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1890288516Scribner's 1890. Hardcover . Good. 304 pp.slight fraying to the crown and base of spine covers soiledfirst free end paper slight tear Muck raking work exposing the despair and harsh conditions of life among the poor in NYC. Includes chapters on Jew Town The Color Line the Italians and other groups. Led to major reforms includes floor plans for tenements to improve the lot of the immigrants. Monumental work in the reform movement. First Edition with matching dates of 1890 on the title and copyright pages. Also with "Trow's Printing and Bookbinding Company New York" printed at the bottom of the copyright page.OCLC Number: 457949205 Scribner's hardcover
3476Signed `J Van Huysum' lower right. Pencil and watercolour crowned shield with fleur-de-lys watermark. A fine image of two stems the longer topped by a mass of small white flowers the second much shorter showing the black berries.<br/> <br/> Jacob van Huysum was born in Amsterdam in about 1687 a member of a renowned family of professional flower painters who enjoyed considerable success in Holland. His father was Justus van Huysum 1659-1716 and his brother Jan van Huysum 1682-1749. Jacob painted in much the same manner as his brother and as with his brother's work many of his drawings betray the temperament of an artist rather than that of a botanical illustrator. His 'work especially in England has often been mistaken for his brother's. Van Huysum came to England about 1721 in which year he was living in the house of a patron Mr. Lockyear of the South Sea House. Subsequently he was patronised by Sir Robert Walpole who received him as an intimate of his house at Chelsea and employed him to paint flowerpieces. for the decoration of the great house at Houghton in Norfolk' DNB . He also provided the majority of the drawings for the 50 illustrations to John Martyn's Historia Plantarum Rariorum London: 1728-38 as well all the drawings to another work Catalogus Plantarum. A catalogue of trees shrubs plants and flowers London: 1730. The present drawing shows the painterly approach where the artist whilst not sacrificing botanical accuracy tries to capture the essence of his subject. His work offers a contrast to the more strictly scientific approach of Georg Dionysius Ehret his younger contemporary and sometime colleague.<br/> <br/> Cf. Henrey II p.213. unknown
106489Berlin Ringmacher 1780. Kl.8°. Kupferstich-Fonti. XXVI 360 S. 3 Bl.Register; Kupferstich-Fonti. 48 S. // 35–265 S.// 269–322 S.// 325–368 S. Kart-Bd. d. Zeit m. Rückenschild. Deckel etwas berieben. Namenszug a. Vors. min stockfleckig - insegesamt ein sehr gutes Exemplar. Beigebunden: De Regeneratione das ist : von der Neuen Wiedergeburt… Berlin Ringmacher 1779//Bedencken über Esaie Stiefels Büchlein: Von Dreyerley Zustand des Menschen Endet mit dem Absatz 109. 110 wird in der Kustote genannt die Seite taucht aber nicht auf / und dessen newen Gebuhrt…Amsterdam 1682//Apologia betreffend Die Vollkommenheit des Menschen. Das ist eine gründliche Antwort auff Esaie Stiefels und Ezechiel Merths Auslegungen… Amsterdam 1682//J. B. Zweyte Apologia wider Balthasar Tilken Handelnde . Von dem ewigen Fürsatz und Gnaden-Wahl Gottes… Amsterdam 1682//Judicum Gregorii Richteri…; Apologia Oder Schutz-Rede zu gebührlicher Ablehnung des schrecklichen Pasquills und Schmähkarten… Amsterdam. 1682 010 Berlin, Ringmacher, 1780 unknown
