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Wireless Communications and Machine Learning
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19761783500659Outlet 1976. Hardcover. Very Good. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket missing. Minor shelf and handling wear overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Outlet hardcover
50256545like new. unknown
BN270590Wir ringen nicht mit Tintenfischen mögen aber Tintenfischringe Zst. SEHR GUT <br/><br/>Wir ringen nicht mit Tintenfischen mögen aber Tintenfischringe Zst. SEHR GUT C. Alexander London unknown
75-0694Zurich CH: Henry Francis du Pont Winterthur Museum 1963. First Edition. 4to. Soft Covers. 179 pp. Very Good.Black and white plates. Photographs by Gilbert Ask. Introduction by Henry Francis du Pont. Zurich, CH: Henry Francis du Pont Winterthur Museum, 1963. paperback
196855551London England: Old Master Galleries. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 23 works catalogued; a number of illustrations most in b/w. -- with a bonus offer-- . Old Master Galleries paperback
18612Gordon's letter on letterhead of the Hotel d'Angleterre Copenhagen. 24 June 1912. Barwick's three items on letterheads of Truslove and Hanson 6a Sloane Street London. June and July 1912. Gordon is described in The Times 20 August 1958 as a 'traveller lecturer and author' and a resident of Lausanne at the time of her death. All seven items in fair condition on aged paper with some rust spotting from a paperclip. The book referred to is 'Roumania Yesterday and Today' 1918 which has an introduction and two chapters by the Queen of Romania. ONE: Gordon's letter to Barwick. 24 June 1912. 3pp. 8vo. She writes that she has already tried to place 'the little book' with 'Geo. Bell - Jacks - & Gay & Hancock. As to yr. suggestion that I should dedicate it to a Royalty sic I think the Queen of Roumania - "Carmen Sylva" would accept the dedication though of course I should have first to make the necessary formal application through her secretary'. TWO: Barwick's two Autograph Letters Signed 21 and 24 June 1912 and Autograph Note Signed 2 July 1912 all to an unnamed male recipient. The letter of 24 June 1912 repeats the content of that of three days earlier: 'Dear Sir We enclose MSS for nine months the other 3 months are not yet typed also the book which came out 3 years ago. There is a lot of original stuff in the MSS all those unsigned.' He ends with her address in Copenhagen. THREE: Three carbon copies two of them signed 'C. F. Cazenove SKH'. On 5 July 1912 Cazenove writes to Barwick asking for information despite the fact that Gordon's manuscript 'does not seem to us very attractive'. The other two letters are to Gordon with Cazenove writing in one of them 15 July 1912: 'We are a little doubtful about this but perhaps you could give us in confidence of course some particulars of the sale of the other book of which we see there were five editions.' Gordon's letter on letterhead of the Hotel d'Angleterre, Copenhagen. 24 June 1912. Barwick's three items on letterheads of Trusl unknown
ria9780198875703_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A book exploring the role of cricket in shaping the experience of Caribbean migrants in post-war England arguing that cricket was a critical aspect of the experience of the Windrush community shaping the way emigrants saw themselves a hardcover
19283Without place or date. Ballet performed at the Empire Theatre London in 1898. In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown in costumes representing newspapers from the 'Daily Mail' to 'The Sketch' and including 'Mdlle. Zangfretta as Fashion' around a central representation of a scene from the ballet featuring Adeline Genée as the Liberty of the Press. Mark Edward Perugini in his 'Art of Ballet' 1915 states of Genée that 'it was her performance as the Spirit of the "Liberty of the Press" in the famous Empire ballet "The Press" invented and designed by Mr. Wilhelm with the choreographic support of Mme. Lanner and music by Mons. Wenzel on February 14th 1898 that first marked her "and for many years to come" as a London "star." The ballet gave her scope for some wonderful and proved immensely popular. It was a novel idea artistically carried out and illustrated the history and power of the Fourth Estate. A number of charming coryphees were ingeniously