea and consumes all the food and drink they have. The book remains extremely popular more than 50 years after it was first published and a theatrical adaptation of the story has been produced. Collins hardcover
19939657New York: Vincent FitzGerald & Co 1993. Portfolio of etchings one of 25 copies each signed and numbered by the artist Judith Turner on the reverse all on BFK Rives paper and paper from Paul Wong Dieu Donne Papermill. Page size: 30 inches by 15 inches; 6 leaves. Bound: loose in green paper portfolio with the title in silver gilt on front panel by BookLab. The titlepage printing was letterpress by Daniel Keleher at Wild Carrot Letterpress with calligraphy by Jerry Kelly. Marjorie Van Dyke and Vincent FitzGerald accomplished the printing of the etchings. Twenty-four photographic images by noted architectural photographer Judith Turner were selected by the artist and laid out in horizontally on five rectangular sheets of paper. They were photoetched and produced images with softer lines than photogravure. The artist has noted that this process helps conceal the deterioration of the sculptures. The etchings were printed with black ink and then using chine colle color was added by adhering thin sheets of colored tissue paper onto the heavier larger sheets of paper. The effect is totally original and beautiful. The images float along the sheet of paper with the color calling attention to different aspects of these monumental pieces that are so essential to Western art. Vincent FitzGerald & Co unknown books
2934In frame. In frame. 12 x 16 cm. Rendkívüli irodalomtörténeti értékkel is bíró műalkotás.<br /> Radnóti 1941 tavaszán lett szerelmes Beck Juditba. Az apa Beck Ö. Fülöp szobrász és a testvérek András és Márta is Radnótiék baráti köréhez tartoztak. Utóbbi Radnóti felesége Gyarmati Fanni gimnáziumi osztálytársa volt. Gyarmati Fanni naplójából tudható hogy végig tudott a kapcsolatról amely valószínűleg 1942-ig tartott. A kutatók számára csak 1982-ben vált ismertté a költő és a festőművésznő viszonya amikor Radnóti barátja Kun Miklós szolgáltatott erről információt a PIM számára.<br /> <p><br /> A work of art with extraordinary literary historical value.<br /> Radnóti fell in love with Judit Beck in the spring of 1941. The father Beck Ö. Sculptor Fülöp and the brothers András and Márta also belonged to the circle of friends of the Radnótis. The latter was a high school classmate of Radnóti's wife Fanni Gyarmati. It can be seen from Fanni Gyarmati's diary that she was aware of the relationship which probably lasted until 1942. The relationship between the poet and the painter only became known to researchers in 1982 when Radnóti's friend Miklós Kun provided information about it to the PIM. unknown
198987140Davaco Publishers. New. 1989. Hardcover. 9070288621 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 9070288621. Text in English. 300 pages; 176 illustrations. Leijster Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Davaco Publishers hardcover
1968149126London: Collins 1968. First edition of this classic one of the best selling children's book of all-time. Quarto original illustrated boards illustrated throughout. Near fine in a near fine dust jacket inscription to the front free endpaper. The Tiger Who Came to Tea is a short children's story first published by William Collins Sons in 1968 written and illustrated by Judith Kerr. The book concerns a girl called Sophie her mother and an anthropomorphized tiger who invites himself to their afternoon tea and consumes all the food and drink they have. The book remains extremely popular more than 50 years after it was first published and a theatrical adaptation of the story has been produced. Collins hardcover
2006128310Belknap Press of Harvard University Press. New. 2006. Hardcover. 0674023021 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Belknap Press of Harvard University Press hardcover
