PALINGH, AbrahamBiblio.com
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1659ABC_47611Amsterdam: J. Rieuwertz 1659. Contemporary overlapping vellum. Small 8vo. With a woodcut title-vignette showing a witch on a broomstick leaving a house through the chimney 4.3 x 5.2 cm 13 etched full-page illustrations on 8 plates by Salomon Savry. An exceptionally rare first edition of a book focusing on the subjects of witchcraft sorcery demonology and black magic. The author passionately expresses his dissatisfaction with the brutalities inflicted upon individuals accused of being witches using vivid and disturbing illustrations as evidence. Notably the book features a captivating woodcut title vignette depicting a witch's daring escape through a chimney. In the image her legs hang from the opening inside the house while she simultaneously rises on her broom outside the chimney creating a striking visual effect. Abraham Palingh is a somewhat elusive figure in Early Modern Dutch literature and his book provides a fascinating insight into the attitudes of an educated man toward witchcraft. He claims that his 't Afgerukt Mom-aansight Der Tooverye is based on firsthand accounts. Information regarding the occurrence of harmful sorcery and attitudes towards sorcery in Amsterdam and Haarlem has been documented from the initial witchcraft trials to the point where such crimes were no longer a concern for the judiciary. Between 1542 and 1566 trials for harmful sorcery took place in Amsterdam while Haarlem witnessed similar trials in 1549. Historical accounts of both cities as well as Jacobus Scheltema's History of Witch Trials published in Haarlem in 1828 make mention of sorcery trials in Amsterdam. However these references often provide only superficial details despite the potential for valuable insights found in the actual procedural documents. Conversely little information about witchcraft in Haarlem can be gleaned from existing literature. Abraham Palingh author of 't Afrukt Mom-aansight der Tooverye published in Haarlem in 1659 briefly mentions a few cases of sorcery accusations that he claims to have personally known yet his accounts remain vague.The fine and copperplate illustrations were made by Salomon Savry 1594-1683. He was a recognised engraver of his time highly involved with the Amsterdam book industry of the seventeenth century. Some wear to binding. Ex libris from the library of Leontine Buijnsters-Smets. Light browning and foxing. Otherwise in very good condition.l Bibl. Med. Neerl. I p.150; Muller 539 1725 edition; Scheepers I 552; STCN 841091951 12 copies; Waller 1315 1725 edition; WorldCat 56854247 3 copies. J. Rieuwertz, hardcover
16191516Hantvverpen Antwerp: Hieronymus Verdussen 1619. First Edition in book form. Near Fine. Bloemart Abraham. 4to 8 7/8 x 6 3/4 inches 251 x 171 mm. ix pp 51 sheets on cream laid paper text in Dutch gothic letters. 50 numbered full page copperplate engravings of Christian hermit saints 25 male 25 female printed recto with text pages on verso. Full-page frontispiece for the work and with an additional full-page frontispiece for each of the two sections. Full contemporary vellum untitled with some handling discoloration but the vellum remains supple and the binding is tight. Pages clean and bright with a couple of foxing spots and a small brown stain on the 2nd frontis titled "Sacra Eremus ascetarum"; toned page edges. Previous owner's name and date in ink on front flyleaf and small pencil and ink notations inside back cover; bookplate of Buijnsters Smets pasted inside front cover.<br /> De Backer/ Sommervogel VII 194-5; Hollstein 355-403; Roethlisberger 163 ill. 262-317<br /> <br /> Full title: 't Bosch der Eremyten ende eremilinnen van Aegypten ende Palestinen met figuren van Abraham Blommaert door Ghristophorus a Sichem. Met kort verhael van een yders leven getrocken uyt het Vadersboeck door H. Jan van Gorcum Priesler ende H. R. Societatus sic Jesu. The Forest of the Hermits of Egypt and Palestine with illustrations by Abraham Blommaert engraved by Ghristophorus a Sichem. With brief stories of their lives taken from the book of the Fathers by H. Jan van Gorcum priest of the Society of Jesus. A fine series of engravings of the early Christian male and female hermits living in the Egyptian and Palestinian desert engraved in copper by Boetius A Balswert on drawings by Abraham Bloemart 1566 - 1651 the Dutch painter and engraver know mostly for his historical subjects and for being a central figure and teacher among the Utrecht Caravaggisti. <br /> Provenance: the library of the book- and art-historians Piet Buijnsters and Leontine Smets. Hieronymus Verdussen unknown
