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Abundant black and white illustrations and reproductions of photos. Features: Roy Gardner - Californian Bandit Extraordinary; Exploring the Salton Sea - an exploration by two motorcyclists - article with photos; Across Remote Yunnan - Part I - account of a journey through the little-known region where China and Tibet meet - article with photos; Besieged by Man-Eating Lions - a woman's terrible ordeal in East Africa; Shipwrecked in Bering Sea - Thrilling story of the passengers and crew of a schooner wrecked in the icy Bering Sea; Trailing the Gun-Runners - Part I - the United States tries to preserve peace in the Negro Republic of Dominica in 1906-7; The Last Fight of the Five Hundred - Part III - French troops are overwhelmed by Mustapha Kemal Pasha and his rebel Kurds and Turks during the siege of Urfa; American Crooks in Europe - sketches of the meteoric careers of Walter Sheridan, Max Shinburn and Adam Worth; The Decoy Telegram - an engineer's narrow escape from death; A Model Town Made From Corks - model town built by M. Jean Bertrand, musical director at Maskelyne's Theatre of Mysteries, London; The Limits of the Law - an illiterate Justice of the Peace is called on to administer justice in Mink Lake, in the Lesser Slave Lake district; and more. pp. 8 [ads], [2] 90-176, 9-16 [ads]. Clean and unmarked with light wear. A quality vintage copy of this wonderful issue. Book
xxiv, 904 pages. Index. Frontis portrait of author. "It is about sixty years since Adam Shortt completed his classic series of articles on Canadian banking history. They first appeared in the Journal of the Canadian Bankers' Association, now known as the Canadian Banker. They may provide an interesting perspective on the continuing debate about the structure of our financial system." - Foreword. "Shortt built a very rich storehouse of information through which we can understand the practical origins of Canadian currency and the banking industry as well as gain some understanding of the background and intent of the nineteenth-century legislation regulating them." - Introduction. Author studied and taught at Queen's University in Kingston. Prior owner's name and date atop front free endpaper. Minimal markings to contents. Average wear to publisher's pale blue cloth lettered in silver. Binding intact. No dust jacket, presumably as issued. A sound copy of this valuable history. Book
Die bis heute grundlegende Monographie über eine der bedeutendsten franz. Bildhauerfamilien des 18. Jahrh. Sehr selten.
2 vols., 8vo., Fourth Edition, neat contemporary signature on blank preliminary; elegantly bound in contemporary full tan calf, sides with multiple frame border stopped at corners with gilt rosettes, back with five raised bands ruled in gilt, second compartments with red leather labels framed and lettered in gilt, third compartments framed and lettered in gilt, all other compartments elaborately framed and tooled in gilt, marbled edges, gilt doublures, gilt dentelles, marbled endpapers, a most attractive copy in wholly unrestored period binding. THE BINDING IS SIGNED ON FRONT FREE ENDPAPER VERSOS. Henry Stamper (1802?-1887), master bookbinder, was an associate of Bedford, Lewis, Clarke and Morrell; indeed he may have succeeded Bedford as manager of the Lewis bindery, and his later business passed to Morrell. Examples of his work are held by the Folger Shakespeare Library and the Bodleian. [We are indebted to Laurence Worms for the foregoing information.]
Album oblungo (mm. 420x580), bella legatura in tela edit. (con aloni, risguardi rifatti), cornici a secco con grande stemma della Svizzera in ricca decorazione oro al piatto anteriore. Magnifica raccolta di 15 tavole (al vivo mm. 300x460) disegnate da Eugène Adam e litografate da Jules Adam, introdotte da un bellissimo frontespizio figurato, pure litografato; tutte sono precedute da una pagina di descrizione in tedesco e in francese. Dall’introduzione apprendiamo che l’artista svizzero ha concepito “l’idéé de consacrer ses pinceaux à l’illustration d’une campagne simplement simulée, exécutée au sein de la paix.. en faisant un heureux mélange de scènes guerrières avec les scènes majestueuses de la nature des Alpes.. En 1861 la Suisse se trouve attaquée sur toute sa frontière méridionale..”. Le operazioni di guerra disegnate e descritte sono le seguenti: “Embarquement des troupes à Lucerne, 14 aout - Départ d’Amsteg, 16 aout - Construction du pont au Pfaffensprung (Saut du Moine), 16 aout - Combat du pont de Meidschlingen, 16 aout - Levée du camp de Wasen, 17 aout - Position près de Goeschenen, 17 aout - La batterie n. 27 à la première galerie de la route du St. Gotthard, 17 aout - Service divin du bataillon bernois au camp d’Andermatt, 18 aout - Rapport du soir au camp de Réalp, 19 aout - Marche de la I brigade vers la Furka, 20 aout - La II brigade au col des Nufenen, 20 aout - Halte de la I brigade au glacier du Rhone, 20 aout - Scène de bivouac dans la cour du palais Stockalper à Brigue, 22 aout - Combat du Bois de Finges, 24 aout - Entrée des troupes à Sion, 24 aout”. Cfr. Benezit,I, p. 55: “Eugen Adam (1817-80), allemand, peintre de sujets militaires, paysages, fut élève de son père Albrecht”. Nel ns. esempl.: 4 pagg. di descrizione restaurate per mancanze (non di testo) e altre con aloni; le tavole, tutte ben conservate, portano a volte e solo ai margini, lievi aloni o lievi fioriture.
2 parts in 1 volume in-4to; (22), 346 cc; (72) cc.; frontespizio allegorico all'inizio di entrambe le opere, stampato entro elaborata cornice xilografica con i busti di Laura e Petrarca; 6 incisioni su legno a mezza pagina per ognuno dei Trionfi, belle iniziali xilografica istoriate; legatra in vitello marmorizzato del secolo XVIII, filetti e dorso dorati. Leggere macchie, titloo rifilato ma senza mancanze, numarazione talvolta erronea ma testo completo. Nota di possesso irriconoscibile. Bella e fascinosa copia.
Die einzige bedeutende Veröffentlichung über die Münchener Künstlerfamilie Adam. Von größter Seltenheit.
3 vols., 8vo., Sixth Edition, early nineteenth-century signature on titles, some light and inoffensive spotting to a few leaves, some very ight marginalia in pencil only; strongly and attractively bound in nineteenth century half calf, boards in dark green diced cloth, backs with five raised bands tooled in gilt, second and fourth compartments with red leather labels ruled, lettered and numbered in gilt, red sprinkled edges, a remarkably well-preserved, crisp, clean copy in later period binding. One of 2000 copies printed. 'The Wealth of Nations', coming at a point when 'natural liberty' was being being widely debated, had a decisive influence both on the study of national economy and on the freeing of economic policy from the artificial restraint of the mercantilist system. Smith's statement that labour is the source of a nation's commodities and that the variation in 'stock' values are due to the interaction of wages, profits and rent, formulated the doctrine of the classic school of economic thought, and round it all modern economic discussion has revolved' (PMM). Goldsmiths 14612; Kress B.2209; Tribe 41. See also PMM 221, 363.