Mendelssohn, MosesBiblio.com
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2004DADAX3772813534Frommann-Holzboog 2004-03-01. hardcover. New. 6.10x2.48x8.50. Buy with confidence. Excellent Customer Service & Return policy. Frommann-Holzboog hardcover
184340969Leipzig: Breitkopf & Härtel PN 6925 1843. Octavo. Full 19th century dark green textured cloth with ruled border gilt "C.C.P" gilt to upper decorative device blindstamped to lower. 1f. recto title verso blank 63 "Compositionen ohne Ausgabe einer Opuszahl" i blank 65-83 i "Dedicationen der Werke Felix Mendelssohn-Bartholdy's" pp. Title lithographed catalogue engraved. Small publisher's oval handstamp to foot of title. Occasional annotations in pencil. Scattered staining mostly minor; small tear to upper blank margin of p. 63 repaired with archival tape to verso. OCLC 1477534799. <br /> <br /> Together with:<br /> Zweite Abtheilung. Unbound. 1f recto title verso "Bemerkung." pp. 39 i blank. 41-44. Title worn and slightly foxed and stained with tear repaired with archival tape to verso; small tears to edges. Not in OCLC.<br /> <br /> First Edition.<br /> <br /> Bound with: <br /> CHOPIN<br /> Thematisches Verzeichnis der im Druck erschienen Compositionen von Friedrich Chopin. Leipzig . Paris . London: Breitkopf & Härtel . Brandus & Co. . Wessel & Co. PN 8497 ca. 1853. 1f. recto title verso blank i-iii "Inhalt. I. Werke mit Opuszahl. II. Werke ohne Opuszhal. III. Portraits. IV. Über Chopin" iv "Dedicationen" 31 i blank 33-35 i blank pp. A few "x" marks in contemporary manuscript. Occasional minor staining and foxing. <br /> <br /> First Edition. OCLC 29298462.<br /> <br /> Binding slightly worn rubbed and bumped; spine lacking with inner edges of boards reinforced with black tape. Breitkopf & Härtel [PN 6925] unknown
1789ABC_50040Berlin 1789. 8vo. Friedrich Vieweg Slightly later gold-tooled half calf sewn on 3 supports with the corresponding raised bands on the spine with the author title and a monogram lettered in gold on the spine a red round morocco label with the number "125" mounted at the foot dark brown cloth sides brown sprinkled edges. 6 "250" = 248 pp. First edition of this posthumous collection of shorter writings by the influential German-Jewish philosopher Moses Mendelssohn 1729-1786 edited by Johann Georg Müchler 1724-1819. The collection was intended to preserve and re-circulate a number of Mendelssohns shorter philosophical essays many of which had previously appeared scattered across contemporary journals and had already become difficult to obtain. In bringing them together Müchler ensured the continued availability of texts that illuminate the breadth of Mendelssohns thought and the literary clarity for which he was celebrated.With a bookplate mounted on the front pastedown inscribed Noel Gouton 1903 made by Stern Graveur a prominent Parisian engraving house active during the late 19th and early 20th centuries which specialized in high-quality ex-libris. The edges of the boards are slightly scuffed the spine is somewhat discoloured. Internally very clean. Otherwise in very good condition.l Fürst II p. 362; Goedeke IV p. 164 no. 19; VD18 13630814; WorldCat 231070909 172996042 10 copies; cf. Albrecht Moses Mendelssohn 1729-1786. Das Lebenswerk eines jüdischen Denkers der deutschen Aufklärung 1986. hardcover
30834Oblong folio. Full 19th century mid-brown cloth with "Mendelssohn Bartholdy I." gilt to upper within decorative blindstamped borders.<br/><br/>- Sechs Gesänge mit Begleitung des Pianoforte . Op. 19a Pr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5281 after 1841. 1 lithographic titlie within decorative border 2 blank 3-15 pp. Engraved. With occasional markings in pencil and red crayon. Small oval publisher's handstamp to foot of title. Slight soiling and browning to title. First Edition later issue. Wehner SD6. Hoboken 10 147. Krause 116. <br/><br/>- Sechs Gesänge . Fräulein Julie Jeanrenand zugeeignet . Op. 34. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 5783 after 1841. 1 lithographic title within decorative border 2 blank 3-15 pp. Engraved. Minor soiling; small marginal tear to pp. 13/14. First Edition later issue. Wehner SD13. Not in Hoboken. Krause 118. <br/><br/>- Sechs Lieder . Frau Constanze Schleinitz zugeeignet . Op. 47. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 6210 after 1841. 