Mendelssohn, MichBiblio.com
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2007SONG074862385XEdinburgh University Press 2007-06-20. hardcover. Used: Good. 6.14x1.00x9.21. Buy with confidence. Excellent Customer Service & Return policy. Edinburgh University Press hardcover
A9780367247423Hardback. New. hardcover
188035282Berlin: N. Simrock PN 4717 1880. Folio. 35 pp. score 18 parts with imprint Bonn: N. Simrock PN 4710 8 Frs. 2 Thlr 4 Sgr. Engraved. Text in German.<br /> <br /> Provenance<br /> <br /> Composer E.J. Biedermann 1849-1933 with his signature in pencil to head of violin I part; small oval handstamp of G. Schirmer to all parts.<br /> <br /> With performance letters in blue pencil to parts.<br /> <br /> Score slightly worn; Violin I part quite worn; split and frayed at spine; other parts slightly worn. First Edition of this arrangement. MWV D6. Score is a re-issue following Simrock's move to Berlin; parts are an earlier issue.<br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br /> <br /> Maximilian Carl Eberwein son of composer Franz Carl Eberwein was a noted pianist and pedagogue. His arrangement of the present work for full orchestra was first published in 1848. N. Simrock [PN 4717] unknown
20142-9400735200Springer 2014. Paperback. New. 2011 edition. 164 pages. 9.25x6.10x0.37 inches. Springer paperback
1994BN62175Bergisch Gladbach : Lübbe 1994. <br/><br/>Kunst Bergisch Gladbach : Lübbe unknown
MC00C-00711Schmiederischen Buchhandlung. Collectible - Acceptable. Carlsruhe: Schmiederischen Buchhandlung n.d. ca. 1767. 12mo hardcover. 224pp. German. Near Good book. Covers scuffed. Owner's name on front endpapers and ink notation on title page. Upper half inch of FFEP trimmed off. Immortality Socrates Jewish Enlightenment Philosophy Books in German Inquire if you need further information. Schmiederischen Buchhandlung hardcover
188035282Berlin: N. Simrock PN 4717 1880. EBERWEIN M.C. 1814-1875 arr. Folio. 35 pp. score 18 parts with imprint Bonn: N. Simrock PN 4710 8 Frs. 2 Thlr 4 Sgr. Engraved. Text in German.<br/><br/>From the library of composer E.J. Biedermann 1849-1933 with his signature in pencil to head of violin I part; small oval handstamp of G. Schirmer to all parts.<br/><br/>With performance letters in blue pencil to parts.<br/><br/>Score slightly worn; Violin I part quite worn; split and frayed at spine; other parts slightly worn. First Edition of this arrangement. Score is a re-issue following Simrock's move to Berlin; parts are an earlier issue. Wehner MWV D 6 p. 80. <br/><br/>One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online<br/><br/>Maximilian Carl Eberwein son of composer Franz Carl Eberwein was a noted pianist and pedagogue. His arrangement of the present work for full orchestra was first published in 1848. N. Simrock [PN 4717] unknown books
93038501London 1920 Kegan. Blue cloth very good 239p. index bibliography frontispiece. Covers the Jews in the middle East Eastern Asia China Ti- bet Kai-Feng Foo India Persia Palestine Turkey Mesopo- tamia Yemen Kurdistan &c. A valuable resource. Scans can be sent by email. unknown
3795202639.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
47738Frankfurt und Leipzig 1768 in 12 (16,5x10,5) 1 volume reliure demi basane fauve à patits coins de l'époque, dos à nerfs orné de filets dorés, pièce de titre de maroquin rouge, frontispice gravé, page de titre imprimée en rouge et en noir, 4 feuillets préliminaires, 228 pages, rousseurs éparses sur les premières et sur les dernières pages. Moses Mendelssohn, Dessau 1729 - Berlin 1786, philosophe juif du mouvement des Lumières. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
MUS164MNon daté / 117 + 136 + 85 + 68 + 32 pages. Relié au format 24 x 31 cm. Editions Braunschweig & New York, Henry Litolff's Verlage. Enoch Père et Fils.
