163 résultats
1847012322NY: Mason Brothers 1847. 1st Edition. Hardcover. Near Fine. Oblong 8v0. green pebbled cloth blind stamp rule and garland surround to titles in gilt 128 pp. Uncommon 19thC American song book in uncommonly un- or little-used condiution. No ownership markings. Musical scores set by A. P. Kendrick music typographer 20 Devonshire St Boston. Mason Brothers hardcover books
1847012322NY: Mason Brothers 1847. 1st Edition. Hardcover. Near Fine. Oblong 8v0. green pebbled cloth blind stamp rule and garland surround to titles in gilt 128 pp. Uncommon 19thC American song book in uncommonly un- or little-used condiution. No ownership markings. Musical scores set by A. P. Kendrick music typographer 20 Devonshire St Boston. Mason Brothers hardcover
1842219654Verlag des Bibliographischen Instituts Hildburghausen und Amsterdam 1842. Hardcover mit Leinenrücken und -ecken ohne Schutzumschlag Eine Anthologie in 100 Bänden Zustand: Exemplare einer Privatbibliothek mit Kennungen. Rücken Ecken Kanten sehr gut. Innen leicht braunfleckig. Geruchsfrei. Verlag des Bibliographischen Instituts, Hildburghausen und Amsterdam, hardcover
1881144238Leipzig, Breitkopf & Härtel, 1881. S. 257-288. OBr. Rücken minimal angerissen. (Sammlung Musikalischer Vorträge. Hrsg. P. Waldersee 33).
18959246BLeipzig, Philipp Reclam jun., 1895-1905. (= Musiker-Biographien, 27; Universal-Bibliothek), 8°, 115; 138; 111; 86 Seiten, 1 gef. Faks., 1 Portr. Priv. Ln. der Zeit mit marmoriertem Schnitt
18607462616 pieces including Rossini's Overture to Il Tancredi duet; Belisario Grand Duet for Piano Forte; My Lodging is on the Cold Ground; Half Hours with the Best Composers- Meyerbeer and Mendelssohn; A Midsummer Night's Dream by Mendelssohn; Twelve sets of Brilliant Waltzes by Strauss set 3 and 5; Sur le Lac Barcarole by Ascher; Mabel by Godfrey; Air with variations by Cutler; Oesten's Souvenir de Norma Published by Boosey & Sons; Metzler & Co; Chappell; Addison; R. Cocks & Co hardcover
187214803ABerlin, Verlag von J. Guttentag (D. Collin), 1872. Ca. 21 x 14 cm. Porträtfrontispiz (Stahlstich), VI Seiten, 320 Seiten, mit Notenbeispielen. Blind- und goldgeprägter Original-Leinenband mit Schnittmarmorierung.
184227882Soho London: Oct 22 1842. 1842. Good. - sc Small quarto approximately 10 inches high by 8 inches wide. 57 words penned in black ink on a sheet of cream stock. signed "Yours faithfully / J Alfred Novello". With the recipient's name and address penned on the verso. The letter is lightly creased & soiled with a light stain in the blank space to the left of the signature; There is a tiny chip to the top edge. Remnants of gray paper adhere to a strip of mounting tape on the verso where the letter has been removed from an album. Folded 4 times for mailing. Good. <p>Novello writes to "French Esq. / Her Majesty's Chapel Royal / Windsor": "A friend of mine offered me the accompanying 2 vols for 16/- they are not in my way but I thought they might suit you for your autographs - If you like them send me a post office order as the money wd. be acceptable to the party who wants to sell them if not return them to me".<p>Joseph Alfred Novello was the son of well-known organist and composer Vincent Novello and like his father devoted himself to the propagation of good music in England. As a friend and admirer of Felix Mendelssohn he was particularly eager to introduce that composer's work to English audiences. Some years after establishing himself at the age of nineteen as a music publisher in London he invented a system for printing cheap music and succeeded in introducing it in spite of the opposition of his fellow music-sellers. He was active and effective in promoting the progess of the arts science and social betterment. Soho [London]: Oct 22, 1842. unknown
1867RO50010574Magasin des Demoiselles. 1867. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 8 pages. Quelques petites mouillures. Légères pliures.. . . . Classification Dewey : 780.26-Partitions
1861Alibris.0034586Vienna Austria: M. Löwy's Sohn. 1861. 1/4 leather. Fair. No dust jacket. 611 p. ex-library cover is well-worn stamp on outside edge binding is completely split along hinges book block is taped to cover label inside front cover foxing age spots on pages label & stamp inside back cover M. Löwy's Sohn hardcover
1863Alibris.0034587Vienna Austria: M. Löwy's Sohn. 1863. 1/4 leather. Fair. No dust jacket. ex-library no dust jacket cover is well-worn stamp on outside edge label inside front cover front hinge is completely separated with tape holding book block to front cover back hinge is partly separated label & stamps. 360 p. M. Löwy's Sohn hardcover
19001165717Leipzig; C. F. Peters, o.J. (um 1900). 142 S.; Noten; qu.-23 cm; fadengeh. Orig.-Halbleinenband.
