MENDELSSOHN (Moses).Livre Rare Book
1 712 résultats
177242123A Paris, chez Saillant et à Bayeux, chez Lepelley, 1772. In-8 de 1 frontispice gravé, (4)-XXIV-342-(2) pp., veau marbré glacé, dos lisse orné, pièce de titre en maroquin rouge (reliure de l'époque).
1963100137Dunod Malicorne sur Sarthe, 72, Pays de la Loire, France 1963 Book condition, Etat : Bon relié, cartonnage éditeur, pleine toile rouge imprimée In-8 1 vol. - 211 pages
196686058Hachette , L'Univers des Connaissances Malicorne sur Sarthe, 72, Pays de la Loire, France 1966 Book condition, Etat : Bon broché, sous couverture imprimée éditeur blanche, illustrée d'une figure sur fond noir In-8 1 vol. - 254 pages
52852P., Dunod (Collection "Monographies Dunod" N°42), 1963, in 12 reliure pleine toile de l'éditeur, XIII-198 pages.
1864AMA-406Paris, Hetzel, s.d. [1864]. in 12, demi-veau glacé, dos orné de filets dorés et à froid, pièce de titre en maroquin vert, tranches mouchetées (Reliure de l’époque). (2)ff.-VIII-344 pp.
AMA-1014Hetzel, s.d. [1864]. in 12, demi-chagrin à 5 nerfs, tranches mouchetées, quelques rousseurs, petits défauts à la coiffe supérieure (Reliure de l’époque). [2 ff.], VIII, 344 pp.
M83146Paris, Hetzel s.d. [fin 19e siècle] viii + 344pp., "nouvelle édition", 19cm., brochure originale (dos peu restaurée) bien protégée par une couverture supplémentazire de papier cristal, peu de rousseurs, M83146
viii + 344pp., "nouvelle édition", 19cm., br.orig. (charnières restaurées) protégée par papier cristal, peu de rousseurs, M83146
77866Stock 1955, broché, 240pp avec des photographies hors texte extraites du film de Julien Duvivier; traduction de Denise van Moppès - très bon état
72412Editions Alcuin 2000, broché, 196pp; traduction de M. Junker - très bon état
199354194Cambridge: Maurizio Martino - Publisher 1993. cloth. South Africa. thick 8vo. cloth. lxxii1008; viii1139 pages. 2 volumes. Reprint of the 1910 first edition. Besterman p.179 This reprint was limited to 175 sets. 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa and masterpiece of scholarship and research. Maurizio Martino - Publisher unknown books
1910107695London: Kegan Paul Trench Trübner & Co 1910. blue cloth top edges gilt. South Africa. thick small 4to. blue cloth top edges gilt. lxxii1008; viii1139 pages. 2 volumes. First edition. Besterman p.179. 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa. A masterpiece of scholarship and research. Ex library copy with markings including the library name perforated on the title page. Wear at spine ends. Shaken. Kegan Paul, Trench, Trübner & Co unknown books
1957103903London: The Holland Press / Arco Publications 1957. cloth dust jackets. South Africa. thick 8vo. cloth dust jackets. lxxii1008; viii1139 pages. 2 volumes. Reprint of the 1911 first edition. Besterman p.179 This reprint was limited to 500 sets. A masterpiece of scholarship and research there are 10000 entries given in this unsurpassed bibliography of all books in all languages on South Africa. Jackets worn; tape marks on corners of free endpapers. The Holland Press / Arco Publications unknown books
199359250Cambridge Massachusetts: Maurizio Martino-Publisher 1993. Hardcover. Near Fine. With a Descriptive Introduction by I.D. Colvin F.R.C.I. Two volumes. Tith twenty-six full-page illustrations reproducing valuable and rare engravings &c. Cambridge Massachusetts: Maurizio Martino-Publisher 1993. Facsimile reprint of the 1910 first edition limited to 175 copies. Octavo. Original burgundy cloth bindings with black and gilt titles. Issued without dust jackets. A near fine set. Maurizio Martino-Publisher hardcover books
196827782London: The Holland Press 1968. Finely printed and bound Holland Press reprint of the 1910 edition ltd to 350 copies. This is the definitive annotated account of South Africana. Each volume is 4to and about 1000 fairly densely set pages. Plates. The Holland Press unknown books