MUS169MTOME 1 : Comprenant : Mozart Violoncelle : 97 pages + Beethoven Quartette für 2 violinen, bratsche und violoncell : 152 pages + Franz Schubert Quartette für 2 violinen, viola and violoncell herausgegeben von Ferd David : 78 pages + Félix Mendelssohn-Bartholdy Quatuors pour 2 violons, alto et violoncelle Revus par H. Böhme, violoncelle : 59 pages + Schumann Sämmtliche Werke. Drei Quartette für 2 violinen, viola, violoncell OP 41 revidirt von Alfred Dörffel : 28 pages.
RO50047954INCONNUE. NON DATE. In-Folio. Relié. Etat d'usage, Tâchée, Dos fané, Quelques rousseurs. 200 pages de partitions environ. Nom des compositeurs et numéro du volume dorés au dos de l'ouvrage. Tranches légèrements frottées.. . . . Classification Dewey : 780.26-Partitions
RO50049865NAUS & ROMAIN. NON DATE. In-Folio. Relié. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 217 pages de partitions. Fleurons et titre dorés au dos de l'ouvrage. Petite déchirure au dos.. . . . Classification Dewey : 780.26-Partitions
185036216Bonn . Londres . Paris: N. Simrock . J.J Novello . M. Schlesinger PN 3041 1850. 1 title 2 blank 3-17 i blank pp. Lithographed. First German edition later variant issue.<br /> <br /> With:<br /> - Op. 30. Sechs Lieder . componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft Pr. 3 Frs - 24 Sgr. Bonn . London . Paris: N. Simrock . N. Mori . M. Schlesinger PN 3205 ca. 1845. 1 title 2-3 blank 4-17 i blank pp. Engraved. First Edition later issue. Hoboken 10 177. <br /> <br /> - Op 38. Sechs Lieder . componirt Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft Preis 3 Frs. - 24 Sgr. Bonn: N. Simrock PN 3383 ca. 1850-60. 1 title 2 blank 3-19 i blank pp. Later edition. <br /> <br /> - Op. 53. Sechs Lieder . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53. IVtes. Heft Preis 4 Frs. Bonn: N. Simrock PN 3935 ca. 1860. 1 title 2 blank 3-21 i blank pp. <br /> <br /> - Op. 62. Sechs Lieder . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. Vtes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4343 ca. 1850. 1 title 2-3 blank 4-19 i blank pp. Engraved. <br /> <br /> - Op. 67. Sechs Lieder . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. VItes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4478 ca. 1860. <br /> <br /> 6 volumes. Folio. Titles printed on blue ground within decorative blue border. <br /> <br /> Handstamp of 19th century New York musicseller Scharfenberg to foot of titles of all but one volume. <br /> <br /> Disbound; spines reinforced with tape. Slightly worn; moderate browning and foxing throughout. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. N. Simrock ... J.J Novello ... M. Schlesinger [PN 3041] unknown
187832680B. G. Teubner. 1878. Hardcover. Good in No Dust Jacket dust jacket. Books have been sturdily rebound in blue boards interleaved with blank pages. Scholar's bookplates to inner covers Moses Hadas. Some ink notes to blank pages Hadas . Gilt lettering to spines. Light edgewear boards. Vol. 2 has 4 cm tear along joint of spine cover. Pages a bit browned.; Text in Ancient Greek; Preface in Latin. 1879-1881; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 1-2; 12mo 7" - 7½" tall; 1227 pages . B. G. Teubner hardcover
45880Title from artist's caption. London : Albert Mendelssohn 1874. Albumen print photograph of a satirical cartoon artist's monogram W.R. in the image carte de visite format 103 x 63 mm mount recto with the artist's printed caption to lower margin; verso with wet stamp of 'Albert Mendelssohn Publisher London'; in fine condition. The case of the Tichborne claimant produced two of the most celebrated British trials of the nineteenth century. In 1865 the false claimant in the case an impostor called Arthur Orton who was living in Wagga Wagga under the name Tom Castro claimed that he was in fact the English aristocrat Sir Roger Tichborne who had supposedly been lost at sea some ten years earlier. Although the massive inheritance had passed in the meantime to Sir Roger's younger brother and nephew Sir