ADAM, AvocatLivre Rare Book
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1675427891 brochure in-8, s.d. (circa 1675), 15 pp. Factum pour Dames Marguerite Boüer, Veuve du Sieur la Salle, vivant Correcteur en la Chambre des Comptes ; Angélique Boüer , femme du Sieur Millet, Sous-Gouverneur de Monseigneur le Dauphin ; Anne Boüer, femme du Sieur Guillemin, Maistre des Comptes ; et Elizabeth Boüer, femme du Sieur Durant, Conseiller au Parlement de Paris, Demanderesses suivant l'Arrest du Conseil d'Estat, du quatrième Octobre 1670, Contre Monsieur de Hécre, Conseiller audit Parlement de Paris, tant pour luy que pour le Sieur Jacques de Hécre, & Damoiselle Marguerite de Hécre sa soeur, Défendeurs.
1622222961622. 143 x 97 mm. wide margins.<br/><br/>Slightly worn; edges browned. In very good condition overall. Possibly after the same painting on which the woodcut portrait in his Compendium Musicae of 1632 is based. <br/><br/>Gumpelzhaimer spent most of his active life in Augsburg where he was Kantor and Präzeptor at the school and church of St. Anna from 1581 until his death. "Gumpelzhaimer was probably best known to German musicians of and after his time through his Compendium musicae. The richness of musical activity of St Anna is indicated not only by Gumpelzhaimer's music but also by the extensive holdings of the church library during his 44 years there. A handwritten inventory was started by Gumpelzhaimer in 1620 and continued by Faust in 1625. This list includes in addition to many printed collections several large manuscript books of polyphonic music in score notation. Two of these books have survived one begun in 1599 and the other completed in 1624. They were copied out mostly by Gumpelzhaimer and contain compositions by many prominent musicians of the time." William E. Hettrick in Grove Music Online. unknown books
168515007Paris: distribuë par l'Auteur en l'Hostel des Manufactures des Gobelins et en la rue St.Jacques 1685. Copper engraving on two joined sheets by Van Huctenburg and A.F. Baudouinst after Van der Meulen. Titled in French and Latin. Painted from life by the artist who accompanied Louis XIV on his campaigns Adam Frans Van der Meulen depicted in this wonderful panorama a post-battle view of Dôle the capital of Franche-Comté and the handsome surrounding region. In it Louis XIV and his brother survey the city they've won from a hilltop. There is actually no unpleasant evidence of military activity except for some smoke billowing from the far side of Dôle. Adam Frans Van der Meulen was a landscape and genre painter who specialized in battle scenes and his early works i.e. those from the years before he left for Paris the earliest dated work is from 1653 are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against inter alia the Spanish Netherlands and as Peintre de conquêtes du roi officially to portray the memorable sieges battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St Luke in Brussels but by 1663 he had moved to Paris where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun 1619-90 who not only was Premier peintre du roi but also from 1663 director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690. distribuë par l'Auteur, en l'Hostel des Manufactures des Gobelins, et en la rue St.Jacques unknown
168515007Paris: distribuë par l'Auteur en l'Hostel des Manufactures des Gobelins et en la rue St.Jacques 1685. Copper engraving on two joined sheets by Van Huctenburg and A.F. Baudouinst after Van der Meulen. Titled in French and Latin. Painted from life by the artist who accompanied Louis XIV on his campaigns Adam Frans Van der Meulen depicted in this wonderful panorama a post-battle view of Dôle the capital of Franche-Comté and the handsome surrounding region. In it Louis XIV and his brother survey the city they've won from a hilltop. There is actually no unpleasant evidence of military activity except for some smoke billowing from the far side of Dôle. Adam Frans Van der Meulen was a landscape and genre painter who specialized in battle scenes and his early works i.e. those from the years before he left for Paris the earliest dated work is from 1653 are mainly cavalry skirmishes in the manner of his teacher Pieter Snayer. After he moved to Paris the character of his work changed and became more ceremonial. He now specialized in large topographical views and military scenes and in royal journeys processions and receptions. His most important task was to accompany the king on his many campaigns during the wars of conquest waged in the 1660s and 1670s against inter alia the Spanish Netherlands and as Peintre de conquêtes du roi officially to portray the memorable sieges battles and conquests of le Roi Soleil in large-scale canvases or cartoons which were later transformed into tapestries. Van der Meulen was born in Brussels in 1632. In 1646 he was apprenticed to the battle painter Pieter