258 résultats
19957607Boston MA: The Adirondack Museum / David R. Godine 1995. Softcover. VG- Label & few marks from previous gallery owner; slight scuffs to back cover. Color illus. wraps. 99 pp. 19 color 104 bw plates. Issued in conjunction with a 1995 exhibition. With a main essay by Georgia Barnhill with a foreword by David Tatham. There are 80 footnotes to accompany the essay providing fertile ground for future research. There are 96 metal engravings 64 artists' etchings 181 lithographs and 233 wood engravings. A superb listinga valuable reference. The Adirondack Museum / David R. Godine unknown books
19957607000001Boston MA: David R. Godine 1995. Hardbound. As New. Green cloth spine and tan boards. 99 pp. 19 color 104 bw plates. Main essay by Georgia Barnhill with a foreword by David Tatham. Published to accompany an exhibition held at the Adirondack Museum May 27 to Oct. 15 1995. There are 80 footnotes to accompany the essay providing fertile ground for future research. There are 96 metal engravings 64 artists' etchings 181 lithographs and 233 wood engravings. Since its opening last century the Adirondack wilderness of upstate New York has captured the nation's imagination. Home to artists and writers philosophers and sportsmen its mountains rivers and valleys have always radiated a special mystique offering its admirers what was and still is among the largest and most spectacular wilderness regions in the East. Nowhere is the topography history or activities of this area more eloquently recorded than in the print collection of the Adirondack Museum in Blue Mountain Lake. And in this fully illustrated book certain to become the standard reference work on the subject the reader is treated to the remarkable variety and quality of graphic work that has flowed from this region. Here are wood engravings by Winslow Homer color lithographs after A.F. Tait hunting scenes from Currier and Ives and etchings by Stephen Parrish and John Henry Hill. Whether intended to attract tourists record the landscape or sway public opinion these prints not only document the history of a singular region but also mirror the broader cultural trends of a vigorous expansive and confident America. David R. Godine unknown books
196536105Annandale VA: Turnpike Press 1965. Hardcover. VG. Navy cloth. vii 66 pp. Numerous bw plates. This is the third and final volume of a three-volume set. It is comprised of articles published by the author which represent her inquiries into less apparent facets of ninteenth century american art. Topics include Robert Ball Hughes F.A. Chapman John Eckstein Tompkins Harrison Matteson and Ferdinand Pettrich. Turnpike Press hardcover books
2006169178New Haven CT: Yale University Press 2006. Facsimile edition. Hardcover. New. Three small facsimile books housed in a custom cardboard vessel white slides into a translucent plastic sleeve. vii 215 pages : illustrations facsimile ; 14 x 18 cm 2 facsimile diaries. Introduction by Sabine Folie ; transcription and annotation by Georgia Holz and Eva Kernbauer. A translation of the hand-written text of the datebooks into ledgible English. With precise facsimiles of the original datedooks. The 1965 datebook is bound in gray plastic and the 1965 datebook smaller in size and with fewer pages is bound in black plastic. Introduction written by Sabine Folie. Transcription and annotation accomplished by Georgia Holz and Eva Kernbauer. With the articles "Writing Myself: Eva Hesse's Kettwig Datebooks 1964/65 " Folie and "Notes on Transcription and Annotation " Folie Holz and Kerbauer. Yale University Press hardcover books
19702237Athens GA: Georgia Museum of Art 1970. Softcover. VG. Wraps. 120 pp. 81 bw plates. Catalogue lists 80 works with dimensions owners etc. Very detailed chronology and exhibition history. Selected bibliography. Scarce catalogue with a significant essay by Linda Nochlin. Exhibition held Sept. 20 to Nov. 8 1970 two other locations. Georgia Museum of Art unknown books
1984103134Mystic CT: Mystic Seaport Museum 1984. Softbound. VG- ex art library with marks. Color illustrated wraps. 156 pp. profusely illustrated. Wonderful presentation of this unique form of Folk Art. "In this book Georgia Hamilton has researched described and illustrated forty figureheads in the collection; these range from the well known and positively identified such as the eagle from the cliper Great Republic to those with traditional but unverified attributions and those with unknown provenances. A list of all the figureheads in the collection is appended. Mystic Seaport Museum unknown books
19929011963New York: Harper Collins 1992. 1st. Hardcover. Book fine Dust jacket fine. <br/><br/> Harper Collins hardcover books
197041891970. Softbound. VG but binding glue is dried so pages are apt to come loose with use. Wraps. appx. 72 pp. 43 bw plates. Short statement by the artist short essay by Frank Getlein. Catalogue lists 43 works. Chronology collections selected bibliography. paperback books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
1988108523Washington D.C. & Boston MA: National Gallery of Art Washington in association with New York Graphic Society 1988. Second printing. Hardcover. 306 pages. A collection of her letters selected and annotated by Sarah Greenough together with 120 color and 11 black and white photographs. A fine and tight copy in a fine price clipped dust jacket. National Gallery of Art, Washington in association with New York Graphic Society unknown books
