258 résultats
1794WRCAM53655Augusta Ga. 1794. Two printed forms completed in manuscript the first approximately 13 x 13 inches the second approximately 12 1/4 x 7 1/2 inches. Large wood and wax seal of Georgia attached with ribbon. Folded. Light tanning and foxing. Very good. An impressive printed land grant completed in manuscript for 1000 acres of land in Washington County Georgia granted by Gov. George Mathews to Richmond Dawson. The document is signed by Mathews as well as the surveyor George Weatherby who has included a sketch of the land in question. The land is described as "on the waters of Choopee River bounded South West and South East by said Dawson's Land and on all other sides by Vacant Lands." <br> <br> Governor Mathews had an eventful career first as a Revolutionary soldier including a stint as colonel of the Virginia troops in Greene's Carolina campaign then as governor of Georgia and finally as a special agent leading "irregular" activities in attempts to wrest Florida from Spain in 1810-12. In the end the U.S. government repudiated Mathews' Florida actions and he died in Augusta a bitter old man. "By his demise the authorities at Washington escaped the consequences of his threat that he'd 'be dam'd if he didn't blow them all up' and he carried to the grave much evidence that might explain his debatable conduct" - DAB. A handsome Georgia document and unusual early imprint. unknown books
1738221273London: Printed for James Hutton at the Bible and Sun without Temple-Bar 1738. First edition w/o half-title. viii 23 1 pp. Printed by William Bowyer; his records show 1000 copies printed. 1 vols. 8vo. Removed. Fine. First edition w/o half-title. viii 23 1 pp. Printed by William Bowyer; his records show 1000 copies printed. 1 vols. 8vo. Disagreeing with some of the Moravian Ceremonies. Whitefield was leader and founder of the Calvinistic Methodists having followed Wesleys to Georgia and was made Minister for Savannah. He spent years travelling in Europe and America and speaking soliciting funds and evangelizing. He was a follower of Wesley but separated over predestination. He constructed an orphanage in Savannah which was converted into Bethedsa College. Sabin 103511; ESTC T33528 Printed for James Hutton at the Bible and Sun without Temple-Bar unknown books
60421to which is attached a two-page folio manuscript document dated September 11 1793 being a certified copy of the original grant made May 11 1793 signed by then Governor Edward Telfair his signature in the hand of W. Urquhart "S.E.D." signed also by John Milton Georgia's Secretary of State; to this is attached a plat description one-page folio dated September 12 1793 signed by Thomas McCall Surveyor General of Georgia and John Milton as Secretary of State. Augusta GA 1794. A wonderful survival evoking the era of the Yazoo Land Frauds. Both Governor George Mathews and his immediate predecessor Edward Telfair were or were about to be tainted with involvement in Georgia land speculation; Mathews as governor in fact signed the notorious Yazoo Land Act. Having served in the Revolution Mathews had been nominated as the first governor of the Mississippi Territory but lost the appointment because of dubious land speculation and alleged involvement on the Blount Conspiracy; later he played a leading role in fomenting revolution in Florida. Telfair a prominent rebel during the revolution and a member of the Continental Congress served as governor 1789-1793 during which time "he was reckless in his dealings with the state's lands" DAB. Some wear and fraying at the edges a few small splits at folds still a very good example all soundly secured by the original pink ribbon from which the great seal of Georgia is suspended. Folded. #7655. <br/><br/> unknown books
187656290Macon GA: Macon & Brunswick Railroad Press of Francis Hart & Co. New York 1876. First edition. 8vo. 74 pp. Illustrated engraved views some in text one plate two large folding maps; engraved view on rear wrapper. De Renne catalogue II p. 762 but lacks maps and wrappers. OCLC locates two copies New York Public Virginia. Original printed salmon wrappers eroded at base of spine. Attractive copy of this elaborate promotional. 3796. <br/><br/> Macon & Brunswick Railroad (Press of Francis Hart & Co., New York) unknown books
