Ortelius, AbrahamBiblio.com
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160312725Antwerp Jan Baptist Vrients / Robert Brunaeu 1603. Theatrum orbis terrarium followed by Parergon sive veteris Geograpiae aliquot tabulae followed by Nomenclator Ptolemaicus. Complete copy bound in a contemporary vellum binding stamped with multiple friezes on the covers and 5 raised bands on the spine 358 f. Folio. Illustrated edition with an engraved allegorical frontispiece the arms of the Kingdom of Spain on the verso an engraved portrait of Ortelius an architectural frontispiece Parergon and 156 engravings. including 151 engraved maps 33 of which are in the Parergon as well as 3 plates of views and 2 plates of costumes. Some pages of the text are foxed and the stamp has been scratched off on the title page. Restoration work at the bottom of the two costume plates. Reinforcement in the margin of the inner hinges of 7 maps. H. 46 x W. 32 x D. 10 cm. / H. 18.11 x W. 12.6 x D. 3.94 inch. The finest edition of this iconic atlas considered to be the first true atlas the first true atlas Van der Broecke. ""The unique place occupied by Ortelius' Theatrum in the history of cartography is mainly due to its status as the world's first regularly produced atlas . Its form and content set the standards for subsequent atlases"" Koeman 1969 III 29. Ortelius' atlas was revolutionary because it was the first attempt to present the geography of the world in a uniformly produced collection of maps of all known parts of the world. Ortelius designed the maps himself basing his designs on the cartographic sources that he had at hand and equally revolutionary also mentioning his sources on the maps and once finished had them engraved by Frans Hogenberg and Ambrosius and Ferdinand Aertsen. Finally Gielis Coppens van Diest printed the maps after which they could be coloured also in a uniform style and bound in a logical order in one volume. These atlases were a new phenomenon and proved to be very popular in Europe. Soon editions were published in various languages of Europe in print runs of a few hundred copies each. A perfectly complete copy of the Theatrum Orbis Terrarum the Parergon and the Nomenclator Ptolemaicus in its original colours. Literature: Van de Krogt/ Koeman IIIA 31:053; Adams O-335; Phillips 382; Shirley 122 Antwerp, Jan Baptist Vrients / Robert Brunaeu hardcover
16855057Benjamin Tooke 1685. Second Edition. Hardcover. Used - Good/None. Spine binding and cover fine and robust; corners turning in and exposed slightly and scuff marks on front board. Slight crack between front board and spine spine worn at top; five raised bands on spine spine cover missing in one section. Contents clean with inscription on inside cover. Overall very good and clean copy. 267 pages. Benjamin Tooke hardcover
1620LBW-8932[Cologne, 1620]. 339 x 425 mm pour le plan, et 214 x 384 mm pour la vue contrecollée au dos.
1603LBW02528[Anvers, 1603]. 344 x 420 mm.
1612LBW-6675Anvers, 1579 [1612]. 360 x 504 mm.
1618LBW-9011[Cologne, 1618]. 438 x 347 mm.
166818089<p><b>1668 1ed Abraham Cowley English Poetry Mistress Motto Pindar Ode Davideis Sylva</b></p><p><i>"What shall I do to be for ever known</i></p><p><i>And make the Age to come own"</i></p><p><i>I shall like beasts or common people die </i></p><p><i> Unless you write my elegy." </i>– Abraham Cowley <i>The Motto</i></p><p>Abraham Cowley was one of the leading English poets during the 17th-century. This charming and rare sixth edition was the last edition of the original one-volume printing. Following this edition the works were printed in multiple volumes. Famous poems such as '<i>The Motto</i>' '<i>The Mistress</i>' '<i>Ode to Pindar</i>' and '<i>Davideis'</i>are all included in this collection. The Pindaric Ode is especially interesting in that Cowley attempted to reproduce Pindar's works but in doing so he misinterpreted the metrical patterns and in doing so did not accurately reflect Pindar's poetry. He did however create one of the most famous odes ever written which would become the influence for William Wordsworth's famous ode<i> "Intimations of Immortality."</i></p><p>This impressive 1668 first edition includes a biography of Thomas Spratt.</p><p>Item number: #18089</p><p>Price: $750</p><p>COWLEY Abraham</p><p><b><i>The works of Mr. Abraham Cowley : consisting of those which were formerly printed: and those which he design'd for the press now published out of the authors original copies</i></b></p><p>London: Printed by J.M. for Henry Herringman. 1668. First edition.</p><p><u>Details</u>: </p><p>· Collation: Complete with all pages</p><p>o Biography and Miscellanies – 42 41 1</p><p>o The Mistress – 80</p><p>o Pindarique Odes – 4 70 i.e. 68</p><p>o Davideis – 154 23</p><p>o Other verses and works – 148</p><p>· References: Lowndes 539; Perkin B 7.</p><p>· Language: English</p><p>· Binding: Leather; secure</p><p>· Size: ~11.75in X 7.75in 30cm x 19.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>18089</p><p><br /></p><p>Photos available upon request.</p> J.M. for Henry Herringman hardcover