60943A woman lighting a rocket in a courtyard; on the right background a festive crowd bearing fire. On the left background behind the woman a spinning wheel is on fire.The title literally translated means: 'freedom makes me going'. Hanging from the woman's hip are a horn keys a bottle and a pipe.The series designed by Dusart and engraved by Gole illustrates the end of the siege of the city of Namur begun in 1692 by the French troops of Louis XIV. By 1st September 1695 the French surrendered to the Grand Alliance.Titled on the bottom: 'De Vrede maakt my gaande' signed below on the left: 'C. Dusart inv: et fec: J Gole exc. cum Privilegio ord. Holland. &.'Vrede - peace - Lodewijk XIV - Frankrijk - Willem III - Nederland - mezzotint - boeren Mezzotint on paper; plate mark: 242 x 179 mm; total: 256 x 193 mm; state IV/4; in great conditions sparse pencil notes on the verso; in passepartout; Hollstein 36 Muller 2939/5a Weigel 50 Krieg der Bilder : Druckgraphik als Medium politischer Auseinandersetzung im Europa des Absolutismus Wolfgang Cillessen p. 334-335. unknown
60783Trompe l'oeil of a wall on which a print and some paper are hanging.The print is a portrait of Gerardus Kulenkamp 1700-1789 born in Bremen preacher in Nieuw-Loosdrecht Delft and Amsterdam.The painter copied with some modification a portrait drawn by Jan Maurits Quinkhard 1688-1772 and engraved by Jacob Houbraken 1698-1780. In fact the original portrait shows the preacher in half-length with both arms visible whereas in the drawing Kulenkamp is portrayed in an oval frame. An inscriptions runs on the top half of this very frame: 'GERARDUS KULENKAMP Bremensi Aetat XXXIX. V.D.M. Amstelodamensis'. The print is attached to the wooden board with two sealing waxes. The painted print shows some damage along the margins and in order to enhance the live effect Hoffham has marked in light grey also the plate mark especially on the left margin.The portrait is signed on the bottom right: 'H: Hoffham Junior. Fecit 1750.'. Hoffham as already mentioned was inspired by the print by Houbraken. From the same print comes in fact the text reported on the piece of paper on the right only partially visible. The text was composed by Cornelius de Cuyper 1707-1786 as reported on the bottom line. Not known is the source of the text on the left for the most part concealed by the piece of paper in the middle. On this one reads: 'OP DE AFBEELDINGE / Van den Eerwaarde en Geleerde Heer / GERARDUS KULENKAMP. / getrouw en veel geacht Predikant tot Amst: / De groote KULENKAMP dat Licht die wakk're Held! / Die Flonker Ster der Kerk in de YStadt; die Zich steld / Met onverschrokten Moed het dwaal Rot te bestryden; / Die den Amechteling aan Christus toe gaat wyden / Staat kunstig hier verbeeld door HOFFHAMS Phenix Pen / Wie is't die KULENKAMP niet voor een Wonder ken.s / Comp. G: de JONG.'Unfortunately hardly anything is known about this German draftsman. On the bottom right a later signature in pen and brown ink added: 'G . te Maarsten.' Drawing in color on light brown prepared paper mounted on paperboard pen and ink wash and oil; total: 335 x 244 mm. Within wooden frame. In very good condition unknown
61107Monumental composition with the Holy Family in the center surrounded by shepherds in adoration of the newly born Christ. On the background ruins in mountainous landscape. Above angels flying.The Adoration of the shepherds; the Christ child appears to hover and radiates light besides a cow and a donkey; the Virgin and Joseph and shepherds surround Him and look in awe; on either side of the airy space are two broken columns and the high-ceiling comprises wooden rafters where various putti frolic.Inscribed at the bottom: Promissus nobis hic Christus nascitur infans / Vt redimat nostramo precioso sanguine culpam. / C. Schoneus.Signed on the bottom left: Taddeo zucchero Inuent / I Matham sculp.NL De aanbidding van de herders; het Christuskind lijkt te zweven en straalt licht uit naast een koe en een ezel; de Maagd en Jozef en de herders omringen Hem en kijken vol ontzag; aan weerszijden van de luchtige ruimte staan twee gebroken zuilen en het hoge plafond bestaat uit houten spanten waar verschillende putti ronddartelen. Engraving on paper trimmed within plate mark; total: 583 x 391 mm; State I/2; some restorations on the verso and some stains in the front: on the left shoulder of the shepherd in the foreground and on the heads of the angels above. Outstanding engraving. New Hollstein 20; Hollstein 38; Bartsch 235. Rare. unknown
