MENDELSSOHNLivre Rare Book
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RO50036180HENRY LEMOINE. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 135 pages de partitions. . . . Classification Dewey : 780.26-Partitions
RO50027145Maurice Sénart & Cie. début XXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 7 pages. Ornements couleur de E. Jacotot en couverture. Bande de papier adhésif collée sur les plats.. . . . Classification Dewey : 780.26-Partitions
RO50044884M. SENART / B. ROUDANEZ & CIE. NON DATE. In-Folio. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 7 pages de partitions. Premier plat illustré en couleur par E. Jacotot. Publiée sous la direction artistique de Vincent d'Indy. Musique de F. Mendelssohn-Bartholdy ( 1809+1847). Dos renforcé. Légères déchirures sur le bord du premier plat.. . . . Classification Dewey : 780.26-Partitions
1922RO50012017Francis SALABERT. 1922. In-8. Cartonnage d'éditeurs. Bon état, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 30 pages environ.. . . . Classification Dewey : 780.26-Partitions
RO50021863Enoch & cie. XXème. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 9 pages. Gravure noire et blanche de G. Fraipont en couverture. plats détachés. Ornements en page titre.. . . . Classification Dewey : 780.26-Partitions
RO50044880UNIVERSAL EDITION. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur acceptable. 65 pages de partitions. Premier plat illustré en couleur. Protection plastique transparente.Tampon et inscription sur le premier plat et tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
RO50002255Billaudot. début XXème. In-12. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Quelques rousseurs. 8 pages.. . . . Classification Dewey : 780.26-Partitions
RO50044879C.F PETERS. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur frais. 115 pages de partition. Couverture en couleur. D moll, C moll - Ré mineur, Ut mineur - D minor, C minor. Inscription discrète sur le haut de la page de titre. Page de titre illustrée en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
RO50032404ENOCH & cie. SANS DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 41 pages.. . . . Classification Dewey : 780.26-Partitions
1918RO50047108A. DURAND & FILS. 1918. In-4. Broché. Etat d'usage, Tâchée, Agraffes rouillées, Quelques rousseurs. 14 pages de partitions. Couverture en couleur. Tampon sur le premier plat ainsi que sur la première page.. . . . Classification Dewey : 780.26-Partitions
1918RO50044155A. DURAND & CIE. 1918. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 14 pages de partitions. Couverture de protection plastique transparente. Plats en couleur. Tampon sur le premier plat ainsi que sur la première page. Annotations au crayon à papier sur quelques phrases.. . . . Classification Dewey : 780.26-Partitions
RO50040219A.DURAND ET FILS. NON DATE. In-8. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 3 pages. chants et partitions. . . . Classification Dewey : 780.26-Partitions
RO50028180A. Durand & Fils. début XXème. In-4. Broché. Bon état, Couv. légèrement passée, Mors fendus, Intérieur frais. 65 pages.. . . . Classification Dewey : 780.26-Partitions
10 pages. Undated. Appears to be circa 1900. Above-average external wear and soiling. Binding intact. Assorted minor chips and tears. A worthy copy of this memorable work. Sheet music
2008Q-3795765226Eulenburg 2008-03-15. Paperback. New. In shrink wrap. Looks like an interesting title! Eulenburg paperback
187731871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover
18984Edited At The South African Library Cape Town With The Financial Assistance Of The Human Sciences Research Council. Mansell. London 1979 1st edition. set isbn 0720105560 . this volume isbn 0720108160. No inscriptions. feint mark to lower front board lower front corner bumped else a VG copy. no dustwrapper. Contents unmarked a clean attractive copy. One volume only of 4-volume set. Red cloth boards. ix 784pp. 285mm x 235mm x 55mm. 4to. 2.4kg. Edited At The South African Library Cape Town With The Financial Assistance Of The Human Sciences Research Council. Mansell. Lon hardcover
17962330942Berlin: Bey Haude und Spener 1796. Second Edition. Hard Cover. Very Good/No Jacket. Second edition. Sticker on front corner edges rubbed ink name and stamp on endpapers. Scarce - only 12 in OCLC. 1796 Hard Cover. 124 pp. German text. Paper over boards handwritten titles on spine. Mendelssohn's ideas brought about the Haskalah Jewish Enlightenment. This work applies mathematical proofs to metaphysics. It won the author first prize in a Berlin Academy essay contest over Immanuel Kant and Thomas Abbt. Bey Haude und Spener hardcover
3742875779.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
DADAX0719097177Manchester University Press 2016-07-04. 1. hardcover. New. 5.43x0.56x8.50. Buy with confidence. Excellent Customer Service & Return policy. Manchester University Press hardcover
2018x-1526134284Manchester Univ Pr 2018. Paperback. New. reprint edition. 224 pages. 8.50x5.50x0.75 inches. Manchester Univ Pr paperback
185035287Leipzig: Breitkopf & Härtel PN 8228 1850. Folio. Original publisher's blue printed wrappers. 1 title 2-31 i blank pp. Engraved.<br /> <br /> Provenance<br /> Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title.<br /> <br /> Wrappers somewhat worn and soiled; partially split at spine. Light thumbing throughout; small dampstain to upper blank margin. First Edition. MWV U159 p. 344. Hoboken 10 273. Not in Krause or the Catalogue of the Mendelssohn Papers in the Bodleian Library. <br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br /> <br /> Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid 1930s; he was best known for the music he composed for the Greek plays performed there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8228] unknown
185035288London: Ewer & Co 1850. Folio. Disbound. 1f. recto title within decorative borderprinted in light red verso blank 13 i blank pp. Engraved.<br /> <br /> Small embossed stamp of English musicseller Etherington to foot of title.<br /> <br /> Minor offsetting. First English edition. MWV U158 p. 344. Catalogue of the Mendelssohn Papers in the Bodleian Library III 771. Not in Krause or Hoboken.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown
2024__1470669439Alfred Music Co 2024. Paperback. New. 999 pages. 12.17x9.37x1.18 inches. Alfred Music Co paperback
3388869650.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