1867WRCAM56202Atlanta 1867. Broadside 15 3/4 x 10 inches. Text printed in three columns. Old folds. Minor foxing spotting and creasing. Very good. An eloquent appeal against the disenfranchising poll tax by a southern champion of Reconstruction. Henry Pattillo Farrow issued this appeal on behalf of the poor of all races in Georgia at a critical moment in the history of Reconstruction and the future of voting rights in the state while the Reconstruction Constitutional Convention was meeting. Georgia led the way in making the poll tax a bulwark against fundamental change in race relations in the South. Despite the opposition presented in this broadside the poll tax was retained in the final draft of the Georgia Reconstruction constitution adopted in 1868 and was carried over in the 1877 revision. <br> <br> After serving in the Confederate Army Farrow was a Georgia state attorney general and a federal district attorney who strove to cooperate with northern efforts at Reconstruction and ensure the state's compliance with the Sherman Reconstruction Bill. Here he argues for removal of a provision in the proposed Reconstruction constitution for the state of Georgia which permitted the imposition of a poll tax for "educational purposes." In part Farrow's statement on the poll tax reads: <br> <br> "There is in the humble judgment of the writer no species of taxation ever assessed by any government more violative of the principles of the science of political economy and of common sense than taxation of that kind. A poll or per capita tax is not upon property; is not upon a profession a trade or a business; but it is a tax on man's inalienable rights - 'life liberty and the pursuit of happiness.' All who are in the enjoyment of those inestimable and inalienable rights ought aid in supporting the Government which protects those rights. There is no disputing that self-evident axiomatic proposion sic. Yet can a man be so poor so destitute as to live without yielding some return in the way of tax to the Government which protects him Can you point to a single citizen of Georgia white or black who pays no tax You can not do it." <br> <br> Scarce with only seven institutional copies recorded in OCLC at Yale Duke Williams College University of West Georgia University of Michigan Vanderbilt and the American Antiquarian Society. Hummel adds a copy at the University of Georgia. A fine example of early and ultimately unsuccessful resistance to the institution of poll taxes in the South. HUMMEL 594. OCLC 191231416 166645823 86110718. unknown books
197222337EAlbuquerque NM March 29 1972. Original Typed Letter Signed by the famed contemporary artist Georgia O’Keeffe to the Los Angeles opthalmologist and surgeon Glenn O. Dayton referencing her failing eyesight. Single sheet 8 1/2†x 11â€. The letter reads in full: “Abiquiu New Mexico March 29 1972 - Dear Mr. Dayton: When I was in your office someone asked me if anyone in my family had any eye trouble like mine and I said no. Later I remembered I had a grandfather in Budapest who went blind. That’s all I know about it - it might be an item of vague interest. My left eye has become much more cloudy and it’s as if my right eye is beginning to be cloudy. I assume that I should know there is nothing that could be done about if - am I correct I have gone to the doctor here again just last week and he tells me that my eye is no worse so I assume that nothing has happened to it. I would go to see you again but from what I understand there would be no real reason for me to go. Sincerely Georgia O’Keeffeâ€. Very minor creases from folding and with “File†written in an unknown hand next to Dr. Dayton’s name and address else fine. Georgia O’Keeffe 1887 - 1986 was an American artist best known for her paintings of flowers New York skyscrapers and New Mexico landscapes. She continued to paint into the 1970s when her almost complete loss of eyesight due to macular degeneration which began in 1968 significantly curtailed her ability to work. On March 6 1986 O'Keeffe died in St. Vincent's Hospital in Santa Fe having almost reached her goal of living to 100; she was 98 years old. The Georgia O'Keeffe Museum opened in Santa Fe in 1997. The assets included a large body of her work photographs archival materials and her Abiquiu house library and property. The Georgia O'Keeffe Home and Studio in Abiquiu was designated a National Historic Landmark in 1998 and is now owned by the Georgia O'Keeffe Museum. unknown books