19821517PABEL/MOEWIG VERLAGSUNION 1982-83. 1. softcover. Tarot 357636043616 PABEL/MOEWIG VERLAGSUNION paperback
163711639Dordrecht Hendrick van Esch voor Matthias Havius 1637. 2 uitvouwbare titelprent 52 772 136 p. Origineel Leer met ribben goudbestempeld groot 4° met tekstgravures fraai exemplaar Dordrecht, Hendrick van Esch, voor Matthias Havius unknown
177018656Nrnberg : Martin Jacob Bauer - Bauer Mannischen Buchhandlung 1770-1791. 185x115mm. Bindung halb Kalb zurck mit falschen Nerven verziert rote Scheiben Bibliothek Briefmarken. Schne Serie in der Periode Bindungen. 2096 Martin Jacob Bauer - Bauer Mannischen Buchhandlung unknown
007935Clover Hill Editions 27 Barnsbury Square London N1: Douglas Cleverdon. Rampant Lions Press 1977. Limited Edition . Hardcover. Fine/Fine. Folio - over 12 - 15" tall. JONES David 1895-1974. Fine in a Fine Dust Jacket 1977 Limited Edition 10 pls. In quarter grey cloth over green marbled boards gilt titles to spine orange DJ black ink titles. Internally half title 9 1 2 3-30 pp 1 2 1 blank 1 printing details 10 wood engravings by David Jones one of 250 copies on Barcham Green mould-made paper printed by Will Carter at the Rampant Lions Press Cambridge in the Golden Cockerel type designed by Eric Gill top edges cut remainder not. Accompanied by the full size prospectus with the engraving printed from the original wood-block and a customer receipt. Originally published in 1927 by the Golden Cockerel Press. Berger - Medieval English Drama: An Annotated Bibliography. #21. 329253 mm. In PRISTINE condition. The engravings was lost because the heavy hand-made paper had not been dampened. Our copy is the Clover Hill edition which was expertly reprinted in 1977 depicting the plates in their true glory. <br/> <br/> Douglas Cleverdon. Rampant Lions Press hardcover
73029Frankfurt Joh. Goerlin 1685. Kl.8° Kupferstich-Fronti. 15 Bl. 293 S.; 208 S. Die Anmerckungen erster Theil; 272 S.; 287 S. Die Anmerckungen anderer Theil. Insgesamt 24 Falt-Kupfertafeln. Orig.-Perg . m. handschriftl. Rückentitel Umschlag etwas fleckig gebrauchspurig - war wohl im Feld!. Vorderer fliegender Vorsatz fehlt. Hinterer fliegender Vors. teilweise fehlend. Hibteres Gelenk etwas gelockert. Marginalien von alter Hand auf Vorsatz u. Titelblatt dort auch Stempel. 10 Blatt teilweise wasserrändig und gebräunt etwas stockfleckig einige Blätter am Steg angesetzt kein Textverlust. Johann Jacob Werdmüller 1644-1695 kaiserlicher Ingenieur 1672 Oberstleutnant u. Ingenieur des Kurfürsten Johann Georg III von Sachsen 1687 Kommandant von Aschaffenburg 1688 starb bei der Belagerung von Namur Verfasste verschiedene Schriften über das Befestigungswesen. BLS. Er ist Praktiker des Schlachtfeldes und kein Theoretiker.Tobias Büchi nennt in seinem Werk: «Fortifikationsliteratur des 16. und 17. Jahrhunderts» Einsiedeln 2015 andere biographische Daten - 1649-1693.Traktate deutscher Sprache im europäischen Kontext. In diesem Werk bezog sich Werdmüller auf das Buch von Anthoine de Ville 1596-1658: «Les fortifications du chevalier Antoine de Ville contenans la manière de fortifier toute sorte de places.» Lyon 1640.- "Einer der tüchtigsten Ingenieure der Zeit der wegen seiner klassischen Grobheit berühmte schweizerische Condottiere Joh. Jakob Werdmüller. Ein Gegner der gelehrten Neuerer bestrebt die altholländische Fortifikation zu verbessern" Jähns. Die Zürcher Bürgerfamilie Werdmüller ist seit dem 14. Jh. in Zürich nachgewiesen und deren gesicherter Stammvater der Müller Otto gestorben 1462 ist. Im 15. Jh. gehörten die W. zu den einflussreichsten Handwerkerfamilien der Stadt. Ausgehend von Ottos Urenkeln Otto und Beat 1517-74 teilte sich die Fam. in zwei Hauptlinien. Die Zweige waren entweder im Seiden- und Tuchhandel oder als Offiziere in militärischen Diensten tätig. 010 Frankfurt, Joh. Goerlin, 1685 unknown
