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197671911976. Softcover. VG Exlib w/minimal markings label on cover. Wraps. 118 pp. 9 color 48 bw plates. Chronological listing of exhibitions. Detailed selected bibliography. Very detailed chronology. Essays on the artist by Paul Weaver Gibson Danes Edmund Burke Feldman Clinton Adams and Lamer Dodd. paperback books
1637502826.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6206091244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19233037New York: Anderson Galleries 1923. first edition. Very Good. EXHIBITION PROGRAM FOR O’KEEFFE’S FIRST MAJOR ART SHOW SIGNED AND INSCRIBED BY O’KEEFFE.<br /> <br /> Inscribed by O’Keeffe on cover in pencil: “I am sorry you cant come – / Hope all is well with you / Sincerely / Georgia O’Keeffe.â€. O’Keeffe’s first major show – opening at Anderson Galleries in New York on January 29 1923 –was a sensation. “The reviews were excellent. Henry McBride pleased O’Keeffe ‘immensely’ when his piece for the New York Herald stated that in the show ‘there is a great deal of clear precise unworried painting’ which Stieglitz was calling ‘color music.’ The Sun’s critic Alan Burroughs marveled that in the concurrent exhibition of still lifes and flower pieces by the likes of Cézanne Manet Monet and Renoir at Durand-Ruel ‘one sees no canvases with the intensity of Miss O’Keeffe’s.’â€<br /> <br /> “As many as five hundred people a day thronged the galleries. Although many went out of curiosity aroused by Stieglitz’s photographs of the artist once there they mostly liked what they saw. O’Keeffe’s work was sensuous easily understandable greatly appealing often decorative and much of it seemed quite overtly sexual in a fashionably liberated way. Some twenty paintings were sold for a total of about $3000…†Whelan.<br /> <br /> There was no catalog for the show - for as Stieglitz wrote explicitly on the back page of the program “There is no catalogue. The pictures have no titles but are numbered and dated†– so this program is the only significant printed documentation of the exhibition. And significant it is for it opens with an artist’s statement by O’Keeffe that is one of the most important and revealing things she ever wrote.<br /> <br /> She opens with a blunt almost anti-romantic autobiography: she “grew up pretty much as everybody else grows up†and then describes a turning point “one day seven years ago†when she realized she couldn’t keep living by other people’s rules — “I can’t live where I want to… I can’t even say what I want to.†She identifies painting as “the only thing I could do that didn’t concern anybody but myself†and discovered that she could say things “with color and shapes†that she couldn’t say any other way — “things that I had no words for.â€<br /> <br /> She almost cheekily anticipates some criticism “Some of the wise men say it is not painting some of them say it is. Art or not Art – they disagree. Some of them do not care.†before shifting her narrative to credit Stieglitz not only for this exhibition but for her famous introduction to the art world when Stieglitz exhibited the drawings shown to him by O’Keeffe’s friend Anita Pollitzer years earlier.<br /> <br /> In a bluntly forthright final paragraph she expresses her ambivalence but also her need to have her paintings shown: “I say that I do not want to have this exhibition because among other reasons there are so many exhibitions that it seems ridiculous for me to add to the mess but I guess I’m lying. I probably do want to see my things hang on a wall as other things hang so as to be able to place them in my mind in relation to other things I have seen done. And I presume if I must be honest that I am also interested in what anybody else had to say about them and also in what they don’t say because that means something to me too.â€<br /> <br /> ––––––––<br /> <br /> New York: The Anderson Galleries 1923. 6.25x9.5 inches. Two sheets making eight pages when folded as issued. With a printed extract on O’Keeffe by Marsden Hartley headed: “Extract from ‘Some Women Painters’ in ‘Adventures in the Arts’ by Marsden Hartley.†on pages 5-6. Mailing folds some general light soiling. Housed in custom presentation folder. <br /> <br /> RARE: We are not aware of another signed copy that has been on the market. <br /> <br /> References:<br /> <br /> Whelan Richard. Alfred Stieglitz: A Biography. Boston: Little Brown 1995 pp. 437-9. Anderson Galleries unknown
2010205409Sydney Australia: Art Gallery of New South Wales 2010. Softcover. VG. Light wear around the edges otherwise a very nice copy. Small Quarto. Softcover. Illustrated b&w wraps. 146 pages : illustrations ; 24 cm. Alfred Stieglitz has always been famous but his late work is little known. In this catalogue a selection of the Lake George photographs is splendidly reproduced. They represent prints originally given to public collections by Georgia O'Keeffe. Art Gallery of New South Wales paperback
199916578New York New York U.S.A.: Bulfinch Press. New. 1999. Hardcover. 0821225634 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 248 pages -- with a bonus offer-- . Bulfinch Press hardcover
A clean, unmarked book with a tight binding. Full gray cloth boards with a scratch on front cover. 150 pages.