16191516Hantvverpen Antwerp: Hieronymus Verdussen 1619. First Edition in book form. Near Fine. Bloemart Abraham. 4to 8 7/8 x 6 3/4 inches 251 x 171 mm. ix pp 51 sheets on cream laid paper text in Dutch gothic letters. 50 numbered full page copperplate engravings of Christian hermit saints 25 male 25 female printed recto with text pages on verso. Full-page frontispiece for the work and with an additional full-page frontispiece for each of the two sections. Full contemporary vellum untitled with some handling discoloration but the vellum remains supple and the binding is tight. Pages clean and bright with a couple of foxing spots and a small brown stain on the 2nd frontis titled "Sacra Eremus ascetarum"; toned page edges. Previous owner's name and date in ink on front flyleaf and small pencil and ink notations inside back cover; bookplate of Buijnsters Smets pasted inside front cover.<br /> De Backer/ Sommervogel VII 194-5; Hollstein 355-403; Roethlisberger 163 ill. 262-317<br /> <br /> Full title: 't Bosch der Eremyten ende eremilinnen van Aegypten ende Palestinen met figuren van Abraham Blommaert door Ghristophorus a Sichem. Met kort verhael van een yders leven getrocken uyt het Vadersboeck door H. Jan van Gorcum Priesler ende H. R. Societatus sic Jesu. The Forest of the Hermits of Egypt and Palestine with illustrations by Abraham Blommaert engraved by Ghristophorus a Sichem. With brief stories of their lives taken from the book of the Fathers by H. Jan van Gorcum priest of the Society of Jesus. A fine series of engravings of the early Christian male and female hermits living in the Egyptian and Palestinian desert engraved in copper by Boetius A Balswert on drawings by Abraham Bloemart 1566 - 1651 the Dutch painter and engraver know mostly for his historical subjects and for being a central figure and teacher among the Utrecht Caravaggisti. <br /> Provenance: the library of the book- and art-historians Piet Buijnsters and Leontine Smets. Hieronymus Verdussen unknown
161918555<p>Very Good HC. Text in Dutch blackletter; tekst in het Nederlands gotisch. Full contemporary vellum; untitled; raised bands on spine; red edges; 50 numbered full page copperplate engravings of Christian eremite saints 25 male 25 female printed recto with text pages verso; full page frontispiece for work as well as full page frontispiece for female section. Vellum in very good condition with some handling discoloration remains supple; ties at cover fore edges lacking; tightly bound; few pencil notes on front pastedown; without free end papers; lacking frontispiece for male section leaf A!; facsimile laid in; few leaves with light damp stains or soiling mostly in margins otherwise light and clean interior; one leaf B3 with large chip at top fore corner not affecting portrait but with some text missing from marginal notation on verso see photo; all leaves remain supple. 25 x 18 cm; 51 text pages; 50 numbered plates 2 frontispiece plates; in 4s. Ref OCLC #901301549.</p> Hantvverpen (Antwerp): Hieronymus Verdussen hardcover
1659ABC_47611Amsterdam: J. Rieuwertz 1659. Contemporary overlapping vellum. Small 8vo. With a woodcut title-vignette showing a witch on a broomstick leaving a house through the chimney 4.3 x 5.2 cm 13 etched full-page illustrations on 8 plates by Salomon Savry. An exceptionally rare first edition of a book focusing on the subjects of witchcraft sorcery demonology and black magic. The author passionately expresses his dissatisfaction with the brutalities inflicted upon individuals accused of being witches using vivid and disturbing illustrations as evidence. Notably the book features a captivating woodcut title vignette depicting a witch's daring escape through a chimney. In the image her legs hang from the opening inside the house while she simultaneously rises on her broom outside the chimney creating a striking visual effect. Abraham Palingh is a somewhat elusive figure in Early Modern Dutch literature and his book provides a fascinating insight into the attitudes of an educated man toward witchcraft. He claims that his 't Afgerukt Mom-aansight Der Tooverye is based on firsthand accounts. Information regarding the occurrence of harmful sorcery and attitudes towards sorcery in Amsterdam and Haarlem has been documented from the initial witchcraft trials to the point where such crimes were no longer a concern for the judiciary. Between 1542 and 1566 trials for harmful sorcery took place in Amsterdam while Haarlem witnessed similar trials in 1549. Historical accounts of both cities as well as Jacobus Scheltema's History of Witch Trials published in Haarlem in 1828 make mention of sorcery trials in Amsterdam. However these references often provide only superficial details despite the potential for valuable insights found in the actual procedural documents. Conversely little information about witchcraft in Haarlem can be gleaned from existing literature. Abraham Palingh author of 't Afrukt Mom-aansight der Tooverye published in Haarlem in 1659 briefly mentions a few cases of sorcery accusations that he claims to have personally known yet his accounts remain vague.The fine and copperplate illustrations were made by Salomon Savry 1594-1683. He was a recognised engraver of his time highly involved with the Amsterdam book industry of the seventeenth century. Some wear to binding. Ex libris from the library of Leontine Buijnsters-Smets. Light browning and foxing. Otherwise in very good condition.l Bibl. Med. Neerl. I p.150; Muller 539 1725 edition; Scheepers I 552; STCN 841091951 12 copies; Waller 1315 1725 edition; WorldCat 56854247 3 copies. J. Rieuwertz, hardcover