Snayers. In 1651 he became a master in the Guild of St Luke in Brussels but by 1663 he had moved to Paris where he joined a group of Netherlandish artists associated with the French painter Charles Le Brun 1619-90 who not only was Premier peintre du roi but also from 1663 director of the Parisian tapestry manufactory Manufacture royale des Gobelins. Van der Meulen quickly became a protégé of Le Brun and on his recommendation Van der Meulen was appointed court painter to Louis XIV on 1 April 1664 and at the same time became Le Brun's collaborator in the tapestry manufactory. In 1673 he was accepted as a member of the Académie royale de Peinture et de Sculpture without any obligation to submit a morceau de réception; in 1681 he became conseiller and in 1686 premier conseiller. He died as a highly esteemed artist in the Hôtel des Gobelins 15 October 1690. distribuë par l'Auteur, en l'Hostel des Manufactures des Gobelins, et en la rue St.Jacques unknown books
167461127Stockholm Wankijff 1674. 8vo. In contemporary full calf with three raised bands and blindstamped ornamentation to spine. Small paper-label pasted on to top of spine. Scratches to boards and Annotations in contemporary hand to front free end-paper. A few small worm-tracts throughout and a few dampstains. 12 166 pp. <br/><br/><em>First edition of this rare German-Italian grammar. Not much is known about Adam Styla. He presumably received his education in Cracow and Italy and most like tought Italian to Grand Treasurer of the Crown Michal of Raciborsko Morsztyn a son of Jan Andrzej Morsztyn. He was the secretary of King Jan III Sobieski. Apart from this present work he also wrote a Latin and French grammar book. OCLC only list 4 copies non in the US. </em> hardcover
167461127Stockholm, Wankijff, 1674. 8vo. In contemporary full calf with three raised bands and blindstamped ornamentation to spine. Small paper-label pasted on to top of spine. Scratches to boards and Annotations in contemporary hand to front free end-paper. A few small worm-tracts throughout and a few dampstains. (12), 166 pp.
1700072980Bookshops of Stettin: Sumptibus Johann Adami Pleneri bibliopolae Stetinensis 1700. Hardcover. Very Good . 5.5 x 3.5 x 1.5. Hardcover. Bound in Vellum. Latin. Heinrich Schaevius Chilonio-Cimbri Mythology of Gods and Heroes from from Natal Comite Torrentino Torrentino Ravisii's workshop and classical poets once methodically contracted by the said author With Geographia Poetica & Mantissa of poetical material now for the second time from Leonicus Thomeus Bocatio Hygynus Alex. by Alexander Polyaenus Ammianus and other writers and poets of various antiquity. 624pp.<br><br>CONDITION: Vellum is age toned but very sound. Binding and textblock are sound. Inscription on flyleaf from 1918. Pages are clear. Full refund if not satisfied. Sumptibus Johann Adami Pleneri bibliopolae Stetinensis, hardcover
1692019576Amstelodami Amsterdam: Peter Le Clert 1692. Book. Very good condition. Hardcover. Early edition. Octavo 8vo. Book I: xxxiv 372 pages of text viii pages of index. Book II: xxiv 274 pages. Book III; 275-638 pages followed by vi pages of index. In book III pages 451-537 are mis-numbered 551-637. Original full vellum binding with minor shelfwear moderate soiling hand-lettered spine and a small paper label. Gilt heraldic device stamped on the front cover. Measures 196mm x 157mm. Illustrated with a frontisportrait of the author and complete with two 2-page tables and a large fold-out table. Title printed in red and black. Previous owner's bookplate affixed to the inside of the front cover over a remnant of another bookplate: Bruno Kisch Pragensis. Previous owner's markings on the front endpaper and stamped on the back of the title page. There is a small amount of minor damp-staining and rippling to the bottom corner of the final half of the text. The final two endpapers have a small crease. Numismatics. Early printing. Peter Le Clert Hardcover
16923615Amstelodami Amsterdam Peter Le Clert 1692. Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Three volumes in one. Octavo 205 x 180mm. Pp. xxxii 368 viii; xxii 274; 275-638 i.e. 538 vi. Numerous errors in pagination. Tome I pp. 369-372 misbound; Tome III pp. 451-537 misnumbered 551-637; pp. 568-569 572-573 blank. Plus engraved frontispiece portrait of Matthaeus Hostus chipped at corner with slight loss to background skilfully restored on mount. Folding tables. Title-page printed in red and black list of contents printed on verso. Woodcut device to title. Large illustrated woodcut head- and tail-pieces and initials; occasionally slight browning. HARDCOVER bound in handsome modern vellum lettering to spine sprinkled edges. A fine copy. Crisp interior exceptionally well preserved attractive binding. ~ First part complete in itself of the collective work "Tractatuum series". This part is entirely made up of the works of Matthaeus Hostius