Rabuzin.MareMagnum
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Une seule affiche de dimensions 50 x 65 cm; impression offset de l'imprimerie moderne du lion; Paris. Bel état. Voir photo.
français Sans date. Affiche originale du film.120x160 cm (approximatif). Pliée, quelques transferts de scotch.
Une affiche de dimensions 46 x 63 cm; impression offset "Les Presses Artistiques". Discrète restauration à l'angle inférieur droit, sinon bel état.Voir photo.
Une affiche de dimensions 51 x 72 cm; impression offset des Imprimeries Artistiques. Discrète fente au coin bas; Trace rousse en marge gauche, sinon bon état. Peu fréquente. Voir photo.
Full gray cloth boards with elephant illustration on front cover. Light wear and small tears to dust jacket. 5"w x 5 3/4"h. "A picture book without words, Elephant celebrates a little girl's happy discovery of the difference between the world of fantasy and the world of reality--and the pleasures of both."
pp. (12), 167, (5) [Index of photographers' names and addresses]. 167 photographs, many in color. Folio. Original full cloth binding. Original dust jacket. Hardbound. Very Good+. W102
Book with dust jacket, in box. In red cloth, price marked in pencil on title page with price code, otherwise book is As New, with no blemishes of any kind. Dust jacket has been price clipped at lower corner and is wrinkled a bit at edges, and creased at rear blurb, but is clean with no tears and very little edgewear. Box is Near Fine with light edgewear only. This issue's theme is "Collectors' Items," and features items ranging from picture postcards to Victorian statuary, and from artificial flowers to fossils.
A clean, unmarked book with a tight binding. 5 5/8"w x 7 7/8"h. 192 pages. Slight edge wear to cover.
(Codice CN/2228) Grande manifesto fotografico, cm 70x100, carta forte lucida. Ottimo stato. Si spedisce disteso, in tubo di cartone. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Mm 235x285 NUOVO - Catalogo della mostra di Milano, Palazzo Reale, 10 dicembre 2015 - 20 marzo 2016. Volume in copertina rigida, 271 pagine profusamente illustrate a colori lungo l'intero testo. Copia in condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.
(Codice BO/0767) Poster a colori su carta forte, cm 68x97,5. In ottimo stato. Si spedisce in tubo di cartone. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
français Sans date. Affiche du film. 56x77,5 cm. Pliée, trous infimes dans une pliure, 3 tâches de décoloration.
(Codice BN/3306) Poster originale a colori su carta forte, cm 66x96. Stampato in occasione dell'asta, riproduce la sezione destra del dipinto. L'opera fu acquistata dal finanziere Tomonori Tsurumaki per $51,670,000, per l'epoca la cifra più alta pagata per un quadro. Leggeri segni del tempo ma ottimo stato. Si spedisce in tubo di cartone. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
(Codice BN/3305) Poster originale a colori su carta forte, cm 67,5x96. Stampato in occasione dell'asta, riproduce la sezione sinistra del dipinto. L'opera fu acquistata dal finanziere Tomonori Tsurumaki per $ 51,670,000, per l'epoca la cifra più alta pagata per un quadro. Leggeri segni del tempo, ma ottimo stato. Si spedisce in tubo di cartone. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
- Lucien Vogel éditeur, Paris 1912, 18x24cm, une feuille. - original print in color with three vignettes, printed on laid paper, signed lower right of a thumbnail. Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Estampe originale en couleur réalisée par Charles Martin, composée de trois vignettes, tirée sur papier vergé, signée en bas à droite d'une des vignettes. Texte décrivant les planches au verso. Gravure originale réalisée pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant l
Paris, Éditions Mayer, 1987; in-folio, 368 pp., reliure pleine toile noire d'éditeur avec jaquette imprimée. Nombreuses reproductions en couleurs.
Une affiche de dimensions 48 x64,5 cm; lithographie de l'imprimerie Ballon, Paris. Un angle découpé. sinon bel état. Peu fréquente. Voir photo.
In folio, pp. 112. Brossura originale. Album interamente illustrato da tavole in colore e in nero che riproducono affiche dedicati al tema della magia.Non comune.
Affiche 64 x 40 - Dessin représentant la carte de Bretagne avec des animaux domestiques & des pancartes : Plogoff, Larzac, Crozon & Le Pélerin ) - Imp; copie 22 à Pédernec - Trous de punaises aux 4 coins) À la fin des années 1970, l’État français a voulu implanter une centrale nucléaire sur le territoire de la commune. Le projet fut rejeté massivement par les plogoffistes et d'autres partisans anti-nuclaires venus de toute la Bretagne voire de la France entière. Le conflit, souvent violent, dura plusieurs semaines. L'opposition à la construction, répertoriée sous le vocable "les évènements de Plogoff", est la première manifestation majeure contre la politique nucléaire française. Ce combat anti-nucléaire remporté de haute lutte par les opposants au projet de centrale a été à l'origine de plusieurs livres, de deux films (Plogoff, des pierres contre des fusils - L'affaire Plogoff), de nombreux articles de presse et de dizaines d'affiches.
Une affiche sur vélin fort de dimensions 50 x 67 cm; belle lithographie de René Guillard. Bl état. Voir photo.
in-4° 165 pp, illustrations n&b et couleurs, broche, couverture ilustree a rabats. Bel exemplaire. [PLC-12] [F] Catalogue de l'exposition tenue au Passage 44, du 15 septembre au 30 octobre 1983
Volledig in 2 delen: 141 + 209pp. rijkelijk geïllustreerd, 30cm., geïll. omslagen, enkele roestvlekjes op bovenste bladsneden, goede staat, B89823
français In-4 de 315 pp. + Bibliographie; reliure pleine toile ornée de l'éditeur, sous jaquette illustrée en couleurs. Analyse critique de Carlo Arturo Quintavalle, traduction de Jocelyne de Pass. Riche iconographie.
français Sans date. Affichette originale du film. 40x60 cm (approximatif). Pliée, petits trous d'affichage.
