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2011258943Los Angeles: Cybersocket LLC 2011. Magazine. 36p. 8.25x9 inches ads events internet guides and information very good large digest magazine in stapled pictorial wraps. LGBT Guide to the internet with How-To articles guide to LGBT-friendly sites entertainment web design etc Cybersocket LLC unknown books
1983145600Universal City: Universal 1983. Archive of three scripts for the 1983 film including a Second Draft Third Draft and Revised Final Draft with the Second and Third Draft scripts appearing under the working title "Capitol Cab." Scripts belonging to producer Cassius Weathersby with his name on the cover sheet for revision pages dated 5/16/83 laid into the Revised Final script. Also included is a borderless double weight photograph of Weathersby conferring with star Mr. T on the set and a promotional button for the film. <br/><br/>The dead-end drivers of a rundown cab company must band together with the help of their naive newest member to save themselves from a rival company and to help Mr. T teach kids to say no to drugs. <br/><br/>Set and shot on location in Washington DC. <br/><br/>Second Draft: Yellow titled wrappers noted as Second Draft on the front wrapper. Title page present dated January 4 1983 noted as Second Draft with credits for screenwriter Joel Schumacher. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. <br/><br/>Third Draft: Orange titled wrappers noted as Third Draft on the front wrapper noted as production No. 00864 dated February 10 1983. Title page present dated February 10 1983 noted as Third Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 90 leaves with last leaf of text numbered 89. Xerographically reproduced on eye-rest green stock with pink and blue revision pages dated 2/14/83 and undated. Pages Fine wrapper Near Fine lacking the rear wrapper bound with three gold brads.<br/><br/>Revised Final Draft: Yellow titled wrappers noted as Revised Final Draft on the front wrapper and production No. 02156 dated April 5 1983. Title page present dated April 5 1983 noted as Revised Final Draft with credits for screenwriter Joel Schumacher and producers Jon Peters Peter Gruber Topper Carew and Cassius Weathersby. 94 leaves with last leaf of text numbered 88. Xerographic duplication with pink and yellow revision pages throughout dated variously between 4/11/83 and 5/30/83. Pages Near Fine front wrapper lightly soiled else wrappers Near Fine bound with three gold brads. <br/><br/>Parish and Hill Black Action Film. Universal unknown books
1983152235N.p.: N.p. 1983. Six sets of original storyboards for the 1983 film. Housed in a MCA Universal City Studios manila envelope.<br/><br/>The dead-end drivers of a rundown cab company must band together with the help of their naive newest member to save themselves from a rival company and to help Mr. T teach kids to say no to drugs. <br/><br/>Set and shot on location in Washington DC. <br/><br/>Approximately 200 leaves in total. Xerographic duplication rectos only. Pages Near Fine each set partially bound with a single paperclip. N.p. unknown books
193359200Salkburg: Jon. Baptist Mayr 1730 but Munichen: G.Franz'schen Buchdruckerei 1933. paper-covered boards. 8vo. paper-covered boards. x 551 pages. Limited numbered edition unspecified quantity facsimile reprint of the 1730 original. Printed as the 13th years volume for the Alpiner Bucherfreunde in 1933 this book teaches theories of medicine and philosophy popular in the eighteenth century. With a frontispiece and some illustration. All in German. Covers faded. Jon. Baptist Mayr, 1730 (but Munichen: G.Franz'schen Buchdruckerei unknown books
177427hardcover. 8vo cloth d.w. New York: Oxford UP 1983. vg<br/><br/> unknown books
20102287675Little Brown and Company 2010. First Edition. Hard Cover. Near Fine/Near Fine. First edition. Blue stain on bottom page ridge. 2010 Hard Cover. 243 pp. Daniel X's hunt to eliminate each and every intergalactic criminal on Earth is always relentless but this time it's getting personal. Number Three on the List of Alien Outlaws takes the form of raging soul-possessing fire. And fire transports Daniel back to the most traumatic event of his life-the death of his parents. In the face of his "kryptonite" Daniel struggles with his extraordinary powers like never before and more than ever is at stake: his best friends are in grave peril. The only way to save them is to travel back-through a hole in time-to the demon's arrival during the Dark Ages. Rip-roaring action and humor sets the pages afire in this gripping time-travel adventure with an Arthurian cast-and countless other surprises! Little, Brown and Company hardcover books
1961290815New York: Bookman Associates 1961. Hard Cover. Good binding/Good dust jacket. Full page text illustrations. Significant dampstaining and discoloration to the binding. Red cloth with a Good dustjacket. Good binding / Good dust jacket. Bookman Associates unknown books
19546125Leiden 1954. Paperback. Near Fine. 45p. Original wrapper. 25cm. Afrika Instituut-Studie Centrum Leiden. Dutch text. <br/><br/> paperback books
198772360Berkeley: Pantograph Press 1987. First edition. 86 pp. Near fine in glossy illustrated wrappers. Berkeley: Pantograph Press unknown books
13595ADAM Robert and James. DECORATIONS INTERIEURES MEUBLES STYLE ANGLAIS EPOQUES LOUIS XVI & EMPIRE. Paris: Armand Guerinet circa 1910s. Folio. Cloth. ii pages 28 plates. A selection of interior designs by the Adam brothers from works published fro 1767-1822. Plates slightly toned binding sunned. unknown books
