BEDOUIN (Jean-Louis).Livre Rare Book
159 résultats
196740476Paris Seghers 1967 1 vol. Broché in-4, en feuilles, sous couverture à rabats, 57 pp. Edition originale du premier recueil de l'auteur. Un des 66 exemplaires de tête numérotés sur vélin de Hollande, comprenant une eau-forte originale en couleurs de Jorge Camacho numérotée et signée par l'artiste. Curuesement la justification de la gravure (n°9) ne correspond pas à celle du volume (n° II). Déchirure au dos en pied, sinon bon exemplaire.
10085L'OEUF SAUVAGE. Collection suivie du n° 1 (octobre 1991) au n° 6 (hiver 1992). 6 fascicules in-4° sous chemise-étui et emboîtage de l'éditeur. Très bon état. /// Textes sur et illustrations de : Jean Dubuffet, Philippe Dereux, Joseph Crépin, Pierre Bettencourt, Josef Sima, Fred Deux, Dado, Armand Avril, Louis Pons, Picassiette, Séraphine de Senlis, Marie Morel, Anselme Boix-Vives, etc.
15570P., Pierre seghers, 1967, In-4, en feuilles, sous chemise, 57 pp.
45144Rédaction des cahiers.Paris.1947.Seul numéro paru.33 p. BE.
14546Vintage original albumen photograph of a Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown books
14695Two large sepia-toned albumen prints depicting Bedouin camps under the wide desert sky. First photograph is labeled on bottom left corner with"1681 Nomades Campes Boghari." Some age-related foxing that does not affect the larger image. Image is approximately 10"x7.5" and is in overall good condition. The second image is 9"x7" and is laid on a photographer's matt labeled "Camp Doncy." Tears to corner and edge but image is in overall good condition. unknown books
1880145821880. Vintage original albumen photograph of a Bedouin with his white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
1885145461885. Vintage original albumen photograph of a Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
195059357Seghers | Paris 1950 | 14 x 17 cm | broché
195186431Paris 1951, 13 x 21 cm, agrafé, np (12p.). Couverture illustrée, imprimée en lithographie. 6 reproductions nb, liste des 25 oeuvres exposées. Bon état. Catalogue peu courant de la première exposition du couple Seigle. Henri et Marie se sont rencontrés en 1937 lors d'une exposition à la galerie de La Pléiade à Paris. Ils décident d'explorer ensemble la voie du Surréalisme. Ils rencontrent Victor Brauner et André Breton. Ils peindront "à quatre mains" sous le nom de SEIGLE.
050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 <br /> 1949 Paris La Hune (diffuseur)
195059357Paris: Seghers 1950. Fine. Seghers Paris 1950 14 x 17 cm broché First edition one of 100 numbered copies on alfa paper the only deluxe copies with some hors commerce also on alfa paper. Iconography. Work illustrated on the cover with a portrait of André Breton by Max Ernst. Spine and covers lightly and marginally discolored two small lacks at head and foot of covers. Seghers unknown
1792PHO-1241Chez Briand, à Paris 1792, 2 tomes en 2 Vol. in-8 (13,5x21,8cm), (2) vj, 440pp. et (2) 483pp., relié plein basane tacheté , dos lisse orné avec pièces de titre et tomaison vertes , ex-libris manuscrit , coiffes et coins usés , charnières fendues , vieilles mouillures avec quelques traces .
P5342Paris: 1970-1974. Quartos 29 à 18 cm. Original pictorial wrappers; 18 to 30 pp. each. Most copies very good only four and five with light creasing to wrappers and upper spine of issue 4 lightly frayed. Substantial run lacking only the final two issues of this illustrated surrealist periodical issued from 1970 to 1976 with a pause in 1975. The periodical was an important international signal against the supposed death of the surrealist movement post-1969 when it was denounced by leading members of the French Surrealist group: "The Parisian Surrealists who refused to abandon the movement regrouped in close relation with their friends in Prague around the Bulletin de liaison surréaliste. They were also supported by Surrealists in the United States" Michael Löwy Morning Star 108. Indeed the high number of contributions reflecting the Czech surrealist experience is noteworthy especially by post-war representatives such as the Å vankmajers MarenÄin Stejskal and Vratislav Effenberger. With a joint introductory statement by Jean-Louis Bédouin Jean Benoît Vincent Bounoure Jorge Camacho Joyce Mansour and Michel Zimbacca "No one has the right to dictate a Surrealist 'line' and still less to set it down" / transl. by Löwy. Among the contributors are Karol Baron Bédouin Vincent and Micheline Bounoure Vratislav Effenberger Robert Guyon Marianne van Hirtum Ted Joans Robert Lebel Mansour Albert MarenÄin Renaud Cabanel Nicolas Calas Camacho Herbert Marcuse Morin Martin Stejskal Svab Å vankmajer Å vankmajerova and others. Illustrated with drawings and photographs the issues contain poetry prose manifestos and theory surrealist games as well as lists of recently published surrealist works. The journal appears to be quite scarcely represented in institutions which typically only show the 1977 reprint by Savelli. unknown books
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. <br/><br/> unknown books
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
196174291Denoël | Paris 1961 | 14.50 x 20.50 cm | broché
194827263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown
194827263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. <br/><br/> Éditions surréalistes unknown books
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. <br/><br/> Denoël unknown books
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
196174291Paris: Denoël 1961. Fine. Denoël Paris 1961 14.50 x 20.50 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. Iconography. Handsome copy. Denoël unknown
2553Editions Seghers / Collection " Poètes d'aujourd'hui " n° 18 de 1950. In-12 broché carré de 226 pages au format 17 x 14 cm. Portrait de d'André Breton en couverture par Max Ernst. Etude de Jean-Louis Bédouin avec inédits, oeuvres choisies, bibliographie, dessins, photos et fac-similés. Dos légérement insolé avec petites pliures, mais qui est resté bien carré. Bords des plats ltrès légèrements insolés. Intérieur parfait. Intérieur frais. Un des 100 exemplaires du tirage de tête numérotés sur Alfamarais ( n° 63 ), seul grand papier. Edition originale.