161918555<p>Very Good HC. Text in Dutch blackletter; tekst in het Nederlands gotisch. Full contemporary vellum; untitled; raised bands on spine; red edges; 50 numbered full page copperplate engravings of Christian eremite saints 25 male 25 female printed recto with text pages verso; full page frontispiece for work as well as full page frontispiece for female section. Vellum in very good condition with some handling discoloration remains supple; ties at cover fore edges lacking; tightly bound; few pencil notes on front pastedown; without free end papers; lacking frontispiece for male section leaf A!; facsimile laid in; few leaves with light damp stains or soiling mostly in margins otherwise light and clean interior; one leaf B3 with large chip at top fore corner not affecting portrait but with some text missing from marginal notation on verso see photo; all leaves remain supple. 25 x 18 cm; 51 text pages; 50 numbered plates 2 frontispiece plates; in 4s. Ref OCLC #901301549.</p> Hantvverpen (Antwerp): Hieronymus Verdussen hardcover
175214421Amsterdam c1752. 565 by 935mm. 21.5 by 36.75 inches. Engraving with etching on two sheets joined. View of the Plantage Muidergracht and the Jonas Daniël Meijerplein. The view shown from the present day Mr. Visserplien the busy intersecti.on in central Amsterdam depicts the Portuguese Synagogue on the left and the High German or Great Synagogue. These momumental buildings now house the Jewish Historical Museum. The first Jews to settle in Amsterdam were the Sephardim who had been expelled from Portugal and Spain in 1493. They were joined in the following decades by the Ashkenazi from Central and Eastern Europe the first of whom had come from Germany in 1600. In those years the only available land for them was at the outskirts of the eastern side of the Centrum the island of Vlooienburg surrounded by the Amstel River and the canals so they settled along the island's main street Breestraat which quickly became known as Jodenbreestraat. The Great Synagogue now the Jewish Historical Museum and the Portuguese-Israelite Synagogue were opened in 1671 and 1675 respectively. The Portuguese Synagogue was the place where Spinoza was placed under the ban by the Sephardic Jewish community in 1656. Pieter Stevensz. van Gunst 1659-1732 also known as Pieter Stevens van Gunst or Petrus Stephani was a Dutch draughtsman copperplate engraver and printmaker active in Amsterdam London 1704 and the Dutch town of Nederhorst 1730-1731. Abraham Rademaker 1677 21 January 1735 was an 18th-century painter and printmaker from the Northern Netherlands. Rademaker was born in Lisse. According to the RKD he was a versatile artist who painted Italianate landscapes but is known mostly for his many cityscapes and drawings of buildings that were made into print. R.W.P. de Vries auction 1925: 295. unknown
173014402Amsterdam c1730. 565 by 935mm. 22.25 by 36.75 inches. Engraving with etching on two sheets joined. View of the Plantage Muidergracht and the Jonas Daniël Meijerplein. The view shown from the present day Mr. Visserplien the busy intersecti.on in central Amsterdam depicts the Portuguese Synagogue on the left and the High German or Great Synagogue. These momumental buildings now house the Jewish Historical Museum. The first Jews to settle in Amsterdam were the Sephardim who had been expelled from Portugal and Spain in 1493. They were joined in the following decades by the Ashkenazi from Central and Eastern Europe the first of whom had come from Germany in 1600. In those years the only available land for them was at the outskirts of the eastern side of the Centrum the island of Vlooienburg surrounded by the Amstel River and the canals so they settled along the island's main street Breestraat which quickly became known as Jodenbreestraat. The Great