Roger's mother the Dowager Lady Tichborne refused to believe that her elder son was dead. It was in response to Lady Tichborne's persistent enquiries for confirmation that her son might still be alive that Orton made his claim to the Tichborne baronetcy through a lawyer. In spite of the fact that he bore little resemblance to Sir Roger and could not speak a word of French whereas Sir Roger was fluent Lady Tichborne paid for his passage back to England in order to be reunited with him. Bizarrely she accepted him as her son as did several of Tichborne's old acquaintances. Orton was duly given an annual allowance of £1000. However following Lady Tichborne's death in 1868 a group of family members and friends of Sir Roger began to seriously challenge the claimant's identity. It was discovered that his real name was Arthur Orton and that he was a butcher's son from Wapping. In 1871 after a 102 day trial to determine his true identity Orton was charged with perjury and in 1874 after another marathon 188 day trial he was found guilty of this charge and sentenced to 14 years' hard labour. In his penurious final years he gave a full written confession which he strangely later retracted before his death in 1898. This commercial carte de visite-format satirical cartoon was produced for an eager and fascinated public at the end of the second trial by the London publisher Albert Mendelssohn. It appears much scarcer than other cartoons in the same format that were published by Mendelssohn at different stages of the Tichborne Affair: Trove locates no examples of ""Twenty Years After"" in Australian libraries. unknown
3772807364.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
62362254Springer pp. 164 . Hardback. New. Springer hardcover
9400735200New. Brand new and still unused unknown
118284aaf(CHUR) Coira, Presso Giacomo Otto, M D CCLXXIII, 1773, in-8vo, 8 ff. + 367 p. (+ 1 errori di Stampa), non rogné, cartonnage gris d’attente de l’époque.
191511336Oeuvres complètes pour Piano. Révision par Maurice Ravel.Paris, Edition Classique, A. Durand et Fils, 1915. 157 pp.Belle reliure à la bradel demi-maroquin bleu à coins. Dos lisse orné et doré. Tête dorée. Couverture conservée. Quelques rousseurs. Bon état. Format in-4°(30x23).
185036216Bonn . Londres . Paris: N. Simrock . J.J Novello . M. Schlesinger PN 3041 1850. 1 title 2 blank 3-17 i blank pp. Lithographed. First German edition later variant issue.<br/><br/>With:<br/>- Op. 30. Sechs Lieder . componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft Pr. 3 Frs - 24 Sgr. Bonn . London . Paris: N. Simrock . N. Mori . M. Schlesinger PN 3205 ca. 1845. 1 title 2-3 blank 4-17 i blank pp. Engraved. First Edition later issue. Hoboken 10 177. <br/><br/>- Op 38. Sechs Lieder . componirt Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft Preis 3 Frs. - 24 Sgr. Bonn: N. Simrock PN 3383 ca. 1850-60. 1 title 2 blank 3-19 i blank pp. Later edition. <br/><br/>- Op. 53. Sechs Lieder . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53. IVtes. Heft Preis 4 Frs. Bonn: N. Simrock PN 3935 ca. 1860. 1 title 2 blank 3-21 i blank pp. <br/><br/>- Op. 62. Sechs Lieder . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. Vtes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4343 ca. 1850. 1 title 2-3 blank 4-19 i blank pp. Engraved. <br/><br/>- Op. 67. Sechs Lieder . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. VItes. Heft Preis 3 Frs 50c. Bonn: N. Simrock PN 4478 ca. 1860. <br/><br/>6 volumes. Folio. Titles printed on blue ground within decorative blue border. <br/><br/>Handstamp of 19th century New York musicseller Scharfenberg to foot of titles of all but one volume. <br/><br/>Disbound; spines reinforced with tape. Slightly worn; moderate browning and foxing throughout. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. N. Simrock ... J.J Novello ... M. Schlesinger [PN 3041] unknown books
3863822846.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3863822854.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