1776190450Frankfurt & Leipzig. : No publisher. 1776. Publisher’s plain wraps paper spine label with handwritten title. . . Very good untrimmed in the wraps. 8vo. 19.5x12 cm. . German text. Mendelssohn’s musing on the immortality of the soul. weight: 0.4 lb. Engraved frontis. No publisher. paperback books
18921149626Breslau: Wilh. Jacobsohn & Co 1892. Neue Titelauflage. VG/no DJ Octavo in red cloth over boards with Victorian filigree and borders gilt lettering on spine. Ex libris name stamp on verso of portrait page. Minor shelf wear and bumping; text clean; 602 pp. Small florette wallpaper endpapers. Spider marbling on edges of text block. In exceptional condition. ---TEXT IN GERMAN. <p>Shelved upstairs in shelves near copier. 1149626. Rockville Non-Retail Listings. Wilh. Jacobsohn & Co unknown books
1975012395New York: Viking Press 1975. Book. Very good condition. Hardcover. First Edition. Octavo 8vo. xiv 210 pages of text including an index. Hardcover binding with minor shelfwear. Unclipped dustjacket with minor shelfwear and minor browning to the rear panel; protected in archival mylar. Edited and translated by Eva Jospe; Introduction by Alfred Jospe. Previous owner's bookplate neatly on the front endpaper. Text is clean and unmarked. Viking Press Hardcover books
19742796New York: Praeger 1974. First American. Cloth. Very Good. Praeger hardcover books
1976003911New York: Praeger Publishers 1976. 224p. b/w illus. dj. Praeger Publishers unknown books
14326NY SCRIBNER 1972. FIRST EDITION VERY GOOD. F. NY, SCRIBNER, 1972 unknown books
184812803<b>Rarity. First Edition First Printing of the famous Wedding March. The orchestral score was first published July 1848 by Breitkopf & Hartel Leipzig Germany. No printed date as customary at that time. Vb M. on pp 3-177 engraved the Hochzeitmarsch WEDDING MARCH on p.137 P.n. 7774.P. 178 blank. GM and JF. FIRST PRINTING of the orchestral parts engraved and with plate number 7852 probably published the following month is at BOD. NO COPIES OF THIS AT AUCTION AS LISTED IN ABPC CD ROM. <br />This is the true First Edition of Mendelssohn's full orchestral score of A MIDSUMMER NIGHT'S DREAM. It includes the FIRST EDITION of the famous Wedding March that was played at the conclusion of the wedding between Theseus and Hyppolita. This has become the omnipresent music used in virtually ALL traditional Western wedding ceremonies. PROVENANCE L. Girard with his ink signature at head of the title page. Girard was teacher and composer of identical music in France during the second half of the 19th century. One of his noted works was in his Chant de La Paix For Four Male Voices. HobokenX Fuld 633. Krause X!! 6. TRULY RARE≥</b> Breitkopf & Hartel hardcover books
183018718Leipzig Paris: Frédéric Hofmeister Simon Richault PN 1515 1830. Folio. Unbound as issued. 9; 9; 9; 7 pp. Engraved. Title to viola part. <br/><br/>Some very light wear and soiling; two small binder's holes to inner blank margins. In very good condition overall. First Edition. Not in Krause. Mendelssohn Papers III 604. Hoboken 10 130. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber ." <br/><br/>" . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life . The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 12 the opening of the first movement is brought back to conclude the finale . " R. Larry Todd in Grove Music Online. Frédéric Hofmeister, Simon Richault [PN] 1515 unknown books
185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br/><br/>The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br/><br/>Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22. Wehner p. 276. Not in Hoboken. Krause 177.<br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br/><br/>. Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
183028108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. <br/><br/>Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." <br/><br/>". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