177431672Leipzig: Breitkopf Und Härtel Lpz. . Very Good with no dust jacket. 1774. Hardcover. Machinery; German Language; Engravings; Folio 13" - 23" tal; 5 164 6 4 plts; 112 188 pages; Theatrum machinarium oder Schau-Platz der Heb-Zeuge : in welchem nicht nur angewiesen wird wie durch Menschen und Thiere gewaltige Lasten bequem fortzubringen sondern auch mancherley Arthen der vornehmsten gebrauchlichsten dauerhafftigsten und curieusesten wie auch simplesten Machinen Lasten von ungeheurer Grosse und Schwehre so wol von einem Orth zum andern nicht allein fuglich fortzuschaffen als zu erheben niederzulassen und mit Geschicklichkeit von einer Seite zur andern zu wenden vorgestellet werden. -------------16.5 x 10". Folio modern buckram. With 56 plates one foldout with lightly frayed edge. Light to moderate foxing. Complete with 1/2 title. BOUND WITH: Theatrum machinarum generale = Schau-Platz des Grundes mechanischer Wissenschafften das ist Deutliche Anleitung zur Mechanic oder Bewegungs-Kunst : darinnen nicht nur die funff einfachen Rust-Zeuge und die dabey nothigen Lehr-Satze deutlich erklaret . Sondern auch die so genannten ausserlichen Kraffte als der Menschen Thiere Lufft Feuer Wasser Gewichte und Federn nebst ihren hierzu dienlichen Eigenschafften und behorigen Machinen beschrieben werden_ _. Theatrum Machinarum Generale. Schau-Platz. Leipzig: Breitkopf 1774. Neu aufgelegt. Folio. With 71 plates. Light to moderate foxing. Markings on bottom edge. OCLC 258219387 - for 1st title locating 2 copies. 2nd title located no copies. A German study of hydraulics with pulleys levers and other such machines. 5 164 6 4 56 plts; 112 188 71plates. A total of 127 impressive and clear full page plates are in the two works combined. Firmly bound in cloth. . Breitkopf Und Härtel, Lpz. , hardcover
9a418Luneburgi ex privilegiata typographia privater Druck des Autors 1684/1685/1686. 10 Bl. 4 Bl. 6 674 Bl. 298 Bl. 87 1 Bl. 144 Bl. 104 31 1 Bl. mit 2 verschiedenen Portraittafeln von Dornkrell und 2 doppelseitigen Kupferstichen einigen gestoch. Textvignetten sowie zahlr. Tabellen original Pergament Folio. - Bedeutendes Werk von Jac. Dornkrell Lüneburg 1643 - Hamburg 1704 enthält sein angesehenes "Biblia historico-harmonica & dogmatico-parallela" und die Verteidigung dieses Werkes unter Justus Christoph Schomer. "Die Texte wurden nach Art unserer modernen Synopsen nebeneinander gedruckt. Zugleich wurde die Methodik dieser Forschung eingehend erörtert. Der erste Teil dieses aus wissenschaftlichem Geiste hervorgehenden Werkes wurde 1683 bei Stern gedruckt. Aber schon im nächsten Jahre hat Dornkrell in seinen "Musäeum" in Lüneburg eine eigene Presse aufgestellt auf der Andreas Holwein für ihn druckte". Dumrese & Schilling Lüneburg und die Offizin der Sterne. - unknown
3L2121. und 2. Auflage Johann Brandmueller Basel 1728/1729. Zusammen 4221 S. original Pergament-Einbände folio Einbände fleckig/teils stock- und braunfleckig/1 Vorsatz sporfleckig/Vorsätze und Titel gestempelt. -Zischka 4. Eins der Umfangreichsten Lexika der Zeit. Auch als Basler-Lexicon bekannt - unknown
