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RO50044589ENOCH ET CIE. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 51 pages de partitions. Protection plastique transparente. Dos renforcé avec de l'adhésif. Plats absents.. . . . Classification Dewey : 780.26-Partitions
RO50043931ENOCH ET CIE. NON DATE. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 79 pages de partitions. Premier plat illustré en noir et blanc. Protection plastique transparente. Tampon sur le premier plat, sur la page de titre ainsi que sur les pages 3 et 7.. . . . Classification Dewey : 780.26-Partitions
1979029226Copperfield Art Collection 1979. Book. Good. Leather. Limited Edition. 270mm x 370mm. Light wear to leather. The top 2cm of the blue ffep has separated from the title page. There is some marking to the verso of the rear fold-out plate and the front of the single plate preceding it. This appears to have been caused in manufacture by the blue colouring of the rear fep. Otherwise internally clean. Binding tight. Limited Edition of 275 copies. Not numbered or signed. 284pp VERY HEAVY BOOK - ADDITIONAL POTAGE CHARGEABLE. Copperfield Art Collection Hardcover
1991Q-0486268284Dover Publications 1991-08-08. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
450098Novello and Company Limited. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. This rare antiquarian Novello's Original Octavo Edition music and tablature book entitled "Elijah: An Oratorio" is written by F. Mendelssohn Bartholdy. Published in c.1903 by Novello and Company Limited and is in good condition overall. Novello and Company Limited hardcover
2005Q-184449490xOmnibus Press 2005-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Omnibus Press hardcover
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br /> <br /> Vol. I: 125 pp. Contains opp. 5 6 7 nos. 1 and 2 14 15 16 nos. 1-3 19 and 29<br /> Vol. II: 126-262 pp. Contains opp. 25 28 29 30 33 nos. 1-3 and 35 Book 1<br /> Vol. IV: 263-399 pp. Contains opp. 62 Book 5 67 Book 6 72 82 83 85 Book 7<br /> Vol. V: 536-608 pp. Contains opp. 102 Book 8 104 Books 1 and 2 105 and 106<br /> Each volume with a collective title and index.<br /> <br /> Provenance<br /> American composer and pianist Edward Julius Biedermann 1849-1933 with his signature to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br /> <br /> Partially disbound; wrappers torn or lacking. Four of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown
187835280Leipzig: Breitkopf & Härtel PN M.B. 85 1878. Folio. Original publisher's gray wrappers with titling within decorative border. 1f. recto title verso blank 1f. contents 328 pp. Engraved. Text in German.<br /> <br /> In the series: "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger. Serie 13. Oratorien. Partitur." From the Breitkopf edition of Mendelssohn's Complete Works No. 85. <br /> <br /> Provenance<br /> Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title. Small oval handstamp of Novello to upper wrapper and blank foot of title.<br /> <br /> Wrappers rather worn; corner of upper lacking; lower detached. Occasional light foxing heavier to some leaves; edges somewhat soiled; some signatures split. MWV A14 p. 19. <br /> <br /> Paulus an oratorio to a libretto by Julius Schubring after Acts was first performed as part of the Niederrheinische Musikfest in Düsseldorf on 22 May 1836. Simrock printed the first edition of the piano-vocal score in December 1836 and the full score the following spring. <br /> <br /> "Mendelssohn distinguished himself in many fields and his contributions to sacred choral music are no exception. He was the most prominent advocate for the music of J.S. Bach reviving the St. Matthew Passion in 1829 and helped to reestablish the oratorio by providing two superb examples: St. Paul 1836 and Elijah 1846.