1976263163New York: Viking Press 1976. One of 175 signed specially bound and with suite of prints. 108 color plates. With extra suite comprising 15 of 16 color plates. 1 vols. Folio. Black cloth. Plates in card folder with mounted portrait. In black cloth drop box. Lacking one print from the suite one print toned along one margin else Fine. In original mailing box. One of 175 signed specially bound and with suite of prints. 108 color plates. With extra suite comprising 15 of 16 color plates. 1 vols. Folio. Georgia O'Keeffe 1887-1986 was a famous American artist best known for her paintings of enlarged flowers New York skyscrapers and New Mexico landscapes. O'Keeffe began to be considered a legend in the 1920s and was known for her distinctive style. Here in her first book she writes about her own paintings and artistic style. This limited edition includes dozens of color plates of O'Keeffe's work. Viking Press unknown books
19782392Chicago: Art Institute of Chicago 1978. First edition. Fine. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES. INSCRIBED BY MARC CHAGALL "Pour Art Inst. Chicago Marc Chagall 1979" AND SIGNED BY WILLEM DE KOONING IVAN ALBRIGHT JOAN MIRÓ AND GEORGIA O'KEEFFE FEATURING 100 COLOR REPRODUCTIONS OF THE ART INSTITUTE'S MOST FAMOUS WORKS. Issued as part of the festivities surrounding the Art Institute's 100th birthday in 1979 The Art of Institute of Chicago: 100 Masterpieces celebrates the museum's 100 most beloved masterpieces and the artists behind these great works. In addition to the valuable signature pages each on a separate preliminary page this book contains beautiful color reproductions of 100 of the most magnificent works held by world-renown museum.<br /> <br /> There was much fanfare surrounding the 100th anniversary of the Art Institute. In addition to this book's publication the institute was feted with a Centennial Birthday party and a month-long exhibition in March 1979 entitled "The Art Institute of Chicago: 100 Years".<br /> <br /> David C. Hilliard a life trustee who helped produce 100 Masterpieces explains that the deluxe limited editions were sold in large part to buy an Indian sculpture for the Institute in honor of Board Chairman James Alsdorf and his wife Marilyn. Devoted art fans themselves the couple's private collection of Indian and East Asian art helped academics and collectors contribute enormously to the scholarship surrounding this field.<br /> <br /> The process of getting the artists' signatures had its difficulties - particularly when it came to approaching the more irascible ones like Georgia O'Keeffe who was a student at the School of the Art Institute of Chicago. Per Hilliard:<br /> <br /> "There is a good story connected with the book. We sent a young man down to visit Georgia O'Keeffe and ask for her agreement to participate. Georgia could be prickly so we chose as our envoy a young man whose father had given her the land on which she had her house and studio. And indeed he was given a warm reception and tour. When they parted Georgia said she would sign. but then added "If you will tell me the location of my painting that I gave to the Art Institute 'East River from the Shelton.'" We were overjoyed and asked the American Arts Department to let us see it. As Georgia knew it had presumably been stolen years before and a full search could not locate it. But she relented I think she enjoyed her joke and signed the books anyway!"<br /> <br /> A rare and extraordinary work that powerfully encapsulates the growth and development of the Art Institute of Chicago from a tiny academy to a "hub of the city's artistic life" Encyclopedia of Chicago . All the more desirable with the signature of five of the 20th century's greatest artists.<br /> <br /> Chicago: The Art Institute of Chicago 1978. Folio 10.5x14 inches; with box 12x15 inches original burgundy morocco watered silk endpapers all edges gilt. Housed in original box covered in matching morocco with gilt lion on front. Printed and bound by R.R. Donnelley & Sons at The Lakeside Press. Designed and composed by Rand McNally. A few spots of wear to box otherwise fine. <br /> <br /> A MAGNIFICENT PRODUCTION CELEBRATING ONE OF THE WORLD'S GREAT MUSEUMS WITH LARGE SIGNATURES OF SOME OF THE MOST IMPORTANT ARTISTS OF THE 20TH CENTURY. Art Institute of Chicago unknown books