2002170211New York: Abrams 2002. Hardcover. VG/VG. Tan boards with black and gray lettering. White and color-illustrated dust jacket with black and gray lettering. 136 pp. 95 illustrations 65 in full color. "Using a completely original approach to the subject Bailey examines more than fifty works of art - some famous masterpieces and some little-known works - to learn how their frames many of them designed or made by the artists themselves relate to the pictures they surround. The use of traditional frames is discussed in exquisite detail even those that diminish the pictures they are supposed to enhance. It is not surprising that certain artists - among them Michelangelo Ingres Church Degas van Gogh Klimt Whistler Matisse Seurat and Mondrian - designed frames for their own pictures. Klee Miro Kahlo Dali Calder and Hockney incorporated actual frames into the works themselves."-Jacket. Abrams hardcover books
17821334227Berlin: Friedrich Maurer 1782. Second Edition. Hardcover. Octavo 16 429 1; VG; bound in brown library cloth gilt titling to spine; ex-library label removed from spine pencil erased from recto of title page; 2 vignettes folding frontispiece plate symbolic content some tape repair to rear wear and separation at folds; very mild foxing; faint orange underlining to three words on title page scattered pencil to title page;<br /> <br><br /> <br><br /> Scarce; AG consignment; shelved case 3. Rare and early freemasonry work by the German Adam Michael Birkholz. The First Masonic Grand Lodge was founded in England in 1717 spreading to the continent in the decades following. This history was first published in 1779 and republished in 1782.;<br /> <br><br /> <br><br /> "Birkholz was a Rosicrucian writer.Der Compass der Weisen.is a well known work though not trustworthy as to history. He wrote under the name of Adamah Booy" Adolph Frederick Alexander Woodford;<br /> <br><br /> <br><br /> "Birkholz maintained that he was one of the "members of the inner Constitution of the genuine and right Freemasonry" and with this book he intended "to present clearly and faithfully the history of this illustrious Order from the beginning of its founding." Florian Ebeling;<br /> <br><br /> <br><br /> "The history of the Order was described in detail in the book The Compass of Wisemen which was extremely popular in the masonic milieu" Konstantin Burmistrov Maria Endel;. 1334227. Shelved Dupont Bookstore. Friedrich Maurer hardcover books
1937025100Paris: Ancienne Librairie Furne Boivin & Cie 1937. 164p. b/w illus. original stiff wrappers. Ancienne Librairie Furne, Boivin & Cie unknown books
177517573London 1775. Engraving by P. Begbie. In excellent condition with the exception of two tears on right margin. A fine architectural engraving of ornate mirrors and tables from Robert Adam's seminal work on British architecture.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177517099London 1775. Engraving by D. Cunego. In excellent condition with the exception of being trimmed just outside the platemark on left margin. Some paper discolouration on left margin and 1" loss lower left corner. A fine engraving of the fireplaces at St. James's Palace and the Queen's House in London.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177517101London 1775. Copper engraving with hand colour. Engraving by P. Begbie. In excellent condition with the exception of being trimmed just on the platemark on the left margin. Mild soiling mostly marginal. A fine engraving of an ornate harpsichord designed for the Empress of Russia.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177517100London 1775. Engraving by P. Begbie. In excellent condition with the exception of some paper discolouration on the upper margin. A fine engraving of the sedan chair designed for Queen Charlotte.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177431062London 1774. Engraving by B. Pastorini. A fine engraving of a painted plaster and stucco ceiling from the interior at Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177434076London 1774. Engraving coloured by hand by B. Pastorini old dampstain to upper left margin. A fine engraving with contemporary hand colouring of a painted plaster and stucco ceiling from the interior at Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
177517116London 1775. Engraving by B. Pastorini. In excellent condition. An elegant engraving showing the decorations of the chimney piece and curtain cornices at Sutton Park House in North Yorkshire.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
1913M12883Paris:: Librairie Le Francois 1913. 1913. One volume plus atlas volume. 273 x 203 mm. Tall 8vo. xxi 242 pp. Indexes 18 figs. 48 color plates most with 2 figs. QUARTER MAROON MOROCCO vellum tips gilt spine. Bookplate. Bookseller's ticket. Fine. FIRST FRENCH EDITION. Extensively illustrated with beautiful fundus pictures. Librairie Le Francois, (1913). hardcover books
1970WRCLIT40573Boston: Houghton Mifflin 1970. Pictorial wrappers. Illustrations. First edition. Publisher's compliments slip laid in. Ishmael Reed Lucille Clifton A.B. Spellman Clarence Major et al. Spine slightly darkened else about fine. Houghton Mifflin unknown books
1982180838Fribourg Suisse: Office du Livre 1982. Hardcover. VG/G bookblock shows some age toning. Dj shows wear around edges. Pages clear and white. Blue cloth boards with silver lettering on spine. Light grey dj with color illustration. 464 pages : illustrations some color. Includes bibliographical references pages 436-464. Office du Livre hardcover books
010555Limburg a.d. Lahn: C. A. Starke Verlag. 1969-1972. 4 vols. original cloth. Major history of this family from the 13th century onwards. Includes the 1972 Urkundenband over 600 pages and the Bildband of 183 b/w illustrations. C. A. Starke Verlag unknown books
1866190082Berlin.: Julius Springer. 1866. Contemporary quarter green cloth over marbled boards gilt pictorial spine decorations marbled edges. . A very good tight bright copy. 8vo. 19x13.5 cm. . German text. weight: 0.9 lb. 5 lithograph plates by S. Bartsch. Julius Springer. hardcover books
