264 résultats
1929111988Paris Éditions Claude Aveline, coll. "La Musique moderne" 1929 1 vol. Broché in-8, broché, couverture rempliée, 175 pp. Édition originale tirée à 1625 exemplaires, celui-ci numéroté sur vélin d'Alfa teinté. On joint deux cartes postales de l'époque, portraits de Stravinsky et du violoniste Heifetz (photos Manuel frères et Lipnitzki). En bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1948LCI-15411948 1948 Lausanne, Librairie F. Rouge 1948 1 In 8 Broché 127[pp]
1990R160197938CHESTER MUSIC. 1990. In-4. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 11 pages - Annotations au crayon à papier à la page 9. . . . Classification Dewey : 780.26-Partitions
191713961917 Genève, Éditions Ad. Henn, 1917. In-4 relié, demi-basane rouge, couverture conservée (63 pp.). Partition originale pour chant et piano. Dos un peu frotté, petit manque sur un plat de la reliure. Rare.
1963124175Gallimard, coll. « Du Monde Entier » 1963 In-12 broché 18 cm sur 12. 210 pages. Appendice avec le premier scénario pour The Rake’s Progress par Stravinsky et Auden. Dos insolé et marqué par les lectures. Couverture légèrement tâchée, sans gravité. Bon état d’occasion.
1968AUB-7477Ed. Hachette (coll. Génies et Réalités) 1968. Bel exemplaire relié, jaquette conservée, gd in-8, 277 pages.
1982113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1982113052Paris J.C. Lattès, coll. "Musiques et musiciens" 1982 1 vol. broché in-8, broché, couverture illustrée, 258 pp., quelques illustrations. Petite déchirure en marge de la couverture, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1941113384Paris Editions des Iles de Lerins 1941 1 vol. broché plaquette in-16, brochée, 37 pp. Edition originale. Tirage limité à 200 exemplaires, celui-ci l'un des 190 numérotés à la main sur satiné. Couverture un peu insolée, sinon en très bonne condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1967RO60110412Boosey & Hawkes. 1967. In-4. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur acceptable. 153 pages. Nombreuses partitions Annotations au dos du 1er plat et en page de titre. Annotations au crayon dans le texte.. . . . Classification Dewey : 780.26-Partitions
1941200-03964Edward B. Marks Music Corporation 1941. paperback. Good. Good with wear and markings. Looks like an interesting title. Edward B. Marks Music Corporation paperback
1958y0666New York: M. & J. Steuer 1958. Memoir by the Russian-born composer & conductor "a few recollections connected with various periods of my life." Hardcover in jacket as pictured; a reprint; first published 22 years earlier. Light wear to book; delicate jacket price-clipped with some large chips tears creases light stains to front panel. Text clean no names or marks; 10 176 pages colophon b/w photo portrait. . Reprint. Hard Cover. Very Good/Good. Small Octavo. M. & J. Steuer Hardcover
1998Q-0393318567W. W. Norton & Company 1998-12-17. Paperback. New. In shrink wrap. Looks like an interesting title! W. W. Norton & Company paperback
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown
1936C65987London 1936. First U. K. Edition. Hardback. Dust Jacket. Good internally with some foxing and discolouration. Heavy foxing to fore edge. Foxing and dust to top edge in good boards with light surface marks. Lettering to spine strongly faded top of spine worn with very small closed tear. Heavy rubbing to rear of dust jacket. Losses and tears to dust jacket with discolouration to spine and edges. Lettering remains bold. 8vo. Pp: 286. Scarce yellow dust jacket. Publisher's black boards with gilt lettering to spine. Black and white illustrations throughout by Picasso with frontispiece by ThŽodore Sravinsky. hardcover
1936255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36."<br /> Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275.<br /> An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown
1992DADAX8774552368Wilhelm Hansen 1992-02-01. paperback. New. 8.00x0.09x11.75. Buy with confidence. Excellent Customer Service & Return policy. Wilhelm Hansen paperback
19590870Garden City: Doubleday & Company 1959. 1959 1st edition stated. 8vo 162 pp publisher s black cloth wear to spine ends slight fading to lettering at foot of spine no internal markings very good dust jacket strong creasing small tears toning rubbing not price-clipped good. In mylar sleeve. 1st Edition. Hardcover. Good/Good. Garden City: Doubleday & Company, 1959. hardcover
1980Q-0520040406Univ of California Pr 1980-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Univ of California Pr paperback
19593117054New York: Doubleday. Fine in Near Fine dust jacket. 1959. First Edition; First Printing. Hardcover. First edition. INSCRIBED & dated in year of publication with place "Hollywood" noted by Igor Stravinsky on front end-paper. 162pp. 5 3/4" X 8 1/4" Fine in close to fine dust jacket. Hint of faint shelf-wear to jacket. Signed or inscribed copies of this title are scarce in the marketplace. GC ; 5 3/4" x 8 1/4"; 162 pages . Doubleday hardcover
196362665Doubleday. Very Good in Very Good dust jacket. 1963. First. Hardcover. From library of noted musician and film composer Mike Lang Lang's signature on front free-endpaper. Date to inner board. Binding tight and straight inner pages clean and unmarked. Dust Jacket is price-intact clean with very mild shelfwear.; 279 pages . Doubleday hardcover
1968469749London : Faber and Faber 1968. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 3-328 pages : 9 plates illustrations facsimiles music portraits ; 23 cm. Notes; Includes indexes. Subjects; Stravinsky Igor 1882-1971. Stravinsky Igor 1882-1971 ; Diaries. Stravinsky Igor 1882-1971 ; Interviews. Music. Composers ; Interviews. London : Faber and Faber hardcover
196885014London: Faber & Faber 1968. Cloth/dust jacket Octavo. Hardcover. Very good/good. red cloth gilt lettering dust jacket 328 pp dj worn on the edges <br /> <br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Faber & Faber hardcover
1962592727Garden City New York: Doubleday & Company 1962. Hardcover. Fine/Near Fine. First edition. 192pp. Illustrated from black and white photographs. Fine in a near fine dust jacket with a crease on the front flap and some toning. A biography starting with the composer's early life along with discussions of several of his scores and a commentary on two well-known New York music critics. Doubleday & Company hardcover