210 résultats
1997260225008Sne Can 1997-04-22. Audio CD. New. 0x0x0. Brand new factory sealed condition. Sne (Can) unknown
1997115757Harmonia Mundi Fr 1997-10-13. audioCD. Like New. 0x0x0. Brand new in shrink wrap. Please email for photos. Harmonia Mundi Fr unknown
198897808Lausanne : TML 1988. 225x220mm. photos n/b brochÂŽ. TrÂs bel exemplaire. 368 TML unknown
1974469666Northampton Massachusetts: Lisa Kaufman / Smith College Press 1974. Hardcover. Near Fine. First edition. Illustrated with 10 hand-colored photo-etchings by Lisa Kaufman. Quarto. vi 39 pp. Text in French. Cover with some faint discoloration trifle cocked and very lightly worn at the corners and spine ends near fine. Copy 6 of 20 copies set in 18-point Bulmer and printed on Arches paper Signed by artist and printer Lisa Kaufman on the limitation page.<br /> <br /> The 1918 French text of C.F. Ramuz's libretto for Stravinsky's "L'Histoire du Soldat" printed by Smith College student Lisa Kaufman with hand-colored "photo-etchings" made from her drawings. Kaufman was possibly a student in Leonard Baskin's final printmaking class at Smith College. OCLC lists a single holding for this publication at Smith College. A very nice production. Lisa Kaufman / Smith College Press hardcover
194328593Neuchatel Aux Ides et Calendes 1943. Softcover. Inscription non-authorial on preliminary page; otherwise very good condition. . 91p. Illus. One of 960 numbered copies on "Velin de Biberist" Neuchatel, Aux Ides et Calendes, [ paperback
197271988N.Y., Alfred A.Knopf, 1972. Origi.Leinenband mit Schutzumschlag, kl.4°, 424 Seiten und 15 Seiten im Anhang.
1996Q-379576100XSCHOTT MUSIK INTL MAINZ 1996-07-01. Sheet music. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ unknown
198727995Bis, 1987. BIS-CD-364 CD CD
19941222705Ostfildern : Cantz, 1994. 62 S. : überw. Ill. kart.
196239959London: Encounter 1962. First Edition; First Printing. Softcover. Very Good in wrappers. Cover with original drawing by Jean Cocteau. ; Small 4to 9" - 11" tall. Encounter unknown
1941200-03964Edward B. Marks Music Corporation 1941. paperback. Good. Good with wear and markings. Looks like an interesting title. Edward B. Marks Music Corporation paperback
1958y0666New York: M. & J. Steuer 1958. Memoir by the Russian-born composer & conductor "a few recollections connected with various periods of my life." Hardcover in jacket as pictured; a reprint; first published 22 years earlier. Light wear to book; delicate jacket price-clipped with some large chips tears creases light stains to front panel. Text clean no names or marks; 10 176 pages colophon b/w photo portrait. . Reprint. Hard Cover. Very Good/Good. Small Octavo. M. & J. Steuer Hardcover
1998Q-0393318567W. W. Norton & Company 1998-12-17. Paperback. New. In shrink wrap. Looks like an interesting title! W. W. Norton & Company paperback
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown
1936C65987London 1936. First U. K. Edition. Hardback. Dust Jacket. Good internally with some foxing and discolouration. Heavy foxing to fore edge. Foxing and dust to top edge in good boards with light surface marks. Lettering to spine strongly faded top of spine worn with very small closed tear. Heavy rubbing to rear of dust jacket. Losses and tears to dust jacket with discolouration to spine and edges. Lettering remains bold. 8vo. Pp: 286. Scarce yellow dust jacket. Publisher's black boards with gilt lettering to spine. Black and white illustrations throughout by Picasso with frontispiece by ThŽodore Sravinsky. hardcover
1936255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36."<br /> Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275.<br /> An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown
1992DADAX8774552368Wilhelm Hansen 1992-02-01. paperback. New. 8.00x0.09x11.75. Buy with confidence. Excellent Customer Service & Return policy. Wilhelm Hansen paperback
19590870Garden City: Doubleday & Company 1959. 1959 1st edition stated. 8vo 162 pp publisher s black cloth wear to spine ends slight fading to lettering at foot of spine no internal markings very good dust jacket strong creasing small tears toning rubbing not price-clipped good. In mylar sleeve. 1st Edition. Hardcover. Good/Good. Garden City: Doubleday & Company, 1959. hardcover