1 lithographic title within decorative border 2-15 pp. Engraved. Minor thumbing to lower outer corners. First Edition later issue. Wehner SD20. Not in Hoboken. Krause 120. <br/><br/>- Sechs Lieder . Frau Livia Frece zugeeignet . Op 57. Pr. 25 Ngr. Leipzig: Breitopf & Härtel PN 6929 1843. 1 lithographic title within decorative green floral border 2 blank 3-17 pp. Engraved. First Edition. Wehner SD26. Hoboken 10 228 and illustration no. 18. Krause 122. <br/><br/>- Sechs Lieder . Op. 71. Pr. 25 Ngr. Leipzig: Breitkopf & Härtel PN 7736 1847. 1 lithographic title within decorative border 2 blank 3-15 pp. Engraved. First Edition. Wehner SD35. Hoboken 10 254. Krause 49. <br/><br/>- Lieder und Gesänge mit Begleitung des Pianoforte. Leipzig: Breitkopf & Härtel PNs 8302 8319 8527 e.1-2 8527 ca. 1852. Group of 15 separately published lied each with series title listing a total of 45 lieder. 15; 15; 3; 15 pp. Engraved. <br/>No.<br/>31. Da lieg'ich unter den Bäumen Op. 84<br/>32. Herbstlied. Im Walde rauschen dürre Blätter<br/>33. Jaglied. Mit lust thät ich ausreiten<br/>34. Es lauschte das Laub von C. Klingemann. Es lauschte das Laub so dunkelgrün<br/>35. Orgenlied. Erwacht in neuer Stärke<br/>36. Die Liebende schreibt von Goethe. Ein Blick von deinen Augen<br/>37. Allnächtlich im Traume seh ich Dich von H. Heine<br/>38. Der Mond von Geibel. Mein Herz ist wie die dunkle Nacht<br/>39. Altdeutsches Frühlingslied von Spee. Dertrübe Winter ist vorbei<br/>40. Erster Verlust von Goethe. Ach wer bringt die schönen Tage<br/>41. Die Sterne schau'n von Graf von Schlippenbach Die Sterne schau'n in stiller Nacht<br/>42. Lieblingsplätzchen aus des Knaben Wunderhorn Wisst ihr wo ich gerne weil<br/>43. Das Schifflein von Uhland. Ein Schifflein ziehet leise<br/>44. Wenn sich zwei Herzen scheiden von Geibel<br/>45. Es weiss und räth es doch Keines von Eichendorff<br/><br/>Binding slightly worn and frayed; slightly shaken; spine splitting with minor loss to head and tail of spine; hinges partially split. Minor internal wear and soiling. In very good condition overall. unknown books
184740967London . Bonn: Ewer & Co. Newgate Strt. . N. Simrock 1847. Large folio. Full maroon cloth with dark red leather title label gilt to spine. 1f. recto blank verso frontispiece 1f. recto engraved title within decorative border verso blank 1f. recto index verso blank iv typeset libretto 279 i blank pp. Text in English. Music engraved. Small format single-page list of errata bound in following title.<br /> <br /> The fine frontispiece portrait engraving of the composer is by A.H. Payne and W.C. Wrankmore after Hildebrand.<br /> <br /> Occasional annotations in pencil including instrument names and tempo indications. <br /> <br /> Binding slightly worn rubbed and bumped. Light uniform browning; frontispiece slightly foxed and creased at lower outer corner; foxing mainly to margins; minor soiling to blank margins of title; occasional minor soiling to lower outer corners. First English edition first issue with "Newgate Strt." address published in the same year as the first German edition published by Simrock in Bonn. MWV A25. Catalogue of the Mendelssohn Papers in the Bodleian Library III 362. Hoboken 10 253. <br /> <br /> Elijah to a libretto by J. Schubring was first performed in Birmingham England on 26 August 1846; Schubring also collaborated with Mendelssohn on his earlier oratorio St. Paul.<br /> <br /> "Mendelssohn was not the only 19th-century composer to revive the oratorio but his two completed works St Paul 1836 and Elijah 1846 were the only representatives of his time to achieve lasting popularity. . With few exceptions Mendelssohn's other sacred works lie largely in the shadow of St Paul and Elijah. .<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co. Newgate Strt. ... N. Simrock unknown
N2503bBerlin: Akademie Verlag. Original Cloth with Box. Near Fine. 4to. 1929-1932. On volumes 1-3 and 7 11 16 edges and 2 or 3 pages with some foxing. A fine copy in protective dust jacket in the original publishers boxes these with some aging marks . FOR MANY MANY YEARS NOT SEEN COMPLETE AS THIS COPY ON THE MARKET - . <br/> <br/> Akademie Verlag hardcover
178393701783 Berlin, bey Friedrich Maurer, 1783. Un volume in-8 (105 x 174 mm) en deux parties, de [2]+96+141+[1bl] pages. Reliure de lépoque en dem-basane à coins, pièce de titre jaune. Petits accrocs en bordure de la pièce de titre, sinon ouvrage en parfait état.