<br /> <br /> From Bach's Passions and Handel's oratorios Mendelssohn borrowed the use of the traditional narrator to relate in recitatives the dramatic action of the work. Conspicuously Bachian are the chorales interspersed throughout the oratorio to demarcate the principal structural divisions diffusing according to Carl Klingemann 'a calmness through the whole'. On the other hand a debt to Handel is revealed in the rich variety of the choruses which include several that directly engage in the dramatic action and several cast in a variety of fugal styles. Prefacing the oratorio is an overture that evokes Paul's struggle for spiritual awakening by means of the chorale Wachet auf and a dissonant fugue with its subject derived from the first strain of the chorale." R. Larry Todd in Grove Music Online<br /> <br /> Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid-1930s; he was best known for the music he composed for the Greek plays performed at there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN M.B. 85] unknown
185140963Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 1851. Folio. Disbound. Contemporary dark blue paper wrappers with manuscript title label to upper. 1f. recto title verso blank 3-19 i blank pp.<br /> <br /> Wrappers worn and detached. Moderate foxing throughout heavier to margins. First German edition later issue. MWV SD 23 p. 478. Krause 227. Hoboken 10 222.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven . <br /> <br /> . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online. bei N. Simrock ... bei J. A. Novello [PN 3383] unknown
114226Stockholm P. B. Eklunds förlag 1869. 8:o. 231 s. Förlagets röda och guldornerade kbd ryggen blekt. Äldre namnteckning Hulda Elliot. Ur Rolf Mallanders bibliotek. Davidsson 3569. Svensk översättning av â€Reisebriefe von Felix Mendelssohn Bartholdy aus den Jahren 1830 bis 1832†postumt utgivna som â€Briefe Band 1†1861. unknown
104751Stockholm P. B. Eklunds förlag 1869. 8:o. 231 s. Förlagets dek. klotband nÃ¥got svaga falsar med en liten spricka upptill i bakre. Med äldre namnteckning av Agnes Kinberg. Svensk översättning av â€Reisebriefe von Felix Mendelssohn Bartholdy aus den Jahren 1830 bis 1832â€. unknown
1996Q-0711902526Omnibus Pr & Schirmer Trade Books 1996-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Omnibus Pr & Schirmer Trade Books paperback
1-3957820987Dogma 1776. Paperback. New. 4th edition. 372 pages. 8.27x5.83x0.84 inches. Dogma paperback
19581650DB1958. Zürich Max Niehans 1958. 8°. 384 S. Mit 7 mont. Portraits dv. 1 als Frontispiz und 3 farb. Abb. nach Aquarellen auf Tafeln 1 Notenfaksimile sowie 1 Abb. nach einem Albumblatt von Goethe. Orig.-Pappband mit Rückenvergoldung in Pappschuber Rücken leicht gebräunt. Nr. 58 von 300 Ex. GA 350 Ex. auf Bütten. - Vorsätze minim stockfleckig. unknown
19581650DBZürich, Max Niehans, 1958. 8°. 384 S. Mit 7 mont. Portraits (dv. 1 als Frontispiz) und 3 farb. Abb. nach Aquarellen auf Tafeln, 1 Notenfaksimile sowie 1 Abb. nach einem Albumblatt von Goethe. Orig.-Pappband mit Rückenvergoldung in Pappschuber (Rücken leicht gebräunt).