16-5404Paris Amsterdam : 1691 Chez Pere Peters aÌ€ l'enseigne de Louis le Grand 1691. 4to 16.9 x 22.9cm contemporary vellum engraved arms of the dukes of Queensberry gilt to boards engraved title-page 20 mezzotint roundel caricatures of 24 engraved leaf of text 'Sonnet' bookplate of John Erskine Esqr Advocate boards sprung and marked variable spotting and soiling to contents contemporary inscription to head of title-page closed marginal tear to 'Le roy de France' plate 'Le père Petres' with repaired closed tear to gutter just extending into platemark. Morgan Library: Contains a satirical poem "Sonnet. Reponse des refugiez aux persecuteurs" following 24 caricature portraits representing persons playing an important role in the religious struggles at the time of the revocation of the Edict of Nantes. Each portrait is accompanied by a quatrain. The portraits have been ascribed to C. Dusart and with less probability to L. Gaultier.Hollstein attributs mezzotints to Gole after drawings by Dusart and Picart.Engraved title page and sonnet portraits in mezzotint.Hollstein attributes mezzotints to Gole after drawings by Dusart and Picart.Note: Rare collection of grotesque caricatures of figures implicated in the repression of French Protestants after the revocation of the Edict of Nantes in 1685. Each portrait is accompanied by a satirical quatrain. Sold as a collection of prints.OCLC Number 4590695:Fictitious imprint; actual place of publication from Brunet G. Imprimeurs imaginaires et libraires supposeÌsAll leaves engraved including title-page with calligraphic flourish; and satirical poem entitled "Sonnet. Reponse des refugiez aux persecuteurs." Remaining 24 leaves are 24 grotesque mezzotint caricatures of Louis XIV Madame de Maintenon Louvois le peÌ€re La Chaise and other anti-Protestant figures and enforcers of Louis XIV's anti-Huguenot policies; with his revocation of the Edict of Nantes in Oct. 1685 Louis ordered the destruction of Huguenot churches and the closing of Protestant schools; sometimes attributed to Cornelis Dusart; each portrait medallion with caption above and 4-lines of satiric verse below.Rare édition originale en reliure de l’époque. "Cet ouvrage rare est entièrement gravé en manière noire. Chaque estampe est accompagnée d’une explication en style satyrique. Les figures sont grotesques et représentent divers personnages qualifiés qui prirent une part active dans les troubles de religion qui agitèrent le royaume sous Louis XIV". Peignot Répertoire des bibliographies spéciales curieuses et instructives 1810 III pp. 197-198 ; Brunet III 130.Petit in-4 169 x 229 mm. 1 titre gravé 1 sonnet gravé en fin de volume et 20 planches gravées en manière noire chacune composée d’une caricature en médaillon surmontée d’un titre gravé et assortie au bas d’un quatrain.Bibliographic referencesHollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 352-375 Paris [Amsterdam?] : 1691, Chez Pere Peters, à l'enseigne de Louis le Grand, 1691 hardcover
#[60906]On he bottom left two farmers walking with their dog. On the background and on the foreground on the right big trees and trunks of trees. Impressive etching darker to enhance the foreground to the right and lighter on the left. Signed at the bottom within the plate: "Ruisdael f." l Etching on laid paper with margins; plate mark: 193 x 280 mm total: 218 x 296 mm; state II/2 or 3 in outstanding conditions despite small rust stain towards the bottom right; Hollstein 2 with smaller measures probably the exemplars examined were trimme unknown
173080985Geneve : Fabri & Barrillot 1730. 255x200mm. XV - 556 4 ff. 518 pages. Vignettes gravÂŽes sur le pages de titres. Titre en rouge. En tout 16 panches: 11 planches et 5 planches dÂŽpliantes. Tome premier: une planche dÂŽpliante de Geneve du cotÂŽ du Septentrion une planche dÂŽpliante de Geneve du cotÂŽ du Ã’MidyÓ 1 planches de monnaies 1 carte dÂŽpliante de GenÂve et Savoie 1Âre partie - avec une petit dÂŽchirure dans le bord sans atteinte ˆ la carte. Tome second avec 10 planches de sceaux 2 planches dÂŽpliantes: 1 carte historique et une grande carte de GenÂve Lac 2Âme partie. Bandeaux lettrines culs-de-lampes. Reliure plein veau de lՎpoque. Dos