which are divided into three tomes having each a separate title-page. First Tome contains 5 books or parts; Second Tome contains 3 books; Third Tome contains 10 books. Each of the 18 books has a separate title-page. The "Tractatuum series" contains the following works: I. Matthaei Hosti: Historica antiquitas: Rei nummariae Mensurarum Ponderum &c. in tres tomos distincta; II: Joannis Seldeni i.e. Alessandro Sardi: Liber de nummis; III: Philippi Labbe: Bibliotheca nummaria; IV: Guilielmi Budaei: De asse & partibus eius libri V; Cum indicibus locupletissimis. Matthaeus Host 1509-1587. Adam Rechenberg 1642-1721. Alessandro Sardi 1520-1588. Guillaume Bude 1468-1540. Philippe Labbe 1607-1667. Lipsius p. 326. I-5 OUT <br/> <br/> Amstelodami, [Amsterdam] Peter Le Clert hardcover
1692019576Amstelodami Amsterdam: Peter Le Clert 1692. Book. Very good condition. Hardcover. Early edition. Octavo 8vo. Book I: xxxiv 372 pages of text viii pages of index. Book II: xxiv 274 pages. Book III; 275-638 pages followed by vi pages of index. In book III pages 451-537 are mis-numbered 551-637. Original full vellum binding with minor shelfwear moderate soiling hand-lettered spine and a small paper label. Gilt heraldic device stamped on the front cover. Measures 196mm x 157mm. Illustrated with a frontisportrait of the author and complete with two 2-page tables and a large fold-out table. Title printed in red and black. Previous owner's bookplate affixed to the inside of the front cover over a remnant of another bookplate: Bruno Kisch Pragensis. Previous owner's markings on the front endpaper and stamped on the back of the title page. There is a small amount of minor damp-staining and rippling to the bottom corner of the final half of the text. The final two endpapers have a small crease. Numismatics. Early printing. Peter Le Clert Hardcover books
16747050No Place 1674. 4to. Nice later boards. Gilt back. 7241488 pp. a. 1 fold. engraved plate. hardcover
16747050No Place, 1674. 4to. Nice later boards. Gilt back. 72,(4),148,(8) pp. a. 1 fold. engraved plate.
1679RLONKRE00twKolbl / Wagner 1962 / 1679. Very Good. Lonicero Adamo Adam Lonicer; Adamus Lonicerus. Kreuterbuch. Krauterbuch. Munich / Ulm: Kolbl / Wagner 1962 / 1679. Reprint of 1679 edition. 750pp. Indexed. Illustrated. 8vo. Brown cloth. Book condition: Very good. Tiny tear and small gouge in top edge of spine. Kolbl / Wagner hardcover
1640I4BEEA14RQO2Paris 1640. Folio. Toussainct Quinet Contemporary vellum. With an integral engraved title-page with 3 allegorical figures of Ares/Mars Labore and Industria military surveying and building attributes and a fortification plan divisional titles for the second and third "livre" 35 double-page engraved illustration plates lettered A-Mm containing 185 numbered figures 8 double-page letterpress tables labelled I-VII and "Table du profil". 8 179 1 pp. Third French edition the first one published outside the Netherlands of the best most detailed best illustrated and most influential handbook of fortification from the Dutch golden age. Besides numerous fortification plans profiles sections and perspective views the plates show bridges gates barriers shelters tools for digging construction and demolition a level a battering ram a windlass a wheelbarrow artillery fences and a horse-powered Archimedes's screw for pumping water while three plates show the arrangement of troops' quarters in camp. While some of the fortification plans are theoretical others show the fortifications of cities of the Low Countries and Rheinland during the Eighty Years' War including Antwerp Wesel and Heusden. The text is divided into three "books" the first covering the origins development and most recent Dutch improvements in the art of fortification the second systematically presenting the various forms of fortification in a wide variety of shapes and the third on offensive and defensive tactics of siege warfare as well as the furnishing and maintenance of fortifications.With some manuscript notes in French on paste-down. Browned with some minor foxing and spotting. Bookblock loosly attached to spine binding with some stains. Reasonable copy.l Jordan 1303; cf. Jähns p. 1111; this edition not in Sloos Warfare. hardcover
