Mendelssohn, G BBiblio.com
Das germanische Europa German Edition
3863827279.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bonita · États-Unis150,56 $US≈ 127,39 €
983 résultats
19696302KNOPF. NY 1969. Fine. 1969. First Edition. Hardcover. Fine in a Vg. dj. Several short edge tears in dj. Chip & shelfwear at base of rear panel . KNOPF. NY 1969 hardcover
3863827279.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1960199450CambridgeMA. Maurizio Martino Pub. n.d. 1960s. Or.cl. 1008pp. 1139pp. Vol. 2 with mark to foredge. b/w frontispieces. Very good set. This Reprint is Strictly Limited to 175 Copies. Being the Catalogue Raisonne of the Mendelssohn Library of Works relating to South Africa. Including the Full titles of the Books. Cambridge,MA. Maurizio Martino Pub. unknown
45157228like new. unknown
200943175AB2009. Wiesbaden u.a. Breitkopf & Härtel = Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy Serie XIII: Werkverzeichnis Band 1A 2009 4° LXXXVIII 595 S. grüner original Leineneinband mit goldener Rückenbeschriftung und Deckel-Signaturfaksimile sehr schönes sauberes Exemplar ohne nennenswerte Mängel Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
2023x-1503636348Stanford Univ Pr 2023. Hardcover. New. 288 pages. 9.00x6.00x0.91 inches. Stanford Univ Pr hardcover
2013__3428169565Duncker & Humblot 2013. Paperback. New. 235 pages. German language. 8.27x5.28x8.27 inches. Duncker & Humblot paperback
185035287Leipzig: Breitkopf & Härtel PN 8228 1850. Folio. Original publisher's blue printed wrappers. 1 title 2-31 i blank pp. Engraved.<br /> <br /> Provenance<br /> Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title.<br /> <br /> Wrappers somewhat worn and soiled; partially split at spine. Light thumbing throughout; small dampstain to upper blank margin. First Edition. MWV U159 p. 344. Hoboken 10 273. Not in Krause or the Catalogue of the Mendelssohn Papers in the Bodleian Library. <br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br /> <br /> Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid 1930s; he was best known for the music he composed for the Greek plays performed there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8228] unknown
184936217London: J. Alfred Novello . 69 Dean Strt. Soho & 24 Poultry PN 550 1849. Folio. Unbound. 1f. recto title verso blank 41 i publisher's catalogue pp. Engraved throughout. With "Novello's Edition of the Works of Felix Mendelssohn Bartholdy Op. 42" printed to head of title.<br /> <br /> Publisher's blindstamp to title dated "20 9 49" 20 September 1849.<br /> <br /> Slightly worn; small edge tears; minor soiling to outer leaves; abrasion to final leaf with small hole; significant tear to pp. 5/6 with no loss. Scarce early edition. MWV A15.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. J. Alfred Novello ... 69, Dean Strt. Soho, & 24, Poultry [PN 550] unknown
185235154Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's light blue wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Vocal incipits in German and French. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Felix Mendelssohn Bartholdy's grössere Gesang-Werke" to verso of lower wrapper.<br /> <br /> Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition later issue of this arrangement. MWV M16 p. 213.<br /> <br /> Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. <br /> <br /> "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown
185036199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved.<br /> <br /> The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4.<br /> <br /> Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22 p. 276. Krause 177. Not in Hoboken.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . <br /> <br /> . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
0844401722.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0405047584.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
18682101070021Leipzig: Vogel 1868. First Edition. Hardcover. Very Good. 19th Century German History 2 volumes. Bound in publisher's blind-tooled navy cloth with gilt lettering. Contemporary patterned end sheets. Hardcover. Good binding and cover. "Als langjahriger Vertrauter des Fürsten Metternich war Gentz in alle Geheimnisse der auswartigen und inneren Politik Oesterreichs eingeweiht. Er war aber nicht dazu angethan um diese Geheimnisse in seinem Busen zu verschliessen". Vogel hardcover
074862385X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0198165978.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9400735200.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
344706076X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3863822846.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3863822854.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9400735200New. Brand new and still unused unknown
62362254Springer pp. 164 . Hardback. New. Springer hardcover
3772807364.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
45880Title from artist's caption. London : Albert Mendelssohn 1874. Albumen print photograph of a satirical cartoon artist's monogram W.R. in the image carte de visite format 103 x 63 mm mount recto with the artist's printed caption to lower margin; verso with wet stamp of 'Albert Mendelssohn Publisher London'; in fine condition. The case of the Tichborne claimant produced two of the most celebrated British trials of the nineteenth century. In 1865 the false claimant in the case an impostor called Arthur Orton who was living in Wagga Wagga under the name Tom Castro claimed that he was in fact the English aristocrat Sir Roger Tichborne who had supposedly been lost at sea some ten years earlier. Although the massive inheritance had passed in the meantime to Sir Roger's younger brother and nephew Sir Roger's mother the Dowager Lady Tichborne refused to believe that her elder son was dead. It was in response to Lady Tichborne's persistent enquiries for confirmation that her son might still be alive that Orton made his claim to the Tichborne baronetcy through a lawyer. In spite of the fact that he bore little resemblance to Sir Roger and could not speak a word of French whereas Sir Roger was fluent Lady Tichborne paid for his passage back to England in order to be reunited with him. Bizarrely she accepted him as her son as did several of Tichborne's old acquaintances. Orton was duly given an annual allowance of £1000. However following Lady Tichborne's death in 1868 a group of family members and friends of Sir Roger began to seriously challenge the claimant's identity. It was discovered that his real name was Arthur Orton and that he was a butcher's son from Wapping. In 1871 after a 102 day trial to determine his true identity Orton was charged with perjury and in 1874 after another marathon 188 day trial he was found guilty of this charge and sentenced to 14 years' hard labour. In his penurious final years he gave a full written confession which he strangely later retracted before his death in 1898. This commercial carte de visite-format satirical cartoon was produced for an eager and fascinated public at the end of the second trial by the London publisher Albert Mendelssohn. It appears much scarcer than other cartoons in the same format that were published by Mendelssohn at different stages of the Tichborne Affair: Trove locates no examples of ""Twenty Years After"" in Australian libraries. unknown
187832680B. G. Teubner. 1878. Hardcover. Good in No Dust Jacket dust jacket. Books have been sturdily rebound in blue boards interleaved with blank pages. Scholar's bookplates to inner covers Moses Hadas. Some ink notes to blank pages Hadas . Gilt lettering to spines. Light edgewear boards. Vol. 2 has 4 cm tear along joint of spine cover. Pages a bit browned.; Text in Ancient Greek; Preface in Latin. 1879-1881; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 1-2; 12mo 7" - 7½" tall; 1227 pages . B. G. Teubner hardcover