ˆ nerfs. Fleurons dorÂŽs. PiÂces de titre et tomaison en cuir rouge. Tranches rouges. Page de garde papier marbrÂŽ. Coiffes abimÂŽes. Haut des charniÂres du tome premier fendu sur 3cm. IntÂŽrieur en bon trÂs ÂŽtat sans rousseurs. La meilleure et la plus belle ÂŽdition de cet ouvrage en trÂs belle condition malgrÂŽs les quelques dÂŽfauts des reliures dՎpoques intÂŽrieur en parfaite condition. Spon prÂŽcurseur de lÕarchÂŽologie de GenÂve et le premier ˆ faire connaitre lÕhistoire de sa ville cette ÂŽdition est augmentÂŽe et annotÂŽe par Jean Antoine Gautier et Firmin Abauzit. Gautier lui-mÂme auteur dÕune magistrale histoire de GenÂve laissÂŽ longtemps en manuscrit et ÂŽditÂŽ de 1896 ˆ 1911 en 8 volumes. Carte dÕAntoine Chopy dÕaprÂs Fatio et RovÂŽrÂŽa gravÂŽe ˆ Lyon en 1730 par Daudet. Lonchamp p. 318 rÂŽf. 2770. DHBS - 6 - 299. DHBS - 3 - 336. Senebier - Hist. Litt. de Geneve tome 2 - 319. Le livre ˆ GenÂve page 116. Bibli. Nat. Suis. cartes 1896 p. 235. 2615 Fabri & Barrillot unknown
#[21105]Leyden Pieter vander Aa 1706. Sm.8vo. Contemporary blind-tooled vellum. With 2 engraved folding maps and 4 folding engraved plates. 419017 pp. Second Dutch edition. Separately issued as a supplement of the collection of Van der Aa Naaukeurige versameling der gedenk-waardigste zee en land reysen. - Jacob Janssen de Roy's book the largest single description of Borneo printed during the century which probably appeared in 1698 or 1699 for the first time is an extended apologia written to the governor-general and council at Batavia by a skipper who had lost his ship on the coast of Borneo in February 1692 as a result of the mutiny of his largely Chinese and Javanese crew. He and his shipmates barely survived hunger thirst exposure hostile natives and treachery before receiving good treatment and protection from the king of Banjarmasin in return for military assistance. Despite obtaining trading rights for the VOC Roy was outlawed for absconding with the ship's money and subsequently sailed as a free trader in the Indies visiting Borneo Sumatra and Siam. Having acquired a considerable fortune from his enterprises he was employed by the king of Siam to dispose of a certain English pirate who was visiting Siamese waters. The Roy's account includes brief descriptions of both Brunei and Sukadana although most of his description concern Banjarmasin. He also provided European readers with their first published description of Borneo's interior and of the people who lived there Lach Asia in the making of Europe III p.1390-1395. - Including an extensive description of the gold and diamonds mines on Borneo and the pirates of Palembang. - A fine copy. Landwehr VOC 291; Tiele 944; Cat. NHSM I p.176; Wellan-Helfrich D 320-321; Howgego p.911. hardcover
1775032819<p>London: T Payne; P Elmsly; B White; and J Walter 1775 A very good 3 volume set with 29 plates some text engravings and 3 maps as called for in contemporary full calf bindings. Jacob Bryant 1715-1804 is chiefly known for this work which attempts to link the mythologies of the world to stories and events in the book of Genesis. It was seen as an important publication and is credited with influencing the work of William Blake. Blake was apprenticed to the engraver James Basire whose name appears at the bottom of most of the plates and is believed to have worked on them. The bindings are in very good clean condition and have been rebacked at some point retaining the original spines with gilt decorative compartments and red title labels. The boards are in very good condition with some corner wear. The marbled endpapers look to be contemporary with repair at the joints. There is the armorial bookplate of William Orme Foster 1814-1899 to the front pastedowns. He was an iron and coal-master owning the firm of John Bradley and Co and