attired as representatives of the various newspapers boys' costumes indicating the morning and girls' the evening journals. The venerable Times was typified by a man in the guise of Father Time with hour-glass and other symbols of his ancient office and accompanied by a retinue. Mme. Cavallazzi represented Caxton Father of the Printing Press; Mile. Zanfretta the Spirit of Fashion; and there were typical costumes for The Standard The Daily Telegraph The Globe The Daily Mail then two years old! The Illustrated London News who announced that she was " Established 1842 " The Illustrated Sporting and Dramatic News The Lady's Pictorial The Sketch The Referee and others too numerous to name. So popular did the ballet prove that this also ran for months and it was not until October of the same year that a new production " Alaska" was staged the scenario of which was by Mr. Wilhelm the choregraphy by Mme. Lanner and music by Mons. Wenzel.' See Image. Without place or date. [ Ballet performed at the Empire Theatre, London in 1898.] unknown
26033‘London Institution / Finsbury Circus. Jan. 18. 1834.' On paper watermarked 'GATER / 1815'. See his entry in the Oxford DNB together with A. N. L. Munby’s entertaining ‘The Cult of the Autograph Letter in England’ 1962. 1p 4to. No fold. In good condition on lightly aged paper extracted from a notebook. Signed at foot: ‘William Upcott / London Institution / Finsbury Circus. Jan. 18. 1834.' Very neatly written out in Upcott’s best hand which is more like type including the signature than the document offered separately on the same watermarked paper. Headed: ‘It is a common fact that among the thirty four English Sovereigns who have reigned since William the Norman tho’ each of the eleven months has witnessed the accession of one or more of these Monarchs not one has ascended the Throne in the blooming month of May.’ There follows a list of kings and queens arranged under each of the eleven months with the number to each month given. In another hand in pencil: ‘George 4.’ See Image ‘London Institution, / Finsbury Circus. Jan. 18. 1834.' On paper watermarked 'GATER / 1815'. unknown
18-7941London England: ICA Gallery 1957. . Exhibition catalogue. 4to. 12 pp. Soft stapled red newsprint wraps with gray design and black lettering. Very good with marginal darkening along wrap edges and some interior pen annotations in blue ink along plates. Black and white plates. Includes text by Lawrence Alloway. Includes brief artist biography on verso of front wrap and checklist of exhibited works on last two pages. Catalogue created to accompany the exhibition “William Turnbull: New Sculpture and Paintings†held from September 25 through November 2 1957 at the ICA Gallery The Institute for Contemporary Arts in London England. Scarce.From the Collection of the Art Historian Peter Selz. London, England: ICA Gallery, 1957. paperback
20112On letterhead of the Royal Botanic Society of London Gardens Regent's Park London. 24 January 1883. 1p. 4to. In fair condition lightly aged and worn. A somewhat grand and expansive printed form completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation as published of The "Scientific Roll"'. From the papers of Alexander Ramsay editor of the 'Scientific Roll'. On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park, London. 24 January 1883. unknown
22178On letterhead of the Royal Botanic Society of London Gardens Regent's Park. 10 December 1872. 3pp 12mo. Bifolium. In fair condition lightly aged and worn. Neatly written out with Sowerby's expansive signature. He begins by explaining that the Society has not 'printed a list of Fellows … since the one I gave you some short time back the present edition is rather imperfect but a new one will be published at no very distant date a Copy shall then be sent to you'. Walford now turns to the main subject of the letter: 'The Council have been making enquiries respecting the Title of the Duke of Rousillon and were advised by the French Embassy to write to the French Minister at Paris which has been done and the Council now wait an answer'. Sowerby has been 'Officially informed' that very day 'that the French Government are and have been since the receipt of our letter making all enquiries which are not yet completed.' Note: Walter Scott's Antiquary says: "In the first place I will say that although a “Duke†of Roussillon figures in Boccaccio and also in Shakespeare it is only as an imaginary character; for although there were Counts†there never were Dukes of Roussillon so far as I can discover" On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park. 10 December 1872. unknown
