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19322866Szeged 1932. Fold out. In very good condtion. Design by George Buday Photos by Judit Karasz. Design by George Buday Photos by Judit Karasz. Fold out. 1 p. 30 x 40 cm English text and illustrations on the back. Kárász’s photographs explore the material qualities and structures of everyday things. Whether folded fabric parched soil or cotton wool the physical nature of the subject is the primary focus. Informed by her Bauhaus teacher László Moholy-Nagy she felt that photography could make tangible aspects of its subject matter that could not be detected by the eye alone. In each case the resulting image is carefully constructed from a delicate balance of light and shadow across the surface of the chosen material. Kárász studied under photographer Walter Peterhan. Tate. unknown
131206<p>The First UK printing published by Collins in 1970. The correct first issue with no ISBN number to the printing details page or to the lower edge of the rear wrapper flap. The BOOK is in Very Good condition. Light handling marks to a handful of pages and some light toning to the text-block and page edges due to the quality of the paper stock used. Some very light spots creasing and age related markings in a few places. Original illustrated boards with some light toning and spotting to the edges in places. Free from inscriptions. The WRAPPER repeating the board-design is complete and is in Very Good condition. Slightly nicked with a little rubbing at the spine ends and corners. Small losses to the spine ends . Light creasing to the edges. The wrapper is protected in a removable Brodart archival cover. Colour-printed illustrations by the author throughout. An attractive copy of the author's increasingly elusive second book and the first title in the acclaimed 'Mog' series. ISBN numbers were introduced in 1970 and it seems that the publishers had to introduce this whilst the book was being printed. The subsequent second state printing of the first issue has the ISBN number present on the printing details page and to the lower edge of the wrapper front flap. The second state wrapper also has a different blurb format to both flaps. A scarce survivor. More images available on request. Ashton Rare Books welcomes direct contact.</p> Collins, London hardcover
200613204Octon France: Verdigris 2006. Limited Edition. Hardcover. Fine in Fine Archival Box. Limited Edition. Hardcover. "The date of publication according to the artist and printer was Feb. 5 2006 which was the third anniversary of Colin Powell's speech to the UN Security Council. Parts of that speech are printed in black on the blood red recto of the rear free endpaper. 12 O'clock News was originally published in Geography III in 1976. Elizabeth Bishop's prose poem certainly surreal in outlook with a great sense of irony as well as parody takes a look at the author's desk top. but isolating images and viewing them as minutia. The results as detailed in Bishop's "new report" could not be any more wrong. The parallel with the American Secretary of State's speech at the U.N. is devastatingly obvious." artist statement. Tight bright and unmarred. Burgundy cloth hinges gray-green paper boards Japanese stab binding moon in yellow ink blood red endpapers; housed in drop spine archival box matching the binding. Oblong fo. pp. Numbered limited edition of 50 this being one of Signed by Rothchild. Verdigris hardcover
CNJL1266Octon France: Verdigris 2005. Limited Edition. Stiff wraps. Fine. Rothchild Judith. Number 4 of 10 de luxe copies total edition 50 oblong octavo size 22 pp. signed by the author and artist. James Sacre b. 1939 former professor at Smith College now residing in Montpellier is a French poet much of whose writing is concerned with literalism which rejects the poetic convention of lyricism. He wrote this series of poems in response to fellow French artist Judith Rothchild's four mezzotints. The four images can be viewed in sequence when folded out and displayed in a semicircle or read in page spreads side by side with the poems - the work builds on each other as in these lines: "ç'est visible que chacun / ressemble a ceux d'a cote / par un detail de forme ou bien / l'idee qu'il donne d'un lien" the mezzotints are so rich they look like they would feel like velvet to the touch; this work is a joy to behold on so many levels.<br /> <br /> ___DESCRIPTION: Original black wrappers with serigraph print by Rothchild concertina or "leporello" style wrappers stamped with title and two rows of squares in black marbled black and gray pastepaper guards and endpapers four gravure mezzotints with tissue guards text in French; handset in Vendome Romain and printed on an Albion Press Hahnemuhle paper oblong octavo size 7.5" by 8.5" 22 pp. limited edition this number 4 of 10 de luxe copies from a total edition of 50 signed by the James Sacre and Judith Rothchild. Accompanied by a signed and numbered print number IV of X on the right-hand side of a single leaf on the left-hand side a handwritten and signed poem by the author also accompanied by the original etched copper plate used for one of the illustrations. All housed in a matching fall-down-back box lined with matching marbled black and gray paper covered with black paper with black-on-black designs on the front black-on-black lettering on the spine.<br /> <br /> ___CONDITION: Fine; crisp clean as new and free of prior owner markings; the case overall fine a few light stray markings which are barely visible.<br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Verdigris unknown
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