Synagogue now the Jewish Historical Museum and the Portuguese-Israelite Synagogue were opened in 1671 and 1675 respectively. The Portuguese Synagogue was the place where Spinoza was placed under the ban by the Sephardic Jewish community in 1656. Pieter Stevensz. van Gunst 1659-1732 also known as Pieter Stevens van Gunst or Petrus Stephani was a Dutch draughtsman copperplate engraver and printmaker active in Amsterdam London 1704 and the Dutch town of Nederhorst 1730-1731. Abraham Rademaker 1677 21 January 1735 was an 18th-century painter and printmaker from the Northern Netherlands. Rademaker was born in Lisse. According to the RKD he was a versatile artist who painted Italianate landscapes but is known mostly for his many cityscapes and drawings of buildings that were made into print. R.W.P. de Vries auction 1925: 295. unknown
17211906090004Amsterdam J. Lindenbergh 1721. First Edition. Hardcover. Good. Folio 42 x 28 cm. Bound in contemporary mottled calf. Shelf worn corners bumped. Joints cracked. Additional engraved titles 2 engraved portraits 2 double-page maps map of the world map of Greece and the Mediterranean. A total of 179 engravings within text and plates after works by Romein de Hooghe. Includes engraving of the Temple of Jerusalem. Scattered foxing. 10 482 p. Pages misnumbered. Dutch. Hollstein IX 2; Van Eeghen/ Van der Kellen 404; Klaversma/ Hannema 129. Amsterdam, J. Lindenbergh hardcover
91MGUB7YLZSDNetherlands 1740. Mounted in passepartout. A view in brown ink with light and dark grey watercolour washes on laid paper 16.5 x 21.5 cm with a manuscript caption at the head. Attractive view in brown ink with grey washes of the picturesque Kostverloren manor on the Amstel River just outside Amsterdam. The manor was originally built at the end of the 15th century. In 1650 it was severely damaged by fire but it was soon restored. In 1822 Kostverloren was razed. The manor was famously depicted by Rembrandt Ruisdael and also by Abraham Rademaker 1676/77-1735 one of the most important topographic artists of his day. Rademakers drawing closely matches the present view in style and shows the exact same scene from the trees on the left to the smaller house on the right. The only difference is the season: the trees depicted here are much fuller.Slightly foxed but otherwise in good condition.l Cf. Blokland & Dumas de kasteeltekeningen van Abraham Rademaker C58. unknown
#[61684]Copperplate engraving/etching of ''t Huis Oud Alkemade van voren' and ''t Huis Oud Alkemade van agteren' in the Dutch province of Zuid-Holland as it appeared in 1730. Two images on one page. Overall size: 255 x 178 mm; plate size: 166 x 110 mm. Very good state. Handlaid paper. Neatly fixed to a passepartout. l These prints were part of the book 'Het verheerlykt Nederland of Kabinet van Hedendaagsche gezigten van steden dorpen sloten adelyke huizen .' Amsterdam Tirion 1745-1774. unknown
#[61678]Copperplate engraving/etching of ''t Huis Oud Alkemade van voren' and ''t Huis Oud Alkemade van agteren' in the Dutch province of Zuid-Holland as it appeared in 1730. Two images on one page. Overall size: 264 x 178 mm; plate size: 166 x 109 mm. Good state. Some age related discolouration. Dampstain in the upper and right margin. When placed in a neat passepartout these stains will be invisible. Handlaid paper with watermark. l These prints were part of the book 'Het verheerlykt Nederland of Kabinet van Hedendaagsche gezigten van steden dorpen sloten adelyke huizen .' Amsterdam Tirion 1745-1774. unknown
61727Copperplate etching of ''t Huis Vredestein in Gelderlant' in the Dutch province of Gelderland 1706-1725. Drawn and etched by A. Rademaker. Overall size: 189 x 154 mm; plate size: 85 x 114 mm. Good state. Some age related discolouration. Handlaid paper wih watermark. With explanatory caption in Dutch French and English. Handwritten on the back: 'Prov. Gelderland gem. M.ik'. This print was part of the book 'Kabinet van Nederlandsche Outheden en Gezichten . Amsterdam Willem Barents 1725'. unknown
#[61726]Copperplate etching of ''t Huis Waerdenburg' in the Dutch province of Gelderland as it appeared in 1612. Drawn and etched by A. Rademaker. Overall size: 189 x 153 mm; plate size: 85 x 114 mm. Good state. Some age related discolouration. Handlaid paper. With explanatory caption in Dutch French and English. l This print was part of the book 'Kabinet van Nederlandsche Outheden en Gezichten . Amsterdam Willem Barents 1725'. unknown