was MP for South Staffordshire 1857-68. All 3 volumes have page markers and all page edges have been yellowed. Volumes I & II are 2nd edition; Vol III is a 1st. Vol I: half title; title; preface pp v-xvii; blank; plate list p xix; text 1-516 with 10 'plates' of which the final is un-numbered and inserted at the end of the text. Vol II: half title; title; plate list pp iii-vi; text pp 1-535 with 19 plates one by Cipriani and one by Chambars - the final plate un-numbered and at the end of the text. Vol III: half title; title 1776; preface pp v-viii; text pp 1-601 with 3 maps 2 of which are folding and one of which is credited to Basire. There is a final engraving before the Finis. Contents are in very good condition. The occasional page is toned and there is very occasional spotting mostly on the final blanks. There is offsetting from the plates only one of which is tissue-guarded. The offsetting affects pages before and after the plate. There are a couple of ink amendments to mistypes in Vol III. The rear bottom corner of Vol II is quite fragile as are the front corners of Vol III.</p> T Payne; P Elmsly; B White; and J Walter hardcover
40751Amsterdam: Chez Henry & Theodore Boom 1679. . Second edition two volumes 12mo. pp.456;489 full vellum with hand-lettered spines 32 engraved plates pictorial vignette to titles; small ink autograph to title page of Volume I with small ink mark also to revserse of frontispiece and inked number to vellum at inner dentelle of front endpaper to Volume II light creasing to fore-edges of prelims clean within a very good set indeed. Amsterdam: Chez Henry & Theodore Boom, 1679. hardcover
1779262121779. Wien apud Rudolphum Graeffer 1779 8° Titelvignette 176 pp.; Venetiis apud Franciscum ex Nicolao Pezzana 1779 64 pp.; Ledereinband d.Zt. mit reichl. Rückenvergoldung. Rare First Edition! Joseph Jakob von Plenck's 'Doctrina de morbis veneris' 1779 is the venereology counterpart to his famous 'Doctrina de morbis cutaneis' and one of the earliest systematic Latin handbooks devoted specifically to venereal diseases written from the perspective of an 18th-century Vienna-based clinician. It is important because it applies an Enlightenment-era classificatory and nosological framework to venereal diseases at a time when "morbus gallicus" and related conditions were still conceptually fluid. By systematizing syphilis gonorrhoea and other venereal affections into defined classes and species he helped move venereology from a predominantly empirical-practical art toward a more theoretically ordered branch of special pathology parallel to what he achieved for skin diseases. In the broader history of dermatology the 1779 first edition stands as an early link between cutaneous medicine and venereology in Central Europe foreshadowing the later 19th-century fusion of "Haut- und Geschlechtskrankheiten" as a combined specialty. Joseph Jakob von Plenck 1738/1735-1807 was a Hungarian-born physician who became professor in Vienna and is often named as the founder of Austrian dermatology. "In demselben ist keine einzige der damals bekannten Formen dieser Erkrankung übergangen." Lesky 511; Proksch II 438 Duparc - A very rare first Latin edition with only one copy recorded in the ICCU of this work by the renowned French physician Joseph Jacques Gardane who was my professor at the University of Montpellier: In this work the author describes a simple method for the treatment of venereal diseases. The author had already addressed the subject some ten years earlier in his work 'Recherches pratiques sur les différentes manières de traiter les maladies vénériennes' and the study presented here is a supplement to that work in which the author introduces a new simple method of treatment. Schönfeld 43; Richter 177-78; Hirsch-H. IV 590; Pusey Hist of Dermatology 57-58; Blake 356; Engelmann 434 unknown