5869SUPERBE LETTRE SON AMI REN ALLEAU DANS LAQUELLE IL ABORDE LA NOTION DTERNIT......Jarrive peine reprendre pied, (...). Cest en vain que je chercherais ici lquivalent de cet air lgrement parfum, de cette athmosphre (sic) dore qui rappelle l-bas tout homme quil peut tre des compagnons de Dionysos. Et sil est bien dans la vertu de lor de sacraliser ce quil touche, que dire de ces dernires journes que nous avons passes en Provence, aidant de nos mains clbrer le sacrifice des grappes dans le fouloir...La substance de votre lettre, si riche de sens et si belle, saccordait parfaitement celle de ces journes fastes et simples. Je vous aurais aussitt rpondu, si le travail qui saccomplissait (et pas seulement dans les cuves !) net exig autant de vigilance de notre part que de bonnes dispositions des astres et des pluies (...).Maintenant que ce charme nest plus quun souvenir, nous nous trouvons nouveau ballots par les eaux bitumeuses (...). Lternit, massurez-vous, est seule compter, non cet avenir que je croyais devoir invoquer comme un miracle toujours possible (...). Il nen reste pas moins que le mot nest, comme dautres, nullement exempt de rsonances qui, trs probablement, me lon fait inconsciemmentrejeter. (...), il voque quelque chose de statique, de contraignant, propre freiner tout essor. Ne pourrait-on parler dune 6 ternit en mouvement, faite de tous les temps, de toutes les naissances et de toutes les morts (je ne pense pas forcment l ternel retour ) ?...Tout ceci pour manifester le profond intrt que jai pris vous lire, plutt que pour discuter un problme qui chappe en grande partie mes comptences, dans la mesure o je suis plus pote que mtaphysicien. Pour tre tout fait sincre, je dois ajouter cependant que la posie peut, mon sens, saisir plus troitement et plus vite certaines ralits spirituelles, que ne le pourra jamais la philosophie (...). Cest cette conviction, peut-tre fort subjective, qui ma soutenu tout au long du texte que je vous envoie sous ce pli. Je naurais pas tant tard vous ladresser, si je navais pens que Monsieur Canseliet vous le communiquerait...Ren Alleau (1917-2013) est un historien des sciences occultes. Il fut un proche dAndr Breton. Franc-maon, il a t membre de la loge de Paris de tendance gunonienne Thebah, appartenant la Grande Loge de France. Louvrage de Ren Alleau Aspects de l'alchimie traditionnelle fut prfac par Eugne Lon Canseliet (1899-1982 auteur et alchimiste, disciple de Fulcanelli).
1880145371880. Albumen photograph Bedouin cavalry charge circa 1880 documents mounted warfare practices among nomadic groups in the Arabian desert during the late nineteenth century a period when Bedouin tribal forces maintained regional influence through mobility horsemanship and control of desert routes. The image captures armed horsemen in coordinated motion with swords drawn providing visual evidence of cavalry tactics central to intertribal conflict and territorial defense prior to the consolidation of modern state authority in the region. Such imagery supports research into Middle Eastern military history nomadic social organization and the representation of non-Western subjects in early photographic practice.<br /> <br /> Single albumen print measuring approximately 7" x 9" depicting approximately a dozen mounted Bedouin riders in full gallop across open desert terrain. The composition includes figures in the foreground advancing with raised swords with additional environmental detail visible in the background including tents near a palm tree and distant mountainous forms along the horizon. The photograph captures a dynamic moment of movement unusual for the period given the technical limitations of nineteenth-century photography which more commonly produced static or posed scenes. No visible inscriptions noted; composition emphasizes both action and landscape context.<br /> <br /> Produced during a period when photographic processes required long exposure times the successful rendering of motion in this image indicates either careful staging or a rare attempt to document kinetic activity in situ. Bedouin cavalry traditions remained central to Arabian Peninsula power structures throughout the nineteenth century preceding the military and political transformations that accompanied Ottoman decline and later state formation in the early twentieth century. Visual records of mounted action from this period are comparatively limited particularly those that attempt to depict combat or maneuver in progress making the photograph relevant for studies of early visual ethnography colonial-era image production and the documentation of pre-modern military systems. Light wear consistent with age; image remains clear with strong tonal contrast; overall in very good condition. unknown