19792083002115600381S. Fischer 1979. Soft Cover. Fine. Size: 20cm S. Fischer paperback
184136202Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. <br/><br/>First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. <br/><br/>Bound with: <br/>Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breigkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. <br/><br/>Bound with:<br/>Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. <br/><br/>19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. <br/><br/>Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. <br/><br/>"One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown books
17962330942Berlin: Bey Haude und Spener 1796. Second Edition. Hard Cover. Very Good/No Jacket. Second edition. Sticker on front corner edges rubbed ink name and stamp on endpapers. Scarce - only 12 in OCLC. 1796 Hard Cover. 124 pp. German text. Paper over boards handwritten titles on spine. Mendelssohn's ideas brought about the Haskalah Jewish Enlightenment. This work applies mathematical proofs to metaphysics. It won the author first prize in a Berlin Academy essay contest over Immanuel Kant and Thomas Abbt. Bey Haude und Spener hardcover
183850610London: Longman Orme Brown and Longmans 1838. First edition. Hardcover. Good condition. Octavo. ix 329 371pp. Bound in green pebbled cloth with gilt lettering on spine. Marbled edges. Gray endpapers. With preface by the translator Vindiciae Judaeorum: or a letter by Rabbi Manasseh Ben Israel and Mendelssohn's preface to the German translation of "Vindiciae Judaeorum" notes on Mendelssohn's reply remarks on Mendelssohn and a short catalogue of Ben Israel works in volume one. Mendelssohn's "Jerusalem: A Treatise on Ecclesiastical Authority and Judaism" in volume two. Light wear along edges of binding and lightly rubbed. Starting at dedication page of volume one. Longman, Orme, Brown and Longmans hardcover
184136202Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. <br /> <br /> First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. <br /> <br /> Bound with: <br /> Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. <br /> <br /> Bound with:<br /> Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. <br /> <br /> 19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. <br /> <br /> Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. <br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown
185140954Bonn . Paris . London: bei N. Simrock . bei M. Schlesinger . chez J. A. Novello PN 3041 1851. 1f. recto title verso blank 3-17 i blank pp. First German edition later issue "chez" rather than "bei" J. A. Novello. MWV SD5 p. 470. Krause 216. Hoboken 10 150.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte Componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft . Eigenthum der Verleger . Pr. 3 Frs. Bonn . London . Paris: bei N. Simrock . chez N. Mori . chez Schönenberger PN 3204 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft . Preis 3 Frs. Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53 . IVtes. Heft . Preis 4 Frs. Bonn . London . Paris: bei N. Simrock . Chez Ewer & Co. . Chez Lemoine PN 3935 1841. 1f. recto title verso blank 3-25 i blank pp. First German edition later issue. MWV SD23 p. 478. Krause 227. Hoboken 10 222.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. . Vtes. Heft . Preis 3 Frs 50c. Bonn . Lyon . Mailand . London: bei N. Simrock . bei Benacci & Peschier . bei J. Lucca . bei Ewer & Co. PN 4343 ca. 1860. 1f. recto title verso blank i blank 4-19 i blank pp. First Edition early issue. MWV SD29 p. 481. Krause 231. Hoboken 10 237.<br /> <br /> Bound with:<br /> Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. . VItes. Heft . Preis 3 Frs 50c. Bonn . Mailand . Paris . London: bei N. Simrock . bei J. Ricordi . bei M. Schlesinger . bei Ewer & Co. PN 4478 1845. 