In folio. Dim. 39x27,5 cm. Pp. da 374 a 388. Numero del 18 settembre 1952 della rivista settimanale "Ali" di aviazione. "Ali" il periodico degli aviatori italiani nasce a Milano il 28 Marzo 1944 per essere pubblicato fino al 28 Aprile 1945 quando si interruppe a causa della guerra. Riappare nel 1951 fino al 1977 variando più volte di nome. Tra gli articoli presenti: Anteprima a Milano, Focke Wulf 190, Lotta tra aquila e lupo, Georgia Peach, Farnborough 1952, Il bombardamento, Portaerei di scorta ecc... Numerose notizie di attualità e foto d'epoca all'interno. In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura assente. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Number of the 18th of september 1952 of the weekly magazine "Ali" of aviation. "Ali" the magazine of italian aviators was born in Milan the 28th of March 1944 to be published until the 28th of April 1945 when it was blocked due to the war.<BR>It reappeared in 1951 until 1977 changing names different times. Between the articles inside: Anteprima in Milan, Focke Wulf 190, Fight between eagle and wolf, Georgia Peach, Farnborough 1952, bombing, etc... Different information of actuality and photoes inside.<BR>In good conditions. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in good conditions. Inside pages are in good conditions with occasional foxings.
197522576Athens GA: Georgia Museum of Art University of Georgia 1975. soft cover as issued sewn. a couple of small and faint smudge artifacts to cover. one to rear cover's verso. no other flaws else clean no names/text markings sound binding.; no isbn. unpaginated. illustrated throughout in b/w. text consists of statements by individuals who sat for their portraits. ; this copy is inscribed to george with love alice neel '81. on title page. Signed by Artist. No Edition Stated. Soft Cover. Near Fine. 4to - over 9¾" - 12" tall. Exhibition Catalogue. Georgia Museum of Art, University of Georgia Paperback
6206091236.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994730110412027Houston Art & Frame Inc 1994. Paperback. Very Good. Nice looking book has minor edge wear. Houston Art & Frame, Inc paperback
1995Q-0061082163Harpercollins 1995-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Harpercollins paperback
SLIVCN-9782385294434Charleston (6/2025)
63-4829Dublin Ireland: Georgie Hyde-Lees 1963. Hand-written Letter with original autograph 7" x 9" Single Page Good with tiny marginal tears to top edge creasing.Provenance: Peter Howard Serendipity Books Berkeley. Dublin, Ireland: Georgie Hyde-Lees, 1963. unknown
63-4830Dublin Ireland: Georgie Hyde-Lees 1963. Hand-written Letter with original autograph 7" x 9" Single Page Very Good.Provenance: Peter Howard Serendipity Books Berkeley. Dublin, Ireland: Georgie Hyde-Lees, [1963]. unknown
63-4828Dublin Ireland: Georgie Hyde-Lees 1958. Hand-written Letter with original autograph 7" x 5.5" 2 pp. Inked Front & Back on Watermarked Wove Paper with Cuala Press lettehead Very Good with minor creasing.Provenance: Peter Howard Serendipity Books Berkeley. Dublin, Ireland: Georgie Hyde-Lees, 1958. unknown
6208796695.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6208796660.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Q-1843620170Orchard Books. Paperback. New. New. In shrink wrap. Looks like an interesting title! Orchard Books paperback
2005Q-0439744652Scholastic Inc 2005-05-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Scholastic Inc paperback
1971272221Barre Mass. : Imprint Society 1971. First Edition. Hardcover. Fine copy in the original gilt-blocked cloth. Corners sharp with an overall tight bright and clean impression. In slip-case. Physical description; 1 v. unpaged : facsims. ; 37 cm. Subjects; Broadsides — United States. United States — History — Sources. Barre, Mass. : Imprint Society hardcover
1971608908Barre Massachusetts: Imprint Society 1971. Hardcover. Near Fine. First edition. Edited and introduced by Georgia B. Bumgardner. Folio. Measuring 10½" x 14½". Illustrated with nicely reproduced black and white facsimiles. Two-tone cloth gilt. Spine a trifle sunned light wear and a tiny bit of soil a near fine copy lacking the slipcase. A handsome production one of 1950 copies printed Signed by Bumgardner on the limitation page. Imprint Society hardcover
1971220498Barre.: Imprint Society. 1971. First edition. Gilt decorated hard cover. . Fine copy in fine slip case. Folio. Folding plates. Limited edition of 1950 copies. Important reference work. Very scarce in this condition. Imprint Society. hardcover
197168299Barre Massachusetts: Imprint Society 1971. First Edition. Hardcover. Near fine. This is number 276 of 1950 copies signed by Bumgardner. A splendid selection which is divided into eleven categories: expansion contemporary events patriotism education criminals religion elegies advertisements amusements humor and strange and wondrous events. This book was designed and the letterpress sections printed at the press of David Godine in Brookline Massachusetts. The fine screen facsimiles of the broadsides were all photographed directly from the originals and printed offset by The Meriden Gravure Company Meriden Connecticut. The type is Monotype Janson cast by A. Colish Inc. The paper is watermarked Imprint Almanack text. Folio. Original brown cloth-covered boards over a blue cloth spine with gilt titles. A near fine copy housed in the publisher's slipcase. Imprint Society hardcover
19710619W687890Imprint Society. Very Good. 1971. Hardcover. 0876360177 . SIGNED by author LIMITED 20/1950. Fine folio in slip case lightly marked and faded. . Imprint Society hardcover