15706On letterhead of 4 & 30 Grand Hotel Buildings Trafalgar Square London W.C. 19 October 1895. 2pp. 12mo. Bifolium. In good condition on lightly-aged paper. He has been 'asked by a gentleman who called here to advise you of publications after Albert Moore &c' and lists five engravings with prices the last being for five guineas 'a very fine work after <> etching "A Christmas Carol" Artist proof on vellum'. He also draws the recipient's attention to 'Phoebe Sir Fredk Leighton cut of which I enclosed'. On letterhead of 4 & 30, Grand Hotel Buildings, Trafalgar Square, London, W.C. 19 October 1895. hardcover
195719794London: Central School of Arts & Crafts. Very Good with no dust jacket. 1957. First Edition. Hard Cover. Tight clean book in maroon cloth with Cross/Heart design on front board; neat inscription to front pastedown along with "withdrawn" stamp estate donation; 87 pp . Central School of Arts & Crafts hardcover
11-0172London: Jones & Co. 1823. Stipple engraving measuring 6 x 9 inches. Moderate foxing. London: Jones & Co., 1823. unknown
26363‘Friday’: no place or date. See his entry in the Oxford DNB. 2pp 12mo. On first leaf of a bifolium the second leaf of which carries the wafer and address to ‘Mr / at / Hurst & Robinson / 90 Cheapside’. In good condition lightly aged with folds for postage and strip of tape from mount adhering to the second leaf. Signed ‘William Maginn’. The name of the recipient is not clear either beneath the signature on in the address. Begins: ‘Knight presumably the publisher Charles Knight 1791-1873 has not yet published the book which I have of course only by his sufferance in sheets. I fear that a review of it before publication would be considered a breach of faith.’ He explains that he has ‘all the materials ready for a review’ which he could complete ‘at a day’s notice’. He must however ask ‘Knight.’ when it is to be published. Concludes: ‘Any other work I could review I shall gladly engage in.’ ‘Friday’: no place or date. unknown
14897London. 6 March 1828. 4pp. 12mo. Bifolium. In good condition on lightly-aged paper with slight loss at the head of the second leaf affecting a couple of words of text. The letter begins: My dear Sir I have on different occasions interfered to prevent gross abuses at the Theatre to which you call my attention and have I believe to a certain degree procured their correction. But thhere is great reason to fear that by attempting too much more may be lost than gained. The interposition of Ecclesiastics always produces disposition to resistance in some quarters; if anything therefore is to bee done it must be through Laymen who come forward through zeal for the public good. It would undoubtedly be desirable to remove the possibility of any profane amusement encroaching on the sabbath'. He continues by stating that it is believed that 'the performances terminate at twelve' and that 'any attempt to change the day would not succeed - as the engagements of all the Performers at different places are framed with regard to the existing arrangement' and Saturday is the only day 'on which the Members of eithe rHouse can be sure of attending'. Consequently he cannot act the recipient's suggestion 'through apprehension of doing mischief'. Nor would he recommend any Clergyman to do so unless there was 'a strong disposition on the part of the public at large to second his endeavours'. London. 6 March 1828. unknown
21021On letterhead of 10 Bolton Row Mayfair W. London 12 September 1879. 2pp. 12mo. Bifolium with mourning border. In good condition lightly aged. Begins: 'Prof. Corfield presents his compliments to Miss Armstrong and begs to inform her that his Course of Lectures on Hygiene to Ladies will commence on Thursday Octr. 2nd at University College London and will be illustrated by specimens &c from the Parkes Museum.' He would forward a syllabus if he had one and suggests that she apply to the college secretary 'for a copy of the Prospectus of the Faculties of Science'. In 1891 From the family papers of George Frederick Armstrong Regius Professor of Egineering University of Edinburgh who himself published several works on sanitation. Florence Nightingale wrote to Douglas Galton that 'Professor Corfield is the man whose ''simple practical teaching'' in his ''Hygiene Lectures'' is recommended by good women.' On letterhead of 10 Bolton Row, Mayfair, W. [London] 12 September 1879. unknown