1f. recto title verso blank i blank 4-21 i blank pp. First Edition early issue. MWV SD32 p. 482. Krause 236. Hoboken 10 245. <br /> <br /> 6 volumes. Folio. Contemporary black cloth-backed dark blue boards with titling in manuscript to upper. Titles lithographed on blue ground within decorative blue border music engraved. <br /> <br /> Provenance<br /> Heinrich Dorn 1800-1892 noted conductor composer music critic and teacher of the Schumanns with "H. Dorn" in manuscript to upper outer corner of upper board with his small oval handstamp "H. Dorn Coeln" and handstamp "M. Schloss in Coeln" to foot of titles. <br /> <br /> Binding slightly worn and soiled with small stains to upper. Some minor foxing soiling small stains and showthrough heavier to some leaves; small dampstain to blank lower margin of final half of volume; inner margins occasionally reinforced; some minor paper repairs. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven. .<br /> <br /> The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online<br /> <br /> Dorn "studied the piano singing and composition in Königsberg made several long journeys throughout Germany during which he met Weber in Dresden and completed his studies with Ludwig Berger Bernhard Klein and Zelter in Berlin where his first opera Rolands Knappen was produced successfully in 1826. At the same time he became a co-editor of the Berliner allgemeine Muzikzeitung for which he wrote a spirited defence of the beleaguered Gaspare Spontini. Over the next two decades he built a solid reputation as a conductor of opera holding theatre posts at Königsberg 1828 Leipzig 1829-32 where he taught counterpoint to the young Schumann Hamburg 1832 Riga 1834-43 and Cologne 1844-8. He organized the first music festival of the Russian Baltic provinces in Riga 1836 and directed the Lower Rhine music festivals 1844-7. His most prestigious appointment in 1849 after Nicolai's death was as co-conductor with Wilhelm Taubert of the Berlin Hofoper. After his retirement from that post in 1869 he remained active in Berlin for many years as a teacher and writer." Adelyn Peck Leverett revised by Christopher Fifield in Grove Music Online. bei N. Simrock ... bei M. Schlesinger ... chez J. A. Novello [PN 3041] unknown
1957355490725175London 1957. Hard Cover. Dust Jacket. London: The Holland Press / Arco Publications 1957. In 2 volumes in original dustwrappers. lxxii1008; viii1139 pages. First Edition Thus being a Reprint of the 1910 first edition in dustwrappers. Besterman p.179. This reprint was limited to 500 sets. 10000 entries given in this bibliography of all books in all languages on South Africa. Original publisher's light-brown cloth hardback gilt lettering spine. Yellow top edges. Both volumes in fine condition in near fine dustwrappers in their original shipping boxes from Arco Publications as posted on September 23 1957. Rare in this condition with these attributes. Further photographs available upon request. hardcover
Frommann-9783772815171frommann-holzboog Verlag e.K. German. Hardcover. New. XCIV 503 p. 156 x 209 cm. This volume provides German translations of the texts published in the Hebräischen Schriften I JubA Band 14 Hebrew Writings I. It contains Mendelssohns Kohelet musar Preacher of Morality an early work loosely based on the model of the moral weeklies his commentaries on the logic of Maimonides Bi'ur millot ha-higgajon and on Ecclesiastes in connection the texts written in connection with his Pentateuch edition by such scholars as S. Dubno and N. H. Wessely cf. JubA Band 151 moreover philosophical commentaries letters a poem and documents of the Jewish community in Berlin. The annotated transcription of the list of subscribers reveals a document which is important for the reception history of the Pentateuch edition. Apart from the commentary on Ecclesiastes and the pamphlet on the Pentateuch edition which are published in contemporary translations by Johann Jacob Rabe and Christian Gottlob Meyer this volume provides access to Mendelssohns texts in a new and for the first time complete translation. For translations of the treatise Hanefesch The Soul as well as of the introduction to the Pentateuch edition cf. JubA Volume 31 and Volume 91. frommann-holzboog Verlag e.K. hardcover