190554London: Collins 1971. A rare inscribed copy First edition first impression presentation copy inscribed by the author on the front free endpaper "To Betty but for whom this book would have no illustrations with love from Judy. 28.10.71". The recipient was Betty Willingale 1927-2021 "one of the pioneers of British television drama" Guardian. We can trace only one other inscribed copy at auction in almost four decades. This title was reviewed in the Times Literary Supplement on 22 October 1971 strongly suggesting that this copy was inscribed during the month of publication. Willingale joined the BBC as assistant head to the BBC television script unit. She then became script editor for adaptations of classic literature and later producer. In 2009 she received a special award from BAFTA in recognition of her contribution to television. The author of The Tiger Who Came to Tea and the Mog series published this semi-autobiographical novel to present a child's perspective of escaping Nazi persecution. It is the first in the "Out of the Hitler Time" trilogy published between 1971 and 1978. Willingale worked regularly with Judith Kerr and Kerr's husband Nigel Kneale 1922-2006. The jacket blurb on this copy notes that Kerr "worked as a. scriptwriter for BBC Television". Kneale was a screenwriter for over 50 years and was credited as "having invented popular TV" Gatiss. Kneale and Judith Kerr met at the BBC and were married in 1954. Betty Willingale was a close friend of both. Octavo. Original red boards spine lettered in silver. With dust jacket. With illustrations to text by the author. Head and foot of spine very slightly bumped free endpapers slightly browned minor foxing to top edge; extremities of unclipped jacket a little worn some minor lifting of laminate some creases minor loss to rear panel not affecting text or illustration: a near-fine copy in very good jacket. Mark Gatiss "The man who saw tomorrow" The Guardian 2 November 2006; The Guardian 7 March 2021. hardcover
2010Adhya-9781605669601IGI PUBLISHER 2010. Hardcover. New. IGI PUBLISHER hardcover
2010Adhya-9781605669601IGI PUBLISHER 2010. Hardcover. New. IGI PUBLISHER hardcover
1989C87140Davaco Publishers. As New. 1989. Hardcover. 9070288621 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ISBN: 9070288621. Text in English. 300 pages; 176 illustrations. Leijster Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Davaco Publishers hardcover
1964147167Los Angeles: Villa di Stefano Productions 1964. First Draft script for the 1964 television film which originally aired on CBS. With actor Martin Landau's copied annotations throughout. Included are a set of synopses for proposed episodes a shooting schedule a distributor's announcement booklet and various other documents related to production. <br/><br/>Also included is an original celluloid print of the film on a single reel in its original mailing case with cloth straps dated 2/18/65 addressed from director Joseph Stefano to Landau on the mailing label in holograph black ink and INSCRIBED by Stefano to Landau at the top left corner of the case in the same ink: "To Martin / Whose splendid brilliance and warmth put the special spark in this bright fire / Your grateful and admiring friend / Joe Stefano."<br/><br/>Fearful of being buried alive a woman installs a phone in the crypt in which she plans to be in case of emergencies. Months after her death the phone begins to ring presenting a new ghostly case for Landau's paranormal investigator. <br/><br/>The film was intended to be the pilot for a new paranormal thriller series tentatively titled "The Haunted" as titled on the front wrapper but the series wasn't picked up and the pilot was released as a television movie after additional footage was shot. <br/><br/>Black titled wrappers with credits for director-screenwriter Joseph Stefano noted as PILOT SCRIPT ONE. Title page present dated July 27 1964 noted as PILOT SCRIPT ONE with credits for director-screenwriter Joseph Stefano. 77 leaves with last page of text numbered 76. Early Xerox rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. <br/><br/>Film reel and film stock are unexamined. Villa di Stefano Productions unknown books
188577748Sous étui bordé et sous chemise. Reliure maroquin vert jade, plats ponctués de petits triangles dorés mosaïqués de taille différente, au premier plat titre en lettres vieil or. Dos lisse muet en peau dorée imitant la peau de reptile, doublures et gardes de soie peintes en camaïeux de jaune. Couver- tures conservées montées sur onglets. Reliure signée Alain DEVAUCHELLE ? 2005.