1635I44CZ6VY8TIKLeiden 1635. Folio. Abraham and Bonaventura Elzevier Mottled tanned sheepskin ca. 1730 straight-sewn on 6 cords gold-tooled spine with morocco label gold-tooled board edges curl-marbled endpapers red edges headbands in blue and white. With an integral engraved title page with 3 allegorical figures of Ares/Mars Labore and Industria military surveying and building attributes and a fortification plan divisional titles for the second and third livre 35 double-page engraved illustration plates lettered A-Mm containing 185 numbered figures 8 double-page letterpress tables labelled I-VII and Table du profil woodcut headpieces and decorated initials 1 series. Set in roman and italic types with incidental textura and fraktur. With 2 figures in the plates coloured by an early hand. 8 179 1 blank pp. First French edition of the best most detailed best illustrated and most influential handbook of fortification from the Dutch golden age and an ambitious piece of book production from the golden age of the Elzeviers' printing office. Besides numerous fortification plans and views the plates show for example bridges tools for digging construction and demolition and a horse-powered Archimedes's screw for pumping water while three plates show the arrangement of troops' quarters in camp. While some of the fortification plans are theoretical others show the fortifications of cities of the Low Countries and Rheinland during the Eighty Years' War. The text is divided into three "books" the first covering the origins development and most recent Dutch improvements in the art of fortification the second systematically presenting the various forms of fortification and the third on offensive and defensive tactics of siege warfare. Together with the excellent plates it gives remarkable insight into the working techniques and tools of fortification building ca. 1630. The lexicon gives terminology for fortification and related fields in French German Dutch and Latin and remains an essential source on the subject.With two small drawings an occasional manuscript note some underlining and a bookplate. With some foxing in the engraved title-page and a few other leaves occasional mostly marginal stains and minor browning but otherwise in good condition. With superficial damage to the boards and worming slightly affecting the boards and badly damaging the backstrip which has been restored at the head and foot. First French edition of the most influential fortification manual of its day probably more widely read than the German original.l Berghman Cat. rais. Elzeviriennes 651; Jähns II 117; Jordan Bibl. Gesch. Festungsbaues 1301 4 copies; Rahir 417; Sloos Warfare 8022; STCN 3 copies; Willems 425; for Freitag: www.presseforschung.uni-bremen.de/dokuwiki/doku.phpid=freitag_adam. hardcover
1640D17896Paris: Toussainct Quinet 1640. First Edition thus. Hardcover. Good. Folio a5 -a1 blank A-Y4 Z2; 8 179 1 pp. Illustrated with thirty-five double-paged engraved plates and eight double-paged typographical tables engraved title contemporary ownership inscription to title three parts bound as one; occasional staining but not a bad copy. Full contemporary speckled calfskin spine gilt. First edition published in France translated from the original German edition of 1631. <br/><br/> Toussainct Quinet hardcover books
16731402110013Chez Augustin Besoigne 1673-01-01. Hardcover. Acceptable. Full vellum binding. Solid internal binding. XXXIV-446-XIII p. et la table. Unmarked pages. History of the Netherlands. Chez Augustin Besoigne hardcover
169861339Amsterdam George Gallet 1698 Amsterdam Lorme 1699. 8vo. In a nice contemporary Cambridge-style mirror binding with five raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Lower part of front board with small hole in leather showing the wooden boards underneath. With a few occassional brownspots. Line of imprint trimmed off in the second work and small tear to the map 'Relation du voyage de Mr Evert Isbrand' otherwise a nice and clean copy. 6 164 4 pp. frontispiece and 8 engraved plates; 4 249 1 pp. folded map. Wanting the frontispiece. <br/><br/><em>First French translation of Adam Brand’s ‘Relation du voyage’ an 18-month journey to Beijing where he served as the embassy’s secretary. In 1692 Tsar Peter the Great commissioned Eberhard Isbrand Ides to lead a mission to the Kangxi Emperor of China with Adam Brand functioning as the embassy's secretary. The delegation comprising over 250 individuals including noblemen advisors merchants and soldiers arrived in Beijing after an 18-month journey in 1693. The embassy's primary accomplishment was securing permission for Russians to conduct business in Beijing with a caravan of up to 200 members every three years. The present work became extremely popular in Western Europe and it was quickly translated into various European languages including English 1698 and 1707 French 1699 Dutch 1699 and Spanish 1701. Withbound is Prideaux' "La Vie de Mahomet". </em> hardcover
169861339Amsterdam, George Gallet, 1698 (+) Amsterdam, Lorme, 1699. 8vo. In a nice contemporary Cambridge-style mirror binding with five raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Lower part of front board with small hole in leather, showing the wooden boards underneath. With a few occassional brownspots. Line of imprint trimmed off in the second work and small tear to the map ('Relation du voyage de Mr Evert Isbrand'), otherwise a nice and clean copy. (6), 164, (4) pp. + frontispiece and 8 engraved plates" (4), 249, (1) pp. + folded map. Wanting the frontispiece.