18962101751Berlin: S. Calvary & Co. 1896. 8 Seiten. 8° (22 x 14,5 cm). Klammergehefteter Sonderdruck in Orig.-Interimsumschlag. [Softcover / Paperback].
1871284935Leipzig, S. Hirzel, 1871. IV, 51, 40 Seiten. Mit F. Mendelssohns Porträt. Originalhalbleinen.22cm
1899551Leipzig 1899. Hardcover. Very Good. 7th ed. In 2 parts one vol. Index. Marbled foredge. Cover slightly rubbed. Illus. with gilt cover & spine. Original binding. <br/><br/> hardcover books
186523714Philadelphia: Frederick Leypoldt 1865. 12mo. vi 421 1 pp. <br><br>Second American edition of this collection edited by Paul Mendelssohn Bartholdy and Dr. Carl Mendelssohn Bartholdy and translated by Lady Wallace. A catalogue of Mendelssohn's musical compositions compiled by Dr. Julius Rietz has been added. Publisher's olive textured cloth covers blind-stamped spine with gilt-stamped title; corners rubbed cloth torn at spine extremities. Front fly-leaf with inked inscription; half-title with bookseller's pressure-stamp. Frederick Leypoldt hardcover books
18623978London: Longman Green Longman and Roberts 1862. viii358pp. Nicely bound circa 1920 in polished red calf spine faded to brown over cloth. T.e.g. Inked ownership signature at top of title. Bookplate on front pastedown. Longman, Green, Longman, and Roberts hardcover books
1867005891New York: S.T. Gordon 1867. First Edition. Cloth. Near Fine /No Dustjacket. volume one of 8 books a beautiful collection of some of the Lieder in a very sturdy brown cloth volume advertisments in the rear for numerous other classical titles clean throughout. S.T. Gordon unknown books
18921149626Breslau: Wilh. Jacobsohn & Co 1892. Neue Titelauflage. VG/no DJ Octavo in red cloth over boards with Victorian filigree and borders gilt lettering on spine. Ex libris name stamp on verso of portrait page. Minor shelf wear and bumping; text clean; 602 pp. Small florette wallpaper endpapers. Spider marbling on edges of text block. In exceptional condition. ---TEXT IN GERMAN. <p>Shelved upstairs in shelves near copier. 1149626. Rockville Non-Retail Listings. Wilh. Jacobsohn & Co unknown books
184812803<b>Rarity. First Edition First Printing of the famous Wedding March. The orchestral score was first published July 1848 by Breitkopf & Hartel Leipzig Germany. No printed date as customary at that time. Vb M. on pp 3-177 engraved the Hochzeitmarsch WEDDING MARCH on p.137 P.n. 7774.P. 178 blank. GM and JF. FIRST PRINTING of the orchestral parts engraved and with plate number 7852 probably published the following month is at BOD. NO COPIES OF THIS AT AUCTION AS LISTED IN ABPC CD ROM. <br />This is the true First Edition of Mendelssohn's full orchestral score of A MIDSUMMER NIGHT'S DREAM. It includes the FIRST EDITION of the famous Wedding March that was played at the conclusion of the wedding between Theseus and Hyppolita. This has become the omnipresent music used in virtually ALL traditional Western wedding ceremonies. PROVENANCE L. Girard with his ink signature at head of the title page. Girard was teacher and composer of identical music in France during the second half of the 19th century. One of his noted works was in his Chant de La Paix For Four Male Voices. HobokenX Fuld 633. Krause X!! 6. TRULY RARE≥</b> Breitkopf & Hartel hardcover books
183018718Leipzig Paris: Frédéric Hofmeister Simon Richault PN 1515 1830. Folio. Unbound as issued. 9; 9; 9; 7 pp. Engraved. Title to viola part. <br/><br/>Some very light wear and soiling; two small binder's holes to inner blank margins. In very good condition overall. First Edition. Not in Krause. Mendelssohn Papers III 604. Hoboken 10 130. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber ." <br/><br/>" . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life . The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 12 the opening of the first movement is brought back to conclude the finale . " R. Larry Todd in Grove Music Online. Frédéric Hofmeister, Simon Richault [PN] 1515 unknown books
185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br/><br/>The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br/><br/>Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22. Wehner p. 276. Not in Hoboken. Krause 177.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br/><br/>. Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br/><br/>Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br/><br/>". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
186036191Copenhague: Horneman & Erslev 1860. Folio. Disbound. 1 collective title listing within decorative lithographic border by Ch. M. Tegners 2-9 pp. Engraved. <br/><br/>Collective title lists 19 numbers by various composers.<br/><br/>Slightly browned and soiled. MWV U67.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Horneman & Erslev unknown books
184035290Vienne: Pietro Mechetti qm Carlo PN P.M. No. 2133 1840. Small folio. Disbound. 1f. recto title verso blank 3-11 pp. Engraved.<br/><br/>Disbound. Slightly worn and soiled; browning to edges; light scattered foxing. Second German edition. MWV U 67 p. 312. Published before the "Neue rechtmässige Original-Ausgabe" published in 1854 Krause 212. Ward Jones III 381. <br/><br/>One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Pietro Mechetti qm Carlo [PN P.M. No. 2133] unknown books