1777217471777. Wien Aoud Rudolphum Graeffer 1777 8° 219 5 pp. Pappband d.Zt.; feines Expl. Erste Ausgabe! "Ich kenne keinen -Schriftsteller der diese Wissenschaft in einer so vollständigen und wohlgeordneten Kürze vorgetragen hat. Das Buch hat eine gute Terminologie . Es beschreibt 118 Augenkrankheiten und die nöthigen Operationen. Zum ersten Male seit Ali Isa sind die Cadres der Augenheilkunde vollständig aufgestellt." Hirschberg "Ein systematischer Kopf dessen Belesenheit unglaublich is wovon uns seine Werke beweis genug sind." Beer Bibl. Opthalmia Bd.1 S.21. "Ich kenne keinen Schrifsteller der diese Wissenschaft in einer so vollständigen und wohlgeordneten Kürze vorgetragen ." Richter Chir. Bibl. First Edition. The first book that came from Europe to Japan was Plenck's "Doctrina de morbis oculorum". It was called 'A new book of western opthalmology and introduced western opthalmology to Japan'. Hirschberg §480 p.589; Waller 7526; Lesky 511; Hirsch-H.IV 632. unknown
1769130547HGaine 1769. leather. Very Good. 1769 H. Gaine New York leather bound volume. Boards are scarred with small loss to spine label. Ownership ink to end papers. Pages toned. No designation of printing other than "The sixth edition corrected and improved with many Additions from Lord Raymond Comyn." Please email for photos. H,Gaine hardcover
178034Berlin: Berlin and Leipzig: Christian Ulrich Ringmacher 1780. Bound in veined pattern black paper boards. 12mo 5.75 x 3.75 inches 1 XXVI 2 360 pp. 4 German Condition: Very Good. Very Good. Jacob Böhme's Aurora with Possible Jacobi Provenance<br /> <br /> Jacob Böhme<br /> Morgenröte im Aufgang das ist: die Wurzel oder Mutter der Philosophiae Astrologiae und Theologiae. Neue Auflage. 1780<br /> <br /> Publisher: Berlin and Leipzig: Christian Ulrich Ringmacher 1780<br /> 12mo 5.75 x 3.75 inches<br /> 1 XXVI 2 360 pp. 4<br /> German Condition: Very Good<br /> <br /> An important Berlin and Leipzig printing of Jacob Böhme's Aurora Morgenröte im Aufgang the first and most influential of his writings. Originally composed in 1612 this mystical text brought charges of heresy against Böhme but went on to shape the course of German theosophy Pietism and esoteric philosophy. The Aurora sets out his vision of creation and divine order blending philosophy astrology and theology into a spiritual cosmology that would influence generations of thinkers.<br /> <br /> The engraved frontispiece "Aurora" and accompanying emblematic plate continue the tradition of the Gichtel engravings first introduced in the Amsterdam editions of the 1680s by Böhme's follower Johann Georg Gichtel. These images became the definitive visual expression of Böhme's cosmology and were reproduced in later editions such as this.<br /> <br /> Bound in black pastepaper with veined pattern pastedown with a manuscript spine title.<br /> <br /> It is in Very Good condition with light foxing in places a small stain at pp. 121/128 scattered toning and an ownership inscription on the endpaper dated 1857.<br /> <br /> The inscription "J. L. Jacobi Gotha 1857" likely refers to Justus Ludwig Jacobi 1815-1888 Protestant church historian and professor at Halle who wrote on early Christianity and heterodox theology. His field of study and the place and date of the inscription align closely with ownership of Böhme's Aurora making this a probable provenance. Berlin and Leipzig: Christian Ulrich Ringmacher unknown
003402Viennae: Apud Rudolphum Graeffer 1775. Hardcover. Very Good. Octavo. 251 xpp. First edition. Contemporary calf rebacked. At the end a good number of sheets bound in for additional notes; some filled in by a contemporary hand. BOUND WITH: Pharmacopoea Austriaco-provincialis Vienna Trattnern 1780. <br/> <br/> Viennae: Apud Rudolphum Graeffer, 1775. hardcover