Frommann-9783772815171frommann-holzboog Verlag e.K. German. Hardcover. New. XCIV 503 p. 156 x 209 cm. This volume provides German translations of the texts published in the Hebräischen Schriften I JubA Band 14 Hebrew Writings I. It contains Mendelssohns Kohelet musar Preacher of Morality an early work loosely based on the model of the moral weeklies his commentaries on the logic of Maimonides Bi'ur millot ha-higgajon and on Ecclesiastes in connection the texts written in connection with his Pentateuch edition by such scholars as S. Dubno and N. H. Wessely cf. JubA Band 151 moreover philosophical commentaries letters a poem and documents of the Jewish community in Berlin. The annotated transcription of the list of subscribers reveals a document which is important for the reception history of the Pentateuch edition. Apart from the commentary on Ecclesiastes and the pamphlet on the Pentateuch edition which are published in contemporary translations by Johann Jacob Rabe and Christian Gottlob Meyer this volume provides access to Mendelssohns texts in a new and for the first time complete translation. For translations of the treatise Hanefesch The Soul as well as of the introduction to the Pentateuch edition cf. JubA Volume 31 and Volume 91. frommann-holzboog Verlag e.K. hardcover
178928250Berlin: bei Friedrich Vieweg dem álteren 1789.- 3 h. 250 p.; 8º 17 x 11 cm.; buena impresión en letra gótica sobre excelente papel verjurado; Plena Piel valenciana en tonos marrones lomo dorado con filetes y bandas sobre los nervios estuche. Salvo una pequeña marca de humedad en el margen superior de unas 8 hojas que no toca texto su estado es excelente. FILOSOFÃA E HISTORIA DE LA CULTURA Buch auf deutsch bei Friedrich Vieweg, dem álteren hardcover
1968003280London: The Holland Press 1968 Two volumes complete. Unnumbered copies of a limited edition of 250 copies. Excellent condition. Volume 1: 1008 pages. Volume 2: 1139 pages. Both volumes are protected by thick plastic sleeves. Please note that due to the weight of the books should they need be posted to the outside of South Africa extra postal charges may be required. Size: Approx 7" Wide - 10" Tall The Holland Press hardcover
184440519Leipzig: Fr. Kistner PN 1400 1844. Folio. Modern mid-green boards with original publisher's wrappers laid down to both boards title label gilt to spine. 1f. recto title verso printed excerpt from a letter from Goethe to Mendelssohn 5- 91 i blank pp. Text in German. Engraved. <br /> <br /> With the overture arranged for piano 4-hands. <br /> <br /> Annotations in pencil to several leaves. <br /> <br /> Binding worn and soiled; corners bumped; wrappers with minor loss; free front endpaper slightly creased. Slightly worn and foxed; some corners with minor soiling; blank inner margin of title reinforced with narrow strip of paper; blank lower outer corner of title and following leaf repaired; several leaves with tape repairs to blank margins. Ex-library with small handstamp of the Städische Bühnen Erfurt Bibliothek to verso of title. First Edition. MWV D3 p. 78. Catalogue of the Mendelssohn Papers in the Bodleian Library Oxford III 372. Hoboken Collection Vol. 10 232. Krause pp. 19 28. <br /> <br /> A secular cantata with text by Goethe the present work treats efforts by the Druids to practice their springtime pagan rituals in the face of rising Christian forces. The original version was completed in 1831 first performed at the home of Mendelssohn's parents and then publicly on 10 January 1833 in Berlin at the Sing-Akademie conducted by the composer. It was later revised in 1843 as a programmatic overture.<br /> <br /> "The highlights of the 1843 subscription concerts included the première of the revised version of Die erste Walpurgisnacht on 2 February; among the audience was Berlioz then in the midst of his first concert tour who praised the score for its 'apparent confusion that is art perfected'." R. Larry Todd in Grove Music Online. Fr. Kistner [PN 1400] unknown
MC00C-00712Christian Friedrich Voss und Sohn. Collectible - Acceptable. Berlin: Christian Friedrich Voss und Sohn 1785. 1st edition. Volume 1 the only volume published. 16mo hardcover. Half vellum and marbled boards with gilt spine lettering. 380ppxl. German. Good book. Marbled paper on front board torn. Bookplate on front pastedown. Some dampstaining on front leaves. Ink markings on title page and page 119. God Religion Existence Ontology Books in German Inquire if you need further information. Christian Friedrich Voss und Sohn hardcover
1990DADAX3772810241Frommann-Holzboog 1990-12-31. Bilingual. hardcover. New. 5.83x0.83x8.86. Buy with confidence. Excellent Customer Service & Return policy. Frommann-Holzboog hardcover
