HERGE:Livre Rare Book
10 957 résultats
8087Affiche offset 60 x 79,5. Pliée et légèrement froissée.
199928321999. Affiche au format 50 x 70 cm. A l'état de neuf.
2897PMJ. Affiche au format 50 x 70 cm. A l'état de neuf.
199518139New York, Selbstverlag, 1995. hard board, mounted cover illustration, 4to, non paginated, 505 numbers, numerous illustrations; -slightly worn, fine copy.
Contents: John Gardner; Securing Saigon; Posters in Red China; Great two-page color-photo ad for the Jeepster; News from Syria; Mercedes-Benz 250S ad; The Bahamas; The Morality of War - essay; Photo of Siamese twins Margaret and Mary Gibb - they died of cancer with two minutes of each other; Opel Kadett color photo ad; Hugh Downs and the Today TV show; Skier Nancy Greene of Canada; and much more. Unmarked with average wear. A sound copy. Book
Contents: Article and many haunting photos of Communist East Germany; "Torrey Canyon" oil spill; Genetics - Dr. Dobzhansky; Nice Cadillac ad; Estimating crowd size; Nice color photo ad shows the VW bug, squareback and van; Manhattan "Be-in"; Great page of color psychadelic posters; Birth Control/The Pill - feature article; Sam 951 - Charolais breeding bull; U.S. King Crab Catch; Unemployment in Israel; Nice Ford Thunderbird ad on back cover; and much more. Unmarked. Average wear. Book
199593723Poster Auctions International, Inc., n° XXI 1995 Livre en anglais. In-4 relié 31 cm sur 23,5. 505 pages. Très bon état d’occasion.
2957Handprinted by KAHUNAS. 2004. Impression en sérigraphie. Dim: 638 x 485 mm. Tirée à 250 exemplaires. Signature originale.
2957Handprinted by KAHUNAS. 2004. Impression en sérigraphie. Dim: 638 x 485 mm. Tirée à 250 exemplaires. Signature originale.
2226Poster 50 x 40. A l'état de neuf.
- Lucien Vogel éditeur, Paris Mai 1914, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustration d
1969LCI-65731969 60 x 80 LA FOLIE JERRY : Affiche originale (1969) du film Tiens bon la rampe, Jerry. Retrouvez tout le génie burlesque de Jerry Lewis sous le pinceau dynamique de Guisson. Une composition haute en couleur qui capture l'énergie débordante d'une comédie culte de Gordon Douglas. Un exemplaire d'une fraîcheur exceptionnelle, idéal pour apporter une touche de vitalité et d'humour à une collection de prestige.
181639196Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181739197Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
181739198Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
181739199Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
181639202Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181639203Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181639204Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181639208Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181739209Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
181639221Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181739222Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
181639224Imprimerie de Darnault-Maurant | Orléans 1816 | 33 x 30 cm | une feuille
181739225Imprimerie de Darnault-Maurant | Orléans 1817 | 33 x 30 cm | une feuille