18638Office of Ordnance London . 10 April 1816. 1p. folio. In fair condition on aged and worn paper with some chipping and a few closed tears to edges. Addressed 'To The Officer Commanding the Oldham Regiment of Local Militia. Oldham Lancashire' i.e. John Crossley of Scaitcliffe near Rochdale who built up a notable collection of military memorabilia dispersed after his death. Attached to a leaf of paper with a note by the recipient concerning the permission he has been granted to retain a 'Musquet and Set of Accoutrements'. The letter begins: 'The Master General and board of Ordnance having received from the Secretary of State for the Home Department a Notification of the Prince Regent's Pleasure that the Arms and Accoutrements of the Local Militia and such other Articles in their Possession being the property of Government as have been issued by this Department should be immediately called in'. Crossley is instructed to collect up 'the Musquets Carbines Sergeants' Spears Sergeants' and Drummers' Swords Drums Accoutrements and Ammunition furnished to the Regiment under your Command by the Ordnance to be collected and sent by the cheapest Conveyance to the Depot at Chester Castle consigned to the Ordnance Storekeeper'. Instructions are given on how to pack up the items and Crossley is enjoined to comply without delay. Presumably part of a winding down after the defeat of Napoleon. Office of Ordnance [ London ]. 10 April 1816. unknown
207239 Ridgmount Gardens W.C. London 20 April 1898. 1p. 12mo. In fair condition lightly aged. He is enclosing 'the Extract from "Men and Women of the Time"' that the editor sent him with corrections and additions and would like to see a proof. 9 Ridgmount Gardens W.C. [ London ] 20 April 1898. unknown
3959Without date or place. Proprietor 1775-1844 of the celebrated London gambling house set up in 1827 out of which he amassed a fortune of more than a million pounds. On piece of paper roughly three and a half inches by one and a half. Good but mounted on larger piece of paper creased once and slightly discoloured by glue. Reads 'I beg to Remain Your most Obedient W Crockford'. See Image. Without date or place. unknown
18558British Museum London . 5 July 1870. 1p. 12mo. In good condition on lightly-aged paper. He will have 'much pleasure in breaking our stones o'er again on Thursday' and will 'try & bring some sections with me - several specimens are in the lapidary's hands'. He ends by asking for confirmation of the hour at which he should call on him. British Museum [ London ]. 5 July 1870. unknown
75-0719NY NY: Andre Emmerich Gallery 1986. Dealer exhibition brochure. 4to. 123 pp. Soft Covers. Very Good. Color plates. Introduction by Andrew Hudson. Brochure accompanies the exhibition which was open April 4-27 1991.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. NY, NY: Andre Emmerich Gallery, 1986. paperback
24976'Royal Institution of Great Britain. / Weekly Evening Meeting / Friday April 25 1856.' London. The present item differs from the version published on pp.248-254 of the ‘Notices of the Proceedings’ vol.2 1854-1858 and no other copy has been traced. Drophead title: ‘Royal Institution of Great Britain. / Weekly Evening Meeting / Friday April 25 1856. / Sir Benjamin Collins Brodie Bart. D.C.L. F.R.S. Vice-President in the Chair. / W. B. Donne Esq. / On the Works of Chaucer considered as Historical Illustrations of England in the 14th Century.’ 10pp 16mo paginated 1-10. In very good condition lightly aged. Stabbed as issued with no wraps and unopened. Begins: ‘MR. DONNE commenced his discourse with some remarks on the changes which the language and literature of England had undergone since the age of Edward III.’ At end of text in square brackets: ‘W. B. D.’ 'Royal Institution of Great Britain. / Weekly Evening Meeting, / Friday, April 25, 1856.' [London.] paperback
1957ANDllLON66London: 1957. 1957. 8vo. pp. v 72. colour frontis. & 20 double-sided plates. cloth. dw. bit rubbed & scuffed extremities chipped. First Edition. Freitag 780. F. Hardcover. London: 1957. Hardcover