1980Q-0520040406Univ of California Pr 1980-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Univ of California Pr paperback
19593117054New York: Doubleday. Fine in Near Fine dust jacket. 1959. First Edition; First Printing. Hardcover. First edition. INSCRIBED & dated in year of publication with place "Hollywood" noted by Igor Stravinsky on front end-paper. 162pp. 5 3/4" X 8 1/4" Fine in close to fine dust jacket. Hint of faint shelf-wear to jacket. Signed or inscribed copies of this title are scarce in the marketplace. GC ; 5 3/4" x 8 1/4"; 162 pages . Doubleday hardcover
196362665Doubleday. Very Good in Very Good dust jacket. 1963. First. Hardcover. From library of noted musician and film composer Mike Lang Lang's signature on front free-endpaper. Date to inner board. Binding tight and straight inner pages clean and unmarked. Dust Jacket is price-intact clean with very mild shelfwear.; 279 pages . Doubleday hardcover
1968469749London : Faber and Faber 1968. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 3-328 pages : 9 plates illustrations facsimiles music portraits ; 23 cm. Notes; Includes indexes. Subjects; Stravinsky Igor 1882-1971. Stravinsky Igor 1882-1971 ; Diaries. Stravinsky Igor 1882-1971 ; Interviews. Music. Composers ; Interviews. London : Faber and Faber hardcover
196885014London: Faber & Faber 1968. Cloth/dust jacket Octavo. Hardcover. Very good/good. red cloth gilt lettering dust jacket 328 pp dj worn on the edges <br /> <br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Faber & Faber hardcover
1962592727Garden City New York: Doubleday & Company 1962. Hardcover. Fine/Near Fine. First edition. 192pp. Illustrated from black and white photographs. Fine in a near fine dust jacket with a crease on the front flap and some toning. A biography starting with the composer's early life along with discussions of several of his scores and a commentary on two well-known New York music critics. Doubleday & Company hardcover
19621004541962. First Edition. Signed. STRAVINSKY Igor. CRAFT Robert. Expositions and Developments. Garden City New York: Doubleday 1962. Octavo original black cloth original dust jacket. $2500.First edition warmly inscribed on the half title to neighbor and longtime friend Miranda Levy ""To my dear Miranda with love and kisses from I Stravinsky Nov /63.""""Few 20th-century composers enjoyed international influence and importance equal to that of Stravinsky. This influence exists in the materials of his music and in his rigorous search for an individual sound For many years he was with Schoenberg one of the two unofficial poles of Western music"" ANB. In these conversations with his protégé conductor Robert Craft who coauthored seven books with him Stravinsky discusses his childhood in St. Petersburg Russia; recalls such musical luminaries as Tchaikovsky and Rimsky-Korsakov; reflects on the intersection of music and modern recording technology; and discusses scores including The Firebird The Rite of Spring and his then-new work The Flood. Illustrated with eight pages of black-and-white photographs. Inscribed to Miranda Levy a founding member of the Santa Fe Opera and wife of pioneering television director Ralph Levy whose credits include directing the original I Love Lucy pilot episode. Miranda ""met Stravinsky at the Aspen Colorado Music Festival in 1950 then hosted him on a New Mexico visit When the composer let it be known he was interested in D.H. Lawrence Miranda introduced Stravinsky to Lawrence's widow Miranda and Ralph Levy moved to Los Angeles and bought a house less than a block from Stravinsky's Just as she had once kept Santa Feans up to date on the latest news and gossip she now regaled Igor and Vera Stravinsky with daily updates on movie studio gossip"" Albuquerque Journal.Dust jacket with light rubbing to spine ends and edges. A very nearly fine inscribed presentation/association copy. hardcover