Frommann-9783772810176frommann-holzboog Verlag e.K. German. Hardcover. New. XCIII 323 p. 156 x 209 cm. Volume 101 contains the introductions and texts volume 102 the versions and annotations. The texts start with Mendelssohns German translation of the Psalms a project close to his heart. Weinberg compares this translation with the traditional and with contemporary biblical exegesis and also edits Mendelssohns translation of the Song of Solomon the victory song of Deborah the elegy to the fort of Zion by Jehuda Halevi part of the Trial of the World by Jedaja Hapenini Bederschi and a penitential psalm which was set to music by Kirnberger. Among the texts whichAltmann oversaw there are translations of Hebrew hymns of thanksgiving as well as sermons and odes written by Mendelssohn. There are also essays on the controversial prayer Aleinu a philosophical prayer Religious Exercises of a Wise Man and translations of rabbinical short stories Examples of Rabbinical Wisdom. The texts show Mendelssohns deep roots in Jewish piety. frommann-holzboog Verlag e.K. hardcover
Frommann-9783772810176frommann-holzboog Verlag e.K. German. Hardcover. New. XCIII 323 p. 156 x 209 cm. Volume 101 contains the introductions and texts volume 102 the versions and annotations. The texts start with Mendelssohns German translation of the Psalms a project close to his heart. Weinberg compares this translation with the traditional and with contemporary biblical exegesis and also edits Mendelssohns translation of the Song of Solomon the victory song of Deborah the elegy to the fort of Zion by Jehuda Halevi part of the Trial of the World by Jedaja Hapenini Bederschi and a penitential psalm which was set to music by Kirnberger. Among the texts whichAltmann oversaw there are translations of Hebrew hymns of thanksgiving as well as sermons and odes written by Mendelssohn. There are also essays on the controversial prayer Aleinu a philosophical prayer Religious Exercises of a Wise Man and translations of rabbinical short stories Examples of Rabbinical Wisdom. The texts show Mendelssohns deep roots in Jewish piety. frommann-holzboog Verlag e.K. hardcover
Frommann-9783772810183frommann-holzboog Verlag e.K. German. Hardcover. New. V 329 p. 156 x 209 cm. Volume 101 contains the introductions and texts volume 102 the versions and annotations. The texts start with Mendelssohns German translation of the Psalms a project close to his heart. Weinberg compares this translation with the traditional and with contemporary biblical exegesis and also edits Mendelssohns translation of the Song of Solomon the victory song of Deborah the elegy to the fort of Zion by Jehuda Halevi part of the Trial of the World by Jedaja Hapenini Bederschi and a penitential psalm which was set to music by Kirnberger. Among the texts whichAltmann oversaw there are translations of Hebrew hymns of thanksgiving as well as sermons and odes written by Mendelssohn. There are also essays on the controversial prayer Aleinu a philosophical prayer Religious Exercises of a Wise Man and translations of rabbinical short stories Examples of Rabbinical Wisdom. The texts show Mendelssohns deep roots in Jewish piety. frommann-holzboog Verlag e.K. hardcover
Frommann-9783772810183frommann-holzboog Verlag e.K. German. Hardcover. New. V 329 p. 156 x 209 cm. Volume 101 contains the introductions and texts volume 102 the versions and annotations. The texts start with Mendelssohns German translation of the Psalms a project close to his heart. Weinberg compares this translation with the traditional and with contemporary biblical exegesis and also edits Mendelssohns translation of the Song of Solomon the victory song of Deborah the elegy to the fort of Zion by Jehuda Halevi part of the Trial of the World by Jedaja Hapenini Bederschi and a penitential psalm which was set to music by Kirnberger. Among the texts whichAltmann oversaw there are translations of Hebrew hymns of thanksgiving as well as sermons and odes written by Mendelssohn. There are also essays on the controversial prayer Aleinu a philosophical prayer Religious Exercises of a Wise Man and translations of rabbinical short stories Examples of Rabbinical Wisdom. The texts show Mendelssohns deep roots in Jewish piety. frommann-holzboog Verlag e.K. hardcover