1138568716.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6f3637Deutsche Verlagsgesellschaft für Politik und Geschichte mbH Berlin 1922. Zusammen 2314 Seiten Original-Halbleineneinbände Großoktav. etwas fleckig innen gebräunt. - sonst gute Exemplare/ Enthalten: Erster Band: Der Frankfurter Friede und seine Nachwirkungen 1871-1877/ 2. Band: Der Berliner Kongreß und seine Vorgeschichte/ 3. Band: Das Bismarck'sche Bündnissystem/ 4. Band: Die Dreibundmächte und England/ 5. Band: Neue Verwickelungen im Osten/ 6. Band: Kriegsgefahr in Ost und West - Ausklang der Bismarckzeit unknown
1993267027PN. New. 1993. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1776190450Frankfurt & Leipzig.: No publisher. 1776. Publisher’s plain wraps paper spine label with handwritten title. . Very good untrimmed in the wraps. 8vo. 19.5x12 cm. German text. Mendelssohn’s musing on the immortality of the soul. weight: 0.4 lb. Engraved frontis. No publisher. paperback
187835280Leipzig: Breitkopf & Härtel PN M.B. 85 1878. RIETZ Julius 1812-1877 ed. Folio. Original publisher's gray wrappers with titling within decorative border. 1f. recto title verso blank 1f. contents 328 pp. Engraved. Text in German.<br/><br/>In the series: "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger. Serie 13. Oratorien. Partitur." From the Breitkopf edition of Mendelssohn's Complete Works No. 85. <br/><br/>From the library of composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title. Small oval handstamp of Novello to upper wrapper and blank foot of title.<br/><br/>Wrappers rather worn; corner of upper lacking; lower detached. Occasional light foxing heavier to some leaves; edges somewhat soiled; some signatures split. Wehner MWV A 14 p. 19. <br/><br/>Paulus an oratorio to a libretto by Julius Schubring after Acts was first performed as part of the Niederrheinische Musikfest in Düsseldorf on 22 May 1836. Simrock printed the first edition of the piano-vocal score in December 1836 and the full score the following spring. <br/><br/>Mendelssohn distinguished himself in many fields and his contributions to sacred choral music are no exception. He was the most prominent advocate for the music of J.S. Bach reviving the St. Matthew Passion in 1829 and helped to reestablish the oratorio by providing two superb examples: St. Paul 1836 and Elijah 1846.<br/><br/>"From Bach's Passions and Handel's oratorios Mendelssohn borrowed the use of the traditional narrator to relate in recitatives the dramatic action of the work. Conspicuously Bachian are the chorales interspersed throughout the oratorio to demarcate the principal structural divisions diffusing according to Carl Klingemann 'a calmness through the whole'. On the other hand a debt to Handel is revealed in the rich variety of the choruses which include several that directly engage in the dramatic action and several cast in a variety of fugal styles. Prefacing the oratorio is an overture that evokes Paul's struggle for spiritual awakening by means of the chorale Wachet auf and a dissonant fugue with its subject derived from the first strain of the chorale." R. Larry Todd in Grove Music Online.<br/><br/>Horace Middleton was a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s. He was best known for the music he composed for the Greek plays performed at the college. See obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN M.B. 85] unknown books
187536204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. <br/><br/>Vol. I: 125 pp. 3rd edition<br/>Vol. II: 126-262 pp. 2nd edition<br/>Vol. IV: 263-399 pp. 2nd edition<br/>Vol. V: 536-608 pp. 2nd edition<br/><br/>Each volume includes a collective title and index.<br/><br/>With the signature of the American composer and pianist Edward Julius Biedermann 1849-1933 to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes."<br/><br/>Partially disbound; wrappers torn or lacking. 4 of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br/><br/>Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown books
mon0000133418Routledge 2019-07-10. Hardcover. Good. 2.1983 in x 24.1816 in x 15.5882 in. Ex library book usual markings. Clean copy sound binding. Routledge hardcover
ria9783368616052_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
57722Frankfurt S. Fischer 1980-1981. 8° jeweils 700 - 1200 S. OLwd. m. OU m. Lesebändchen in Schmuckschuber. OU beschienen u. etw. gebrauchsspurig Bd. I ohne Schuber Bücher tadell. Bd. I: 1933 - 1934. 21.-27. Tausend; Bd. II: 1935 - 1936. 2. Aufl. 16.-18. Tausend; Bd. III: 1937 - 1939. EA. 010 Frankfurt, S. Fischer, 1980-1981 unknown
2012DADAX0252036875University of Illinois Press 2012-05-29. First Edition. hardcover. New. 9.30x6.00x0.90. Buy with confidence. Excellent Customer Service & Return policy. University of Illinois Press hardcover