1634006-A1634. Radierung, 1634, auf Bütten. 10,8:17,2 cm. Literatur: Robert-Dumesnil 3, I (von III); Blum 8, I (von III); Russell 1982, Nr. 18, I (von III). Prachtvoller und kräftiger Druck vor der Nummer und der Beschädigung der rechten unteren Plattenecke. Mit feinem Rändchen um die Plattenkante. - Bis auf eine dünne Stelle links oben und Reste alter Hinterklebung verso am Oberrand ausgezeichnet und frisch erhalten. Eines der wenigen Nachtstücke im 43 Blatt umfassenden graphischen Werk des Künstlers, das, wie man weiß, von der Landschaftsmalerei A. Elsheimers (1578-1610) beeinflußt ist.
1663335551663 Paris - Guillaume de Luyne - 1663 - 1 volume in12 de 300 pages - Reliure plein maroquin bleu - Dos cinq nerfs orné - toutes tranches dorées - filet sur les coupes - Double filet doré d'encadrement sur les plats - Quelques rousseurs -
166396744Paris Guillaume de Luyne 1663 1 vol. relié in-18, veau fauve marbré, dos à nerfs rehaussé de pointillés dorés, caissons ornés de fleurons et dentelle dorés, (46) + 240 pp. et p. 331-528 (erreur de pagination commune à tous les exemplaires de cette édition) + (6) pp., bandeaux et culs-de-lampe. Edition originale posthume, avec le privilège et l'achevé d'imprimer du 4 août. Humble menuisier de Nevers, Adam Billaut (1602-1662) rencontre un succès inattendu grâce à l'enthousiasme des plus fameux poètes de son temps, qui voient en lui un prodige littéraire issu de la classe laborieuse. Surnommé « le Virgile au rabot », il est aujourd'hui considéré comme l'un des premiers poètes ouvriers. Petit manque de cuir à la coiffe supérieure, mors fendillés et quelques cahiers brunis (comme souvent).
166396744Paris Guillaume de Luyne 1663 1 vol. relié in-18, veau fauve marbré, dos à nerfs rehaussé de pointillés dorés, caissons ornés de fleurons et dentelle dorés, (46) + 240 pp. et p. 331-528 (erreur de pagination commune à tous les exemplaires de cette édition) + (6) pp., bandeaux et culs-de-lampe. Edition originale posthume, avec le privilège et l'achevé d'imprimer du 4 août. Humble menuisier de Nevers, Adam Billaut (1602-1662) rencontre un succès inattendu grâce à l'enthousiasme des plus fameux poètes de son temps, qui voient en lui un prodige littéraire issu de la classe laborieuse. Surnommé « le Virgile au rabot », il est aujourd'hui considéré comme l'un des premiers poètes ouvriers. Petit manque de cuir à la coiffe supérieure, mors fendillés et quelques cahiers brunis (comme souvent).
166396537Paris chez Guillayme de Luyne 1663 1 vol. relié in-12, plein parchemin ivoire de l'époque avec le titre manuscrit au dos, (46) + 240 pp. et p. 331-528 (erreur de pagination commune à tous les exemplaires de cette édition) + (6) pp., bandeaux et culs-de-lampe. Edition originale posthume, avec le privilège et l'achevé d'imprimer du 4 août. Humble menuisier de Nevers, Adam Billaut (1602-1662) rencontre un succès inattendu grâce à l'enthousiasme des plus fameux poètes de son temps, qui voient en lui un prodige littéraire issu de la classe laborieuse. Surnommé « le Virgile au rabot », il est aujourd'hui considéré comme l'un des premiers poètes ouvriers. Large manque de parchemin au plat inférieur. Annotation ancienne au contreplat. Ex-libris gravé : Henry Cochin.
166396537Paris chez Guillayme de Luyne 1663 1 vol. relié in-12, plein parchemin ivoire de l'époque avec le titre manuscrit au dos, (46) + 240 pp. et p. 331-528 (erreur de pagination commune à tous les exemplaires de cette édition) + (6) pp., bandeaux et culs-de-lampe. Edition originale posthume, avec le privilège et l'achevé d'imprimer du 4 août. Humble menuisier de Nevers, Adam Billaut (1602-1662) rencontre un succès inattendu grâce à l'enthousiasme des plus fameux poètes de son temps, qui voient en lui un prodige littéraire issu de la classe laborieuse. Surnommé « le Virgile au rabot », il est aujourd'hui considéré comme l'un des premiers poètes ouvriers. Large manque de parchemin au plat inférieur. Annotation ancienne au contreplat. Ex-libris gravé : Henry Cochin.