19982309652Nashville: Celebrity Books 1998. Reprint. Reprint. Near Fine/Near Fine. Signed by author. Reprint. Inscribed and signed by author on front flyleaf 'To Carrie So happy you enjoyed the book Georgia Durante'. Ink name on front jacket flap. 1998 Hard Cover. 456 pp. Memoirs of a 'Kodak Girl' who married a businessman linked to the mob and was a victim of domestic abuse. "Georgia Durante's beginnings were in Upstate New York when at the age of twelve the radiant little girl began her national modeling career. At seventeen Georgia Durante became the 'Kodak Girl' immortalized with her life-size image displayed in more than 80000 retail stores throughout the world. Georgia is also the author of the best-selling book The Company She Keeps. It's a book that has been recognized by domestic violence prevention and recovery groups for the inspiration and motivation it provides abused women who are looking to reclaim and rebuild their lives. Celebrity Books unknown books
2008Embry 146773Tulsa Ballet 2008. First edition first printing. Fine in fine dust jacket in mylar cover. Inscribed by the authors. Tulsa Ballet, 2008. First edition, first printing. unknown books
194088507Augusta: Georgia Hardwood Lumber Co 1940. Hardcover. Near Fine. numerous photos and illustrations 124p. Original woven burlap boards. Small illustration mounted on upper right portion of front cover. 24cm. Laid in is an undated 1944 or later 1-page Addendum on company letterheard. A mostly pictorial history of Georgia Hardwood Lumber Co. <br/><br/> Georgia Hardwood Lumber Co hardcover books
184011957Washington D.C.: Blair & Rives 1840. Small 8vo. 15 1 pp. <br><br>A desperate attempt to extend judicial authority. Senate document 273 26th congress 1st session. Removed from a nonce volume. Blair & Rives unknown books
182818795Washington: Pr. by Duff Green 1828. 8vo. 15 pp. <br><br>February 9 1828. Referred to the Committees on Manufactures and Roads and Canals and ordered to be printed." Letter signed in type: "John Forsyth." Report on pp. 5-15 signed in type: "Read and agreed to. Thomas Stocks president. . In the House of Representatives December 24 1827. Read and concurred in. Irby Hudson speaker ." Government document: 20th Congress 1st Session. 90. <br>Â Â Â Â <br>Â Â Â Â Shoemaker 36496. Removed from a nonce volume; stitch holes in inner margin not touching text. Three small holes on center of title-page and two small holes on pp. 3/4 5/6 7/8 costing a portion of two or three words on pp. 58 and touching one letter of p. 3. Ink numeral in top margin of title-page. Heavily foxed. Several leaves detached. Toned copy. Good. Pr. by Duff Green unknown books
19627405baAnn Arbor MI 1962. Book. Paperback. Books about books; bibliography; 35p.; 19cm; green patterned paper wrapper; 1 of 750; Randolph Greenfield Adams 1892-1951; owner marks. Paperback books
197679329Amherst:: University of Massachusetts Press. Very Good in Very Good dust jacket. 1976. Hardcover. 0870232088 . Black and white illustrations. First edition. Very good in a very good a bit faded along the spine dust jacket. . University of Massachusetts Press, hardcover books
196556903High Wycomb: University Microfilms Limited 1965. stiff paper wrappers with a paper cover label. Rogers Bruce. large 8vo. stiff paper wrappers with a paper cover label. vii 101 pages. A dissertation reproduced from microfilm by Georgia Mansbridge friend of Bruce Rogers. She writes about his career and personal life from the eighteen hundreds till his death in 1957. University Microfilms Limited unknown books
1971WRCLIT39807London: Secker & Warburg 1971. Boards. First U.K. edition of the author's award-winning first novel second book. Price sticker ghost on front pastedown top edge slightly dusty else very good or better in a lightly rubbed and soiled dust jacket with a touch of fading to the spine and a few nicks to the spine ends. Secker & Warburg hardcover books
1992Embry 195260HarperCollins 1992. First edition first printing. Inked phone number to front free endpaper else fine in very good dust jacket with some light wear to spine tips in mylar cover. Full page color and black & white reproductions. HarperCollins, 1992. First edition, first printing. unknown books
199259233NY:: HarperCollins. Fine in Near Fine dust jacket. 1992. Hardcover. 0060168951 . Edited by Alexandra Arrowsmith and Thomas West. Color and black and white illustrations throughout. First edition. Fine in a near fine one short closed edge tear dust jacket. . HarperCollins, hardcover books
2012163522New York: Bruce Silverstein Gallery 2012. First edition. Softcover. Exhibition catalog for a show that ran September 6 through October 20 2012. Essay by Carol Troyen. Includes illustrations of works by Charles Demuth Arthur Dove Marsden Hartley John Marin Georgia O'Keeffe Alfred Stieglitz and Paul Strand. A near fine copy in French style wrappers. A nicely printed catalog. Bruce Silverstein Gallery unknown books
1946Embry 175717U. of Georgia Press 1946. Second printing. Front endpapers browned small owner's inked stampnear fine. Red cloth no dust jacket. Part of the American Guide Series. U. of Georgia Press, 1946. Second printing. hardcover books
194869605New York: The Exposition Press. Very Good-. 1948. Hardcover. Inscribed by the author on the front free endpaper. 64 pages dark green boards with gilt stamping. The spine and edges are rubbed. Contents slightly toned but complete. Near Very Good. . The Exposition Press hardcover books
196669604Charleston Illinois: Prairie Press. Very Good. 1966. Hardcover. Signed by the author on the dedication page. 62 pages blue pictorial boards gilt stamping. The covers are a bit soiled and rubbed pencil notes in table of contents former owner gift inscription on the front free endpaper. Good. . Prairie Press hardcover books