1969168709N.p.: N.p. 1969. Archive of 29 original photographs from The Living Theatre performances dating between 1959 and 1969 including 27 borderless photographs and eight double weight photographs. <br /> <br /> Four photographs with Gianfranco Mantegna photographer stamps on the versos six photographs with Horace Dimayo photographer stamps on the versos two with "L'Express/Manuel Bidermanas" photographer stamps on the versos and one with a "Photo Pic" stamp on the verso.<br /> <br /> The archive includes:<br /> <br /> One borderless photograph from the January 13 1959 premiere performance of William Carlos Williams' "Many Loves" on The Living Theatre Playhouse's opening night.<br /> <br /> Three borderless photographs of the June 29 1966 performance of "Mysteries and Smaller Pieces" 1964 at the Odéon-Théâtre de l'Europe in Paris.<br /> <br /> Three borderless photographs from the September - October 1966 performances of Jean Genet's "The Maids" 1947 at the Berliner Festwochen including two double weight.<br /> <br /> Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" 1948 performed at the Avignon XXII Festival at the Cloître des Célestins.<br /> <br /> Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes.<br /> <br /> Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" 1964 at the Circo Medini in Milan.<br /> <br /> Two photographs from the October 1969 performance of "Paradise Now" 1968 at Teatro Alfieri in Turin.<br /> <br /> One borderless photograph of Julian Beck from Bernardo Bertolucci's segment "Agonia" from the 1969 compilation film "Love And Anger."<br /> <br /> Lastly four borderless photographs we have been unable to definitively identify including a photograph of a stage set a photograph of a performance of three actors a photograph of Jean-Jeacques Lebel and a photograph of a woman in profile possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now."<br /> <br /> Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht Gertrude Stein Jean Cocteau William Carlos Williams T.S. Eliot Pablo Picasso Luigi Pirandello and Federico García Lorca among others and laid the foundation for New York's robust underground art scene in the ensuing decades. <br /> <br /> The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames" directed by Sheldon Rochlin.<br /> <br /> Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board. N.p. unknown
1939219276New York 1939. Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. Fine. Docketed on verso in pencil giving the subject of the photograph and the number of negative and print "XX 0 : 18". Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. unknown
1939219271New York 1939. Half length portrait of the actress in costume. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. Fine. Docketed on verso in pencil giving the subject of the photograph and the number of negative and print "XX 0 : 12". Small ding at right margin. Half length portrait of the actress in costume. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. unknown
1939222425New York 1939. Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 25. x 20 cm. Approximately 10 x 8 inches. Fine. Photographer's blind stamp lower left docketed on verso in pencil giving the print reference "XX 0 : 19". Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 25. x 20 cm. Approximately 10 x 8 inches. Inscribed by Dame Judith Anderson to Mauriber on the image. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN 1978 unknown
1934219148New York 1934. Bust portrait of the actress in profile. 1 vols. 35 x 27.7 cm. approximately 14 x 11 inches. Docketed in pencil and in ink on verso with the name of the sitter the date of the session and a reference to negative and print "I-G-34". Bust portrait of the actress in profile. 1 vols. 35 x 27.7 cm. approximately 14 x 11 inches. unknown
1951219343New York 1951. Large bust portrait of the actress in costume. 1 vols. 33.9 x 24.7 cm. Approximately 13-3/8 x 9-5/8 inches. Fine. Docketed on verso in pencil giving the subject of the photograph the date of the session and the number of negative and print "XIV ee : 4". Large bust portrait of the actress in costume. 1 vols. 33.9 x 24.7 cm. Approximately 13-3/8 x 9-5/8 inches. unknown
1939219271New York 1939. Half length portrait of the actress in costume. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. Fine. Docketed on verso in pencil giving the subject of the photograph and the number of negative and print "XX 0 : 12". Small ding at right margin. Half length portrait of the actress in costume. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. Dame Judith Anderson as Mother Mary. unknown books
1951219343New York 1951. Large bust portrait of the actress in costume. 1 vols. 33.9 x 24.7 cm. Approximately 13-3/8 x 9-5/8 inches. Fine. Docketed on verso in pencil giving the subject of the photograph the date of the session and the number of negative and print "XIV ee : 4". Large bust portrait of the actress in costume. 1 vols. 33.9 x 24.7 cm. Approximately 13-3/8 x 9-5/8 inches. unknown books
1939219276New York 1939. Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. Fine. Docketed on verso in pencil giving the subject of the photograph and the number of negative and print "XX 0 : 18". Large bust portrait of the actress in costume in the role of Mary mother of Jesus. Gelatin silver print. 1 vols. 35.3 x 27.7 cm. Approximately 14 x 11 inches. unknown books