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471042Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1883. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
471039Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1883. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
471040Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1883. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
471041Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1883. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
6207067460.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6207067452.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0471075574.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282895833.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666336822.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017401527.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183642314Paris: A la Librairie orientaliste de Ve Dondey-Dupré. 1836. Hardcover. Very Good. 8vo; xlii 2 324 pages; Contents clean and secure in a contemporary binding of quarter leather and marbled boards five raised bands and gilt lettering at spine marbled endpapers. Leather rubbed at extremitiesfirst blank after marbled endpapers detached. Fascinating and thorough history of the Saracens in France by noted medievalist Joseph Toussaint Reinaud. The Saracens the Arabs Berbers Moors and Turks invaded France at various times from the beginning of the 8th century and occupied the country for a century. Charles Martel defeated the Saracens at Poitiers in 732 driving them to Provence in southeastern France. They were defeated in several battles there but retained control of part of the Massif des Maures. They built a fortress on the heights overlooking the current village of la Garde-Freinet about 20 km northwest of St Tropez. From their fortress the Saracens raided the surrounding Provence for another two hundred years until 973 when Count William the Liberator defeated and expelled them. During the occupation the Saracens did share their advanced knowledge of medicine and the use of pine resin and cork-oak bark with the local inhabitants. . A la Librairie orientaliste de Ve Dondey-Dupré hardcover
1836YRG-372In-8, demi cuir vert, dos lisse, titre doré, 324 pp, complet des deux parties. Librairie Orientale. Paris.
1836YRG-384In-8 (21,5 x13cm), demi cuir vert, dos lisse, titre & fleurons dorés, tranches marbrées, 234 pages. Dondey-Dupré. Paris.
18423220Havana: Real Sociedad Patriótica 1842. First edition. Unbound. Some plates are chipped dogeared. Some tanned with foxing. Overall in very good condition. Lithographed title page and 48 lithograph plates. Lithographed title page and 48 lithograph plates. First edition. Unbound. <p><br /> Rare and remarkably extensive collection of 48 early lithographs by Frédéric Mialhe Cuba’s master lithographer. “One of the most outstanding enterprises of its kind ever attempted in Cuba.†Cueto<br /> <p><p><br /> A large collection of forty-eight prints of these early lithographs of Cuba created by Cuba’s master lithographer Pierre Toussaint Frédéric Mialhe 1810–1881. Mialhe a French artist and engraver arrived in Havana in 1838 to serve as the landscape painter for the newly established lithographic firm under the auspices of the Real Sociedad Patriótica de la Habana. Soon he produced three sets of lithographs among them the present series Isla de Cuba Pintoresca which as described by Emilio Cueto in his comprehensive book La Cuba pintoresca de Frédéric Mialhe stands out as one of the most outstanding enterprises of its kind ever attempted in Cuba. Mialhe must also be recognized for having been a pioneer in incorporating the use of the newly discovered technique of photography to help his lithographic endeavors. Collaborating with Italian photographer Antonio Rezzonico two of Rezzonico's daguerreotypes the earliest examples of cityscape photography in Cuba were reproduced in this series. <br /> <p><p><br /> Isla de Cuba Pintoresca covers the territories of Pinar del RÃo Havana Matanzas and Santiago de Cuba capturing the essence of mid-19th-century Cuba and offering glimpses of the everyday life on the island. It was originally planned as a set of 48 lithographs sold in installments of four black-and-white views each. The plates were printed at the establishment of the Real Sociedad Patriótica each bearing the title Isla de Cuba pintoresca and printed on two types of paper: simple white paper and China paper sized between 6.5–7 inches by 10–11 inches. <br /> <p><p><br /> Ultimately 49 distinct views were published with Cueto estimating that perhaps no more than 200 copies of the plates were printed. Due to the characteristics and the timeline of the publication spanning from 1839 to 1842 marked by interruptions and uncertainties and counting with the possibility of some prints being issued separately no two copies of this collection are identical. According to Cueto the most complete collection belonging to him comprises 53 plates including variants featuring minor modifications either in the image or in the title followed by the New York Historical Society’s collection which includes 46 plates in fact 47 as it includes a repeated plate. In Havana the National Museum of Fine Arts boasts the largest known collection with 43 plates. The José Martà National Library of Cuba holds 37 plates. Additionally there are only three other institutional collections with more than 25 plates: Yale University 36 plates the Cuban Collection of the University of Miami 32 plates and the Buffalo and Erie County Library 28 plates. The largest collections we have been able to trace at auctions are the Reese copy with 38 plates sold by Christie’s in 2023 and another set also sold by Christie’s in 2023 with 36 views.<br /> <p><p><br /> Our collection remained unbound and untrimmed comprises 48 plates of which one Puente de Almendares appears twice on different papers additionally it includes a title page originally accompanying the 10th installment. Printed on various quality papers the differences in size and condition are explained. The majority are on China paper thus preserved in very good condition while those on simple white paper show more signs of aging. <br /> <p><p><br /> This scarce and exceptionally comprehensive compilation serves as a testament to Mialhe's artistic skill and historical importance.<br /> <p><p><br /> Literature: Cueto E. 2010. La cuba pintoresca de Frédéric Mialhe. Biblioteca Nacional de Cuba José MartÃ.<br /> <p>. [Real Sociedad Patriótica] unknown
102071767X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022833685.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
114186519X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
114882023X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0365919683.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366262068.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927247631927. Paris Editions de la Nouvelle revue critique 1927. Un vol. au format pt in-4 248 x 196 mm de 9 pp. brochÂŽ sous couverture ˆ rabats rempliÂŽs. Edition originale. Tirage de tÂte : un des 20 premiers exemplaires du tirage numÂŽrotÂŽ sur vergÂŽ blanc de Hollande van Gelder Zonen. ''Il y avait dans le Nedjd un village dont l'ÂŽcole ÂŽtait dirigÂŽe par un vieillard dÂŽbonnaire. Au lieu de contraindre ses ÂŽlÂves ˆ rÂŽpÂŽter du matin au soir des versets du Koran il leur lisait des poÂŽsies qui exaltaient la douceur de vivre. Des rosiers toujours fleuris entouraient cette ÂŽcole o frÂŽquentaient aussi les papillons lorsqu'ils ne pouvaient plus rÂŽsister ˆ la brise''. TrÂs rares tout autant que discrÂtes rousseurs dans le texte. Du reste trÂs belle condition. b42961 unknown
192724763Paris, Editions de la Nouvelle revue critique, (1927). Un vol. au format pt in-4 (248 x 196 mm) de 9 pp., broché, sous couverture à rabats rempliés.
1927108068P., Nouvelle Revue Critique, 1927, pt in-4°, 90 pp, broché, couv. blanche rempliée, titre en brun au 1er plat et au dos, bon état. Edition originale tirée à deux mille exemplaires, tous numérotés, celui-ci un des 1940 sur papier alfa spécial des papeteries Outhenin-Chalandre
5764P., Nouvelle revue critique, 1927 ; in-4, broché. 89pp.-2ff. Couverture rempliée. Bon état.
199620789Cape Town: Published By the Editors 1996. First Edition . Hardcover. Very Good. Hardback. A near fine copy in a leatherette binding. A nice clean copy with no ownership inscription or other internal marking. Limited to 350 copies. 110 pages. Frontispiece map facsimile of a page of the monograph and 42 plates of which 10 are folding. <br/> <br/> Published By the Editors hardcover