#[61724]Handcoloured copperplate etching of ''t Huis Wolfwaert van Vooren' in the Dutch province of Gelderland as it appeared in 1719. Drawn and etched by A. Rademaker. Overall size: 120 x 145 mm; plate size: 82 x 113 mm. Very good state. Some age related discolouration. Handlaid paper with watermark. Beautifully Handcoloured. l This print was part of the book 'Kabinet van Nederlandsche en Kleefsche Oudheden . Amsterdam issued by different publishers from 1725-1803'. unknown
61723Copperplate etching of ''t Huis Wolfswaert van Vooren' in the Dutch province of Gelderland as it appeared in 1719. Drawn and etched by A. Rademaker. Overall size: 186 x 154 mm; plate size: 81 x 115 mm. Very good state. Some age related discolouration. Handlaid paper with watermark. With explanatory caption in Dutch French and English. Handwritten on the back: ' Prov. Gelderl. gem. Beesd'. This print was part of the book 'Kabinet van Nederlandsche Outheden en Gezichten . Amsterdam Willem Barents 1725'. unknown
#[61732]Two copperplate etchings of ''t Kasteel te Kuilenburg' in the Dutch province of Utrecht as it appeared in 1620. Drawn and etched by A. Rademaker. Overall size: 206 x 121 mm; plate size: 85 x 111/84 x 112 mm. Very good state. Some age related discolouration. Handlaid paper. l This print was part of the book 'Kabinet van Nederlandsche en Kleefsche Oudheden . Amsterdam issued by different publishers from 1725-1803'. unknown
61743Two copperplate etchings of ''t Slot te Abkou' and ''t Slot te Abkou van Binnen' in the Dutch province of Utrecht as it appeared in 1700/1. Drawn and etched by A. Rademaker. Overall size: 214 x 132 mm; plate size: 82 x 114/80 x 115 mm. Good state. Some age related discolouration and a small tear in the right margin. Handlaid paper. This print was part of the book 'Kabinet van Nederlandsche en Kleefsche Oudheden . Amsterdam issued by different publishers from 1725-1803'. unknown
#[61332]Copperplate engraving/etching of ''t Steedje Aardenburg te zien van de Koornmoolen' in the province of Zeeland in the Netherlands as it appeared in 1739. Overall size: 108 x 259 mm; plate size: 82 x 217 mm. Very good state. Some age related discolouration and two folds through the print. Handlaid paper with watermark. l This print was part of the book 'Het verheerlykt Nederland of Kabinet van Hedendaagsche gezigten van steden dorpen sloten adelyke huizen .' Amsterdam Tirion 1745-1774. unknown
610983Argosy All-Star Weekly. First Edition. Hardcover. Good. Bound volume collects the complete text of the first pulp magazine appearances of these 7 novels and novellas as originally published over multiple issues or in a single issue. 'The Metal Monster' by A. Merritt issued by Argosy All-Star Weekly beginning August 7 1920; 'The Mad Planet' and 'Red Dust' by Muray Leinster; 'The Blind Spot' by Austin Hall and Homer Eon Flint issued by Argosy All-Star Weekly beginning May 14 1921; 'The Devolutionist' 'The Emancipatrix' and 'The Man in the Moon' by Homer Eon Flint. Bound in a sturdy plain brown cloth for J.H. Woods of Brentano's Bookshop in New York spine has a huge chip at foot; text browned with tears stains and wear us usual; previous owner's inscription on front endpaper. Argosy All-Star Weekly hardcover
1946287697Tarshish 1946/7. Boards. Good. 30 pp. in Hebrew stains to cover lacks small pieces along side of boards OCLC Number: 970973054 Tarshish hardcover
400059576Éditions J'ai lu Sans date. Abraham Merritt - Le Gouffre de la Lune / J'ai Lu
1361954183.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019521503.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
A9781725275188Hardback. New. hardcover
42975826like new. unknown
ria9781725275188_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; 1 and 2 Timothy Titus: A Theological Commentary for Preachers engages hermeneutics for preaching employing theological exegesis that enables the preacher to utilize all the units of these epistles to craft effective sermons. This comm hardcover
B9781725275188Hardback. New. hardcover
